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The Big Picture
Author: The Ringer
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Sean Fennessey and Amanda Dobbins review the movies you need to see. Plus: Top 5s, Movie Drafts, Oscars analysis, and more, featuring a rotating cast of Ringer colleagues like Chris Ryan, Van Lathan, and Bill Simmons.
682 Episodes
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In a hundred years, when you and I are both long gone, anytime someone listens to this podcast, you will be alive again.
Chris Ryan joins Sean and Amanda as they discuss Damien Chazelle’s 'Babylon.'
(The movie is now available on Amazon Prime Video and Paramount+, so you can stream along with 'The Big Picture.')
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Chris Ryan
Senior Producer: Bobby Wagner
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Sean is joined by Chris Ryan to briefly discuss ‘Immaculate,’ the new Sydney Sweeney nun horror movie, before digging into Jake Gyllenhaal’s ‘Road House’ remake (1:00). Then, Sean and Chris explore a new niche subgenre they’ve invented: junk fights (32:00). Finally, Sean is joined by ‘Immaculate’ director Michael Mohan to discuss working in the genre, working with Sweeney, and how he hopes to build on this film going forward (1:08:00).
Host: Sean Fennessey
Guests: Chris Ryan and Michael Mohan
Senior Producer: Bobby Wagner
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We are drafting again! Sean, Amanda, and Chris Ryan reunite for a draft of the best movies of 1977—the year of Chris’s birth and a compelling year for many of our most iconic directors.
John Cassavetes on TV sucking: https://www.youtube.com/watch?v=ePptcNqXRJA
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Chris Ryan
Senior Producer: Bobby Wagner
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Sean and Amanda discuss a recent run of positive 2025 movie news (1:00) before digging into Rose Glass’s second feature, ‘Love Lies Bleeding’ (20:00). They take stock of Kristen Stewart’s unique movie star presence, discuss Glass’s genre command and audacious screenwriting, and praise Katy O’Brian’s wonderfully physical and emotional performance. Then, they run down a list of films they’re calling the 21st Century Noir Movie Canon (36:00). Finally, Sean is joined by Glass to discuss the production of ‘Love Lies Bleeding,’ working with a star like Stewart, why she set the film in America, how Ed Harris became involved in the project, and more (53:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Rose Glass
Senior Producer: Bobby Wagner
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Sean and Amanda are joined by Joanna Robinson to briefly discuss ‘Dune: Part Two’ and other way-too-early contenders for the 2025 Oscars (1:00). Then, they open the mailbag to answer your questions about ‘Oppenheimer,’ Emma Stone, Lily Gladstone, ‘Rango,’ Bradley Cooper, ‘The Holdovers,’ and more (37:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Joanna Robinson
Senior Producer: Bobby Wagner
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Sean and Amanda give their immediate reactions to the 96th Academy Awards, which were largely dominated by Christopher Nolan and ‘Oppenheimer.’ They appreciate Jimmy Kimmel’s hosting, admire a barn-burning performance of ‘I’m Just Ken’ by Ryan Gosling, analyze a surprising Emma Stone victory over Lily Gladstone, discuss the increasingly international voting body of the Academy, note the continued cultural power of 'Barbie' (despite winning very little at the awards), and wonder whether this year is a one-off or whether it portends the Oscars telecast making a sustained comeback.
Hosts: Sean Fennessey and Amanda Dobbins
Senior Producer: Bobby Wagner
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Sean and Amanda make their final predictions for who will (and who should) win in every category at the 2024 Academy Awards. They discuss whether or not ‘Oppenheimer’ and Christopher Nolan will run the table as expected, who will come out on top in a neck-and-neck Best Actress race, whether any major contenders will go home empty-handed, and more.
