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This is Kodak’s podcast where we talk to creative people about their contributions to film, art and analog culture. We dig deep with our guests and find out what it really takes to bring a creative vision to life. Listen to these inspiring conversations.
152 Episodes
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EPISODE 152: SPLITSVILLE with Michael Angelo Covino, Kyle Marvin and DP Adam Newport-Berra by The Kodakery
EPISODE 151: Jessica Lee Gagné on SEVERANCE by The Kodakery
EPISODE 150: Eli Roth and Joe Begos - Jimmy & Stiggs presented by The Horror Section by The Kodakery
The Art of the Music Video
EPISODE 148: Chayse Irvin ASC, CSC for HURRY UP TOMORROW by The Kodakery
EPISODE 147: APRIL with cinematographer Arseni Khachaturan by The Kodakery
EPISODE 146: SINNERS with Ryan Coogler and Autumn Durald Arkapaw, ASC at the Kodak House by The Kodakery
EPISODE 145: THE FRIEND with directors Scott McGehee and David Siegel by The Kodakery
Episode 144: NOSFERATU with Cinematographer Jarin Blaschke by The Kodakery
Episode 143: ANORA with Director Sean Baker and DP Drew Daniels by The Kodakery
Spike Jonze moderates a discussion with Director Gia Coppola and Cinematographer Autumn Durald Arkapaw, ASC at the Kodak House in LA in front of a live audience.
Episode 141: SATURDAY NIGHT with director Jason Reitman and Cinematographer Eric Steelberg ASC by The Kodakery
https://soundcloud.com/noise-du-chocolat
Episode 139: SING SING with director Greg Kwedar and DP Pat Scola by The Kodakery
This week we're talking with filmmaker Andy Dunn and curator Carrie Scott about a phenomenal photographer that you might not know about: Harold Feinstein. Harold began shoot in the '40s and his images are as powerful today as they were back then. We talk about what place his photography has in history and how Andy and Carrie have both been instrumental in keeping Harold's story alive.
https://www.feinsteinfilm.com/
This week we’re joined by Jason Filmore Sondock and Simon Davis- two directors that work together under the name Rubberband. Their collective creativity has done work for Reebok, Moncler, Nowness and Calvin Klein. They’ve shot music videos for artists like Goldlink, ZHU and LCD Soundsystem. Listen in to learn why they shoot predominately on film and find out how they work together as a duo. You definitely want to check these guys out.
www.rubber.band
www.instagram.com/_rubberband
This week we’re joined by Scott Pukos, PR and Social Media Coordinator for The Little Theatre. This five screen theater has been showing independent films in the Rochester, NY community for 90 years. In this special, live episode, we talk with Scott about the history of the The Little, what role the theater has today, about continuing to project on film and what inspires the curation. Former co-host Josh returns for this episode as well!
https://thelittle.org
This week we’re happy to welcome Levi Bettwieser, founder of The Rescued Film Project. Levi takes undeveloped rolls of film that either he finds, or someone donates, that would have otherwise been forgotten, and develops them at home- giving them that final step that they always deserved. He talks with us about what sorts of photos he’s found, why this has become a passion and what can be learned from these images.
www.rescuedfilm.com
In this episode we’re talking to filmmaker Britton Caillouette. He’s worked with a great list of clients like Patagonia, Ford, Coors and most recently Stumptown Coffee Roasters for a film called Wax & Gold. We narrow in on that project in particular, breaking down the film format and stock choices and how they played a role in telling the narrative of the culture in Ethiopia, the birthplace of coffee. We also talk about his work with Patagonia shedding light on the building of dams in the Balkans for his film, Blue Heart. Britt is an interesting, thoughtful and creative guy, so listen in and hang out with us for the next hour or so.
www.brittoncaillouette.com
www.farmleague.us
www.farmleague.us/team/directors/britton-caillouette/work/waxgold/
https://blueheart.patagonia.com/
While shooting their own photography work, Brian and Brandon Wright discovered that they loved the look that motion picture film offered and set off to be able to get that look in their still photography. So, since they had figured out how to hand roll 35 mm motion picture film into normal 35mm still film cassettes, they started shooting with it. But developing it, became tricky. They joined us in the studio to talk about why it was challenging and what they did to not only find a solution but to also make it accessible to the rest of the world.
www.cinestill.com
www.instagram.com/cinestillfilm
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