For the first time in over a year and a half, the Music at Pitt Podcast is coming to you not from host Philip Thompson’s home studio but from the Music Building on the Pitt Campus. Our guest for this episode is Deanna Witkowski and we are having this conversation in person, fully vaxxed (but still masked and socially distanced in compliance with Pitt’s Covid mitigation strategies) and we have so much to talk about!Deanna is a PhD student in Jazz Studies and we’re speaking with her today about quite a remarkable achievement: the release of her biography of Mary Lou Williams titled Mary Lou Williams: Music for The Soul and her recording of an all-Mary Lou Williams album, Force of Nature. The book will be published on September 15 and book launch party will take place on September 16th at Con Alma in Downtown Pittsburgh. The two projects cap a twenty-year deep dive into the ground-breaking impact of Williams’ life and music, making Witkowski one of the few living authorities on the iconic pianist. As a sought-after Williams expert, she has presented at the Kennedy Center, Duke University, Fordham University, and performed Williams’ compositions as a featured guest with the Pittsburgh Symphony Orchestra. Find out more about Deanna's music and scholarship at deannajazz.com.
Our guest for this episode of the Music at Pitt Podcast is Professor Aaron Johnson. Known around the department and the music world as Dr. A.J., he is an Assistant professor of Jazz Studies in Pitt’s Department of Music where he teaches courses in jazz arranging, music and race, Black music and Black radio, jazz and film, and more. A.J. has one of the more widely varied careers of professors you might encounter. He was involved in telecommunications research in the areas of optical fiber measurements, optical communications networks, DSL networks, and video distribution networks, all while maintaining an active career as a jazz musician in the New York. He performed with the likes of Charles Tolliver, Jimmy Heath, Frank Lacy, Steve Turre, Wallace Roney, and Aretha Franklin. He has recorded with Jay-Z, among many others. His interests turned toward scholarly music studies and in 2014 he completed a PhD in Music at Columbia University. He is currently working on a monograph on jazz radio in the United States and joins us today to discuss his recently published article, “The Best Years of Our Lives: Hugo Friedhofer’s American Sound” an analysis of Friedhofer’s widely acclaimed score to the 1946 film The Best Years of Our Lives.
Our guest for this episode of the Music at Pitt Podcast is composition and theory doctoral candidate Wang Xinyang. Born in Guangyuan City, Sichuan Province, China, Wang Xinyang is a composer of classical music, currently based in Pittsburgh. He holds a bachelor's degree from Sichuan Conservatory of Music and a master's degree from Manhattan School of Music both in music composition and theory. Xinyang takes inspiration from a broad spectrum of influences, such as traditional Chinese arts and ...
Our guest for this episode of the Music at Pitt Podcast is musicology doctoral student Larissa Irizarry. Larissa is receiving significant recognition for her research into 21st-century opera and 1970s rock where she explores depictions of gender-based violence, interracial intimacy, and queer intimacy. She will be a Mellon Fellow in 2020–21 and was recently awarded Pitt’s Don O. Franklin Prize for Musicology for her paper on Kaija Saariaho’s opera Adriana Mater which explores rape-related pre...
Our guest for this episode of the Music at Pitt Podcast is Lily Turner, a freshly minted Pitt graduate from Blacksburg, Virginia. As a student at Pitt she was a double major in Computer Science and Music, specifically pursuing the Global and Popular Music track. Lily is particularly interested in machine learning and artificial intelligence. She’s previously done research into using convolutional neural networks for computational drug discovery and is now interested in applying machine learni...
Our guest for this episode of the Music at Pitt podcast is Devon Tipp. A PhD candidate at the University of Pittsburgh, Tipp’s music draws influence from their Japanese and Eastern European roots, experiences as a jeweler and painter, and studies of gagaku and hogaku in Japan and the US. They received their BMus from Montclair State University, where they studied composition and microtonal music with Dean Drummond, and shakuhachi with Elizabeth Brown. Their music has been performed by microto...
Our guest for this episode of the Music at Pitt Podcast is Jim Cassaro, Head of the Theodore M. Finney Music Library and Professor of Music. Jim is a librarian-musicologist who specializes in seventeenth-century French music, with a particular interest in Jean Baptiste Lully. He’s published several monographs and contributed articles to leading journals of both library science and musicology. For the Department of Music, Jim teaches a wide variety of courses ranging from Principles of Researc...
Our guest for this episode of the Music at Pitt Podcast is Deane Root, the music department’s newest Professor, Emeritus. Deane recently retired from more jobs than most of us hold in a lifetime, including being the Director of the Center for American Music, the Fletcher Hodges, Jr. Curator for the Center for American Music, and Professor of Musicology for Pitt’s Department of Music where he served multiple terms as Chair. For his “retirement” project he continues to serve as the Editor in Ch...
In this episode we present part two of our conversation with Professor of Music, Emeritus Deane Root. For part 2 we discuss the power of community, from coping with the trauma of the Tree of Life shooting to creating a more inclusive environment for music scholarship.
