The Beatles Films Podcast

One more, then: here's a bonus episode covering the Beatles Anthology DVD extras. We note just how much this disc complements the Anthology series, to the extent that watching it without watching this feels incomplete. It made us rethink some of the assumptions we'd made about the Beatles' interpersonal relationships in the 1990s, in fact. We see in longer form the footage from the Threetles' day at George Harrison's Friar Park home on 23 June 1994, and observe the differences between their behaviour when being interviewed together versus apart. We talk about the making of the Free As a Bird video, and put forward a theory about the nurse selling poppies from a tray (if it turns out it's been on the internet for years, no need to tell us)Thanks for listening to season five. We loved hanging out with you guys. See you again later this year. The Beatles Anthology DVD boxset is available to buy.Watch the Free As a Bird video: https://youtu.be/ODIvONHPqpkWatch the Real Love video: https://youtu.be/ax7krBKzmVIGeorge Martin's Alderney Sailing Club jumper will be from when he owned a house in Alderney, on Guernsey, in the Channel Islands. He also lived on Montserrat, where he had his studio. Here's an article from January 2024 about Guernsey donating instruments to young people in Montserrat in his name: https://www.itv.com/news/channel/2024-01-15/children-of-beatles-producer-receive-guernsey-instrument-donationMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Beatles: Endgame. We discuss how the documentary gives George Harrison and Ringo Starr the space to craft their own narratives around how they left and then returned to the band, and we go over how it treats the Beatles' breakup, to the extent that it does at all. We talk about All You Need is Love in the context of the Beatles as rabble-rousing religious icons, and about how Yoko Ono is shown mainly in the context of her being a disruptive force. Plus: how the Anthology fails to tell a coherent story around the White Album. Was it a disjointed series of solo performances or a unified and enjoyable creative experience? It's the bloody Beatles White Album, shut up!The Beatles Anthology DVD boxset is available to buy.The Abbey Road songs on which John Lennon didn't perform are Her Majesty, Here Comes the Sun and Maxwell's Silver Hammer.Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

On we go from Shea Stadium to Sgt Pepper. We see how George Harrison, Ringo Starr and Neil Aspinall remember the incident in Manila differently to Paul McCartney, and we put forward the idea that these episodes contain the Beatles' two imperial phases. We ask why George in the 1990s is still annoyed with Paul for making himself LSD spokesman in 1967, and we look in detail at Paul's chipped tooth: did it change everything?The Beatles Anthology DVD boxset is available to buy.Maybe this is Meryl Streep at Shea Stadium, maybe it isn't. Why not spend your valuable time arguing with strangers on the internet in an attempt to resolve the matter? https://youtu.be/x6aNSHLg18YRead more about the idea of a band's imperial phase: https://en.wikipedia.org/wiki/Imperial_phaseOf course, only an idiot would confidently claim George won Best Rock Video at the 1988 MTV Music Video Awards for Got My Mind Set On You, not least because that award didn't exist until 1989. He was nominated for both Best Male Video and Best Special Effects in a Video for that song but he won nothing, despite When We Was Fab also picking up several nominations. https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_George_Harrison#MTV_Music_Video_AwardsThe producer at the A Day in the Life session who announced "I just can't believe it ... I give up", was Ron Richards, producer of the Hollies, according to Mark Lewisohn's The Complete Beatles Recording Sessions.John Bishop is a Liverpudlian comedian and presenter: https://en.wikipedia.org/wiki/John_Bishop We tried and failed to find a clip of the question he asked Paul that annoyed him at the Eight Days a Week premiere, but if you ever meet Paul, don't call the Beatles "an overnight success".Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Into episodes 3 and 4, the bulk of the Beatlemania and touring years, and we get straight to the key issue: why has Paul McCartney suggested he be interviewed while steering a tugboat? We also get into how the Anthology handles John's habit of making fun of disability: why is it addressed, given there was probably no real pressure on them to do so in the nineties, and how would it be received if included in a rereleased Anthology today?Plus: Jimmie Nicol and another example of Ringo Starr's emotional intelligence, as his memory of being temporarily replaced mainly involves taking a 24-hour flight to Australia on his own and how that made him feel. There's a bit more too on the group dynamics of the Threetles meeting at Friar Park, and we ask whether George Harrison would've been as snarky in his interviews if John Lennon had been alive and participating in the documentary.The Beatles Anthology DVD boxset is available to buy.The Big Train sketch in which George Martin can't stop doing Beatles anecdotes: https://youtu.be/yIA_NVFnXZ8The episode of BBC Radio 4's Front Row in which Samira Ahmed uncovers the previously unheard recording of the Beatles performing at Stowe School on 4 April 1963: https://www.bbc.co.uk/programmes/m001kpq1Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

