The Beatles: Note By Note

The Beatles: Note By Note

<p>Join former bandmates and lifelong friends Peter and Kenyon as they dive deep into the legendary discography of The Beatles in "The Beatles: Note by Note." With decades of friendship and a shared passion for music, these lifelong Beatles fans meticulously analyze each Beatles song in chronological order of release. Blending historical context with personal anecdotes and technical insights, Peter and Kenyon's discussions are enriched by their background as musicians. From their humble beginnings to their rise as music icons, explore how The Beatles' songs were crafted, recorded, and how they transformed the music industry. Whether you're a die-hard fan or new to The Beatles' music, "The Beatles: Note by Note" offers a comprehensive and definitive journey through the catalog of one of the greatest bands of all time. This podcast is a must-listen for anyone seeking an in-depth, authoritative exploration of The Beatles' musical legacy.</p><br><p>For more information, visit <a href="https://www.notebynoteseries.com" rel="noopener noreferrer" target="_blank"><u>https://www.notebynoteseries.com</u></a></p><br /><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>

EP030 - All My Loving

What makes “All My Loving” the song that signaled a shift in the Beatles' dynamic? In this episode, Peter and Kenyon dive into Paul McCartney’s first major contribution to the Beatles’ catalog, written during a tour bus ride in 1963. The song marked a turning point as McCartney's melodic genius began to rival Lennon’s dominance. With influences ranging from country and western to pop balladry, the track introduced signature elements like John Lennon’s relentless triplet rhythm guitar and George Harrison’s Nashville-inspired solo. The hosts also explore how "All My Loving" became a cultural phenomenon, despite never being released as a single, with performances on The Ed Sullivan Show helping to ignite Beatlemania in the United States. Packed with surprising insights, this episode highlights the song's pivotal role in shaping the Beatles’ legacy and offers a fresh look at one of their most beloved tracks. Hosted on Acast. See acast.com/privacy for more information.

02-15
01:28:10

LS030 - All My Loving - Lecture Series (bonus)

In this lecture, Kenyon explores "All My Loving," one of Paul McCartney’s standout tracks from With the Beatles. The session delves into the song’s unique blend of emotional resonance and technical sophistication, beginning with its 32-bar form and seamless integration of A and B sections. Kenyon highlights McCartney’s innovative bassline, which employs a walking pattern to create dynamic counterpoint with the melody, and examines John Lennon’s relentless triplet rhythm guitar, which lends the song its distinctive driving energy. The discussion extends to the harmonic structure, focusing on McCartney’s use of a flat-seven chord and descending thirds to evoke a sense of longing amidst the song’s upbeat tempo. By analyzing the lyrics, Kenyon uncovers the thematic interplay of anticipation and devotion, positioning "All My Loving" as a defining example of McCartney’s early mastery of songwriting. This lecture provides a deep dive into one of the Beatles’ most iconic love songs. Hosted on Acast. See acast.com/privacy for more information.

02-15
47:12

EP029 - All I've Got To Do

Although "It Won’t Be Long" kicks off With the Beatles with a jolt of energy and ambition, "All I’ve Got to Do" takes a quieter, more introspective approach, marking a surprising tonal shift. Written by John Lennon and inspired by Smokey Robinson and the Miracles, this track was one of the earliest Beatles songs to experiment with emotional vulnerability and minimalistic arrangements. Peter and Kenyon explore the song's sparse yet impactful instrumentation, Lennon's unadorned vocal delivery, and the intriguing harmonic shifts that lend the track its brooding atmosphere. They also discuss how the song’s use of "call and response" hints at the band’s deepening understanding of soul and R&B traditions. Despite being overshadowed by other tracks on the album, "All I’ve Got to Do" offers a fascinating study in restraint and raw emotion, revealing a side of the Beatles that feels both deeply personal and musically innovative. Hosted on Acast. See acast.com/privacy for more information.

