The Photowalk

In photography, knowing your WHY can guide each choice you make, from composition and lighting to the themes you explore, ensuring your work feels authentic and meaningful. But it’s not just about the art of photography, but expressing what and how you feel and believe. Today, on this last celebratory show before Christmas, 23 of this year's guests once more reveal their own WHY in a compilation of inspiration to close out on the year. From the mailbag, Mark Christensen sets out on his first street mission, Harald Kahles has some ideas for specials in ’25, Susan Larsson has found a social replacement for Insta, Peter Turnbull is making environmental portraits, Glenn Sowerby has found the secret for enjoying photography, and Allin Sorenson with a story of 370 million pairs of eyes staring down the lens of a television camera lens at Christmas. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

PHOTOGRAPHY IS MY ANCHOR is something that’s said by one of my three guests today. A friend of the show, Andrew Gifford, through his Instagram grid, describes in pictures the most potent personal photo project, which conveys how it feels to have M.E. in a story of resilience. Then Dana Stirling’s book ‘Why am I sad?’ is a testament to just how important creative expression is during times of adversity, and a former guest of the show Jack Lowe, who’ll be appearing in a longer interview early in the new year, shares a very special project called ‘A photo for you,’ probably one of the simplest but most profound ideas I’ve heard about this year. Also, from the mailbag, Melissa Berman finds that her late uncle was somewhat of a photographic legend as his pictures of New York in three decades from the 60s go on display at one of the world’s most prestigious photo events, Craig Wilson is celebrating originality, Rikki-Paul Bunder has set himself a weekend photographic challenge with rules of curiosity and the photojournalist Peter Dench has a reminder for December’s assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today on the show, we recognise love as "Universal, regardless of identity and sexuality." Valérie Jardin's ONE LOVE is a new black-and-white photography project in America celebrating the LGBTQ+ community, aiming to inspire greater understanding and acceptance, sharing stories of love in its most authentic form.  Lydia Robinson's 'Queer Love' started as a passion project based around queer relationships and documenting couples in the UK. Through this series, Lydia aimed to show a more intimate and personal insight into LGBTQ+ relationships and how they are no different than cisgender heteronormative partnerships. She is recognised as an emerging talent by many publications, including Gay Times. Also, from the mailbag J. Reed Gidez is living my dream on Route 66, Shiraz Chanawala has started making 30,000 step walks finding the therapeutic process of photography both mentally and physically, our man in Finland, Pekka introduces us to Harry Potter-like wizardry to rescue lost digital files and a NEW assignment courtesy of the photojournalist Peter Dench lays in wait for you as we’re now in December. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest Peter Dench is a celebrated writer and photojournalist known for his wit and intimate storytelling. His expertise spans editorial, reportage, commercial, and portrait photography, with work published globally. An award-winning author and speaker, Peter records the quirks of modern life through humour and empathy. Also today from the mailbag, Complaints Corner returns thanks to Extra Miler Colin Mayer in Australia, Bryan Patterson is planning a breakout, Daisei Ikatani shares a slice of English country garden from Yokohama, Eduardo Lara reflects on how photography connects with us deeply and to close, a tribute to two remarkable women: one in my family, the other a photojournalist who documented at great personal risk, the mafia, Letizia Battaglia. It's also the last call at the bar for November’s one-word assignment set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Joe Madsen's visit to a doctor results in a street photography photo book project that could be described as lifesaving. Husband and wife team James and Karla Murray are bookmarking the great bars of NYC, and Valérie Jardin discovers the most extraordinary personal stories photographing centenarians. Also, today in the mailbag, Cody Shultz on the phrase imposter syndrome, Anja Poehlmann introduces the concept of a long portrait, Bob of the Desert flourishes in Arizona, more mystery sofa sightings in nature by Marshall Rimann and Chris Pillings, Gert Jan Cole finds a creative life truism and Michael Brennan is finding comfort in his portrait of a truly great man, plus the assignment for November is set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