In the first of our four episodes covering the 1995 documentary series, we start with some of our own memories of when it aired, when we were teenagers and Britpop had made The Beatles cool again in the UK. We note the vast structural difference between episode 1, which of course covers the bit of their career of which there's the least amount of video footage, and episode 2, which focuses much less on talking head recollections and more on live and TV appearances, often shown nearly in full.We also discuss the practical impact of the three Beatles still alive at the time, Paul McCartney, George Harrison and Ringo Starr, being interviewed mainly separately, and how much each of them is enjoying the experience. Paul is in full anecdote mode, but is George enjoying himself more than he expected to?Plus: how are Stuart Sutcliffe and Pete Best treated in this, and why? What are the implications of only including a limited core of contributors? And a bit of digging into the idea that they got their name from the Marlon Brando film The Wild One.The Beatles Anthology DVD boxset is available to buy.Watch a TV advert for the Anthology DVD release: https://youtu.be/hlHX8FPqsDMThe tweet from Joe Wisbey of the Beatles Books Podcast, linking to the short doc that aired before the Free as a Bird video premiere on ITV. Thanks Joe! https://x.com/BooksBeatles/status/1631351804335120391Beatles Bible diary entry for 30 October 1963, when the Beatles performed on the Swedish TV show Drop In: https://www.beatlesbible.com/1963/10/30/television-drop-in-stockholm-swedenMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