02-09
01:07:39

LS029 - All I've Got To Do - Lecture Series (bonus)

In this lecture, Kenyon explores "All I’ve Got to Do," an introspective track from With the Beatles. Written by John Lennon, the song combines soulful simplicity with sophisticated musical elements, revealing the Beatles’ growing artistic depth. Kenyon examines its unique structural features, such as the interplay between a darker, introspective A section and an uplifting middle eight, each representing contrasting emotional states. He delves into the song’s harmonic shifts between E major and C-sharp minor, its use of progressive ostinato, and Lennon’s hallmark techniques like appoggiaturas and the Lennon triple. The lecture also highlights the cultural context, including the intentional inclusion of American references like the telephone to appeal to transatlantic audiences. By analyzing Lennon’s melodic phrasing, harmonic choices, and lyrical themes, Kenyon uncovers the nuanced craftsmanship behind this understated gem. This session offers a deeper appreciation of how "All I’ve Got to Do" balances vulnerability with musical sophistication. Hosted on Acast. See acast.com/privacy for more information.

02-09
34:18

EP028 - It Won't Be Long

What if the Beatles had chosen "It Won't Be Long" as a single instead of "I Want to Hold Your Hand"? Peter and Kenyon dive into this electrifying album opener, examining its sophisticated use of unusual chord progressions, lyrical wordplay, and high-energy performance. The song captures a transitional moment for the Beatles as they began blending rock and roll vigor with more nuanced compositional techniques. The hosts explore the challenges of its recording process, including John Lennon’s vocal intensity and George Harrison’s precise guitar work. They also touch on the song's historical significance, marking the Beatles' move toward wider critical acclaim and their burgeoning maturity as musicians. Packed with fun anecdotes and keen insights, this episode uncovers how "It Won’t Be Long" sets the tone for With the Beatles and reflects the band’s rapid evolution. Hosted on Acast. See acast.com/privacy for more information.

02-02
01:17:12

LS028 - It Won't Be Long - Lecture Series (bonus)

In this lecture, Kenyon unpacks "It Won’t Be Long," the electrifying opening track of With the Beatles. The session explores the song’s innovative structural ambiguity, examining how Lennon and McCartney blend elements of 32-bar form with distinct sections to craft a high-energy narrative. Kenyon highlights the song’s harmonic complexity, from its surprising use of C major and chromatic descents to its playful exploration of appoggiaturas—a Lennon hallmark. The lecture dives into the lyrical wordplay, such as the double meaning of "It won’t be long till I belong to you," which mirrors techniques seen in earlier singles like "Please Please Me." Kenyon also examines how the song’s antiphonal "yeah, yeah, yeah" responses echo the success of "She Loves You" while adding fresh energy. This deep analysis reveals "It Won’t Be Long" as a pivotal track in the Beatles’ evolution, showcasing their growing confidence as both composers and performers. Hosted on Acast. See acast.com/privacy for more information.

02-02
40:39

EP027 - I'm In Love

John Lennon believed "I'm in Love" could be a hit—but not for the Beatles. Instead, the 1963 track was handed off to the Fourmost, offering a glimpse into the Lennon-McCartney machine’s remarkable output during their peak years. Peter and Kenyon explore the song’s bittersweet lyrics, unusual rhythmic phrasing, and its distinctive descending chord sequence, which hints at the Beatles’ early flirtation with complexity. The hosts discuss the differences between Lennon’s original piano demo—raw and emotional—and the Fourmost’s polished cabaret interpretation, revealing how the song’s essence shifted across versions. Along the way, they uncover anecdotes about the Beatles’ generosity toward other artists and the strategic decisions behind giving away songs. Tune in to hear how “I’m in Love” exemplifies Lennon’s gift for blending pop sensibility with emotional resonance, even in a track the Beatles never claimed for themselves. Hosted on Acast. See acast.com/privacy for more information.

01-25
59:04

LS027 - I'm In Love - Lecture Series (bonus)

In this lecture, Kenyon examines "I'm in Love," a 1963 John Lennon composition that was given to the Fourmost rather than being recorded by the Beatles themselves. The session explores the song’s lyrical evolution, including its original refrain “I’m So Glad,” and how the eventual lyric choices deepened its emotional impact. Kenyon delves into the song’s harmonic structure, with its ambiguous tonal centers and progressive ostinato, illustrating how Lennon used repetitive melodic lines to create continuity while the chords shifted beneath. The lecture also highlights the interplay between the Fourmost’s polished recording style and the raw emotionality of Lennon’s piano demo. By focusing on these compositional elements and the broader historical context, Kenyon reveals how “I’m in Love” bridges the Beatles’ innovative early years with their ability to craft material for other artists, providing a rich study in creative generosity. Hosted on Acast. See acast.com/privacy for more information.

01-25
38:11

EP026 - I Wanna Be Your Man

Peter and Kenyon explore "I Wanna Be Your Man," a pivotal 1963 Beatles song co-written by Lennon and McCartney and famously recorded by both the Beatles and the Rolling Stones. Written in just minutes to fulfill a request from the Stones for a new single, the song marked an important collaboration and rivalry between the two bands. The hosts dive into the Beatles’ version, sung by Ringo Starr, with its distinctive bluesy drive and layered production. They also examine how the Rolling Stones made the song their own, adding raw energy and a slide guitar solo by Brian Jones. The episode delves into the recording sessions, including George Martin’s contributions, and the song's unique use of chromaticism and rhythmic drive. With fascinating stories about its creation and insights into its cultural impact, Peter and Kenyon uncover how "I Wanna Be Your Man" shaped the paths of both iconic bands. Hosted on Acast. See acast.com/privacy for more information.

01-19
01:09:20

LS026 - I Wanna Be Your Man - Lecture Series (bonus)

In this lecture, Kenyon dives into "I Wanna Be Your Man," the Beatles track written by Lennon and McCartney and performed by both the Beatles and the Rolling Stones in 1963. The session explores the song’s simple, blues-inspired structure and its playful approach to romantic lyrics. Kenyon dissects the unique musical features, including its circular chord progressions and chromatic slides, and highlights how Ringo Starr’s energetic vocal performance sets the tone for the Beatles’ version. The lecture also compares the raw, slide-guitar-driven Rolling Stones interpretation, providing insights into how the two bands adapted the song for their distinct styles. Kenyon examines the song’s historical significance as a collaboration between the Beatles and the Stones, a moment that underscored their mutual respect and friendly rivalry. Through detailed analysis, this session uncovers the subtle complexities of "I Wanna Be Your Man" and its place in early rock history. Hosted on Acast. See acast.com/privacy for more information.

01-19
31:21

EP025 - I'll Keep You Satisfied

Peter and Kenyon dive into "I'll Keep You Satisfied," a song written by Paul McCartney in 1963 for Billy J. Kramer with the Dakotas. The track showcases McCartney’s melodic craftsmanship during the Beatles’ peak songwriting era, blending heartfelt lyrics with catchy hooks and a lively rhythm. The hosts discuss the song’s origins, written as part of Lennon and McCartney’s efforts to provide hits for other artists managed by Brian Epstein. They analyze its dynamic chord progressions, uplifting message, and Billy J. Kramer’s performance style, which brought McCartney’s vision to life. Additionally, Peter and Kenyon reflect on the broader context of the Beatles’ collaborative approach to songwriting at the time and the creative rivalry that pushed both Lennon and McCartney to continually outdo each other. This episode offers insights into how "I'll Keep You Satisfied" fits into the Beatles’ legacy and their role as pop music innovators. Hosted on Acast. See acast.com/privacy for more information.

01-12
53:13

LS025 - I'll Keep You Satisfied - Lecture Series (bonus)

In this lecture, Kenyon examines "I'll Keep You Satisfied," a 1963 song written by Paul McCartney for Billy J. Kramer with the Dakotas. Exploring the lyrics, Kenyon describes the song as a confident yet straightforward romantic pitch, with simple rhymes and repetitive phrasing that reflect McCartney’s early pop sensibilities. The analysis dives into the harmonic structure, emphasizing its jazz-influenced ii-V-I progressions and a ragtime-inspired four-to-minor-four progression. Kenyon also highlights the pentatonic melody, which lends the song an easy-to-sing quality characteristic of McCartney’s early writing. He critiques the static middle eight, pointing out its lack of harmonic relief and melodic innovation compared to McCartney’s later work. Through detailed musical and lyrical analysis, Kenyon illustrates how "I'll Keep You Satisfied" showcases McCartney’s evolving songwriting while serving as a testament to the Beatles’ efforts to craft hits for other artists, marking a unique moment in their early career. Hosted on Acast. See acast.com/privacy for more information.

