The MoMA Magazine Podcast

Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA’s Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford’s The Tent. Used by permission. Courtesy Myra Melford; “Malinke’s Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

Hear from current and former teens about their experiences of growing up queer. When was the last time you thought about your teenage self? For a lot of us, our teenage years were an uncomfortable time. Sure, there were some good moments, but there were also a lot of confusing thoughts and big emotions that we couldn't figure out. For Pride 2024, we invite you to enter the world of Open Art Space (OAS), MoMA’s weekly drop-in program for LGBTQ+ high school students and their allies. You’ll hear from different community members about the ways they discovered and embraced their identity as queer people. They discuss what it was like growing up queer, the role of art in their lives, and the places and spaces that played a vital role in making them feel safe.

Jazz in the Garden, Episode Two: “One Magic Summer” After a golden age of big names and big crowds throughout the 1960s, by the mid 1970s live jazz at MoMA had become something of an afterthought. But a magical summer of performances in 1985—including landmark concerts by the Art Ensemble of Chicago, “Butch” Morris, and the “saxophone colossus” himself, Sonny Rollins—put the music back at center stage. Join us for our second episode, and hear the story from Rollins and others who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Now’s the Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing; “Uncle.” Written by Roscoe Mitchell. Performed by the Art Ensemble of Chicago. Courtesy of Universal Music Group. By arrangement with Art Ensemble of Chicago Publishing; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA’s Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you’ll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “That’s a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now’s The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

Hear how this popular crop is helping craft a more sustainable future in Mexico. What do corn, craft, and Mexico have in common? The answer to this question comes in the form of Totomoxtle, a project and materials created by designer Fernando Laposse in collaboration with the village of Tonohuixtla. On view through July 7 in the exhibition Life Cycles: The Materials of Contemporary Design, Totomoxtle is an example of how good design can do more than please the eye—it can offer new pathways to preserving cultures, supporting local communities, and bringing balance to an ecosystem that has been exploited for far too long.  For this Earth Month edition of the Magazine podcast, we sat down with Laposse to discuss the origins of his Totomoxtle project and how corn is helping build a more sustainable future for people and planet. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1062

Is art the secret to everlasting love? It’s no secret that some of the most powerful art has been inspired by love, that singular, indescribable feeling that, as it turns out, we are all capable of experiencing. “We all have the 12 brain areas that are critical for love,” says Dr. Stephanie Cacioppo, a leading figure in the neuroscience of social connections. It doesn’t matter if that love we feel is for our friends, our community, or our romantic partners, the only thing that changes between these relationships is the intensity we feel and see in the brain. What’s more, when we embrace that love, amazing things can happen and our brains become stronger. In this Valentine’s Day episode of the Magazine Podcast, we’re exploring the science of love and how art can help foster it. We’ll hear from Dr. Cacioppo about her research, and from a couple who met at MoMA more than 50 years ago. Together, they’ll teach us that we don’t need to look far for love—sometimes we’ll find it where we least expect. Access a transcript of the conversation here: moma.org/magazine/articles/1027

Join meditation artist Dora Kamau for an eight-minute guided audio meditation that explores the spectrum of emotions and energies associated with each color. We’ll delve into color theory and the psychological and emotional effects colors can have on us. Composer James Pratley Watson, who created the soundscape for this meditation, aligned each color with its respective sonic “healing frequency,” in an attempt to infuse it with a deeper vibrational resonance. As Kamau leads you through this immersive meditation, allow the interplay of sound and color to guide you through a calming exploration of your own consciousness.

A neuroscientist discusses how smell influences everything from emotions and relationships to identity and wellbeing. Our sense of smell is something many of us take for granted, but this sensation is more powerful than you may think. “It literally filters through all aspects of our existence,” explains neuroscientist Rachel Herz, “and the more we deliberately use our sense of smell…the better our brain health is, and even the general health of our bodies.” Smell also plays an important role in art, with many artists using scent as a way to prompt questions. These artworks encourage us to slow down and engage our senses. As Herz reminds us, when we stop and smell the metaphorical roses, “it can really ground us and bring us into that moment.” For this month’s Ten Minutes podcast, we dig into the complex process that takes beans to bars, and the real-world impact chocolate has on the people who make it. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1017

The founder of Harlem Chocolate Factory reflects on her lifelong journey with chocolate—and why you should never buy it at a low price. Inspired by artists’ inventive uses of chocolate, we interviewed Jessica Spaulding, local chocolatier and cofounder of Harlem Chocolate Factory. For Spaulding, chocolate offers endless opportunity: “I think that being a chocolatier is that space where you get to get into your Willy Wonka greatness and just let your imagination run wild.” For this month’s Ten Minutes podcast, we dig into the complex process that takes beans to bars, and the real-world impact chocolate has on the people who make it. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/980

Beekeepers reflect on how fear transformed into love after they realized the huge impact of these tiny creatures. In 2016, Tim Jackson and Nicole Lindsey founded Detroit Hives, a local organization dedicated to transforming vacant lots into urban bee farms, where they not only produce honey for their communities but also host educational programs about the crucial role of bees. This month’s Ten Minutes podcast is all about bees—what they do, how they’re organized, and why we need them. Bees do more than just produce honey—they help our ecosystem grow and keep the produce sections of our supermarkets plentiful. Even more importantly, they can teach us about living and thriving in community. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/965

