After an emerging-artist blitz of 26 New York exhibitions in just 7 years, the award-winning visual artist Valerie Atkisson de Moura hit a wall. Adrift and depressed in a new home, she received a medical diagnosis of an incurable disease and discovered that her mother had the same disease but had kept it secret from the family. Then, in a horrible year, her mother died, Valerie was hit by a car and suffered head trauma that changed the way she lives and works. Throughout everything, the artis...
Potter Ben Behunin has created a body of work that includes message-driven ceramics exhibited in museums and galleries. He is also an author, and the subject of this interview is his field guide, “How to Seduce a Sasquatch,” which includes tips to jumpstart creativity and related theories. Send us a text about the podcast.
Dancer, choreographer, and teacher Kate Monson describes her work at Brigham Young University, where approximately 5,000 students each semester take dance classes. She describes the dance-friendly LDS culture, how all of us are dancers, and how, as a dancer's career progresses, it is impacted by ageism. Finally, Monson draws connections between her spirituality and physical movement. Send us a text about the podcast.
This interview with visual artist Jackie Leishman and poet Steven L. Peck unwinds the process of creative minds meeting, finding common passions, and then making inter-disciplinary art together. The podcast celebrates the artists' latest published work, a chine-collé print, Sound of a broken wing. Send us a text about the podcast.
In this episode, Mia Meredith describes her work as a graphic designer for the very popular, monthly pull-out section of The New York Times created exclusively for kids. The graduate of Brigham Young University's design program talks about her career path in New York that landed her in her dream job, its challenges, rewards, and purpose, which is to help kids understand the world. Send us a text about the podcast.
The exhibition The Delicate Ties That Bind explores the precariousness of post-pandemic existence and assesses the complex and often fragile relationships that shape our lives now. Curated by Megan Knobloch Geilman, these threads make up the nature of our reality and serve as metaphors for both a tattered society and the essential connections between us. In this interview, the curator describes the process of putting together this exhibition on the campus of Claremont Graduate University with...
A landmark exhibition spanning the history of The Church of Jesus Christ of Latter-day Saints marks a milestone in the culture's artistic output and appreciation. The 121-work exhibition, Work and Wonder: 200 Years of Latter-day Saint Art, is curated by Heather Belnap, Ashlee Whitaker Evans, and Brontë Hebdon. They join in this wide-ranging conversation about the show's five years of development and the four themes that emerged from their extensive, global research: Memory and Archive, Indivi...
The publication of Latter-day Saint Art: A Critical Reader is a landmark event, the first comprehensive critical examination of Mormon Art. In this interview, co-editors Mason Kamana Allred and Amanda Beardsley introduce the chapters with insights into the reasons why each is indispensable. Then, the authors of this 664-page book from Oxford University Press submitted questions for the podcast about the making of the book and what lies ahead in art and objects by LDS people. Part 1 of 2 histo...
The publication of Latter-day Saint Art: A Critical Reader is a landmark event, the first comprehensive critical examination of Mormon Art. In this interview, co-editors Mason Kamana Allred and Amanda Beardsley introduce the chapters with insights into the reasons why each is indispensable. Then, the authors of this 664-page book from Oxford University Press submitted questions for the podcast about the making of the book and what lies ahead in art and objects by LDS people. Part 2 of 2 histo...
The young nonprofit organization, Inspired Arts League, is the focus of this interview with its founder Brittany Scott and executive producer Ellen Wheeler. It’s a fascinating model: invite global artists who are already accomplished to be members and give them as a group, through workshops and collaboration, tools to more effectively tell stories and inspire hope in the world through art. Scott and Wheeler announce their inaugural exhibition October 14-25, 2024 at the venerable Salmagundi Cl...
In this interview with Rachel Helps, Wikipedian-in-Residence at the BYU Library, researcher and author Helps explains her work refining, creating, correcting, and researching Wikipedia pages that relate to the unrivaled collection of Mormon Studies volumes at the Harold B Lee Library at Brigham Young University. The conversation includes interesting finds and experiences covering eight years of work and hundreds of articles. Helps also mentions her interactive fiction projects. Send us a text...
