The Boom

In addition to his work as the senior vice president of scripted programming at Tyler Perry Studios, Mark E. Swinton produces and writes on shows like “Sistas” and “House of Payne.” Mark talks with Jewel about his move from theatre into television, relocating from Los Angeles to Atlanta to work for Tyler Perry, and what fans of the studio can look forward to thanks to the TPS deal with Netflix. Mentioned this episode:Atlanta submits bid to host SundanceCheck out what’s filming in GeorgiaiHeart’s “Fight Night” is being adapted into a TV series This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

When film programmer Millie De Chirico was on The Boom, we asked her what cult films she recommended that had an Atlanta connection. One of the recommendations was Michael J. Paradise’s “The Visitor,” a sci-fi, horror romp through the heart of Atlanta. Millie returns to The Boom to discuss the film with Jewel, Ian Deaton (composer, writer, and musician who also happens to work at Videodrome), and WABE podcast producer Kevin Rinker.This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Actor Glynn Turman’s career has spanned the majority of his life and that means he’s able to bring lived experience into many of his roles. After starring in the original Broadway production of  “A Raisin in the Sun,” he’s gone on to act in many TV series and films. “A Different World,” “The Wire,” and “How Stella Got Her Groove Back” are just a few examples. His latest role is playing Walter Newton, father of Black Panther Party founder Huey Newton, in Apple TV+’s limited series “The Big Cigar.” Glynn talks about being recruited by the Black Panthers, how his roles often depict Black life in America, and his upcoming projects.Mentioned this episode:Atlanta native Ryan Seacrest set to host “Wheel of Fortune”Bad Boys: Ride or Die hits theaters, portions were filmed in GeorgiaAdult Swim’s “Yule Log 2” is now filming in GeorgiaPeacock’s new series “Teacup” will be set and filmed in the statev This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Visual effects producer Matt Akey knows he’s done his work effectively if you never notice that he touched a film or TV show in the first place. From “Creed III” and “The Holdovers” to “The Boys” and “West World,” he’s worked on an array of projects requiring different kinds of imaging. Akey talks about his visual effects work and his path to becoming Chief Marketing Officer at Crafty Apes, a VFX and production services company based in Atlanta.Plus, Sammie Purcell, associate editor of Rough Draft Atlanta, joins Jewel to talk about summer film and TV releases they’re looking forward to.This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Millie De Chirico got her start in the film and television industry at Turner Broadcasting in the programming department. From there, she programmed “TCM Underground,” which broadcast cult classics and late-night films. These days, she co-hosts the podcast “I Saw What You Did,” dissecting films every episode and is teaching about film as an adjunct professor. Millie shares exactly what a film programmer does, why she loves cult cinema, and why she wrote her book “TCM Underground: 50 Must-See Films from the World of Classic Cult and Late-Night Cinema.” Mentioned this episode:Amazon Prime’s “The Bondsmanv”“The Woman in the Yard”“Naked Gun” Reboot“Weapons” This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Film Pitch ATL is a monthly event where all levels of filmmakers at any point in the creative process can go to pitch their project to a panel of industry experts receiving feedback in real time - in front of a live audience.  There’s also ample opportunity to meet other people working in or exploring the industry. The Boom visited an event earlier this year and talked with attendees, pitchers, and the founder, Caroline King.Mentioned this episode:Three Georgia cities are vying to host Sundance Film FestivalHulu’s “Reasonable Doubt” second season premieres August 22Production on season three of “P-Valley” is underway“The Idea of You” is Amazon MGM’s number one romantic comedy debutThis episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Janelle Monae’s Wondaland Arts Society goes far beyond music. From fashion and literature to film and TV, they’re working to tell stories across all mediums. Chuck Lightning, co-founder and creative director of Wondaland, talks about the expansion into film and TV. Then, musicians Nate Wonder and Roman GianArthur provide a glimpse into the execution of that expansion, sharing their approach to composing music for the screen. Mentioned this episode:“Kingdom of the Planet of the Apes” tops the box officeBET+ renews the “Ms. Pat Show” for a fourth seasonHulu’s “The Other Black Girl” canceledStay at the house from “The Idea of You” This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Actress Tiffany Elle Burgess (The Color Purple, The Wonder Years) has only been acting since 2020 but has already found herself in some big productions. Notably, she played Olivia, Celie’s biological daughter, in the 2023 musical adaptation of “The Color Purple.” Tiffany explains how writing screenplays, before jumping into acting herself, has helped her become a better actor. She also talks about her work on “The Color Purple” and how her career jumped from public health to film and TV. Mentioned this episode:Amazon’s “The Idea of You”Netflix’s “A Man in Full”Universal’s upcoming musical project featuring Janelle Monáe, Halle Bailey, and Missy ElliottTyler Perry’s latest film coming to NetflixThe AJC’s “The South Got Something to Say” documentary This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

What does pursuing a degree related to film and television look like? What can you actually study? SCAD students Grace Lawell, Jack Savage, and June Hauser share their experiences working toward degrees related to film and TV at the school and how Atlanta factors into their careers. Grace graduated in 2022 with a B.F.A in performing arts, June Hauser is a senior pursuing a B.F.A in film and television and a minor in casting - and is the student manager of the Atlanta Casting Office at SCAD - and Jack Savage is a first-year student working toward his B.F.A in acting.Sammie Purcell, associate editor of Rough Draft Atlanta, also joins the show to talk about the closing weekend of the Atlanta Film Festival and the city’s bid to host the Sundance Film Festival.Mentioned this episode:Atlanta’s bid for the Sundance Film FestivalAtlanta Film FestivalThis episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Alpha Tyler got her start in casting as an intern on James Cameron’s “Titanic.” Since then, she’s worked on shows like “Martin” and as the casting director for Tyler Perry. Ready for a career change, Alpha became a professor of performing arts at SCAD in 2016 and is also the faculty adviser for SCAD’s Casting Office. Alpha talks about her career path and explains how SCAD’s Casting Office acts as a resource for students and alumni. The school is the only academic institution in the country offering a minor in casting.Plus, reporter Nicole Carr talks about her investigation for ProPublica that revealed texts sent by film executive Ryan Millsap in which he shared racist and antisemitic sentiments.Mentioned this episode:Nicole Carr’s follow-up article on texts sent by film executive Ryan MillsapAtlanta Film FestivalNetflix’s “A Man in Full”Production on “Peacemaker” season beginsStarz’s “P-Valley” This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Sean Albertson approaches editing film the way he does cooking a meal: Try a little of this, what should I add here, does all this work together? Sean shares his editing philosophy, working on the horror film “Imaginary,” and how he’s plugging in to the industry here after his recent move to Atlanta.Mentioned this episode:What’s filming in GeorgiaAJC on “Tulsa King”This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

The Civil War epic film “Gone with the Wind” premiered in Atlanta 85 years ago. Much like the book, it was met with critical acclaim and continues to be considered by many as one of the greatest films of all time. “Gone with the Wind” isn’t without problems, however. Morehouse College Professor Stephane Dunn and Georgia State University Professor Emeritus Tim Crimmins discuss the film’s problematic representation of slavery, the South, and race, as well as its premiere in Atlanta in 1939.This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Legalized segregation was a system of discrimination put in place by whites in power, used to oppress Black Americans. Segregation during Jim Crow touched nearly every aspect of life in the American South, including movie theaters and the content of the films played therein. Film and media Scholar Nsenga Burton and Matthew Bernstein, professor of film and media studies at Emory, explore the history of film and theaters during segregation in Atlanta. Plus, WABE’s Blues and Jazz Classics host, H. Johnson, tells his story of how segregation impacted him as a movie-lover. This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

The Georgia General Assembly's 2024 session ended on Thursday and HB1180, which proposed changes to the state's film tax credit, did not pass. WABE's business reporter Marlon Hyde has the details.See omnystudio.com/listener for privacy information.

