This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Watufani Poe, who teaches in the Department of Communication at Tulane University. Along with scholarly and public-facing pieces, he is completing a manuscript entitled Resisting Fragmentation: The Embodied Politics of Black Queer Worldmaking, an ethnohistoric study of Black LGBTQ+ social and political activism in Brazil and the United States that outlines how Black LGBTQ+ people push for freedom across various social and political movement spaces and imagine alternative worlds. In this conversation, we discuss the importance of language and transnational work in Black Studies, the political impact of Black study, and the place of questions of gender and sexuality in the field.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Davarian Baldwin, Raether Distinguished Professor in the Department of American Studies and founding director of the Smart Cities Research Lab at Trinity College. He is the award-winning author of several books, most recently In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities and worked as the consultant and text author for The World of the Harlem Renaissance: A Jigsaw Puzzle. In addition to teaching and writing, Baldwin has served in the national leadership of the American Association of University Professors and Scholars for Social Justice and sits on several editorial boards including the Journal of African American History and Souls: A Critical Journal of Black Politics, Culture and Society. His commentaries and opinions have been featured in numerous outlets from NBC News, BBC, and HULU to USA Today, The Washington Post, and TIME magazine. Baldwin was named a 2022 Freedom Scholar by the Marguerite Casey Foundation for his work in racial and economic justice.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Natasha Henry-Dixon, who teaches in the Department of History at York University in Toronto, Ontario. Along with numerous scholarly and public-facing pieces, she is the author of Emancipation Day: Celebrating Freedom in Canada (2010), Talking about Freedom (2012). She also maintains the website One Too Many: Black People Enslaved in Upper Canada, 1760-1834. In this conversation, we discuss the history of Black people in Canada, the complicated relationship between the four centuries of Black presence and the place of immigrants in the Black Canadian imagination, and the importance of public history, education, and Black study.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Tara T. Green, who is the CLASS Distinguished Professor and Chair of African American Studies at the University of Houston. She also has a joint appointment in the English department. Dr. Green is a literary and interdisciplinary studies scholar with a doctorate in English. She is the award-winning author and editor of six books, including Love, Activism, and the Respectable Life of Alice Dunbar-Nelson and See Me Naked: Black Women Defining Pleasure During the Interwar Era as well as the co-curator of the Triad Black Lives Matter Collection housed at University of North Carolina at Greensboro. Black feminism and her Southern familial experiences with storytelling influence her approach to her research areas, which include African American fiction and autobiography, African literature, Black leadership/activism, Black Southern studies, and the Harlem Renaissance. She is from the suburbs of New Orleans, which immensely impacts her work.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Tony Louis is a veteran educator with extensive experience in the public school systems of New York, Florida, and Maryland. A specialist in advanced instruction, he has primarily taught International Baccalaureate (IB) and Advanced Placement (AP) literature courses and served as an MYP coordinator. His pedagogy is rooted in the belief that learning is both critical and contextual—an active process in which students collaborate to construct meaning and engage deeply with the world around them. He is also a staunch advocate for educational equity, holding that all students deserve meaningful access to higher education. In pursuit of this mission, he has taught Literature and Critical Race Theory courses for Upward Bound programs at Morehouse College and Rollins College. Over the past three years, he has also pioneered the teaching of Hip-Hop history and culture at the secondary level in Maryland, one of the few such courses in the state.Through his Power Dreaming initiative, Louis remains committed to amplifying student voices by fostering direct dialogue with leading scholars, artists, and thought leaders—without intermediaries. His career reflects both a passion for intellectual rigor and a dedication to cultivating joy, engagement, and empowerment in the classroom.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Rosa Clemente, a scholar, activist, and late-doctoral candidate in the Department of Afro-American Studies at University of Massachusetts, Amherst. In this conversation, we explore the complex questions of Afro-Latinx identity, cross-racial and cross-ethnic solidarity, and the meaning of Black Studies in times of deep political crisis.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Anna LaQuawn Hinton, assistant professor of Disability Studies and Black Literature & Culture in the English Department at the University of North Texas. She has published in the Journal of Literary and Cultural Disability Studies (JLCDS) and CLA Journal, as well as contributed to The Cambridge Companion to American Literature and the Body, The Cambridge Companion to the Black Body in American Literature, and The Palgrave Handbook on Reproductive Justice and Literature. Her monograph, Refusing to Be Made Whole: Disability in Black Women's Writing, which approaches themes in Black feminist literary studies such as aesthetics, spirituality, representation, community, sexuality, motherhood, and futurity through a Black feminist disability frame, is now available through the University Press of Mississippi. Dr. Hinton is a disabled-queer-momma Black feminist, who “Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk.(and striving to) Loves herself. Regardless.
