The Hong Kong University Press Podcast

In 1842, the Qing Empire signed a watershed commercial treaty with Great Britain, beginning a century-long period in which geopolitical and global economic entanglements intruded on Qing territory and governance. Previously understood as an era of “semi-colonialism,” Stacie A. Kent reframes this century of intervention by shedding light on the generative force of global capital. Based on extensive research, conducted with British and Chinese government archives, Coercive Commerce (Hong Kong University Press, 2024) shows how commercial treaties and the regulatory regime that grew out of them catalyzed a revised arts of governance in Qing-administered China. Capital, which had long been present in Chinese merchants’ pocketbooks, came to shape and even govern Chinese statecraft during the “treaty era.” This book contends that Qing administrators alternately resisted and adapted to this new reality through taxation systems such as transit passes and the Imperial Maritime Customs Service by reorganizing Chinese territory into a space where global circuits of capital could circulate and reproduce at an ever greater scale. Offering a deep dive into the coercive nature of capitalism and the historically specific ways global capital reproduction took root in Qing China, Coercive Commerce will interest historians of capital and modern China alike. Huiying Chen is an Assistant Professor in the Department of History at Purdue University.

Maid to Queer: Asian Labor Migration and Female Same-Sex Desires (Hong Kong UP, 2021) is the first book about Asian female migrant workers who develop same-sex relationships in a host city. Based on participant observation and in-depth interviews with Indonesian domestic workers in Hong Kong, the book explores the meanings of same-sex relationships to these migrant women. Instead of searching for reasons to explain why they engage in a same-sex relationship, this book provides an ethnographic perspective by addressing their Sunday activities and considering how migration policies and the practices of Hong Kong people unintentionally produce alternative sexuality and desires for them.  The author contrasts the migrant experiences of same-sex relationships with the Western discourse that individuals carry a strong sense of sexual identification prior to migration; same-sex desires among Indonesian domestic workers are often not realized until they leave home. Addressing the changes from maid to queer, this book documents the intersections of domestic work, labor migration, race, and religion on the sexual subject formation, specifically how Indonesian women negotiate heteronormativity and remake a space for their love, sex, and intimacy. For those interested in lesbian studies, Asian labor migration, sexual citizenship, and queer migration, this ethnography fills an important gap in explaining how the feminization of international migration and the constraints imposed on live-in domestic workers unintentionally become productive possibilities of queerness and normativity. Qing Shen is currently a PhD candidate in anthropology at Uppsala University, Sweden.

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu’s earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.

In On Saving Face: A Brief History of Western Appropriation (Hong Kong UP, 2022), Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, and reputation. The Chinese were judged as a race obsessed with the fear of “losing (their) face,” and they constantly resorted to vain attempts to “save” it in the face of Western correction. “Lose face” may be an authentic Chinese expression but “save face” is different. “Save face” was actually a Western invention. Michael Keevak is a professor in the Department of Foreign Languages at National Taiwan University. His books include Embassies to China: Diplomacy and Cultural Encounters Before the Opium Wars (2017), Becoming Yellow: A Short History of Racial Thinking (2011), The Story of a Stele: China’s Nestorian Monument and Its Reception in the West, 1625–1916 (HKUP, 2008), The Pretended Asian: George Psalmanazar’s Eighteenth-Century Formosan Hoax (2004), and Sexual Shakespeare: Forgery, Authorship, Portraiture (2001). Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

China has one of the largest queer populations in the world, but what does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of paramount importance? This book analyzes queer cultures in China, offering an alternative to western blueprints of queer individual identity. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, questioning the Eurocentric assumption of the separation of queerness from family ties. Offering five case studies of queer representations, Queering Chinese Kinship: Queer Public Culture in Globalizing China (Hong Kong UP, 2021)also challenges the tendency in current scholarship to understand queer cultures as predominantly marginalized. Shedding light on cultural expressions of queerness and kinship, this book highlights queer politics as an integral part of contemporary Chinese public culture. Dr. Lin Song is a scholar of media and cultural studies, and Assistant Professor in the School of Journalism & Communication at Jinan University in Guangzhou, China. He holds a PhD in Gender Studies from The Chinese University of Hong Kong, and is currently working on projects related to Emotional and algorithmic governance in China during the COVID-19 outbreak, and Erotic self-representation and queer cultural production in Chinese DIY pornography. Cody Skahan (cskahan@ksu.edu) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog at where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking. The book also discusses Wong’s influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong’s films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.