This is a special episode where I try to unpick those inner battles that so many of us quietly fight. Imposter syndrome, confidence, perfectionism, self-doubt. These aren’t just words; they’re real feelings that can shape and even hold back our lives, creatively and emotionally. Today on the show, I’m peeling back the layers with special guest Sean Tucker to uncover the reality behind these challenges, opening up honest conversation about how they impact us and what we can do to reclaim our confidence. This isn’t a show about quick fixes or easy answers. It’s about exploring what really happens beneath the surface, where feelings of inadequacy, comparison anxiety, and fear of failure often lie. Whether you’re struggling with undervaluing your achievements or simply seeking ways to find peace with who you are, this conversation might help you see things refreshingly differently. Also, today, your letters into the show about the subjects featured, plus the assignment for November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For three decades, British photographer and filmmaker Chris Floyd has "Been privileged to photograph people who are the best in the World at what they do. Whether it's Stephen Hawking, Paul McCartney or David Hockney, these people have defined the era in which we live." Today, I walk in Oxfordshire with this humble powerhouse of British photography whose work has appeared in some of the world’s most highly respected publications, including Vogue, Vanity Fair, The New York Times Magazine and The Sunday Times Magazine, among others. We talk about how saying YES at important moments in his life has unlocked doors to people and experiences he might never have experienced if he'd followed an expected path into accountancy. Also today, one of the most revealing answers to the question of WHY, with stories about photographing the Royal Family and 'our' Superman. There's news about Scotland 2025, plus the assignment for November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, Canon Canada Ambassador Jacquie Matechuk is my special guest as we chat about her extraordinary photographic transition from being at the top of motorsport photography to embracing a new wildlife adventure, a transition that has seen her win some of the most coveted photo awards, travel far and wide to destinations she might never have imagined, come face to face with giant bears, stared into the eyes of a silverback at close quarters, tracked polar bears and had conversations with an owl, all features of our conversation. But also, and I think this is one of the most important parts of our discussion today, Jacquie has, I think, revealed a true why of photography, and if I could make a fender or bumper sticker large enough, is going to share some words with you during our conversation today, that will have you think perhaps differently about life behind a lens. Also, news about Scotland 2025 plus a new assignment for the month of November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Alongside the letters I’m walking with today, my studio guest is Howard Barlow, a photojournalist who, for 50 years, has worked regularly for The Guardian, The Observer, The Telegraph, The Sunday Times and The Independent. He’s picked up numerous photographic awards, including Newspaper Photographer Of The Year. Also, today, a wondrous hatful of first-time writers, we talk about design that makes life easier, photography that makes life happier, and we learn how photography was an ever-present friend in the face of physical adversity. There are several whys of photography to answer, and atop that, Marissa Roth, a Pulitzer prize-winning photojournalist, answers a question of ethics. There’s also the final chance to take part in this month’s one-word assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I’m joined by Henry Hargreaves, a visual artist and food photographer known for his boundary-pushing photography projects that are often and sometimes literally deliciously simple, tackling complex social and commercial issues. One of his most thought-provoking works, No Seconds, explores the haunting last meals of death row inmates. With a unique blend of this simplicity and deep social commentary, this project invites us to reflect on mortality, choice, and humanity in unexpected and impactful ways. Also from the mailbag, Adam Hanson finds renewed mental health through walking and photography, Mike Mixon is finding detail in his pictures he doesn’t remember seeing when he took them, John Kenny has some thoughts about covert pictures of strangers for a street project, some news about The Photowalk on Substack and Mike Miller has found a song that 34 years before the first recognisable modern social media channel came into our consciousness was giving advice about how we could best deal with the demands of a life watched over by algorithms. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today’s guests and friends, Mali Davies, Wolfgang Strassl and Valérie Jardin each have stories about shooting on the street. Mali talks of embracing your neighbourhood in the dark for a forthcoming project called HOME, Wolfgang Strassl finds that there’s more to a portrait than simply a picture of a face, and Valérie Jardin shares her thoughts about photographing people in a candid fashion. Also, today from the mailbag, Myles Barfield has a story about legacy and how the simplest of pictures can be so effective plus I read from his book project that has become, I think, an autobiography accompanied by the most stunning photographs. Complaints corner is open for business, Chris Articulate is looking ahead to a more analogue way of sharing, Bill Marriott is going to help you feel and think VERY differently about what makes a truly expressive and emotive still picture, Harald Kahles has some ideas for specials and Maureen Bond is thinking about her why of creativity. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For decades, beyond the grand entry hall guarded by the infamous ‘two Peters’, Vogue House London was a creative hub where magazine layouts were crafted and the world's most famous photographers plied their trade. Vogue House embodied the glamour of fashion's storied history in London. But that legacy came to an end when the building’s lease was sold to a shipping billionaire in Monaco for a reported hefty £75 million.  Vogue House, in its Hanover Square form, is no more. Yet, such a landmark in editorial history can't disappear without so much a whimper. Today, I talk to someone who knows its secrets firsthand: Grant Scott, a former art director with Tatler, a title that shared the address.  He’s penned a new book, "Inside Vogue House: One Building, Seven Magazines, Sixty Years of Stories," and he’s here to share some stories from the book, plus a handful that didn’t make it in. Steady yourself for a peek behind the scenes and the state of the magazine industry in 2024. Also from the mailbag, inspiring letters on the emotional power of photography, show flasks on the beach, some surprise walkers encountered along the path, road trips across America and a new linguistic game! Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today is our annual Scottish retreat edition, featuring the voices and thoughts of those who joined me across two weeks in the glorious Highlands. The fifth Photowalk Retreat revelled in, I think, the spirit of our podcast community, and I thought you might enjoy hearing what we all got up to. This year, we added some new experiences and micro-workshops into the weeks, such as a creative writing day led by a celebrated writer, Merryn Glover and a sound workshop to understand how potent images and sound can be as a storytelling tool together. We also went back into the darkroom and visited some of our favourite places including the beautiful Loch Maree. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In celebration of those who inspire us, those who become either knowingly or unwittingly our mentors and greatest teachers, today’s episode revisits the show’s archive to take a photowalk with former British Army and documentary photographer Giles Penfound, my dear friend and mentor for two decades. Giles is currently on a sabbatical from social media and digital posting, although his projects such as Home Town Stories continue to be a feature of his personal photographic story; pictures made about the people of the town his lives in, often within walking distance of his home.  We talk about that project, the ‘rules’ of documentary photography, his life making pictures in areas of conflict, plus his conflicted mind over some of the images he made and witnessed. Our conversation for the podcast was part-made walking the ridge above England's famous Watership Down and his garden exhibition space. This is the second special to air as I spend time in the Highlands on the Scottish Photowalk Retreat 2024. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For the next two weeks whilst I am on location with the 2024 Scottish Photowalk Retreat, a brace of special editions, where I revisit the archive to feature the work of women in photography. Guests include Nancy Borowick, an acclaimed photojournalist known for her deeply personal and emotional work, particularly the intimate documentation of her parents' simultaneous battles with cancer, which has resonated with audiences worldwide for its raw honesty and humanity. I also talk with Lynzy Billing, an investigative journalist and photographer known for uncovering untold stories in conflict zones and human rights crises, Susan Goldberg an influential American journalist who became the first female editor-in-chief of National Geographic, where she expanded its focus on science, the environment, and social issues like climate change and diversity and from the UK, Nicky Heppenstall who helped found Remember my Baby, a charity organisation that offers remembrance photography services to parents experiencing the loss of their baby before, during, or shortly after birth, providing them with cherished memories during a deeply difficult time. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

