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Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.
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It’s that time of year again and we are serving up a heaping plate of 2024 Megabanter! The Paramount–Skydance merger finally lands, streamers and legacy studios duke it out for sports rights, Bob Iger makes his moves while the Disney board ramps up its succession race, and linear television continues to decline — what’s the story of the year? Banter buddies Lucas Shaw and Matt Belloni join Kim Masters to figure it out.
Rupert Murdoch wants to update his family trust in favor of his son Lachlan, who runs the Fox News empire. What’s behind Nevada commissioner Edmund J. Gorman Jr.’s decision to block the move? Kim Masters and Matt Belloni investigate.
Plus, Masters talks to documentarian Nic Stacey about his Netflix film, Buy Now! The Shopping Conspiracy. The London-based filmmaker tells us how he managed to pull together an impressive roster of whistleblowers from top companies such as Amazon, Adidas, and Apple. He also says that working with Netflix’s U.K. team was a breeze, despite the documentary’s focus on tech giants. Stacey also explains why he chose to use an AI narrator named “Sasha” to guide viewers through the film.
Gail Slater is Donald Trump’s pick to head the Justice Department's antitrust division. As she gears up to oversee cases against major tech companies like Google and Apple, how will the veteran antitrust lawyer view future mergers in Hollywood? Kim Masters and Matt Belloni dive in.
Plus, Masters speaks to journalist Jacob Soboroff and documentarian Errol Morris about their film Separated, a sobering look at the Trump Administration’s 2017 child separation policy. They have a lot to say about those who were complicit in tearing thousands of children away from their families. Plus, Soboroff weighs in on Comcast’s refusal to release the film before the election.
Kim Masters and Matt Belloni take a look at the forthcoming Thanksgiving weekend box office projections and examine the unauthorized use of screenplays to fuel AI learning models.
Plus, Eric Deggans sits down with Grammy-winning songwriter Evan Bogart to discuss the state of the music industry — which Bogart assures us is “not all bad.” Bogart goes on to detail how independent artists are benefiting from major label consolidations and reorgs. Plus, he tells us the story of how he discovered Eminem while as a 19 year-old Interscope Records employee.
Comcast is set to spin off a slew of cable channels including E!, SYFY, MSNBC, and CNBC. What’s behind the move? Plus, the big announcement also brings with it the news of a long anticipated promotion for NBCUniversal executive Donna Langley. What does she have in store for the company in her new role? Kim Masters and Matt Belloni dive into the latest at Comcast.
Plus, NPR’s Jeff Lunden speaks to playwright Winnie Holzman and composer Stephen Schwartz about the long-anticipated film adaptation of their hit stage show Wicked. Among other pressing topics, they’re sharing what drove the decision to split the story into two movies.
Disney’s streaming numbers soar as announced in the company’s earnings report earlier this week, but questions remain in the ongoing search for a new CEO. Also, what’s next for the company’s Film and Parks divisions? Matt Belloni and Kim Masters break down Disney’s Q4 earnings report.
Plus, Masters speaks to Edward Berger about his latest film Conclave. The German director tells us how studying filmmaking at NYU in the 90s led him to an internship at the indie production company Good Machine. He also sings the praises of Netflix, which he reveals was the only financier daring enough to pay for his grim German-language war film All Quiet on the Western Front. The film went on to receive four Academy Awards, including Best International feature film.
Brian Jordan Alvarez and Stephanie Koenig made the jump from YouTube to Hulu's 'English Teacher.' Introducing a KCRW original podcast we think you'll enjoy, The Sam Sanders Show. Watch the full episode on YouTube or follow the show here.
Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations. After a strong limited opening, the film will see a modest expansion and a light awards push from Warner’s. What prompted the studio to bury what could potentially be the last film from the 94 year old director? Kim Masters and Matt Belloni investigate.
Plus, Eric Deggans talks to Lauren LeFranc about creating the HBO mini series, The Penguin. The writer discusses the challenges of adapting a well known comic book villain into a complex, three dimensional character and she shares why her perspective as a woman writing a show about a middle-aged crime boss makes for interesting storytelling. And of course, she talks about the joys of working with Colin Farrell, who is both the star of the show and an involved executive producer.
As Greta Gerwig prepares to dive into production on her adaptation of The Chronicles of Narnia, the director is attempting to persuade Netflix to release her film on thousands of IMAX screens worldwide. Will the streamer bite? Also, Gavin Newsom proposes an increase in tax credits for California productions. What hurdles does the California governor face? Kim Masters and Matt Belloni talk us through it.
Plus, Eric Deggans talks to comedian Roy Wood Jr. about hosting the American version of the long-running British current events quiz show, Have I Got News For You. Wood also addresses the ongoing paradigm shift in late night comedy — telling us why he thinks old-school ratings matter, but social virality and streaming numbers matter more.
Matt Belloni and Lucas Shaw dive into the impressive Q3 earnings posted by Netflix… And whether the streamer can fine tune its film strategy to achieve even further world domination.
Plus, Kim Masters speaks to Chris Sanders, the writer and director of The Wild Robot. The veteran animation director acknowledges the good and not so good impact of CG animation, talks about his experience of working at Disney during the studio’s famed Renaissance period, and explains why he left the studio to work at Dreamworks after John Lasseter took over Disney Animation in 2006. Plus, Sanders discusses his very special relationship with Stitch, of Lilo and Stitch.
As David Ellison’s Skydance merger with Paramount begins, studio executives have been given some serious incentives to stick around through the transition process. Matt Belloni and Lucas Shaw examine the latest happenings at the studio.