Adaptive reuse, or using a building for a new purpose, has become popular around the world, but discussion about adaptive reuse in Asia is relatively scarce. As a result, this architectural innovation in Asia, which includes redesigned institutional buildings, awards for cultural heritage conservation projects, and adapted reuse field studies, is overdue for consideration. Asian Revitalization’s review of adaptive reuse begins by comparing the global presence of adaptive reuse to its presence in Asia and evolves into a detailed examination of adaptive reuse’s relationship to urban development and sustainability, how adaptive reuse supports heritage buildings, and its connection to best practices in heritage conservation in Asia. The text grounds its analysis in essays, timelines, and case studies that focus on revitalization in Hong Kong, commercial development in Shanghai, and community building in Singapore in addition to analysis of government policy documents and extensive fieldwork. At a time when sustainable development is crucial, Asian Revitalization can provide classrooms and a professional readership with a valuable resource about Asia’s participation in this flourishing and creative architectural movement. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.  The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University.

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer.

Elisheva A. Perelman's new book American Evangelists and Tuberculosis in Modern Japan (Hong Kong University Press, 2020) examines the consequences of Japan’s decision not to tackle the tuberculosis epidemic that ravaged the country during the last quarter of the nineteenth century and the first quarter of the twentieth. TB was a plague of epic proportions in industrializing Japan, particularly affecting young women workers in the new textile factories. These marginalized laborers, many from rural villages, were not a priority for Japan’s first modern administrations, who focused their energies elsewhere and left the welfare of tuberculosis patients to the private sector. The opening left by this choice was filled by American evangelicals, who saw an opportunity to advance their missionary work in Japan. Perelman identifies a kind of twinned moral entrepreneurship, arguing that a tacit agreement was hammered out between the two sides, with the government accepting the evangelical groups’ assistance with this public health emergency in exchange for noninterference in their efforts to spread Christianity. The history of TB in Japan is well studied and understood, but American Evangelists and Tuberculosis in Modern Japan breathes new life into this old story by its attention to different actors and dynamics. It will be of interest not only to scholars of Japanese and East Asian history and culture, but also to historians of science, medicine and public health, and Christianity.

I met Dr Miriam Driessen at Oxford University where she works at the China Centre. We spoke about her wonderful new book Tales of Hope, Tastes of Bitterness: Chinese Road Builders in Ethiopia (Hong Kong University Press, 2019). Through unprecedented ethnographic research among Chinese road builders in Ethiopia, Driessen finds that the hope of sharing China’s success with developing countries soon turns into bitterness, as Chinese workers perceive a lack of support and appreciation from Ethiopian laborers and local institutions. The bitterness is compounded by their position at the margins of Chinese society, suspended as they are between China and Africa and between a poor rural background and a precarious urban future. Workers’ aspirations and predicaments reflect back on a Chinese society in flux as well as China’s shifting place in the world. I started our conversation asking a short introduction on her background and the origin of the book. We mentioned the influence on her research of the work by C.K. Lee and particularly the book Against the Law. Miriam explained how she ended studying the Ethiopian case and road construction over other sectors. We then moved to her findings on the resistance and agency of African workers and the ‘hopes and bitterness’ of the Chinese workers. We discussed how it is possible to identify different classes among Chinese workers in Ethiopia (as well as in China) and the varieties of migrants, each with different background, ambitions, working conditions and destiny. We concluded our conversation addressing the controversial topic of China’s presence in Africa and whether this should be defined as neo-colonialism or not. Revealing the intricate and intimate dimensions of these encounters, Driessen conceptualizes how structures of domination and subordination are reshaped on the ground. The book skillfully interrogates micro-level experiences and teases out how China’s involvement in Africa is both similar to and different from historical forms of imperialism. Miriam also told us about her new project as she is about to move to Ethiopia for another year of fieldwork. Thanks to her bright anthropological skills and her ability to communicate in both Amharic and Chinese, it will be yet another amazing scholarly contribution. Miriam Driessen is an anthropologist and a writer of literary nonfiction in English and her native Dutch. She is currently a Postdoctoral Research Associate within the China, Law and Development Project, hosted by the University of Oxford China Centre. Miriam completed a DPhil at the School of Anthropology and Museum Ethnography at Oxford (2014/15), and held a fellowship at Peking University (2014–2016). She has also been a Leverhulme Early Career Fellow at the School of Interdisciplinary Area Studies (SIAS) and a Junior Research Fellow of Jesus College, University of Oxford. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer).