A special feature-length interview episode today featuring Jason Edwards. Having spent the last three decades travelling around over 70 countries being clawed, chased, shot at, diseased, lost, injured, incarcerated, and getting his finger stitched back on, twice, award-winning photographer, TV host, and conservationist Jason Edwards knows what it takes to get the perfect shot. And the photo editors at National Geographic agree, featuring his stunning photos time and time again. His imagery has also appeared in hundreds of other publications, including BBC Wildlife, Australian Geographic and The New Yorker. His new book, Icebergs to Iguanas features a collection of his National Geographic photographs and behind-the-scenes tales. Also on the show today, the winning images from the last two months of assignment pictures and a new challenge for September set by Gary Williams. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

During the pandemic, international vocalist Gary Williams decided to retrain himself to become a professional photographer, building on existing street photographic skills and interests that he’d developed touring the world as a musician. During this time, closer to home in the UK he found Camden Passage, a charming, narrow street in Islington, London, known for its antique shops, vintage quirky boutiques, and market stalls. This place was to become Gary’s photographic playground where over a number of years he befriended the shoppers and shopkeepers of a unique famous street, eventually producing a book featuring those he met called The Litte Book of Camden Passage. Today he talks about designing, sequencing and producing a book, plus choosing a publisher. From the mailbag, Bill Marriott finds that photography can culturally connect in a magical way, Peter Upton is in a race against time to photograph some famous landmarks before the rising tides lay claim to them, Chris Hughes is embracing his inner Daidō Moriyama, Harriet Langridge has some street photography thoughts and I have some unexpected Scottish news so pack your travel bag, your camera bag with a fully charged camera. There’s a Shutter Sync and last opportunity to join in with August’s photo assignment set by Emily Renier. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest, Toby Binder is a German photographer renowned for his socially engaged documentary work. He focuses on marginalized communities and global social issues, capturing the raw realities of life in conflict zones and economically deprived areas. His photographs tell stories of fragility, authenticity and vulnerability. How important is vulnerability, and can it actually be a photographer’s superpower? From the mailbag as we walk together, Wallace Shackleton is on a motorbike with a camera, in howling wind and the kind of rain that makes you wish you’d stayed in bed that day, Bob Rose takes us to a lake in Nebraska at sundown, Corey Cooper shares a film about the why of this thing we do, Don Ridgway is in Ontario with William Shakespeare, Christopher Harrison shares his perspective on vulnerability and Susan Larsson is under a beautiful Northern Lights sky. Also, today, our street mentor Valérie Jardin returns with Visual Stories, and this month, she’s going to a state fair. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today on the show, two photographers, Patrick Stubbs and Sean Gallagher recount stories about the father-figure mentors in their lives and the pictures they made upon their passing. We discuss the mental health benefits of having photography during the more challenging times of our lives and how projects can bring meaning to our work. We also learn what it takes to make set photographs on some of America’s top-loved TV shows and why the everyday objects around us can be photographic gold. From the mailbag, one of our Extra Milers Mat Bobby has found a project that requires you to stay behind the safety fence at all times, bringing back a memory or three for me. There is the most incredibly potent story and picture from a good friend of the show, Marissa Roth. Hegaard the Dane has landed in Italy and found a snake in paradise, as have I, although many thousands of miles away in Miami, and there’s a reminder of this month’s assignment from Emily Renier. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I spend time with Mike Crawford, a dynamic London photographer and master printer. For four decades he has worked with the world’s most highly regarded photographers, including Martin Parr and Brian Griffin, one of the music industry’s most prominent photographers. More recently, he was chosen to print hitherto unseen photographs for the celebrated late photographer Elliott Erwitt for his ‘Found, not Lost’ book. As a photographer, Mike Crawford’s captivating work, featuring urban landscapes and portraiture, is predominantly shot on film and crafted in the darkroom. I visit Mike on location at his company Lighthouse Darkroom, within the building that was once home to Russia’s Zenit UK operation. With the arrival of August, there’s a new assignment too, set this month by social and street photographer Emily Renier, one of Fujifilm’s newest ambassadors. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.