The Ho Center for Buddhist Studies at Stanford

Miles Osgood talks to Ralph H. Craig III about crafting constructive analogies between Christian and Buddhist liturgies, characterizing the ideal preachers (dharmabhāṇakas) described in Mahāyāna sūtras, and Tina Turner’s contributions to Buddhist pedagogy.Ralph H. Craig III is an interdisciplinary scholar of religion, whose research focuses on South Asian Buddhism and American Buddhism. He received his B.A. in Theological Studies at Loyola Marymount University and his Ph.D. in Religious Studies at Stanford University. His research interests include memoir, race, popular culture, yoga/meditation theory, religious experience and authority. He works with textual materials in Sanskrit, Pāli, Buddhist Chinese and Classical Tibetan. His work has appeared in the journals American Religion, Buddhist-Christian Studies, and the Japanese Journal of Religious Studies; in Lion’s Roar and Tricycle magazines; on the American Academy of Religion’s Reading Religion website; and the 84000: Translating the Words of the Buddha. His first book was, Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans Publishing, 2023), which explores the place of religion in the life and career of Tina Turner and examines her development as a Black Buddhist teacher. His next book project is a monograph on preachers in Mahāyāna Buddhist sūtras.

Miles Osgood talks to Allan Ding about why the Chan monk Moheyan lost the 8th-century “Samyé Debate” over the future of Tibetan Buddhism, how medieval Chinese Buddhists shifted from “antiritualism” to accepting the “zhāi” feast, and what forms of religious imagination scholars can adopt from liturgical practices.Yi (Allan) Ding received his bachelor's degree from Fudan University (2008) and his PhD in Religious Studies from Stanford University (2020). As a scholar of Chinese and Tibetan Buddhism, he has published several articles that deal with Buddhist materials from Dunhuang and Sino-Tibetan Buddhism, including “‘Translating’ Wutai Shan into Ri bo rtse lnga (‘Five-peak Mountain’): The Inception of a Sino-Tibetan Site in the Mongol-Yuan Era (1206–1368)” (2018), “The Transformation of Poṣadha/Zhai in Early Medieval China (2nd–6th Centuries CE)” (2019), and “By the Power of the Perfection of Wisdom: The ‘Sūtra-Rotation’ Liturgy of the Mahāprajñāpāramitā in Dunhuang” (2019). He is currently working on a book project that focuses on the "zhāi" feast and relevant liturgical scripts from the eighth to the tenth century. In connection to his interest in consumption rituals, he is also working on early Sanskrit and Tibetan materials concerning the practice of the Tantric feast (gaṇacakra).​​

Miles Osgood talks to Marcus Bingenheimer about why new tools in the Digital Humanities demand new genres of scholarship, what network analysis reveals about the transmission of religious ideas in medieval China, and how AI’s large language models will help arcane texts reach a new global readership.Marcus Bingenheimer is Associate Professor in the Department of Religion at Temple University in Philadelphia. He taught Buddhism and Digital Humanities in Taiwan at Dharma Drum (2005 to 2011) and held visiting positions and fellowships at universities in Korea, Japan, Thailand, Singapore, and France. Since 2001 he has supervised various projects concerning the digitization of Buddhist culture. His main research interests are the history and historiography of Buddhism, early sūtra literature, and how to apply computational approaches to research in the Humanities. He has published some sixty peer-reviewed articles and a handful of books.

Miles Osgood talks to Julian Butterfield about the winding path to a dissertation topic, overcoming exegetical resistance to emotional affect in religious literature, and the central role of joyful anumodanā (隨喜 suixi) in the Lotus Sūtra.Julian Butterfield holds a BA in Comparative Literature and Religious Studies (2016) and an MA in Religious Studies (2018), both from the University of Toronto, and a PhD from Stanford University (2025). Generally interested in the dissemination and development of Mahāyāna Buddhism in early medieval China, his past research explored the textual history of the "Huayan jing" and the related development of bodhisattva ordination in the "Chinese Pusa yingluo benye jing." Julian’s current research interests include the history of Buddhist drama, especially along the Silk Roads, and the poetics of divine encounter across Mahāyāna literature and ritual.

Miles Osgood talks to Pia Brancaccio about the Buddhist cave monasteries of Western Deccan, the inter-continental exchange of "Maritime Buddhism" along the "Cotton Road," and the competition between Buddhism and Shaivism at the end of the first millennium C.E.Pia Brancaccio is currently a Professor of Indian Art and Archaeology at the Università degli Studi di Napoli “L’Orientale” in Italy and at Drexel University in Philadelphia. Her research focuses on early Buddhist art and cross-cultural exchange in South Asia, with a regional emphasis on the visual cultures of ancient Gandhāra (Pakistan) and the Deccan Plateau (India). She has published extensively on the Buddhist caves in the Western Deccan, including a monograph, The Buddhist Caves at Aurangabad (2010), and the edited volume Living Rock (2013). She is currently working on the MAK Project (Mapping Ancient Kṛṣṇagiri) at the Kanheri caves in Maharashtra, India, which aims to produce the first complete archaeological and epigraphic documentation of the site. She has also been a longstanding collaborator with the ISMEO-Italian Archaeological Mission in Pakistan and has written on architecture, visual narratives, artistic workshops, and the multicultural fabric of Buddhism in Gandhāra. She co-edited the book Gandharan Buddhism: Art, Archaeology (2006).