Hear from the revolutionary artist about his iconic designs for the Black Panther newspaper. Emory Douglas has a battle cry: “Culture is a weapon.” And this chant reverberates throughout everything he does. In 1967, Douglas was chosen as the minister of culture and revolutionary artist for the Black Panther Party, where he designed the layouts and iconic imagery for the Black Panther newspaper. For this month’s Ten Minutes podcast, Douglas shares his path toward arts activism and the power of art to “penetrate the souls of the resistance via the resistors (We The People) against all forms of cruel and unjust authority.” Access a transcript of the conversation here: https://www.moma.org/magazine/articles/939

A maker of multisensory artworks reflects on the importance of listening to our surroundings. In 2014, Nigerian-born artist Emeka Ogboh moved from Lagos to Berlin. This experience marked not only a shift in his surroundings, but also a shift in his artwork. “Shuttling between two places,” Ogboh explains, “your brain has to do this switch. And that fusion of two places started occurring to me.” His immersive installation Lagos State of Mind III, currently on view in MoMA’s second-floor galleries, blends the experience of living in these two cities. For this month’s Ten Minutes podcast, just in time for World Listening Day—an annual celebration held on July 18—we invite you to explore your surroundings and reflect on how sound shapes our world. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/923

The winner of RuPaul’s Drag Race All Stars reflects on how drag changes us for the better. For this month’s Ten Minutes podcast, we spoke to the award-winning opera singer and drag queen Monét X Change about the anti-drag movement, which has led to protests across the country in response to the growing popularity of drag. “With all these legislations and bills to try to keep drag away from certain people,” says Monét X Change, “it feels like an attack on our livelihood and this, like, way to dehumanize us.” But queer people across the country are using their voice and artistry to resist and show that the contributions of LGBTQIA+ communities are crucial to society. In Monét’s words, “Drag has been around for a very long time. Something that has been around for so long is living proof that it informs the culture and that it is completely valid.” Access a transcript of the conversation here: https://www.moma.org/magazine/articles/917

For many, a trip to MoMA means confronting questions of access: Does this space welcome people like me? Will I be given what I need in order to feel safe and included? At the core of this month’s Ten Minutes podcast is the question, What does access look like? According to Laura Aguilar’s work Access + Opportunity = Success, access includes, among other things, “the right to enter or use.” But Dr. Therí Pickens argues that access goes deeper than that. Using Aguilar’s work as a point of departure, the writer and disability studies scholar explores how our lives are shaped by our identities and the privileges granted to certain bodies and experiences. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/894

What do video games reveal about our reality? In this Ten Minutes podcast, hear from gamer and content creator Amira Virgil, developer of the Melanin Pack for The Sims 4, about her vision to create a more accurate and inclusive version of the game.   Access a transcript of the conversation here: https://www.moma.org/magazine/articles/778

In Bangladesh, a garment worker barely makes enough money to cover the cost of rent. Discover the truth about the unfair labor practices behind many of the clothes we wear. In this Ten Minutes podcast episode, Kalpona Akter, founder of the Bangladesh Center for Workers Solidarity (BCWS), describes the lives of garment workers in Bangladesh and some of the ways we can advocate for fair labor practices when making purchases. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/816

What is the relationship between literature and modern art?  Join Adam F. Bradley, English professor and co-editor of Ralph Ellison's unfinished second novel, for a discussion about race and invisibility on the written page and beyond. Discover Ellison's iconic book Invisible Man and the ways it continues to resonate with readers (and artists) 70 years after its original publication.   Access a transcript of the conversation here: https://www.moma.org/magazine/articles/751

Hear how a publisher decided to “create the world that we want to see” by founding the first natural-hair magazine. In this Ten Minutes podcast episode, we talk to Lindsey Farrar, who cofounded CRWNMAG in 2016 with Nkrumah Farrar. The print and digital publication is dedicated to celebrating the diversity of Black women and the beauty of their natural hair textures. Hear Farrar talk about about CRWNMAG, the natural hair movement, and the possibilities of changing society through media. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/852

Listen to the acclaimed writer talk about Elizabeth Catlett’s sculpture Mother and Child, and its connections to rest, intimacy, and reproductive justice. In this Ten Minutes podcast episode, Hall reflects on a childhood wrapped in the embrace of Black community and an adulthood of “relearning how to hold” three generations of women in her family. Through tender descriptions of this sculpture and lyrical insights that weave together the personal and political, Hall conjures the spirit of Catlett and the many Black mothers who came before and after. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/732

A tech ethnographer explains some key terms and ideas behind the future of the Internet. In Unsupervised, Refik Anadol’s new installation at MoMA, the artist makes use of a core part of the Web3 technology: blockchain. What is blockchain technology and how does it relate to Web3? More importantly, why should we care about any of this? In this Ten Minutes podcast, we explore these questions with Tricia Wang, a tech ethnographer who studies the ways technology shapes our humanity. For Wang, Web3 offers enormous creative potential. In this new vision for the Web, we can tell new stories, explore our identities, and build more equitable communities.