George Harrison of the Beatles and Ravi Shankar organised two concerts on 1 August 1971 at Madison Square Garden in New York City, as relief for refugees from East Pakistan after the Bangladesh Liberation War-related genocide. The gigs featured Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and Badfinger. We talk here about both the concert film released to cinemas in 1972, and the 2005 documentary on the DVD, The Concert for Bangladesh Revisited with George Harrison and Friends.We discuss how this set a template for the benefit concert as we know it today, and talk about the white saviour complex and how acknowledging the culture of Bangladesh through Ravi Shankar and Ali Akbar Khan's performance arguably sets the concert apart. We also talk about the performances; and the challenges of, and comically rookie errors made while, filming it. And! Is Clapton's lacklustre performance down to choosing a hollow-bodied guitar, or the fact he was boxed on methadone?We use clips of the film and concert in this episode, so we've made a donation to the George Harrison Fund for UNICEF, and you can do the same here if you'd like: https://www.unicefusa.org/about-unicef-usa/partnerships/foundations/george-harrison-fundThe concert on George's official site, with links to buy the DVD: https://www.georgeharrison.com/films/the-concert-for-bangladeshJohn Lennon's benefit gig for Willowbrook State School was released as Live in New York City: https://www.dailymotion.com/video/x6cgunrThe Greatest Night in Pop is the Netflix documentary about the recording of We Are The World: https://www.netflix.com/title/81720500The documentary we were thinking of is not called “Clapton” or “Slow Hand” but 2017’s Eric Clapton: Life in 12 Bars: https://g.co/kgs/hAKZ9TkAfter recording we confirmed that, uncharacteristically, Ed was right: Setlist.fm shows that If I Needed Someone is the only song written by George ever performed live by The Beatles. https://www.setlist.fm/stats/the-beatles-23d6a88b.htmlMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Scot Williams is best known to Beatles fans for playing Pete Best in Backbeat, and In His Life: The John Lennon Story. Scot's been a successful actor, director and writer for 30 years, and having grown up in Liverpool the Beatles have always been a big part of his life, and have featured in lots of his projects.Scot is about to direct a play, Two Of Us, adapting Michael Lindsay-Hogg's 2000 film about John Lennon and Paul McCartney's final meeting. We covered it in our first episode, which we were delighted to hear Scot listened to, and which informed his interpretation of the script.As well as Two Of Us, we talk about how he came to be in Backbeat, Stephen Dorff and the dynamic of British actors alongside Hollywood stars, and his friendship with Pete Best. We also get his take on the upcoming Sam Mendes Beatles films.Note: through our own fault we had some problems recording Scot's voice, so we've cleaned it up with an AI tool (yes, just like John's voice on Now and Then). If the odd word sounds a bit funny, that's why!Two Of Us runs at the Watford Palace Theatre 13–21 September 2024. Tickets: https://watfordpalacetheatre.co.uk/events/two-of-us/Then at HOME Manchester from 26–28 September. https://homemcr.org/production/two-of-usHear our episodes on Two Of Us and Backbeat in this podcast feed.Watch Two Of Us: https://youtu.be/nOGgmsDbx-UScot's IMDb: https://www.imdb.com/name/nm0931656/Barry Sloane will play John in Two Of Us: https://www.imdb.com/name/nm1289351/Richard Short will play Paul: https://www.imdb.com/name/nm2095375/ Scot's Beatles/Shakespeare musical A Bard Day's Night, cowritten with Backbeat co-star Chris O'Neill: https://abarddaysnight.com/ The Conversations with McCartney audiobook where Scot read Paul's bits: https://open.spotify.com/show/61RgyFASIKjzbP6OrgZOlIMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Let's look at Ringo Starr's 1978 TV comedy film, written by Neal Israel and Pat Proft, both of whom would go on to make significant contributions to film comedy through the Police Academy and Naked Gun films, and loosely designed to promote his recent album Bad Boy.We discuss where Ringo is in his career and how his performance (he plays two versions of himself in a take on Mark Twain's The Prince and the Pauper) made Hollywood reappraise him and led to his leading role in Caveman (also covered in a previous episode). We talk about why so many stars like Art Carney, John Ritter and an immediately-post-Star-Wars Carrie Fisher are keen to get involved.And we discuss George Harrison’s performance, and why it’s a good job Ringo doesn’t seem to play You’re Sixteen live anymore.Watch the film: https://youtu.be/LditHJXu4LUThe Bob Dylan biopic starring Timothée Chalamet is James Mangold's A Complete Unknown, currently in production: https://www.imdb.com/title/tt11563598/Watch 1977's The Prince and The Pauper, starring Oliver Reed: https://youtu.be/CNx2-e-OcIUWatch 1983's Trading Places, with Dan Aykroyd and Eddie Murphy: https://www.justwatch.com/uk/movie/trading-placesSetlist.fm stats which seem to show that Ringo wisely hasn't played You're Sixteen live since September 2019: https://www.setlist.fm/stats/ringo-starr-and-his-all-starr-band-63c6b20b.htmlMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Leslie Woodhead's 2009 film for BBC Four wasn't his first entry into Beatledom: he also shot the Cavern Club footage in 1962 that we're all so familiar with. He's also spent time making films in Russia, so he's ideally placed for this look at Russian youth's relationship with The Beatles, during the Soviet era and into the early, less scary, Putin era. We look at Russian then-Deputy PM Sergei Ivanov's contribution to this film. He seems fun! Maybe less so these days. We also discuss the practice of smuggling contraband Beatle recordings about by etching them into X-ray acetates, and Paul McCartney's meeting with Vladimir Putin in 2003.You can watch the film at https://www.youtube.com/watch?v=eUO1atyECD8 Chuck Norris vs Communism doesn't look like it's on any streamers at the moment, but its details are here: https://g.co/kgs/uoaNUFT Nick Broomfield's film Kurt & Courtney: https://www.dailymotion.com/video/x2hfrtn Pete Paphides' excellent book, Broken Greek: https://g.co/kgs/3XqWL4KElton John's autobiography, Me: https://g.co/kgs/3XqWL4KMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