Then, Kim Masters wraps a two-part conversation between The Apprentice writer Gabriel Sherman and Briarcliff Entertainment founder Tom Ortenberg. Sherman shares how billionaire Trump supporter Dan Snyder helped finance the project without reading the script… And he also shares how Snyder was bought out of the project once he saw an early screening and realized that the film was far too critical for his taste. Plus, Ortenberg reflects on the death threats he’s encountered over the years due to his propensity for distributing controversial movies.
Kim Masters and Matt Belloni examine MSNBC’s decision to hold Errol Morris’ immigration documentary Separated until after the 2024 presidential election. They also unpack the various factors that led Todd Phillips’ Joker sequel to flop.
Plus, Masters speaks with writer Gabriel Sherman and Briarcliff Entertainment founder Tom Ortenberg in the first of a two part conversation about The Apprentice. Sherman tells us about the risks he’s undertaken in making a movie about prominent attorney Roy Cohn’s mentorship of a young Donald Trump. And he describes how a cease and desist letter from Trump put the project’s future in jeopardy. Plus, Ortenberg talks about the sprint to get the film to theaters just a month after establishing the distribution deal with his company.
As Sony Pictures CEO Tony Vinciquerra prepares to step down from his post in 2025, Kim Masters and Matt Belloni take a look at the company’s succession plans.
Plus, Masters speaks to Academy Award winning actress Kate Winslet about producing and starring in Lee, the true story of pioneering photojournalist Lee Miller. Winslet discusses the nine year uphill battle of getting the film off the ground — including sourcing financing and pulling together a cast that includes Alexander Skarsgård, Andrea Riseborough, Josh O’Connor, and comedian Andy Samberg in his first dramatic role.
With news of Lionsgate partnering with an AI mining firm and Meta’s new AI chatbot voiced by celebrities, Matt Belloni and Lucas Shaw break down the latest industry forays in the world of artificial intelligence.
Plus, Kim Masters speaks to Demi Lovato and Nicola Marsh about their new documentary, Child Star. The co-directors explain the challenges of persuading some of the best known former child stars—including Drew Barrymore, Raven-Symoné, and Kenan Thompson—to share their deeply personal experiences as young performers.
In the wake of Disney’s big night at the Emmys, Kim Masters and Matt Belloni take a look at the New York Times article chronicling the chaotic succession endeavors at Disney.
Plus, Masters speaks with writer-director J.T. Mollner and producer Roy Lee about their cat-and-mouse thriller Strange Darling. The film currently sits at 95% on Rotten Tomatoes and was called a “clever masterpiece” by Stephen King. But the road to such acclaim was not an easy one for the filmmakers. Mollner and his producers faced constant pushback from studio executives at Miramax, including having production shut down two days into shooting. Plus, the pair tells us about editorial clashes in post-production that would ultimately result in Mollner being given final cut.
Kim Masters and Matt Belloni break down a letter signed by hundreds of SAG-AFTRA members calling on union leaders to protect Pro-Palestine members from being blacklisted.
Plus, Masters speaks to Warsaw-based filmmaker Maciek Hamela, whose documentary In The Rearview traces the stories of refugees fleeing Ukraine. The film originated from Hamela’s personal experience of repeatedly driving into the war-torn country in a small van, picking people up, and driving them to safety in his native Poland.
Kim Masters and Matt Belloni examine the secret battle for succession among the family of billionaire Rupert Murdoch. They also take a look at a curious Wall Street Journal profile on Disney Parks Chairman Josh D’Amaro.
Plus, we revisit Masters’ conversation with writer Justin Kuritzkes about the rollout of his first screenplay, Challengers, now a full-fledged film directed by Luca Guadagnino. He talks about how the Zendaya-led project was inspired by a US Open match that eventually led to him becoming a tennis obsessive. And he shares how he and his wife Celine Song — who experienced a similar career whirlwind last year with her Oscar-nominated feature Past Lives — manage to keep their work separate from their relationship.
Kim Masters and Matt Belloni banter about the summer box office, noting that it started with a whimper but is ending with a bang thanks to a sequel and two superheroes. Edgar Bronfman Jr. has withdrawn his bid for Paramount, and as the Venice Film Festival kicks off, Italy's increasingly right-wing government is courting Hollywood productions.
Additionally, Meg LeFauve and Dave Holstein, the writers of the Pixar megahit Inside Out 2, join Kim Masters to discuss the importance of putting animated movies in theaters instead of only on streaming platforms — as former Disney CEO Bob Chapek did during his tenure. They also address whether the culture at Pixar has changed since John Lasseter’s 2018 departure amid misconduct allegations.
Matt Belloni and Alex Weprin discuss Edgar Bronfman Jr.'s unexpected bid for Paramount Studios, challenging the existing agreement with Skydance Media.
Plus, Slow Horses kicks off its new season with nine Emmy nominations, including Best Drama Series and Best Actor in a Drama for Gary Oldman. Eric Deggans revisits his interview with Oldman, where the actor shares insights into his career, the challenges of his craft, and what drew him to his latest role. This conversation offers a fascinating glimpse into the life of one of Hollywood's most acclaimed actors.
Kim Masters and Matt Belloni discuss recent Hollywood developments, including Joaquin Phoenix's sudden exit from a film just days before shooting and Paramount Pictures' decision to shut down a studio and layoff 2,000 workers. The industry grapples with uncertainty as Paramount and other major players navigate shifting dynamics.
Plus, NPR’s TV critic and media analyst, Eric Deggans speaks with ‘Dear White People’ creator Justin Simien. His new docuseries Hollywood Black chronicles over a century of Black experiences in Hollywood, exploring the contributions of Black actors, writers, and directors. Simien discusses the pivotal pioneers like Donald Bogle and Oscar Micheaux while sharing personal insights on navigating racial barriers in the industry.
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What a great episode! 😁 More mega banter please!
My favorite podcast. Kim Masters is such a delight to listen to.
Initial 8 minutes of utter gibberish.