The Daily Poem

Today’s poem offers an incisive analogy for analogies. Happy reading.A.E. (Alicia) Stallings is the Oxford Professor of Poetry. She grew up in Decatur, Georgia, and studied classics at the University of Georgia and Oxford University. Her poetry collections include Like (2018), a finalist for the Pulitzer Prize; Olives (2012), which was nominated for a National Book Critics Circle Award; Hapax (2006); and Archaic Smile(1999), winner of the Richard Wilbur Award and finalist for both the Yale Younger Poets Series and the Walt Whitman Award. Her poems have appeared in The Best American Poetry anthologies of 1994, 2000, 2015, 2016, and 2017, and she is a frequent contributor to Poetry and the Times Literary Supplement.Stallings’s poetry is known for its ingenuity, wit, and dexterous use of classical allusion and forms to illuminate contemporary life. In interviews, Stallings has spoken about the influence of classical authors on her own work: “The ancients taught me how to sound modern,” she told Forbes magazine. “They showed me that technique was not the enemy of urgency, but the instrument.”Stallings's latest verse translation is the pseudo-Homeric The Battle Between the Frogs and the Mice (2019), in an illustrated edition with Paul Dry Books, and her latest volume of poetry is a selected poems, This Afterlife (2023, FSG). She is the recipient of fellowships from the Guggenheim Foundation and the MacArthur Foundation. She lives in Athens, Greece, with her husband, the journalist John Psaropoulos.-bio via Poetry Foundation This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem draws together marriage and the blessing of water. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

If you can see “a World in a Grain of Sand/And a Heaven in a Wild Flower,” what can you see in the trashcan at the curb? Apparently quite a bit, if you look closely. Today’s poem, a paean to the unsung heroes of the holidays, can help with that.Also in today’s episode: a look at what’s new for The Daily Poem in 2025. Happy reading!Philip Appleman (1926-2020) served in the U.S. Army Air Corps during World War II and in the Merchant Marine after the war. He has degrees from Northwestern University, the University of Michigan, and the University of Lyon, France.His acclaimed books of poetry include Karma, Dharma, Pudding & Pie (W. W. Norton, 2009), New and Selected Poems, 1956-1996 (1996); Let There Be Light (1991); Darwin's Bestiary (1986); Open Doorways (1976); and Summer Love and Surf (1968). He is also the author of three novels, including Apes and Angels (Putnam, 1989); and six volumes of nonfiction, including the Norton Critical Edition, Darwin (1970).Appleman has taught at Columbia University, SUNY Purchase, and is currently Distinguished Professor Emeritus at Indiana University, Bloomington. He has also served on the Governing Board of the Poetry Society of America and the Poets Advisory Board of Poets House. His many awards include a Fellowship in Poetry from the National Endowment for the Arts, a Pushcart Prize, and both the Castagnola Award and the Morley Award from the Poetry Society of America.-bio via Academy of American Poets This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Does today’s poem contain the secret to minimizing regret in 2025? Kinda, sorta. Happy reading.In his youth, Robert Service worked in a shipping office and a bank, and briefly studied literature at the University of Glasgow. Inspired by Rudyard Kipling and Robert Louis Stevenson, Service sailed to western Canada in 1894 to become a cowboy in the Yukon Wilderness. He worked on a ranch and as a bank teller in Vancouver Island six years after the Gold Rush, gleaning material that would inform his poetry for years to come and earn him his reputation as “Bard of the Yukon.” Service traveled widely throughout his life—to Hollywood, Cuba, Alberta, Paris, Louisiana, and elsewhere—and his travels continued to fuel his writing.A prolific writer and poet, Service published numerous collections of poetry during his lifetime, including Songs of a Sourdough or Spell of the Yukon and Other Verses (1907), which went into ten printings its first year, Ballad of a Cheechako (1909) and Ballads of a Bohemian (1921), as well as two autobiographies and six novels. Several of his novels were made into films, and he also appeared as an actor in The Spoilers, a 1942 film with Marlene Dietrich.-bio via Poetry Foundation This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Happy New Year (and Happy Reading) from The Daily Poem!Born in Amherst, Massachusetts, to academic Calvinist parents, poet, author, and Native American rights activist Helen Hunt Jackson (born Helen Maria Fiske) was orphaned as a child and raised by her aunt. Jackson was sent to private schools and formed a lasting childhood friendship with Emily Dickinson. At the age of 21, Jackson married Lieutenant Edward Bissell Hunt and together they had two sons. Jackson began writing poetry only after the early deaths of her husband and both sons.Jackson published five collections of poetry, including Verses (1870) and Easter Bells (1884), as well as children’s literature and travel books, often using the pseudonyms “H.H.,” “Rip van Winkle,” or “Saxe Holm.” Frequently in poor health, she moved to Colorado on her physician’s recommendation and married William Sharpless Jackson there in 1875.Moved by an 1879 speech given by Chief Standing Bear, Jackson wrote A Century of Dishonor (1881), an exposé of the rampant crimes against Native Americans, which led to the founding of the Indian Rights Association. In 1884 she published Ramona, a fictionalized account of the plight of Southern California’s dispossessed Mission Indians, inspired by Harriet Beecher Stowe’s Uncle Tom’s Cabin.Jackson was inducted into the Colorado Women’s Hall of Fame in 1985.-bio via Poetry Foundation This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