Paul McCartney's first solo project, other than judging beauty contests, was the score for The Family Way, a 1966 comedy-drama in which a northern English community have an invasive interest in the non-consummation of Hywel Bennett and Hayley Mills' marriage. Is Paul really the chief composer of the score for which he won the Ivor Novello award, or did George Martin do more than "supervise and arrange" it?There's a lot going on in The Family Way in terms of changing attitudes in the sixties, and of course the Beatles were at the forefront of this. Intellectualism, sexual freedom and men being allowed to be sensitive and artistic. We look at how the film handles these things. Plus! A bonus (if you like that sort of thing) Kula Shaker connection!You can watch The Family Way in good quality on Dailymotion: https://www.dailymotion.com/video/x8csmfpAnd listen to the soundtrack album on Spotify: https://open.spotify.com/album/4opUUCL6CG5SLSEysBytapSome more information about the Carry On film franchise, if you don't mind a wiki in your face: https://en.wikipedia.org/wiki/Carry_On_(franchise)There are full episodes of Hywel Bennett's long-running sitcom Shelley on YouTube. You might recognise the title theme if you like the Top Flight Time Machine podcast: https://youtu.be/BMduOLx6vToThe book Ed mentions is Steve Turner's excellent Beatles '66: The Revolutionary Year: https://g.co/kgs/n29WPBaMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

We both loved Robert Zemeckis's 1978 debut feature, the story of a group of New Jersey teens trying to get into the Beatles' first Ed Sullivan Show performance in February 1964. We talk about the techniques Zemeckis and his writing partner Bob Gale use here and how a lot of it prefigures their later work, in particular the Back to the Future trilogy. We also discuss how using the Beatles as characters who are always just off camera or somehow out of reach plays into how America saw them at the time: almost as mythical figures or religious icons. And we get into how the female characters find self-expression through the freedom their fandom gives them, and how that mirrors the Beatles' sociological impact where teenage girls were concerned.I Wanna Hold Your Hand isn't on a streaming service, but pick up the Blu-ray, which is cheap and a great restoration with an interesting commentary track from Zemeckis and Gale.Watch the trailer: https://youtu.be/QEPDFYuhkDIWe also mention some other films in this episode, like Detroit Rock City, a similar story revolving around a Kiss Concert: https://www.justwatch.com/uk/movie/detroit-rock-cityAnd American Graffiti, George Lucas's 1973 coming-of-age film: https://www.justwatch.com/uk/movie/american-graffitiAnd Dazed and Confused, again about the last day of high school: https://www.justwatch.com/uk/movie/dazed-and-confusedMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspodYouTube https://www.youtube.com/@BeatlesFilmsPodcast Hosted on Acast. See acast.com/privacy for more information.