There can be little doubt that Hong Kong has stood out as a particularly intense East Asian news hotspot in recent years. Whether reports have focused on pro-democracy protests, abducted booksellers or PRC Mainland integration plans, most of this news has revolved around a common theme - namely questions over Beijing's ruling Chinese Communist Party and its influence in Hong Kong. On this background, Christine Loh’s book Underground Front: The Chinese Communist Party in Hong Kong(Hong Kong University Press, 2018) is an indispensable guide to the Party's approaches to Hong Kong over time. As a former-lawmaker in the city’s Legislative Council, founder of the think tank Civic Exchange, and many other things, Loh makes the most of her unique vantage point on contemporary CCP affairs, as well her invaluable access to insights from the her hometown's colonial past. This book sets its analysis of how the Party seeks to maintain supremacy in Hong Kong within all-important historical context, and consequently will be a vital resource for anyone wishing to understand the questions of political culture, power and influence which are pivotal to the future of East Asia and the world at large.

China’s global rise has been analysed from many perspectives in recent years. But pressing questions over how understandings of gender – and particularly masculinity – have been changing amidst increasing mutual contact between China and the wider world have been asked less often. Derek Hird and Geng Song are among the foremost contributors to a steadily growing body of work in this area, however, and their new edited volume The Cosmopolitan Dream: Transnational Chinese Masculinities in a Global Age (Hong Kong University Press, 2018) offers a brilliantly diverse range of perspectives on Chinese men and their global entanglements. There is something for everyone here as specialists in media, language and literature, gender studies and anthropology join forces to discuss Chinese masculinity as represented and as practiced. From domestic film and televisual portrayals of globe-trotting Chinese men, to the experiences of Chinese migrant fathers working in Ethiopia, Chinese students studying abroad in the United States, or Chinese male gangsters appearing on German or Japanese TV, readers will get a rich sense of how masculinity figures throughout rising China’s global engagements. At once deeply thought-provoking and entertaining, this book is sure to help us all appreciate the importance of this still-overlooked subject.

Ruling as he did during the Five Dynasties period of Chinese history, the emperor Mingzong (r. 926-933) has not received the same degree attention from historians as have many of his counterparts. In From Warhorses to Ploughshares: The Later Tang Reign of Emperor Mingzong (Hong Kong University Press, 2015), Richard L. Davis provides readers with the first modern biography of Mingzong. Born Miaojilie, Mingzong grew up among his fellow Shatuo Turks and rose to become a leading commander of the forces of the Tang dynasty. After taking the throne in the aftermath of a military rebellion, he managed relations with other states with success and instituted a series of economic reforms designed to encourage trade. Though the territories of the Tang prospered during this period, peace was cut short by Mingzong’s death, with his dynastic line coming to a violent end less than a decade later. Davis’ book offers a window into a dramatic era in China’s past, one in which Mingzong’s reign stood out for its stability amidst the tumult.

Lara Netting’s new book explores the life, career, and work of one man as a window into the history and associated practices of “Chinese art” during a period of massive transformation in the China of the late nineteenth and early twentieth centuries. While reading A Perpetual Fire: John C. Ferguson...

What does the everyday experience of Muslim minorities look like? We have often heard about what Muslims deal with in the West. But what about Muslim minorities in the East? This was one of the questions Paul O’Connor, professor in the Anthropology department at the Chinese University of Hong Kong, explores in the cosmopolitan city of Hong Kong. In Islam in Hong Kong: Muslims and Everyday Life in China’s World City (Hong Kong University Press, 2012), O’Connor provides an ethnography of everyday life for the various Muslim communities in this modern city. He outlines institutions and organizations in the religious landscape of permanent Muslim minority communities. He explores the meaning of various spaces in the urban environment, such as home, school, mosque, and public spaces like malls or the Chungking Mansions. He also examines the dynamics of food and language in shaping everyday practices and relationships. In our conversation we discuss changes occurring after the end of colonial power, multilingual opportunities, halal food, religious and secular education, racism, Indonesian foreign domestic workers, Muslim youth use of urban public and online spaces, Muslim minority experiences in East and West, and everyday hybridity.