Our guest for this episode of the Music at Pitt Podcast is recent graduate Mariam Shalaby. Mariam graduated from the University of Pittsburgh in 2018 with a BPhil in Music through the Honors College and Department of Music and a BS in Natural Sciences. She is a first generation Egyptian American now in her second year at Penn State College of Medicine in Hershey. And though we’ve heard rumors that medical school can keep you busy, Mariam recently had her article “Qur’anic Recitation Among Pit...
For this episode of the podcast we feature three of our graduating seniors: Jordan Bender (pictured), Walt Yang, and David Zahniser. Jordan, Walt, and David are going to talk to us about their Senior Capstone Projects which, as you might imagine, are projects designed to capture what students have accomplished as Music Majors. Walt and Jordan are performing full solo recitals that will be livestreamed on the Music at Pitt YouTube Channel. Walt’s piano recital will stream on April 9 a 7 p.m. and Jordan’s percussion recital will stream on April 17 at 7 p.m. David is creating an album, featuring six of his favorite Disney songs from his childhood, where he tells the story of life as a student during the pandemic from the beginning up until now David will also talk with us about his album of original jazz based on research into Jewish and African-American communities residing in Pittsburgh’s Hill District from the late 1800s to the mid-1960s. That project, titled The Crossroads, was supported by a Brackenridge Fellowship. Walt Yang’s Recital Livestream - Friday, April 9, 7 p.m.Jordan Bender’s Recital Livestream - Saturday, April 17, 7 p.m.David Zahniser’s The Crossroads
Our guest for this episode of the podcast is Michael Heller, Associate Professor of Music for the Department of Music and editor of the journal Jazz and Culture published by University of Illinois Press. He’s the author of Loft Jazz: Improvising New York in the 1970s which chronicles an explosion of experimental venues that sprang up inside of the city’s crumbling industrial buildings.Michael joins us today to talk about the newest issue of Jazz and Culture which is a tribute to the musical legacy of the late Geri Allen, Director of Jazz Studies at Pitt from 2013 until her death in 2017. He’ll also preview his forthcoming second book titled Just Beyond Listening: Sound and Affect Outside of the Ear. The new book explores a range of human relationships with sound based on modalities other than listening. Find out more about the Jazz and Culture journal.
Our guest for this episode of the podcast is Rizky Sasono, a PhD student in ethnomusicology and a singer/songwriter who has performed around the world with his band Risky Summerbee and the Honeythief. He is also a member of a Teater Garasi/Garasi Performance Institute, a contemporary theater group based in Yogyakarta. His newest publication is a chapter in the newly released Bloomsbury book Sound Communities in the Asia-Pacific titled "Sounds of Political Reform: Indie Rock in Late New Order Indonesia." Rizky’s chapter traces the formation of the independent music scene in Indonesia (specifically in Yogyakarta) in the 1990's against the backdrop of student-led political activism. The "indie" spirit was expressed in both the DIY music making practice and a diversity of indie genres including grunge, alternative, thrash metal, prog, punk, and more. Indie music spread through campus-organized concerts, college radio, and mix tapes of popular bands. This new music expression was vibrant against the backdrop of increasing political tension in Indonesia that eventually forced President Suharto to step down. Prior to his studies at the University of Pittsburgh, Rizky earned his MA degree in Performing Arts and Visual Arts Studies from Universitas Gadjah Mada in Yogyakarta, Indonesia. He completed another MA degree at the University of Pittsburgh (2019). His thesis, titled Aksi – A Soundscape of Political Protest in Indonesia, 1998, examines protests in Indonesia that led to the fall of ex-president Suharto in 1998. Musical excerpts in this episode are by Risky Summerbee and the Honeythief. First excerpt: “Slap & Kiss” from The Place I Wanna GoSecond excerpt: “Scherzo”All works copyright © M. Rizky Sasono and used by permission.
Our guest for this episode of the Music at Pitt podcast is composer/pianist Eric Moe, the University of Pittsburgh’s Andrew Mellon Professor of Music and co-director of Music on the Edge. He is a composer of what the New York Times calls "music of winning exuberance,” and as a pianist and keyboardist, has premiered and performed works by a wide variety of composers. His playing can be heard on the Koch, CRI, Mode, Albany, New World Records, and Innova labels. Eric joins us today to discuss his recently produced, live-to-video piano recital of music by J.H. Kwabena Nketia and Akin Euba. Both Nketia and Euba served at Pitt as Professors of music in ethnomusicology and were Moe’s predecessors as the Mellon Professor. Nketia passed away in 2019 and Euba passed away in 2020. Along with being leading scholars in African music, Nketia and Euba were renowned composers. Among their creative contributions is the development of a style of piano music they described as “African Pianism.” Eric’s program will include representative works by each composer such as Euba’s Themes from Chaka and Study in African Jazz 3, and Nketia’s Dagarti Work Song, Dagomba, and Volta Fantasy among others.The video and audio were recorded at Bellefield Hall Auditorium and will go live on the Music at Pitt YouTube Channel on Thursday, February 11, 2021 at 7:30 p.m.
