The MOOD Podcast

160 Episodes

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Richard Sharum On 600 Deaths And His New Book 'American Homicide', E132

2026-09-1001:51:27

In this week’s podcast episode you'll learn why the photographs you're most proud of are probably the ones hiding you, and what a documentary photographer who has stood at 600 deaths says it actually costs to make work that changes something. I sat down with Richard Sharum, the American documentary photographer behind Campesino Cuba, Spina Americana and the forthcoming American Homicide, all published by GOST Books, to talk about photography as an act of empathy, why he believes the photo ind...

Work Does Not Speak For Itself - Moments of Mood, 4.0

2026-09-0312:59

In this week’s Moments of Mood episode, you'll learn the 4 questions curators, juries, and publishers silently ask about every photography project, and how to answer them in 100 words so your work actually gets seen. I take apart the idea that photography speaks for itself, starting with the Vivian Maier story everyone gets backwards, and share what Shana Lopes, photography curator at SFMOMA, told me she actually needs to hear from an artist: why she has to defend every acquisition in front o...

Why Should Anyone Care About Your Photography? Shana Lopes, E130

2026-08-2758:25

Learn exactly what an SFMOMA photography curator looks for, what she passes over, and how to get your work seen without an MFA, a gallery, or a 6-paragraph artist statement. I sat down with Shana Lopes, Assistant Curator of Photography at the San Francisco Museum of Modern Art (SFMOMA), to find out how photography actually enters a museum collection. Shana has worked at the Metropolitan Museum of Art and the Center for Creative Photography, holds a PhD in the history of photography, and has s...

Stop Explaining Your Photographs - Moments of Mood, 3.9

2026-08-2014:39

In this Moments of Mood episode, I get into the question of whether we as photographers should explain our images or let them try and ‘speak for themselves’, why the readings you want to correct are actually a map to your photographic voice, and the two gaps every photograph has to cross, from Garry Winogrand's famous riddle to a passage in 'Art & Fear' by David Bayles and Ted Orland that reframes the distance between what you intended, what you made, and what people see. Other things I ...

Why Your Photos Are Boring - Photographer David Chancellor Explains..., E128

2026-08-1301:18:09

On this episode, I sat down with David Chancellor, the award-winning documentary photographer behind ‘Hunters’, ‘Handle Like Eggs’, and the Taylor Wessing Prize-winning portrait ‘Huntress with Buck’, for a conversation about the moral grey areas of documentary photography, trophy hunting, wildlife conservation. David has spent decades photographing human-wildlife coexistence across Africa, sleeping beside trophy hunters for weeks at a time, documenting leopard hunting in Namibia that was late...

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