Claim OwnershipThe Director’s Cut - A DGA Podcast
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Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each episode features a different director interviewed by one of their peers, leading to revealing conversations about the grueling, but rewarding process of bringing their films to life.
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Director Scarlett Johansson discusses her new film, Eleanor the Great, with fellow Director Frank Oz in a Q&A at the DGA theater in New York. In the conversation, she discusses how she sees table reads as essential to getting her Actors on the same wavelength, characteristics she looks for in a Directorial Team, and some of the lessons she learned from Directors when working with them as an Actor.
The film tells the story of 94-year-old Eleanor Morgenstein, who moves from her Florida retirement community to Manhattan after losing her best friend of seventy years. Soon after, she meets a group of Holocaust survivors and feels compelled to tell a story about her past that takes on a dangerous life of its own.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/eleanorthegreat_qna_0925
Director Werner Herzog discusses Les Blank’s film Burden of Dreams, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the value he saw in Blank documenting the making of Fitzcarraldo, shares further insight into aspects of the shoot the documentary didn’t cover, and reflects on his memories of the late Actor Claudia Cardinale.
Screened as part of the DGA’s Documentary Series, the film follows Director Werner Herzog during the filming of Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazonian jungle. As the production unfolds, the crew has to overcome a number of setbacks, including difficult Actors, unpredictable weather and the logistics of getting a boat over a mountain, all with the determination of realizing Herzog’s vision.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/docseries_burdenofdreams-0925
Director Benny Safdie discusses his new film, The Smashing Machine, with fellow Director Christopher Nolan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with Actors Dwayne Johnson and Emily Blunt to summon the performances he wanted, collaborating with his composer to craft a jazz score that followed the film’s emotional beats, and how he used his cinematography to capture the interior emotions of his characters.
The film tells the true story of, Mark Kerr, a former collegiate wrestler who became a mixed-martial artist and UFC champion during the early, unregulated days of MMA. As he contends with depression, a painkiller addiction, and a volatile relationship with his girlfriend, he continues his meteoric rise in the burgeoning sport.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/smashingmachine_qna_1025
Director Derek Cianfrance discusses his new film, Roofman, with fellow Director David Gordon Green in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of researching the story by consulting with the real Jeffrey Manchester in prison, working with production to recreate a period accurate Toys”R”Us from 2004, and how he aimed to capture the nostalgia of the early 2000s by choosing to film on 35mm.
The film tells the true story of Jeffrey Manchester, a charismatic criminal who goes into hiding on the roof of a Toys “R” Us. Adopting a new identity, he begins to form a relationship with one of the employees, jeopardizing his double life as his past closes in.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/roofman_qna_0925
Director Jay Roach discusses his new film, The Roses, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find the right balance of dark comedy and drama in the film, collaborating with his spouse and many other musical artists to craft a soundtrack that fit the film’s tone, and how he approached remaking a foreign film for American audiences that may not receive the content in a similar way.
The film tells the story of Ivy and Theo, a couple living a seemingly ideal life with a loving marriage, successful careers and great kids. But when Theo’s career nosedives and Ivy’s ambitions take off, a tinderbox of hidden resentment and fierce competition ignites as the reality of their relationship bubbles to the surface.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/theroses_qna_0925
1Director Paul Thomas Anderson discusses his new film, One Battle After Another, with fellow Director Steven Spielberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with his Actors to bring to life the distinct characters they inhabited, why Vistavision was the best format to capture the story, and how he discovered the ending sequence by exploring the location.
The film follows Bob Ferguson, a former militant now living a quiet life in hiding with his daughter Willa. When Willa goes missing, Bob must track her down with the help of his fellow revolutionaries and battle the consequences of his past.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/onebattleafteranother_qna_0925a
Director Rob Reiner discusses his new film, Spinal Tap II: The End Continues, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of discovering the story in the edit through the Actors’ many improvisational takes, how he aims for a documentary-style feel by forgoing blocking and letting crew appear in the shots, and using real world inspiration of reuniting bands and going viral on the internet as pretext for a sequel.