Hosts: Sean Fennessey and Amanda Dobbins
Senior Producer: Bobby Wagner
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Sean and Amanda are joined by New York Times film critic Wesley Morris to hand out The Big Picture’s very own Alternative Oscars (32:00). They've included a handful of categories they’ve invented, as well as alternative nominees and winners in the major Academy Awards categories. Before digging into this exercise, they open by talking about ‘Dune: Part Two,’ as well as the state of ‘Oppenheimer’ and director Christopher Nolan as overwhelming Oscar front-runners (1:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Wesley Morris
Senior Producer: Bobby Wagner
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Sean and Amanda are joined by Chris Ryan to discuss the massively anticipated Denis Villeneuve epic, ‘Dune: Part Two.’ The trio discuss the scope of the film, the fan fervor, the movie star performances it centers, and more (1:00). Then, they discuss Villeneuve’s most successful film entries up to this point and decide where ‘Dune: Part Two’ slots in among his best achievements (1:20:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Chris Ryan
Senior Producer: Bobby Wagner
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Sean and Amanda open the show by discussing the SAG Awards and highlight the Netflix streaming experience, Lily Gladstone’s win for Best Actress, and the dominance of 'Oppenheimer’ (1:00). Then, they create their final Best Picture power rankings (43:55). Later, Tom Oyer joins the show to help explain how the Academy Awards actually work and what the voting process looks like (1:01:44).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Tom Oyer
Producer: Jack Sanders
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Sean and Amanda are joined by Ringer contributor and beloved “Mean Pod Guy” Adam Nayman to discuss ‘Drive-Away Dolls,’ the latest solo Coen movie—this time directed by Ethan and written along with his wife, Tricia Cooke (1:00). After that, it’s the first iteration of The Big Picture Book Club. Sean and Amanda dig into ‘The Path to Paradise: A Francis Ford Coppola Story,’ what it reveals about the highs and lows of Coppola’s career, what it tells us outside of the already well-known mythology of Coppola, and—with ‘Megalopolis’ likely coming out this year—the ways it contributes to Coppola’s presence in the film zeitgeist in 2024 (24:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Adam Nayman
Senior Producer: Bobby Wagner
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It’s the most wonderful time of the year: Dumpuary! Sean and Amanda are joined by Chris Ryan to discuss the box office sensation of the year thus far, David Ayer’s politically charged action romp ‘The Beekeeper,’ starring Jason Statham (1:00). Then, conversely, Sean and Amanda dive (surprisingly) deep into what may be the worst movie of the year, the Dakota Johnson and Sydney Sweeney superhero vehicle ‘Madame Web’ (31:00). They wrap up by running through some other dumpuary movies, including J.Lo’s ‘This Is Me ... Now: A Love Story’ (1:15:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Chris Ryan
Senior Producer: Bobby Wagner
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Sean and Amanda open by discussing the movie trailers that debuted at the Super Bowl (1:00), before digging into this past weekend’s biggest release: ‘Bob Marley: One Love’ (29:00). Then, they discuss one of their favorite movies of last year, the French cooking romance ‘The Taste of Things’ (39:00). Finally, Sean is joined by Tran Anh Hung and Juliette Binoche, the director and star (respectively) of ‘The Taste of Things,’ to discuss the unique challenges of making a movie so centered around cooking technique, and the ways they went about portraying the authenticity of love between the two main characters (1:20:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guests: Tran Anh Hung and Juliette Binoche
Senior Producer: Bobby Wagner
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We are drafting again! Sean, Amanda, and Chris Ryan reunite for a draft of the best movies of 1991 (1:00). Then, Sean is joined by master filmmaker Wim Wenders to discuss his new film, ‘Perfect Days’; his return to a film set in Japan; how he looks back on his long career of making movies; and more (1:31:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guests: Wim Wenders and Chris Ryan
Senior Producer: Bobby Wagner
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Sean and Amanda discuss the wildly unsuccessful elements of ‘Argylle,’ Matthew Vaughn’s meta spy thriller starring Bryce Dallas Howard and Sam Rockwell (1:00). Then, they try to contextualize it within what Sean has dubbed "wink action"—a subgenre of action that rose around the turn of the 2010s and has finally started to peter out (44:00). Finally, Sean is joined by Mads Mikkelsen and Nikolaj Arcel to discuss ‘The Promised Land’ and the key creative differences between making movies in Hollywood and making movies internationally (1:20:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guests: Mads Mikkelsen and Nikolaj Arcel
Senior Producer: Bobby Wagner
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Sean is joined by actor and physical media enthusiast Tim Simons to refresh their conversation on the state of Blu-rays and physical media in the world of cinema.
Host: Sean Fennessey
Guest: Tim Simons
Senior Producer: Bobby Wagner
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As the 10-year anniversary of Philip Seymour Hoffman’s death approaches, Sean pays tribute to his favorite actor with an audio essay highlighting the ways in which Hoffman was sui generis on the screen (1:00). Then, Amanda joins to run through Hoffman’s entire filmography and select 10 movies to make up his hall of fame (10:00).
Hosts: Sean Fennessey and Amanda Dobbins
Senior Producer: Bobby Wagner
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Sean and Amanda open the mailbag to answer lingering questions about the Oscar nominations, including the growing fervor around Margot Robbie and Greta Gerwig’s failure to be nominated for ‘Barbie,’ why ‘The Iron Claw’ received no nominations, which film could surprise at the awards, and more (1:00). Then, Sean gives a quick recap of what he saw at the Sundance Film Festival (1:13:00) before they finally do a full deep dive into Jonathan Glazer’s ‘The Zone of Interest’ (1:22:00).
Hosts: Sean Fennessey and Amanda Dobbins
Senior Producer: Bobby Wagner
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Sean and Amanda gather after the announcement of the 2024 Oscar nominations to discuss an ‘Oppenheimer’ runaway train, some disappointing and somewhat surprising snubs for Margot Robbie and ‘Barbie,’ and how the nominations circuit is much more of a known quantity than it used to be. Plus: waning momentum for ‘The Holdovers,’ growing momentum for ‘Anatomy of a Fall’ and ‘The Zone of Interest,’ and how ‘Nyad’ snuck into several big categories.
Hosts: Sean Fennessey and Amanda Dobbins
Senior Producer: Bobby Wagner
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Sean and Amanda predict the upcoming announcement of the Oscar nominations (1:00), before reviewing ‘Mean Girls’ (49:00)—a musical remake of the 2004 high school classic—and ‘All of Us Strangers’ (1:03:00), a heavily-tipped Oscar movie that is finally being released widely. Finally, Sean talks to ‘All of Us Strangers’ star Andrew Scott about what attracted him to this role, how he selects roles at this stage of his career, and the legwork that goes into building chemistry with costars (1:22:00).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Andrew Scott
Senior Producer: Bobby Wagner
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thrilling? tedious is more accurate
I find it funny that he can speak about “the importance of women” but then cast a known abuser as a major role in his movie. A. Hammer comes from a long line of abusers and has proven to be one himself. Gross.
I think it’s pretty obvious the cops only do things or care when someone dies. That’s the point. When DV or r*pe happens that’s what it looks like.
She is so annoying. 👀
I really wish it didn’t take almost 20 minutes to talk about Avatar…
are people being killed by a bear supposed to be funny?
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Amanda is consistently terrible and I've never once listened to an episode wishing she somehow participated. She makes everything worse and has awful opinions.
Good lord, I hope they please stop having Adam Nayman on the podcast. What a miserable joyless person. I really feel bad for his inability to enjoy anything ever.
You stupid cunt. The law in Florida protects children against leftist perverts like yourself. Sexual indoctrination of children is a crime punishable by death. I hope someone kills you soon you fucking piece of shit.
popular art us still art, but regardless if how emotionally manipulative (and effective) Spider-Man NWH, it doesn't belong in any best picture conversation. It doesn't do anything that actual Oscar winner Spider-Man: Into The Spider-Verse didnt already fo better. Let the Marvel movies run the table at the MTV and People's Choice award shows. Let the grown ups have the Oscars. please. Do it for Marty!
Best Draft Ever!!
What about the documentary of Muscle Shoals?
Seriously? no one picked Hitchcock's "Notorious"? Easily the best spy movie
Short answer: Obviously, yes. Who wants to pay upwards of $10 a person (double that if you visit the concession stand) to watch a movie with a bunch of strangers who may or may not talk through important scenes, text the whole time, or just otherwise mess with your experience entirely?? You're better off shelling out the $20 to catch the movie on VOD in the comfort of your own home, where you can eat/drink whatever you please. You have a perfect view of the screen; you can pause or rewind on a whim...
Cool insight though Edgar's audio quality is unfortunately shit