This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Leonard McKinnis, who teaches in the Departments of Religion and African American Studies at University of Illinois, Urbana-Champaign. Along with a number of scholarly pieces, he is the author of The Black Coptic Church: Race and Imagination in a New Religion (2023). In this conversation, we discuss the place of religious studies in the Black Studies tradition, the relationship between ethnographic and historical research, and how close attention to emerging Black religious sensibilities reveal ethical and political visions to Black study.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Lisa Ze Winters, Associate Professor of African American Studies and English and Associate Chair of English at Wayne State University in Detroit, Michigan. Currently, she is consumed with the day-to-day practice of mothering a Black girl in the time of now, and her current research interests center on Black motherhood and Black radical love and the possibilities therein in for imagining and enacting freedom for Black children. Her most recent essay, “Fugitive Motherhood, Maroon Revisions, and Otherwise Possibilities in William Wells Brown’s Clotel; or, The President’s Daughter” (J19, 2024), examines Brown’s theorization of the ontological labor of enslaved mothering and the revolutionary possibilities of fugitivity and marronage for the fugitive mother Clotel. Ze Winters is the author of The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic (2016, UGA Press)
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Mazi Mutafa, founding Executive Director of Words Beats & Life, a hip-hop non-profit established in Washington D.C in 2002. Mr. Mutafa received his Bachelor’s degree in African American studies from the University of Maryland and became a Brother of Phi BetaSigma Fraternity. He has been a guest lecturer at the University of Maryland, Georgetown University, and George Washington University and, in 2019, was an adjunct professor at American University, co-teaching a course about international hip-hop, called “Whose Hip-Hop Is It?" He contributed a chapter to the Handbook of Research on Black Males, published by Michigan State University Press and an interview with Mazi is included in The Hip-Hop Mindset: A Professional Practice on Rutledge Press. Mr. Mutafa is also the host of a hip-hop show called “Live @ 5,” heard quarterly on WPFW 89.3 FM, featuring performances and interviews with MC’s, poets, DJ’s, producers, and vocalists. Mr. Mutafa is also the host of a poetry and activism show called “Something to Say” every Tuesday on WPFW 89.3 FM, featuring performances and interviews with poets, artists, activists and leaders.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Cassie Osei, who teaches in the Department of History at Bucknell University, where she is also affiliated faculty in the Latin American Studies program. She works at the intersection of Latin American Studies, African Diaspora Studies, and Black Women’s History and her scholarship, teaching and public speaking span the fields of Brazilian studies, Afro-Latin America, Black women’s intellectual thought, Black diasporic feminisms, urban history, gender and sexuality studies, global labor history, and comparative race relations. She is currently completing a book manuscript examining the lives of paid Afro-Brazilian female household workers in the twentieth-century, who insisted on defining themselves as modern workers and dignified women, typically obscured by the loud legacies of slavery, colonialism, and patriarchy. In this conversation, we discuss the place of Latin America in discussions of Blackness, the importance of diaspora for Black Studies thinking, and the transformative meaning of multi-lingual research approaches. Osei's peer-reviewed work appears in Palimpsest: A Journal on Women, Gender, and the Black International and Black Perspectives, whereas her public-facing work has been featured in Anglophone and Lusophone media outlets. She holds both a PhD and Masters in History from University of Illinois-Urbana Champaign, and a BA in History and Latin American Studies from the University of Kansas. In this conversation, we discuss the relationship between the study of Blackness and Latin America, the politics and debates around notions of diaspora, and how a hemispherically expansive vision of Black Studies reorients and challenges the field.