This follow up to the 1984 feature This is Spinal Tap finds documentarian Marty DiBergi once again shadowing the bandmates of Spinal Tap as they reunite after 15 years to put on one final show.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/spinaltap2_qna_0925
Director Christopher Leone discusses his new film, Code 3, with fellow Director Etan Cohen in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses collaborating with his co-Writer - who was once a real paramedic - to maintain accuracy, working with his effects team to create realistic wound portrayals, and finding the tone of the film having pulled inspiration from comedy and war films.
The film tells the story of Randy, an overworked paramedic who is about to resign. While training his replacement on his the last 24-hour shift, their routine night quickly spirals into a chaotic, citywide odyssey as they race from one emergency to the next.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/code3_qna_0925
Director Bill Condon discusses his new film, Kiss of the Spider Woman, with fellow Director Greg Berlanti in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the interpretations from previous adaptations influenced his vision, how he approached shooting the dream sequences in contrast to the prison scenes, and the complex choreography that went into staging the musical sequences with Actor Jennifer Lopez.
This reimagining of the 1976 novel and Tony Award-wining Broadway musical tells the story of Valentín, a political prisoner who shares a cell with Molina, a gay window dresser convicted of public indecency. To escape the grim reality of their incarceration, Molina entertains Valentín by recounting the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.
See photos and a summary of this event below:
https://www.dga.org/events/2025/november2025/kissofthespiderwoman_qna_0925
Director Justin Tipping discusses his new film, Him, with fellow Director Jennifer Kaytin Robinson in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his VFX team to create the x-ray scenes and their thematic function, the mixture of rehearsals and sports training he had his Actors go through to prepare for their roles, and putting consideration into the structures and locations of his settings to emphasize feelings of oppression and disorientation.
The film tells the story of Cameron “Cam” Cade, a promising young football player who’s invited to train at the isolated compound of legendary quarterback Isaiah White. But things turn unsettling as White takes his protégé on a blood-chilling journey into the pursuit of excellence at all costs.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/him_qna_0925
Director Oliver Hermanus discusses his new film, The History of Sound, with fellow Director Mike Mills in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find little character details that speak to bigger aspects of their selves, how he walks his sets early in the days to discover opportunities for shots, and how working on his first American production differed from his past filmmaking experiences.
The film tells the story of Lionel and David, who are determined to record the lives, voices and music of American culture in the shadow of World War I. But as they travel the American countryside in search of music, the two find love with one another instead.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/historyofsound_qna_0925
Director Anu Valia discusses her new film, We Strangers, with fellow Director Janicza Bravo in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses using the story to explore themes of power, class and loving oneself, working with Actor Kirby Howell-Baptiste to flesh out the protagonist, and collaborating with her Cinematographer to discover opportunities for shots while on-set.
The film tells the story of Rayelle, a rural housekeeper who takes on a new and enigmatic job for a therapist client. But after she impulsively claims she can speak to the dead, Rayelle finds herself in an odd position of power and an ever-deepening web of deceit.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/westrangers_qna_0925
Director Tony Tost discusses his new film, Americana, with fellow Director Mimi Cave in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the story structure was influenced by Westerns and nonlinear narratives like Pulp Fiction, how he worked with his cinematographer to achieve an analog 1970s aesthetic, and what he learned making this film as a first-time Director.
The film follows a waitress with dreams of bigger and better things, who teams up with a military veteran to gain possession of a mysterious and valuable artifact. They soon find themselves in the crosshairs of a ruthless criminal, an unrelenting Western antiquities dealer and an ever increasing list of pursuers as blood is shed to secure the relic.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/americana_qna_0825
Director Nisha Ganatra discusses her new film, Freakier Friday, with fellow Director Adele Lim in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses the uniquely complex rehearsal process involved in a body swap comedy, giving background characters prominent scenes so that every character is memorable, and filming in LA to utilize locations across the city while keeping production local.
The follow-up to 2003’s Freaky Friday finds Tess and her daughter Anna navigating a shift in family dynamics with Anna’s daughter and stepdaughter. However, they soon discover that lightning might indeed strike twice.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/freakierfriday_qna_0825
Director Spike Lee discusses his new film, Highest 2 Lowest, with fellow Director Jim Jarmusch in a Q&A at the DGA theater in New York. In the conversation, he discusses working with his longtime collaborator Denzel Washington and trusting him with his process, packing the film’s mis-en-scene with references to African American artists, and the utilization of his trademark double dolly shot in this film in comparison to his other films.
This reimagining of Akira Kurosawa’s 1963 film High and Low follows music titan David King as he works to save his flagging business. But when he's targeted by a ransom plot which might jeopardize everything, he must make a high stakes decision that could have dire consequences.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/highest2lowest_qna_0825
Director Nick Rowland discusses his new film, She Rides Shotgun, with fellow Director Michael Mohan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses deliberately casting a younger Actor in the role of the father to shape the narrative around coming into parenthood, his process for Directing the lead child Actor in the film to get the right performances, and aiming for an aesthetic style reminiscent of 70s cinema.
The film tells the story of Nathan McClusky, a former convict who makes enemies with a powerful criminal gang after getting out of prison. When the gang retaliates by putting out a hit on his family, Nate must transform his shy eleven-year-old daughter into a force to be reckoned with.
See photos and a summary of this event below:
https://www.dga.org/events/2025/october2025/sheridesshotgun_qna_0825
Director Matt Shakman discusses his new film, The Fantastic Four: First Steps, with fellow Director Edward Zwick in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses favoring practical and 60’s-style effects to align with the retro futuristic style of the film, working with his storyboard artist for inspiration to come up with playful concepts for scenes, and starting with the family element as the core of the story and building a superhero narrative around it.
The film follows the team of heroes - Mister Fantastic, Invisible Woman, Human Torch and The Thing - as they face their most daunting challenge yet. Forced to balance their family lives with their roles as heroes, they must defend Earth from the ravenous space god, Galactus, and his enigmatic herald, the Silver Surfer.
See photos and a summary of this event below:
https://www.dga.org/events/2025/september2025/thefantasticfourfirst-steps_0825
Directors Heidi Ewing and Rachel Grady discusses their new film, Folktales, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss the logistics of filming in the unpredictable daylight and wilderness of Norway, creating scenes by finding inspiration in the nature around them, and forging trust as well as capturing formative moments with their teen subjects.
Screened as part of the DGA’s Documentary Series, the film follows a class of teenagers who take a gap year to learn wilderness survival and dog sledding in the frozen Norwegian landscape. Guided by their teachers and a pack of Alaskan huskies, they discover their own potential and develop deep relationships with the land, animals and humans around them.
See photos and a summary of this event below:
https://www.dga.org/events/2025/september2025/docseries_folktales-073125
Director Derick Halliman discusses his new film, Life of Mike, with fellow Director Christine Swanson in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses finding depth in a complex and disillusioned main character, favoring small casts and sets for tight control of his environment, and serving multiple roles as the Director, Co-Producer, Writer and Cinematographer of the film.
The film tells the story of Mike Smith, a thriving real estate tycoon, who lives a life devoid of close friends or family. As his birthday unfolds, his wife makes a heartfelt attempt to show him love, setting off a chain of events that make him confront the reality of who genuinely cares for him and who doesn’t.
See photos and a summary of this event below:
https://www.dga.org/events/2025/september2025/lifeofmike_qna_0725
Director Ari Aster discusses his new film, Eddington, with fellow Director Tim Blake Nelson in a Q&A at the DGA theater in New York. In the conversation, he discusses finding inspiration for the film in the information spheres of Twitter, interviewing residents of New Mexico on their perspectives of events during the Covid-19 pandemic, and gradually progressing the sense of paranoia in the film until the line between reality and perception is blurred.
The film takes us back to May 2020 during the COVID-19 pandemic when a clash over lockdowns and mask mandates polarizes the town of Eddington, New Mexico. When Sheriff Joe Cross gets fed up with the increasing political tensions, he decides to run for Mayor in what ends up being a tense, turbulent and eventually violent mayoral campaign.
See photos and a summary of this event below:
https://www.dga.org/events/2025/september2025/eddington_qna_0725
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I can't believe that the host cut off Steven Spielberg on that last question.
documentary? did we watch the same movie?
this conversation is so awkward but so rich
derekscottcarlisle-A DGA Podcast-TheDirectorsCut
Thank you so much for doing this!