01-12
39:31

EP024 - Love Of The Loved

Peter and Kenyon dive into "Love of the Loved," a song written by Paul McCartney in 1959 during his Quarrymen days and later performed at the Beatles’ Decca audition in 1962. The track reflects McCartney’s early compositional style, blending melodic sophistication with heartfelt emotion. The hosts discuss the song’s journey, from an unreleased Beatles recording to a 1963 single by Liverpool’s own Cilla Black, produced by George Martin. They explore the song’s unique musical elements, such as its descending melodic motif and unusual chord transitions, alongside McCartney’s Elvis-inspired vocal delivery. The episode delves into the cultural and historical context of the track, highlighting its role in Brian Epstein’s management strategy and its connection to the Beatles’ pivotal Decca audition. With sharp analysis and engaging anecdotes, Peter and Kenyon unpack the story behind a lesser-known yet significant early Beatles composition. Hosted on Acast. See acast.com/privacy for more information.

12-08
50:49

LS024 - Love Of The Loved - Lecture Series (bonus)

In this lecture, Kenyon delves into "Love of the Loved," a Paul McCartney composition written during the pre-Beatles Quarrymen days. The session examines how McCartney’s early songwriting instincts blend heartfelt lyrics with sophisticated harmonic techniques. Kenyon explores the song’s structure, highlighting its dynamic interplay between the keys of E and G, a progressive ostinato that evolves through the melody, and the use of chromatic shifts to add emotional depth. The analysis compares the Beatles’ early demo with Cilla Black’s polished 1963 release, produced by George Martin, focusing on differences in arrangement, instrumentation, and performance. Kenyon also reflects on McCartney’s recurring motifs, such as rain symbolizing sadness and resolution, as well as his ability to craft memorable patterns. This lecture offers a detailed study of how "Love of the Loved" bridges McCartney’s early songwriting experiments with the more refined techniques that would define the Beatles’ later success. Hosted on Acast. See acast.com/privacy for more information.

12-08
22:30

EP023 - Hello Little Girl

Peter and Kenyon analyze "Hello Little Girl," the first song John Lennon ever wrote, penned at age 16 in 1957. Originally inspired by his mother’s favorite 1930s tune, the song reflects Lennon’s early melodic instincts and storytelling abilities. The hosts explore its journey from a home demo with Stu Sutcliffe on bass to the Beatles’ Decca audition and its eventual release by the Fourmost in 1963. They delve into the song’s unconventional structure, including its unique dual middle-eight sections, and how it compares to Lennon’s later, more polished compositions. The episode also highlights the Fourmost’s cabaret-style origins and their role in bringing the song to the charts. With its catchy melodies and youthful charm, "Hello Little Girl" showcases Lennon’s emerging songwriting talent and provides an intriguing glimpse into the Beatles’ formative years. Hosted on Acast. See acast.com/privacy for more information.

12-01
58:25

LS023 - Hello Little Girl - Lecture Series (bonus)

In this lecture, Kenyon examines "Hello Little Girl," the first song John Lennon ever wrote, composed at age 16 in 1957. The discussion focuses on the song's lyrical simplicity, centered around themes of unrequited young love, and its unique melodic features, such as the use of a progressive ostinato and a symmetrical chord structure. Kenyon explores how Lennon’s early songwriting tendencies—playful rhymes, chromatic shifts, and repetitive phrases—reflect his youthful creativity but also his lack of refinement at the time. The lecture contrasts the Beatles’ Decca audition version with the Fourmost’s released recording, highlighting the interpretive choices each brought to the track. By analyzing its harmonic quirks and melodic sequences, Kenyon demonstrates how "Hello Little Girl" serves as an example of Lennon’s developing voice as a songwriter. This session offers listeners a fascinating look at the Beatles’ earliest origins and the seeds of their musical genius. Hosted on Acast. See acast.com/privacy for more information.