The 1988 documentary commissioned by Yoko Ono might have been the jumping-off point for the Lennon legacy project we know today. It shows John at his best, for the most part, and there's not much dissent from the talking heads, including May Pang, Julian Lennon and Cynthia Lennon. We ask why John chose George Harrison to play on How Do You Sleep?, his Paul McCartney diss track, when he could've got a session player. We discuss how John and Yoko's bed-in confrontation with the cartoonist Al Capp prefigures a lot of contemporary online discourse. And why wasn't Paul familiar with Real Love when Yoko gave him the demo cassettes, given he'd seen it used in this?You can rent the film to stream very cheaply on a few platforms: https://g.co/kgs/RvcGK68Watch the trailer: https://youtu.be/kqg3plZzxZYHere's the audience member who asked John and Yoko a question on Dick Cavett, wrongly thought by some to be Curt Claudio: https://youtu.be/-Ej3h02KPLU?si=nRgu_iUn3-DSYg6n&t=71A documentary, What Happened to Claudio? has been on the verge of release for a while and we're looking forward to seeing it. Here's its YouTube channel: https://www.youtube.com/channel/UCaR2o3qwr2RBu7s95IxSMXw John & Yoko: Above Us Only Sky contains a longer version of the encounter with Claudio than you get in this film: https://youtu.be/99fXJ8nSR1M An in-depth article by Ryan H Walsh about Curt Claudio which is well worth reading: https://medium.com/@JahHills/on-claudio-the-man-who-sought-out-john-lennon-to-ask-if-his-songs-were-about-him-c0b34c5d57ac The interview Julian Lennon gave to the Daily Telegraph in 1998: https://www.telegraph.co.uk/culture/4713954/Dad-was-a-hypocrite.-He-could-talk-about-peace-and-love-to-the-world-but-he-could-never-show-it-to-his-wife-and-son.html Julian's 1984 song Too Late for Goodbyes: https://youtu.be/aQs1Ynq0rlkMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

To finish off our fourth season, thrill as our takes on why George Harrison is laughing when Ringo Starr starts playing Octopus's Garden differ slightly. Later we discuss how Let it Be's pacing is affected by showing the finalised songs in full. Would it defeat the purpose to have done this differently? Plus, is John Lennon's claim that the film was set up to make the other Beatles look like sidemen for Paul McCartney justified, given how Let it Be, The Long and Winding Road and Two Of Us are shot almost like music videos with Paul the focus? We talk about how forward-thinking Michael Lindsay-Hogg's approach was to filming the rooftop gig, and about how this was maybe underappreciated until Get Back revealed the extent of it, and about whether there's now any point releasing a remastered version: could audiences be blamed for receiving it like a shorter Get Back? (NOTE this episode was recorded and released about five months before the restored version came out.)This episode and part 1 are both based on our viewing of Let it Be in its original form, or close to it, ie a bootleg we found online. Since we recorded this it has of course now been restored and re-released on Disney+, and we've got a short bonus episode discussing the restored version later in this feed.Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

Now is the winter of our discontent: or is it? Michael Lindsay-Hogg's Let it Be is widely thought a miserable affair, documenting arguments and the breakup of the Beatles. But watching it afresh after Peter Jackson's Get Back in 2021, it doesn't feel so much like that. We ask whether the widespread consensus that it's a negative depiction is actually more a failure of collective memory. What was it really set George Harrison off when he told Paul McCartney "Well, I'll play whatever you want me to play"? And what do we make of Lindsay-Hogg's decision not to let you hear any of the songs in full until the end?This episode and part 2 are both based on our viewing of Let it Be in its original form, or close to it, ie a bootleg we found online. Since we recorded this it has of course now been restored and re-released on Disney+, and we've got a short bonus episode discussing the restored version later in this feed.The clip we mention of George Harrison talking to George Martin in the studio is from the Hey Jude sessions, and you can see it at https://youtu.be/nb8Ue3mk0QoMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

This 2005 BBC Four documentary, narrated by Paul Morley and featuring contributions from Astrid Kirchherr, Pauline Sutcliffe, Tony Sheridan, Rod Murray and Horst Facher, looks at the life of fifth Beatle Stuart Sutcliffe before his tragic death at 21. It makes the case that he would’ve been a significant artist in his own right, but spends a lot of its time looking at his work with the Beatles, so we discuss how well it manages to fulfil its brief. It’s also not the only BBC documentary of this period to be a bit coy about the idea of John Lennon having had a sexual relationship with a man (see also our episode on The Brian Epstein Story), and we ask how helpful this approach is and examine the techniques the film uses to further the suggestion.Watch the film free on YouTube: https://youtu.be/k1Yrwyfk2NQNarrator Paul Morley is a regular figure on BBC pop music documentaries. He’s on record as not being a Beatles fan, and fair enough, but perhaps if you’re writing articles for the Guardian – albeit interesting and well-argued ones – about how the world wouldn’t be any different without them, you’re not the best candidate to voiceover documentaries about them: https://www.theguardian.com/music/2009/sep/06/showing-off-the-beatles IMDb: https://www.imdb.com/title/tt0499080/Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