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Crystal Eddins, Associate Professor of Sociology at the University of Pittsburgh. She holds a dualmajor PhD in African American & African Studies and Sociology from Michigan State University. Her areas of research and teaching include the African Diaspora, Social Movements and Revolutions, Race and Ethnicity, Women and Gender, and Atlantic World slavery. Her book, Rituals, Runaways, and the Haitian Revolution (2021), is an interdisciplinary case study that explores the relationship between ritual life, collective consciousness, and marronnage before the Haitian Revolution. Eddins has published other research articles in the Journal of Haitian Studies, Gender & History, the Journal of World-Systems Research, and Research in Social Movements, Conflicts and Change. She is currently developing a second project tentatively titled Black Queens of the Atlantic World, exploring enslaved women’s power, reproduction, and resistance in eighteenth-century British and French Caribbean colonies.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Nick Mitchell, who teaches in the Department of Critical Race and Ethnic Studies at University of California, Santa Cruz. Her research explores the political economy of the university and its intersection with questions of austerity, race, gender, and the founding of Black Studies. In this conversation, we discuss the relationship between critical politics and institutionalization, intellectual work and the radicalization of educational space, and the future of the university in a Black Studies horizon..
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Dexter Blackman, who teaches in the Department of History, Geography, and Museum Studies at Morgan State University. He researches and studies in the fields of African American, the African Diaspora, U.S. Foreign Policy and the Cold War histories, and African-American Studies. He is currently completing the book manuscript, We Are Standing Up for Humanity: Black Power, the Black Athletic Experience, and the 1968 Olympic Project for Human Rights.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Wendell Marsh, who teaches in the Department of Africana Studies at Rutgers University, Newark. His research explores the relationship between Islamic textual and cultural practice in West Africa and formations of intellectual traditions, social life, and the state. He is the author of Textual Life: Islam, Africa, and the Fate of the Humanities (2025). He will be taking a new position at Muhammad VI Polytechnic University in Morocco in fall of 2025. In this conversation, we discuss the importance of textual study in Black study, the place of religion and nation in Black Atlantic comparative work, and the place of religious diversity in the field of Black Studies.
This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today's conversation is with Keith Holmes, a researcher, historian and author, and founder of Global Black Inventor Research Projects. Mr. Holmes has spent over thirty years researching innovations, inventions and patents by Black innovators & inventors. Researching inventors through the NY Patent Library, the Schomburg Library, Howard University’s Moorland-Spingarn Research Center among other places, Keith Holmes has picked up the baton from Henry E, Baker and has compiled a growing list of over 20,000 (1769-2025) innovations, inventions and trademarks by Black men and women from over eighty countries and five continents. He has lectured in Antigua, Barbados, California, Canada, Connecticut, Florida, Illinois, New York, New Jersey, North Carolina, Pennsylvania, Virginia and Washington, DC. Mr. Holmes has done virtual lectures in Los Angeles, Maryland, Tallahassee, Toronto and London. He is currently working on several projects about Black inventors and his book Black Inventors, Crafting Over 200 Years of Success is now in paperback and ebook formats.
This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Katherine Ponds, a late-doctoral candidate in the Department of American and African American Studies at Yale University. Her research explores the relationship between ancient Greek notions of the tragic and contemporary African American theater. In this conversation, we discuss the relationship between classics and work in Black Studies, comparative work as Black study and scholarship, and the varied resonances of “the tragic” in descriptions of Black life in an antiblack world.
This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.Today’s conversation is with Jeanelle Hope, who teaches in and is Director of the program in African American Studies at Prairie View A&M University. Along with a number of scholarly articles, she is co-author with Bill V. Mullen of The Black Antifascist Tradition (2025). In this conversation, we discuss the anti-fascist theory and practice in the Black Studies tradition, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.