…I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death.Today’s poem seemed an appropriate choice as we endure the death of one year and the pregnant anticipation of another. Happy reading! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The repetition of the word “unsatisfied” forms a set of bookends in today’s poem. Inside those bookends: earth, sky, and the riches of this world. Beyond them: “The uncontrollable mystery.” Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“the Christmas Tree is a tree of fable,/A phoenix in evergreen”Cecil Day Lewis tackles the leave-taking of Christmas and the emotional upheaval in can work in the hearts of kids from 1 to 92. Happy reading (and don’t take down that tree yet!)Lewis, (born April 27, 1904, Ballintubbert, County Leix, Ire.—died May 22, 1972, Hadley Wood, Hertfordshire, Eng.) was one of the leading British poets of the 1930s; he then turned from poetry of left-wing political statement to an individual lyricism expressed in more traditional forms.The son of a clergyman, Day-Lewis was educated at the University of Oxford and taught school until 1935. His Transitional Poem (1929) had already attracted attention, and in the 1930s he was closely associated with W.H. Auden (whose style influenced his own) and other poets who sought a left-wing political solution to the ills of the day. Typical of his views at that time is the verse sequence The Magnetic Mountain (1933) and the critical study A Hope for Poetry(1934).Day-Lewis was Clark lecturer at the University of Cambridge in 1946; his lectures there were published as The Poetic Image (1947). In 1952 he published his verse translation of Virgil’s Aeneid, which was commissioned by the BBC. He also translated Virgil’s Georgics (1940) and Eclogues (1963). He was professor of poetry at Oxford from 1951 to 1956. The Buried Day (1960), his autobiography, discusses his acceptance and later rejection of communism. Collected Poemsappeared in 1954. Later volumes of verse include The Room and Other Poems (1965) and The Whispering Roots (1970). The Complete Poems of C. Day-Lewis was published in 1992.At his death he was poet laureate, having succeeded John Masefield in 1968. Under the pseudonym of Nicholas Blake he also wrote detective novels, including Minute for Murder (1948) and Whisper in the Gloom (1954).-bio via Britannica This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“To those who have seen/The Child, however dimly, however incredulously,/The Time Being is, in a sense, the most trying time of all.” This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Christ is born! Merry Christmas and happy reading! Today’s poem is a selection from Auden’s superb long poem, For the Time Being: A Christmas Oratorio. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

J. R. R. Tolkien loved Christmas–we can find ample proof of this in his Letters From Father Christmas, but also in his choosing December 25 as the day the fellowship of the Ring should set out from Rivendell and begin the destruction of evil in Middle Earth. Today’s poem, once lost to history but rediscovered and included in his Collected Poems, is his most explicit tribute to the Nativity. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s selection may not be traditionally recognized as a holiday poem, but it interprets the Christmas mystery as well or better than many poems written for the season. Happy reading! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poems-“The Inn at the End of the World” and “The House of Christmas”–Chesterton imagines Christmas as a cosmic waystation for weary pilgrims. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Don’t be fooled by the lack of Dickensian drama: melancholy, materialism, regret, a graveyard–today’s poem is A Christmas Carol for the modern man. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s selection is an ideal poem for Advent–a bittersweet shape poem that expresses the “hopes and fears of all the years.”Poet and critic John Hollander wrote of Merrill that he “was continually reengaging those Proustian themes of the retrieval of lost childhood, the operations of involuntary memory and of an imaginative memory even more mysterious.” This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Are home movies the grecian urns of the twentieth century? Today’s poem says, “sort of.”Poet, editor, essayist, playwright, and lyricist Mary Jo Salter was born in Grand Rapids, Michigan. She grew up in Michigan and Maryland, and earned degrees from Harvard and Cambridge University. A former editor at the Atlantic Monthly, poetry editor at the New Republic, and co-editor of the fourth and fifth editions of the Norton Anthology of Poetry, Salter’s thorough understanding of poetic tradition is clearly evident in her work. Salter is the author of many books of poetry, including A Kiss in Space (1999), Open Shutters (2003), A Phone Call to the Future (2008), Nothing by Design (2013), and The Surveyors (2017). Her second book, Unfinished Painting (1989) was a Lamont Selection for the most distinguished second volume of poetry published that year, Sunday Skaters (1994) was nominated for a National Book Critics Circle Award, and Open Shutters was a New York Times Notable Book of the Year. Salter has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation and taught for many years at Mount Holyoke College. She is currently the Krieger-Eisenhower Professor in the Writing Seminars at Johns Hopkins University. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is, in may ways, the ode of odes. It has inspired volumes upon volumes of poetry and scholarship alike. And yet, it remains nothing more and nothing less than a humble and impassioned conversation with a work of beauty. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem for St. Lucy’s day is a remembrance of a light “too bright for our infirm delight” dawning in the deepest darkness of the year. The poem is collected in Waiting on the Word: a poem a day for Advent, Christmas, and Epiphany. You can also hear a vastly superior reading of the poem by the author himself. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem–known to many as the musical setting, “In the Bleak Midwinter”–contemplates unprecedented act of loves in the darkest days of the year. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ezra Pound had his own complicated relationship with fame, exercising a profound influence upon 20th-century literature but being tried for treason in the U.S. after broadcasting propaganda for the fascists during WWII. Today’s poem is a guarded reflection on the never-ending quest. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe