I re-read Hamnet because of the MOVIE adaptation, but was SHOOK by how deftly O'Farrell surmounts the MANY pitfalls of historical fiction. We dive deep into: why her vision of the era is so vivid; how Shakespeare is everywhere but also nowhere; how this is a feminist novel; and all the ways the prose transports, affects and inspires the reader. Seriously, treat yourself now.
NO READING REQUIRED! Kimberly explains why FRANKENSTEIN is more relevant than ever. Treat yourself to discussion of: Mary Shelley's insanely colorful life, elements of the gothic novel, what makes the prose so timeless, Percy Bysshe Shelley's role--and why we all need to hear the classic novel's CAUTIONARY TALE.
You might think of CARRIE is just SCARY , but narrative stance, sophisticated structure, use of motif and "scientific evidence" are all integral in making it so good. Treat yourself .
Ditlevsen's three-volume memoir has made a huge impression on American readers. When I found it slightly underwhelming, I wondered if I would appreciate the work more fully if I knew her FICTION. She's hugely critically acclaimed in her native Denmark. She's written 29 books. A look at one very short story will shift your perspective, leaving you with a much deeper appreciation of this literary icon.
I was really moved by Salvage the Bones. Tune in to find out why Ward's work just keeps getting better and better.
Weirdly, amazon added the subtitle "A Detective Mystery" to Small Mercies. When one of the best things about this book is that it's NOT a detective at the center. You all know this genre isn't my usual fare, but Lehane's historical focus, together with his excellent prose, and dialogue (plus plot, duh) made this so satisfying to dive into.
Didion is never afraid to stare down the most troubling parts of our country--incisively and boldly. Which somehow always makes me feel better?? Herein I argue for the importance of this seminal work, I touch on Didion’s biography ,then dig into why her engaging, dark, entirely inimitable prose deserves its iconic status. (parts 2 and 3 below)
Isabel Allende's THE HOUSE OF THE SPIRITS didn't just build upon the magic realism established by García Márquez's ONE HUNDRED YEARS OF SOLITUDE. Allende's 1982 novel (published in Spain, not her native Chile for political reasons) was immensely popular with Americans when it was published in English in 1985. Indulge in a reminder of these absolute masterpieces while learning more about how they relate to one another, more about magic realism in general, and how the historical-political situations in Colombia and Chile influenced both works. Kimberly had SO much fun with this. Join in now.
Whether you've loved Mrs. Dalloway forever or Woolf is new to you, there's nothing more satisfying than thinking about this book for 45 minutes. We do a quick bio, a little chunk on modernism then a deep dive into the SEXY parts of the book. Indulge now and come away a little smarter.
What an honor to add my voice to the important chorus extolling everyone's favorite kid book, Frog and Toad. Allow me to explain how structure, monosyllabic word choice, vowel sounds and syntax all combine to result in PROFOUND resonance. The big bonus is that the queer elements of the work make reading Lobel not only a nostalgic delight, but an important act.
People. Raymond Carver's short fiction is so good that it's essentially responsible for the American short fiction heyday in the 1980s. Listen in to why the content and the STYLE makes Carver entirely inimitable and so compelling.
Even if HUCK FINN is your favorite ever, you have to admit that what Everett has done is amazing. Listen in for all the nuance you need about HUCK (without spending days [re]reading Twain). Kimberly shares not only why JAMES is an insanely great revisioning of the 1884 adventure story--but why Everett's crucial text is hilarious, unique and JUST SO GOOD.
Melville's classic is always right at the top of BEST EVER novels lists. We really dig into what is so appealing about this masterpiece: its weird structure, its likeable, unique narrator, an open-mindedness that seems pretty radical for 1851 (including some serious homoeroticism)--and, of course, the appeal of Queequeg, everyone's favorite harpooner.
Before When Harry Met Sally, Sleepless in Seattle and Julie andJulia, Nora Ephron wrote the BEST NOVEL. Heartburn is light and funny, but also complex, nuanced and full of compassion. Kimberly runs through the history of romantic comedy--not as simple as you'd think--and all the tropes that make the genre what it is. She then takes a close look at how Ephron UPENDS so many of these rom-com conventions. For a new appreciation of this excellent art form, tune in now.
NO READING REQUIRED! NO SPOILERS! (lol) Kimberly expected this to be some kind of sports encyclopedia--which, let's be honest, it is. But it's also a really compelling memoir! Simmons's prose, which she does subject to a (brief) close reading, allows fans to RELIVE and deepen iconic moments (some new to Kimberly) because of its narrative voice and structure, its selection of details and all those footnotes. She does acknowledge that this is NO FEMINIST TREATISE. But she also understands that the book knows its audience and even succeeds with someone who's really NOT the intended reader. And maybe most importantly Simmons reveals, in these pages, THE SECRET. One that has the potential (does it???) to change Kimberly's life. Listen in to find out how!
If you’re even remotely sad that summer’s ending, if you have any feelings about the beauty of nature, if you have aging parents, if you think even occasionally about mortality (lol), you MUST read this book. It’s slim, gorgeous, funny, sad and a complete joy. Of all Kimberly’s recommendations, The Summer Book might be the one that's most universally loved. And honestly, Kimberly must say, this deep dive is some of her very best analysis. Tove Jansson is TOO GOOD to warrant anything less.
NO READING REQUIRED! Kimberly is actually really NOT suggesting you read The Buccaneers. You SHOULD, though, read Wharton's The Age of Innocence or The House of Mirth. Her prose is engaging, gorgeous and so fun to read. Listen in to hear all about what happens with Nan and her men, with Laura Testvalley and Dick, with Honoria and Mabel and all the girls. Honestly, it's just such a treat to hear Wharton's writing. Indulge yourself now!
Ready to head back to school? DREADING back to school ? Allow Kimberly to make the most of this transition. Spark's masterpiece is brief but wow does it pack a punch. Her prose SEEMS simple but her original, sometimes startling syntax, the way she plays with time, and the unique structure of this work mean there's soooo much for Kimberly to dig in to.
This 1955 novella--it's slim, tricky and SO GOOD--is the bedrock of Mexican literature. Its complexities and virtuoso innovations make it particularly exciting to look at in depth. Kimberly breaks down key elements, explains the revolutionary aspects and helps you understand what the hell is going on. She likes to think she added something new to the conversation: arguing that Pedro Pàramo is NOT in fact magic realism. Listen in to see how you feel about her daring thesis, and end up feeling just a little smarter!
Lerner says, "Art has to offer more than stylized despair." 10:04 offers so much more! (With, also, some excellent stylized despair.) Kimberly low-key compares the work to Slaughterhouse Five, before diving in to a close look postmodernism, narrative stance and why HUMOR adds so much to this incredible piece of auto-fiction. If you love Lerner, or WANT to love Lerner--listen in!