The Brainy Ballerina Podcast

Choosing a ballet variation can feel overwhelming. With so many options, and so much pressure to choose the "right" one, it can be easy to focus only on what looks impressive or what might earn the highest score. In this episode, I'm joined by Carrie Euker, founder of Étoile Dance Competition, to talk about how dancers, teachers, and parents can approach variation selection (and the entire competition dance landscape) more thoughtfully. Key "pointes" in this episode: * Why age-appropriateness should be one of the first considerations when choosing a variation * How the character and personality of a variation can help guide the decision * How teachers can adapt variations to meet a dancer where they are technically * How to balance a dancer's strengths, challenges, artistry, and personality * Why choosing a variation shouldn't be about finding the one that will simply get the highest score * The importance of giving young dancers opportunities to develop as artists and performers, rather than rushing them into mature roles * Why competitions can be an opportunity for education and development, not just placement * Looking beyond the most prestigious opportunities and considering what is actually the right fit for an individual dancer * Why dancers need experience with corps de ballet work, not just solos * Why the process of learning and rehearsing is just as important as the final performance Carrie also shares great perspective on the pressure young dancers face today and the value in letting dancers develop at their own pace. Ultimately, the goal isn't to find the variation that makes a dancer look the most impressive. It's to find something that allows them to grow, learn, and actually be themselves onstage. Connect with Étoile Dance Competition WEBSITE: https://www.etoilecomp.com/brainy INSTAGRAM: instagram.com/etoiledancecomp [http://instagram.com/etoiledancecomp] Links & Resources: REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen ORZA: www.orzabrand.com [http://www.orzabrand.com/] (use code BRAINYBALLERINA for 10% off) Let's connect! My WEBSITE: thebrainyballerina.com [http://thebrainyballerina.com/] INSTAGRAM: instagram.com/thebrainyballerina [http://instagram.com/thebrainyballerina] Questions/comments? Email me at [email protected]

In this week's episode of The  Brainy Ballerina Podcast, I'm joined by New York City Ballet Soloist Sara Adams. In this episode, Sara shares her journey from taking her first ballet class on Cape Cod to training at the School of American Ballet and ultimately joining New York City Ballet. We talk about the transition from student to professional, finding confidence, dealing with comparison, and what she's learned from nearly two decades in the company. We also talk about pursuing a college degree while dancing professionally, finding interests outside of ballet, and why Sara believes dancers should have more fun and trust their own timeline. Key "Pointes" in this Episode * What it was really like to move to New York at 13 to attend the School of American Ballet * The unexpected role that became a turning point in Sara's path toward becoming a soloist at NYCB * How Sara managed college while dancing full-time * The fulfillment she finds serving as a mentor for the next generation of dancers entering New York City Ballet * What 18 years in one company has taught her about comparison, confidence, and becoming comfortable with who you are * Why Sara still feels like she "needs" to dance after nearly two decades as a professional Connect with Sara INSTAGRAM: instagram.com/sara_jane_adams [https://www.instagram.com/sara_jane_adams] Links & Resources: REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen ORZA: www.orzabrand.com [http://www.orzabrand.com/] (use code BRAINYBALLERINA for 10% off) Let's connect! My WEBSITE: thebrainyballerina.com [http://thebrainyballerina.com/] INSTAGRAM: instagram.com/thebrainyballerina [http://instagram.com/thebrainyballerina] Questions/comments? Email me at [email protected]

Audition season can feel overwhelming, but it doesn't have to. In this solo episode of The Brainy Ballerina Podcast, I'm walking you through my recommended timeline for preparing for professional dance auditions, starting in September and continuing through the end of audition season. Instead of waiting until January to start thinking about auditions, you'll learn how to use the fall months to get your materials, finances, company research, and audition strategy in place, so you can head into the new year feeling prepared and confident. Audition Resources: FREE DOWNLOAD // Audition Roadmap: https://lp.constantcontactpages.com/sl/3oZ0IJD/auditionroadmap 1-1 Career Mentoring: https://www.thebrainyballerina.com/career-mentoring The Intentional Career Handbook: https://www.thebrainyballerina.com/intentional-career-handbook The Ultimate Audition Guide: https://www.thebrainyballerina.com/theultimateauditionguide The Dance Company Database: https://www.thebrainyballerina.com/digital-resources/p/dance-company-database Dance Audition Materials Audit: https://www.thebrainyballerina.com/digital-resources/p/dance-audition-materials-audit Links & Resources: REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen ORZA: www.orzabrand.com [http://www.orzabrand.com/] (use code BRAINYBALLERINA for 10% off) Let's connect! My WEBSITE: thebrainyballerina.com [http://thebrainyballerina.com/] INSTAGRAM: instagram.com/thebrainyballerina [http://instagram.com/thebrainyballerina] Questions/comments? Email me at [email protected]