12-01
27:22

EP022 - I'll Get You

In this episode, Peter and Kenyon dive into "I'll Get You," the B-side to the Beatles' iconic 1963 hit "She Loves You." Originally titled "Get You in the End," the song showcases Lennon and McCartney's collaborative process and knack for crafting engaging melodies. The hosts explore the song's folk-inspired roots, including its connection to Joan Baez’s “All My Trials,” and how its unusual chord progressions add depth to the composition. They also discuss the recording session, produced by George Martin and engineered by Norman Smith, and delve into the unique techniques that brought the song to life. With its "Oh yeah" refrain and progressive ostinato in the middle eight, "I'll Get You" reflects the Beatles' growing musical sophistication during their early career. Peter and Kenyon uncover the song's historical and musical context, offering fresh insights into this often-overlooked gem in the Beatles' catalog. Hosted on Acast. See acast.com/privacy for more information.

11-24
01:04:19

LS022 - I'll Get You - Lecture Series (bonus)

In this lecture, Kenyon explores "I'll Get You," a fascinating early Beatles track co-written by Lennon and McCartney. As the B-side to "She Loves You," this song offers a unique glimpse into the band's evolving songwriting techniques. Kenyon examines the track's lyrical themes, which blend imaginative visualization with a persistent declaration of affection, revealing John Lennon’s influence through its introspective tone and unconventional phrasing. The analysis highlights the song’s harmonic subtleties, including the use of appoggiaturas and color chords, alongside its progressive ostinato—a technique where the melody repeats while the chords evolve beneath it. Kenyon also discusses the song's rhythmic phrasing, harmonies, and the dynamic contrasts between sections, showcasing the Beatles’ early experimentation with structure and arrangement. This lecture provides a deep dive into a lesser-known gem, shedding light on the compositional elements that mark the band’s journey toward musical sophistication. Hosted on Acast. See acast.com/privacy for more information.

11-24
01:01:07

EP021 - She Loves You

Peter and Kenyon break down "She Loves You," the Beatles' groundbreaking 1963 hit that became their best-selling single in the UK and a defining moment in their early career. They explore its origins, written "eyeball to eyeball" by Lennon and McCartney in a Newcastle hotel room, inspired by Bobby Rydell’s “Forget Him.” The hosts discuss its innovative structure, including its use of a refrain, a rare Beatles first, and George Harrison’s influential sixth chord contribution. They also delve into the high-energy recording session, amplified by a fan frenzy outside EMI Studios, and the song’s massive cultural impact. From Ringo's dynamic drumming to Paul’s driving harmonies, "She Loves You" encapsulates the essence of early Beatlemania. Peter and Kenyon provide fascinating insights into the song’s creation, its legacy, and how it set the stage for the Beatles’ rise to global dominance. Hosted on Acast. See acast.com/privacy for more information.

11-17
01:15:17

LS021 - She Loves You - Lecture Series (bonus)

In this lecture, Kenyon offers an in-depth exploration of the Beatles' iconic 1963 hit, "She Loves You." Written by Lennon and McCartney, the song’s innovative use of pronouns and its anthemic “Yeah, Yeah, Yeah” refrain revolutionized pop songwriting. Kenyon examines the track’s unique harmonic structure, including the incorporation of plagal cadences and George Harrison’s suggested sixth chord, which added depth to its jubilant tone. The lecture delves into the song’s lyrical narrative of reconciliation, showcasing how the verses offer a thoughtful progression of themes, from heartbreak to renewed hope. Kenyon also highlights the track’s vibrant energy, from Ringo Starr’s dynamic drumming to George Martin’s production finesse, which ensured the Beatles’ distinctive sound would shine through. "She Loves You" is a case study in innovation and cultural impact, making it a pivotal moment in Beatles history and a defining track of early Beatlemania. Hosted on Acast. See acast.com/privacy for more information.

11-17
48:39

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