Our guest for this episode of the Music at Pitt Podcast is Jazz Studies PhD student Lee Caplan. Lee is researching Jazz Aesthetics with a focus on 18th-century philosopher Edmund Burke’s ideas of the sublime and how those in turn connect to theological ideas of the sublime. He has presented his research on jazz and aesthetics at the Library of Congress, the University of Kansas for the Midwestern Research Collective, and at chapter meetings of the American Musicological Society in both the Pacific Southwest and Mid-Atlantic Regions. Lee performs primarily on double bass, composes in many different jazz idioms, and is proficient on piano, guitar and drums as well. He’s released an album of original compositions titled Marathon Sessions, and even a book of humorous one-liners he calls Wise Words and Other Exaggerations.
This episode of the Music at Pitt Podcast is a very special one as it will include as many of our ensemble directors as could possibly be here talking about the projects they and their students have been working on over the course of the semester. We will get to hear from Jazz Ensemble Director Ralph Guzzi, Bluegrass Ensemble Director Adriana Helbig, Heinz Chapel Choir Director Susan Rice, Men’s Glee Club Director Richard Teaster, and Orchestra Director Roger Zahab. We’ll also highlight projects by the Women’s Choral Ensemble, African Music and Dance Ensemble, and Afropop Ensemble. There have been many challenges to making music this semester, but we think you’ll be inspired by hearing how our students and directors have risen to the challenge. You can find links to all their projects, completed and upcoming, here.
Our guest for this episode of the podcast is Nicole Mitchell, internationally acclaimed flutist, composer, and Director of the Pitt’s Jazz Studies program. She joins us today to talk about the 50th Annual Jazz Seminar and Concert which will be a celebration of the Seminar’s two previous directors, the late Nathan Davis, who founded the Jazz Seminar, and the late Geri Allen, who was one of Nathan’s most renowned students and his successor. The 50th Annual Pitt Jazz Seminar and Concert will take place entirely online this year and you can find out about all the events and how to stream them by visiting jazz.pitt.edu/jazz-sem.
Our guest for this episode of the Music at Pitt Podcast is composer, sound designer, and software developer Phil Lamperski. Phil graduated from Pitt in 2007 with a BA in Music and a BS in Psychology. He went on to earn an MA in Music from UC Santa Cruz and has since been busy working on interactive music, software involving algorithmic composition, and sound design for video games. He is currently a senior sound designer at Crystal Dynamics where one of his most recently released projects is the Marvel Avengers RPG for which Phil created combat music and warzone ambient systems. He also develops real-time interactive computer music systems oriented toward live performance and has utilized this process for creating his own original compositions. In 2019 he released an album of electronic music titled Terrella which he created entirely in the Pure Data music environment. Terrella is available wherever fine music is streamed. You can find out more about Phil’s sound design in this interview with the Crystal Dynamics team from A Sound Effect and hear some his work on the trailer for the Marvel Avengers game. Musical excerpt: “Arrhythmia” from the album Terrella. Used by permission of the composer.
Our guest for this episode of the Music at Pitt Podcast is Deanna Witkowski, a Jazz Studies grad student who is new to the program, but certainly not new to the jazz scene. Deanna brings her experience as a nationally renowned pianist, vocalist, composer, and author to her doctoral studies at Pitt where she’s specializing in the music of Mary Lou Williams. Deanna is a noted Williams scholar, lecturing and performing Williams’s music at the University of Pittsburgh, Duke University, and most recently as a featured performer with the Pittsburgh Symphony. Her upcoming biography, Mary Lou Williams: Music for the Soul, will be published by Liturgical Press in 2021. Not unlike Williams, Deanna has composed a great deal of sacred music, including choral anthems such as We Walk in Love and Where Shadow Chases Light, as well as jazz arrangements of classic hymns. She has also created resources to help congregational musicians of all levels engage with jazz as part of their worship experience. Musical excerpts in this episode: “Wide Open Window” from the album Wide Open Window, and “All Creatures of Our God and King” form the album Makes the Heart to Sing: Jazz Hymns. All music copyright Deanna Witkowski. Used by permission. Deanna has been active performing in Pittsburgh in both online and in-person events. You can catch her upcoming performances on October 18 in Foxburg, PA (in person, limited seating)October 21 in Pittsburgh (outdoors at Con Alma Restaurant and Jazz Bar)Visit deannawitkowski.com to find out more about her work and upcoming performances.
Our guest for this episode of the Music at Pitt Podcast is recent graduate Mariam Shalaby. Mariam graduated from the University of Pittsburgh in 2018 with a BPhil in Music through the Honors College and Department of Music and a BS in Natural Sciences. She is a first generation Egyptian American now in her second year at Penn State College of Medicine in Hershey. And though we’ve heard rumors that medical school can keep you busy, Mariam recently had her article “Qur’anic Recitation Among Pittsburgh Egyptian Muslims: An Ethnographic Field Study” published in the International Journal of Traditional Arts.