Brett Peterson is Director, Exhibition Media and Interactives at the American Museum of Natural History in New York, which is at the forefront of engaging audiences and making exhibitions memorable by the creation of accompanying original, responsive digital media. In this episode Peterson describes the shifting expectation of visitors regarding technology. He tries to find new ways to evoke emotions and heighten works on display, including magical digital and physical pairings. He asks...
Artist Collin Bradford makes video, sound, photography, sculpture, and other media. In this interview, the incoming art department chair at Brigham Young University discusses his work, how art speaks directly to the brain through the senses, and his work as a reflection of concerns about the future. His video installation, A Burning Hope (2021) is part of the museum exhibition, Materializing Mormonism: Trajectories in Contemporary Latter-day Saint Art, organized by the Center for Latter-day S...
This episode with composer S. Andrew Lloyd celebrates the world premiere of his song cycle, Amaranthine, which was written for and performed by international opera star Rachel Willis-Sørensen at Carnegie Hall's Zankel Hall, April 9, 2024. The composer discusses how he came to write the prize-winning work and his emotional response to hearing it for the first time. Amaranthine is the first composition to appear from The Ariel Bybee Endowment at the Center for Latter-day Saint Arts, a prize Llo...
The winner of the 2024 Prize of The Ariel Bybee Endowment at the Center for Latter-day Saint Arts is Mia Black. In this interview, Black introduces herself and her winning project, which will be a collection of American Folk Music aimed at elementary school-age classrooms. The breakthrough idea here is Black's plan to organize the collection using waves of immigrants and their songs to tell the story of what people brought with them, including their music, to their new homes in the United Sta...
Brad Pelo, President and Executive Producer of The Chosen discusses the series' global ambition to provide all episodes in 600 languages. The vast challenges of dubbing and subtitling the series about Jesus while maintaining the writer's unique contemporary dialogue and tone are discussed in this interview alongside the powerful experiences Pelo has witnessed riding the wave of this one-of-a-kind tv series. Music for this episode: Ave Maria (Bach-Gounod) sung by Jamie Peterson Send us a text...
Many arts audiences go to performances and exhibitions without thinking much about the institutional leadership that makes these events possible. In this episode, Richard Bushman, chairman of the board of the Center for Latter-day Saint Arts and Mykal Urbina, the Center's executive director, announce a chairman-elect, Stanley Hainsworth. The trio talk about their favorite art forms and programs of the Center they love, and they invite people to become friends by participating in its activitie...
In preparation for the 2024 Prize of The Ariel Bybee Endowment at the Center for Latter-day Saint Arts that will sponsor a new music program, singer and music education Jamie Peterson and intellectual property attorney Patrick Perkins discuss with passion the urgency for more music education in public schools. With the deadline for submissions fast approaching for submissions of new music ideas for the classroom (January 15, 2024), the pair talk about their own experiences with music in schoo...
This show-and-tell episode features Erin Eastmond and Glen Nelson discussing holiday gift ideas by LDS creatives that are featured in the Center's Christmas Gift Guide. They include children's books, music, art, religious books, scholarly works, food, poetry, family activities, and a few items offered as benefit art works for the Center. Erin and Glen read excepts from the books and talk about how these items might be the perfect packages under your Christmas tree. Send us a text about the po...
In this episode, the Center celebrates with composer Steven L. Ricks the upcoming premiere of his multimedia chamber opera, Baucis and Philemon (BAH-sis and Phi-LEE-mon), which was commissioned by the Center for Latter-day Saint Arts in 2019. The story comes from Ovid's Metamorphosis. It is a fable about a couple who ask the gods to be turned into trees at the bank of a lake after their death. Ricks discusses how the opera came to be written and the team behind it all. Musical rehearsal exce...