Mad Men's Matthew Weiner paid $250,000 to use the Beatles' Tomorrow Never Knows in season 5, episode 8, "Lady Lazarus". We talk about the licensing of Beatles music in film and TV, which is also referenced in the episode, where the agency is trying to find a song for a Hard Day's Night parody advert. This episode is in August 1966 and we discuss how the characters are feeling the paranoia of the sixties closing in on them. America is tense and chaotic: the Richard Speck murders in Chicago and the Texas University sniper shootings have just happened, just as the Beatles are flying in to protests because of John Lennon's "bigger than Jesus" comments.As for Don Draper, his young wife has left copywriting to become an actor, and she's bought him a copy of Revolver to play while she goes out to a class. Start with the last track, she says. Don sits in his chair, kicks off his shoes, and hears the sound of a generation about to leave him behind.Watch Mad Men: https://www.justwatch.com/uk/tv-series/mad-menDon Draper listens to Tomorrow Never Knows: https://youtu.be/6OquASU1y5AThe song Don can’t tell from the Beatles is September in the Rain by The Wedgwoods: https://youtu.be/IFCqKSrrMJQAnd in fairness he's not far off: the Beatles did it in the Decca audition: https://youtu.be/EElKJao9cmAThe University of Texas tower shootings: https://en.wikipedia.org/wiki/University_of_Texas_tower_shootingThe Richard Speck murders: https://en.wikipedia.org/wiki/Richard_SpeckThe book Pete Campbell reads, Thomas Pynchon's The Crying of Lot 49: https://www.google.co.uk/books/edition/The_Crying_of_Lot_49/Py5bngEACAAJThe New York Trilogy by Paul Auster: https://www.google.co.uk/books/edition/The_New_York_Trilogy/VRfe-QG_ls4CRead Ed's 2012 review of Mad Men season 5: https://www.theshiznit.co.uk/review/mad-men-season-five.phpMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

First shown in May 1997 on VH1 and ITV, Geoff Wonfor's promotional documentary for Paul McCartney's Flaming Pie album is a bit of a puff piece, but an interesting one. For context, this is all shot when Linda McCartney is receiving cancer treatment, which the public doesn't know about. We talk about how the film and the album might give insights into Paul's state of mind, and what sort of future he's contemplating. Watch the film: https://youtu.be/-BhnIClthqQWatch the video for the Smokin' Mojo Filters' cover of Come Together, featuring Paul Weller, Noel Gallagher, Steve Cradock, Johnny Depp, Kate Moss, and Paul, Linda, Stella and Mary McCartney: https://youtu.be/IK0sMC5ntpcRead about the David Blaine incident in 2003: https://www.theguardian.com/media/2003/sep/19/marketingandprIMDb: https://www.imdb.com/title/tt0168065/Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

Directed by rock doc specialist Patrick Montgomery, 1982's The Compleat Beatles still represents the only real attempt at a feature length documentary covering their whole career, and was a huge success in the early days of the home VHS market. It was released at a time when there was renewed interest in the band after John Lennon's murder, and in the 20-year anniversary of Love Me Do, alongside a lot of other Beatles products.It's a different beast to The Beatles Anthology, but how does it measure up? We talk about whether it was the original source for some of the best known Beatle stories, how its narration by Malcolm McDowell gives it gravitas, or tries to, and what the impact is of featuring ancillary characters from the Beatles' early story, like Allan Williams, Tony Sheridan and Horst Facher. And the film's content is very much led by its talking heads, in particular George Martin, so we examine what effect that has.Watch The Compleat Beatles: https://archive.org/details/the-compleat-beatles-1982Ed wrongly calls the publishers of Love Me Do and PS I Love You "Ardwood & Beechmore"; yes, they were of course Ardmore & Beechwood. Don't write in.Here's the screaming girl Ed mentions, from the Washington Coliseum gig, 11 February 1964: https://youtu.be/W3QG37K3h94Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