From zombie attacks to a white-tablecloth dinner, if an actor needs to eat something on screen, there’s a good chance a food stylist created something from an unexpected recipe. Food stylist Elizabeth Grove talks making edible blood, historically accurate food, and concoctions found only in science fiction for the screen.HB1180, the bill that would have made changes to Georgia’s film tax credit, did not make it to the governor’s desk before the session ended. Check out our bonus episode with WABE’s business reporter Marlon Hyde for all the details. Mentioned this episode:Art Beats & Lyrics DocumentaryGeorgia Tech’s Global Media Festival This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

The Georgia Film Office was created by former President Jimmy Carter in 1973, when he was governor of the state. Lee Thomas, Deputy Commissioner, has been at the Film Office since 1996, working to bring film and television productions to the state. Lee explains how she and her team accomplish that mission and tells the story of how the Film Office and film scene in Georgia have changed during her nearly 30 years in the industry here. Mentioned this episode:Hulu’s “Freaknik: The Wildest Party Never Told”Kenny Nguyen on Bravo’s “Top Chef”“Naked Gun” Reboot to film in AtlantaNAACP Image Awards This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

When composer EmmoLei Sankofa moved to Los Angeles to begin her career in film and TV composition, things didn’t flow quite as smoothly as she hoped. EmmoLei shares her story of working and making important connections in Los Angeles, and then moving back to Atlanta, where she would become an NAACP Image Award nominated composer for her work on “The Other Black Girl.” Some of EmmoLei’s other credits include “Three Ways,” “Lizzo’s Watch Out for the Big Girls,” and “Step Up.”Mentioned this episode:NAACP Image AwardsOscars WinnersWomen’s Comedy Film FestivalThe Preacher’s WifeThis episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

With proposed changes to Georgia’s film tax credit making their way through the state legislature as HB 1180, film accountant Jessica Feder believes that the film and TV industry here could look drastically different in the next decade. Jessica talks about her work as a film accountant and shares her concerns with the proposed changes to the state’s film tax credit.Mentioned this episode:BMF Season 3Hulu’s forthcoming Freaknik documentaryTyler Perry’s Perimeter on BET+The 96th Oscars are this weekend This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

Shay Bentley Griffin is one of those people in the industry who can say they helped make the Georgia’s film and TV industry what it is today. From casting on early shows like “I’ll Fly Away,” to working to create the film tax credit, Shay never gave up on making the state a viable location for a film or TV production. She talks about the early days of film and TV in Georgia, why she decided to stay, and what needs to happen next for Georgia’s industry to remain successful. Plus, the Georgia state House of Representatives passed HB 1180, which would make changes to the film tax credit if passed into law. The bill now heads to the state Senate. Mentioned this episode:FX’s “English Teacher”“SNL 1975”BronzeLens Film Festival’s 2024 Women Superstar HonoreesTyler Perry’s “Mea Culpa” and comments about AI in an interview with The Hollywood Reporter. This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.

The second-largest film and TV production facility in the world is just over twenty miles from the heart of Downtown Atlanta, in Fayette County. Trilith Studios not only counts 32 sound stages (with two more on the way), the Georgia Film Academy, and all the functions of a one-stop production facility, it also includes the Town at Trilith. We head to the 1000-acre development for a tour and then have a conversation with Frank Patterson, president and CEO of Trilith Studios.Plus, WABE digital editor, Kenny Murry, joins to talk about his list of Black history productions filmed in Georgia.Mentioned this episode:Usher is developing a new TV showTyler Perry’s forthcoming series “Beauty in Black”“The Madness” resumes production in AtlantaThis episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.For more information, visit wabe.org/theboomSee omnystudio.com/listener for privacy information.