In this week's episode of The Brainy Ballerina Podcast, I sat down with Garrett Anderson, Artistic Director of Ballet Idaho, to talk about his journey from professional dancer to arts leader and what it really takes to build a lasting career in dance. Garrett spent 20 years performing with companies including San Francisco Ballet, The Royal Ballet of Flanders, Trey McIntyre Project, and Hubbard Street Dance Chicago before stepping into his current role. We talk about how he got his start in ballet, the mentors who shaped him along the way, and the pivotal moments that took him across the country and overseas in pursuit of new artistic challenges. This conversation is packed with insight for anyone curious about the discipline and curiosity it takes to sustain a career in the arts. Key "Pointes" from this Episode: * How Garrett got into ballet and the role his mom played in his early training * The transition from student to professional dancer, including meeting his wife along the way * Moving between companies with distinct styles, and how curiosity fueled those transitions * What allowed Garrett to sustain a 20-year professional dance career * His unplanned transition from performer to Artistic Director * How his perspective on the dance industry has shifted since becoming a director * Rethinking risk-taking in ballet and what contemporary dance techniques could bring to the art form Connect with Garrett: Visit Ballet Idaho's Website: https://balletidaho.org/ Follow Ballet Idaho on Instagram: https://www.instagram.com/balletidaho [https://www.instagram.com/balletidaho/?hl=en] Follow Ballet Idaho on Facebook: https://www.facebook.com/balletidaho Links and Resources: SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items) Register for the "See & Be Seen" College Recruitment Event: https://eisenhowerdance.org/beseen Let's connect! MY WEBSITE: thebrainyballerina.com [http://thebrainyballerina.com/] INSTAGRAM: instagram.com/thebrainyballerina [http://instagram.com/thebrainyballerina] Schedule your complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring Questions/comments? Email me at [email protected]

In this episode of The Brainy Ballerina Podcast, former professional ballerina Caroline Simpkins shares her inspiring journey from professional ballerina to earning a PhD in biomechanics and creating Ballet Science, a platform dedicated to making dance research accessible to dancers, teachers, and educators. After dancing professionally for 12 years, Caroline found herself facing burnout, uncertainty about her future, and a life-changing thyroid cancer diagnosis at just 29 years old. That experience became the catalyst for reimagining her career, leading her from ballet to scientific research and ultimately to a mission of improving dancers' health through evidence-based education. In this episode, Caroline shares what it was really like to step away from performing, explore careers in healthcare and academia, and advocate for ballet research in spaces where dance wasn't always understood. Whether you're beginning to think about life after performing or simply looking for reassurance that your next chapter can be just as meaningful as your first, this conversation offers practical advice and plenty of hope. Key "Pointes" in this Episode * Caroline's journey from professional ballet dancer to PhD * Why she chose to leave performing after a 12 year career * How a thyroid cancer diagnosis reshaped her career path * The challenges of pursuing ballet-related research in academia * How to communicate the value of dance to people outside the dance world * The transferable skills dancers bring to any profession * Why adaptability matters more than having the "perfect" career plan * Advice for dancers preparing for life after performing * How Ballet Science is bridging the gap between research and the dance community Connect with Caroline WEBSITE: https://ballet.science/ YOUTUBE: https://www.youtube.com/@ballet.science INSTAGRAM: instagram.com/ballet.science [https://www.instagram.com/ballet.science] FACEBOOK: https://www.facebook.com/ballet.science BALLET SCIENCE PODCAST: https://podcasts.apple.com/us/podcast/ballet-science/id1815952731 Links & Resources: REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items) Let's connect! My WEBSITE: thebrainyballerina.com [http://thebrainyballerina.com/] INSTAGRAM: instagram.com/thebrainyballerina [http://instagram.com/thebrainyballerina] Questions/comments? Email me at [email protected]