Jon Lefkovitz's 2014 film Rubber Soul recreates – very faithfully – John Lennon and Yoko Ono's 1970 Rolling Stone and 1980 Playboy interviews, juxtaposing them and showing how John's thoughts on issues like drugs, fame and The Beatles changed over the intervening decade. We talk about the artistic value of recreating something exactly, and how that might play into Beatles fans' expectations and desires when seeing the band played on film by actors.It also raises questions about the significance of the rock star interview, and John's interviews in particular. His statements in these conversations were accorded great importance, and Jann Wenner's 1970 interview in particular had a huge influence on public perceptions of Lennon and Paul McCartney for decades to come, but given John's habit of stating differing opinions from one day to the next, maybe interviews with stars shouldn't be treated with such reverence?Watch the film for free: https://youtu.be/kB8Z1LRBmTAThe Rolling Stone interview: https://youtu.be/5ZhBQRzBAa8Jann Wenner's Lennon Remembers: https://g.co/kgs/rkV5V5The Playboy interviews: https://youtu.be/PRDfBGagFkUDavid Sheff's All We Are Saying: https://g.co/kgs/Qs8fR7Important cow facts Ed can't quite recall: John and Yoko bought a herd of Holstein dairy cows with their upstate New York farm in 1978 (where Yoko now lives full time), and raked in money from them. One cow sold for $250,000.William Mann's "Aeolian cadence" 1963 Beatles review for The Times: https://www.beatlesbible.com/1963/12/27/the-times-what-songs-the-beatles-sang-by-william-mann/ (which refers to Not a Second Time, not I'll Be Back)We mention a few other films. Gus Van Sant's 1998 shot-for-shot remake of Psycho; Locke, a Tom Hardy film that takes place entirely in one car; Buried, the Ryan Reynolds film that takes place in a coffin; Disney+ series The Bear; and the one-take horror film Matt mentions is 2011's Silent House.Watch Beautiful Boy, about David Sheff and his son: https://www.justwatch.com/uk/movie/beautiful-boyMeet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.

That's right, we couldn't put it off any longer: it's the Bee Gees' towering hubris of 1978. We spend some time unpicking Robin Gibb's contemporary quote in which he confidently predicted that the Bee Gees' version would effectively make the original Sgt Pepper obsolete, and we talk about rock operas and how this one is structured. We delve into its interesting backstory involving Brian Epstein contemporary and potential NEMS heir (whom the Beatles rejected), Robert Stigwood, plus: what did George Martin get out of it, and why didn't he take the chance to finally do his own string arrangement for She's Leaving Home?Watch the film for free on YouTube: https://youtu.be/7v3PchZzNoIRead Robin Gibb's quote in full on page 256 of Peter Doggett's You Never Give Me Your Money: The Beatles After the Breakup https://www.google.co.uk/books/edition/_/luOMJFxe-bYC?hl=en (in the UK it's subtitled The Battle for the Soul of The Beatles instead) or see it abridged at https://en.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(film)#OverviewThe documentary we mention is 2020's The Bee Gees: How Can You Mend a Broken Heart, which is well worth watching: https://g.co/kgs/SqGJExThe compilation album we mention is The Soul of Lennon and McCartney: https://www.discogs.com/release/2014089-Various-The-Soul-Of-Lennon-McCartneyIMDb: https://www.imdb.com/title/tt0078239/Meet the Beatles Films PodcastThe Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.But tomorrow may rain, so you'll follow us on:Twitter https://twitter.com/beatlesfilmpodFacebook https://www.facebook.com/groups/304654901827622/Instagram https://instagram.com/beatlesfilmspod Hosted on Acast. See acast.com/privacy for more information.