It’s a nice day to be alive and swimming in “The Rivers of Cruel Intent” as The Sin Syndicate return for Episode 19, a deep exploration of the cavernous depths of Russ Meyer’s underrated camp classic, “Common Law Cabin.” This week we’re celebrating the day of birth of our very own Casey Scott, and what better way than to look at the Meyer film that he won’t shut up about. Keeping it in the family, we are once again joined by degenerate film archivist and unofficial third member, Alex DiSanto (sans riding crop), who hitches a ride in the roundbottom boat as we gush over Jimmy McDonough’s Russ Meyer biography, ponder the state of the RM catalogue, and debate the sexism of the artist vs. the power of the woman. Also, apparently a certain demographic finds Ken Swofford “yummers.” So, pant with us (an animal trait), drink the foul water, and ask yourself, “Is your turntable working?” It’s going to be a most unusual day.Links:Explore the new RM releases at Severin FilmsInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSanto
They may be lost—or only available to see at a German screening—but they are not forgotten. The Sin Syndicate returns with the second and final volume of our most ambitious project yet, a two-part journey through the Twisted Sex trailer archives for our Top 10 most wanted Lost and in Limbo sexploitation films. Helping us finish the countdown of number five through one is friend of the Syndicate and riding crop wielder, Alex DiSanto. A reminder of the rules:- a trailer must exist- one film per director- two substitutions allowed- all the lost Andy Milligan films are off the table (too obvious)What is the Sin Syndicate’s cumulative most wanted film? When are we getting a Don Davis/Marsha Jordan box set? How much time will we spend talking about press books? Join us for “Lost and in Limbo, Vol 2” to find out! P.S. For those that want to spoil themselves on our picks, I’ve listed them at the very bottom of the show notes.Links:Watch the Twisted Sex trailer compilations on the Something Weird ChannelInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSantoTimestamps:(00:00:32) Intro(00:01:59) Future of Twisted Sex(00:08:10) #5 (00:42:37) #4 (01:11:50) #3(01:45:18) #2(02:08:00) #1(02:41:13) Honorable MentionsOur Picks: Gentry:05. A Weekend with Strangers04. The Playpen Girls03. Teach Me How to Do It (sub for: Mme. Olga’s Massage Parlor)02. Infidelity American Style (sub for: Justine: The Erotic Excess of Evil)01. Death of a Nymphette Alex:05. The Street Is My Beat04. The Twisted Sex (sub for: The Playpen Girls)03. The Seducers02. (Pass) (orig. pick: A Weekend with Strangers)01. Scarf of Mist, Thigh of SatinCasey:05. The Daisy Chain04. House of the Red Dragon03. Ride Mister02. Threesome (sub for: A Weekend with Strangers)01. A New Girl in TownHonorable Mentions: Gentry: Body of a FemaleAlex: Satan’s MistressCasey: Corporate Queen
They may be gone—or locked in a private collector’s vault—but they are not forgotten. The Sin Syndicate return with our most ambitious project yet, a two-part journey through the Twisted Sex trailer archives for our Top 10 most wanted Lost and in Limbo sexploitation films. We are once again joined by friend, press book hoarder and Canadian degenerate, Alex DiSanto, for a countdown of numbers 10-6 from our personally compiled, highly secretive lists.The rules:- a trailer must exist- one film per director- two substitutions allowed- all the lost Andy Milligan films are off the table (too obvious)How many films featuring Peggy Sarno will appear? What lost Barry Mahon film do we actually want to watch? Who the hell is George Gunter? Join us for “Lost and in Limbo, Vol 1” to find out! P.S. For those who want to spoil themselves on our picks, they are listed at the very bottom of the show notes.Links:Watch the Twisted Sex trailer compilations on the Something Weird ChannelInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSantoTimestamps:(00:00:32) Intro(00:01:39) Why Lost?(00:04:47) The Rules(00:06:40) #10 (00:27:27) #9(00:50:42) #8(01:14:07) #7(01:49:40) #6 (02:14:35) Final Thoughts Our Picks: Gentry10. Carny Girl 09. The House of Cats08. Love Thy Neighbor And His Wife 07. Come Ride the Wild Pink Horse 06. Fanny Hill Meets Dr. EroticoAlex10. Mme. Olga’s Massage Parlor09. Diary Of Knockers McCalla08. Game People Play07. Devil’s Bedroom06. Smoke Of Evil (sub: Come Play with Me)Casey10. The Peeping Phantom09. Justine: The Erotic Excitement of Evil08. Whip’s Women07. Come Play with Me06. Prowl Girls
Gather ye rosebuds and put on your ballet slippers, The Sin Syndicate is taking a stroll through Central Park and Greenwich Village for director Stanley H. Brasloff’s directorial debut, 1968’s Two Girls for a Madman, a melancholic roughie focused on two ambitious dancers (Arlene Farber, Jean Weston), one giggling sex maniac (Lucky Kargo), and a Beatnik cafe that offers masked orgies with admission.Before he went for broke with his candy-colored daddy/daughter melodrama, Toys are Not for Children, Brasloff—a showbiz kid from an early age—cooked up this exemplary sexploitation film with a little help from his friends and connections in the East Coast entertainment business, including former Broadway performers and Jewish comedians like himself. Join us as we discuss Brasloff’s short but memorable career in moviemaking, a career filled with wonderful failures, interesting stories, and a whole lot of passion.In this episode we debate the thespian talents of stunning starlet Arlene Farber, talk early electronic music scores (theremin!), and ask the deep questions, like “Is Lucky Kargo HOT or NOT?” Make sure to stay ‘til the very end, where Casey even has a correction for Mr. Stephen Thrower himself. So burn your tutu, hold on to your passport, and meet us at the fountain for Episode 16, “The Bruised Ballerina.” Links:Watch Two Girls for a Madman on the Something Weird ChannelBuy Toys are Not for Children from Arrow VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:33) Intro(00:02:31) Update (Abortion)(00:09:36) Update (Bunny Yeager)(00:12:34) Two Girls for a Madman(00:15:05) Director Stanley Brasloff(00:20:25) DP Victor Petrashevic(00:33:12) Distribpix(00:36:15) The Music(00:40:37) Jewish Connections(00:49:15) Arlene Farber(01:01:48) Jean Weston (01:06:29) Lucky Kargo (01:17:01) Toys are Not for Children
Doris Wishman. Roberta Findlay. Two of the undisputed female titans of sexploitation. But there’s another name that is often forgotten, and underrecognized, as a sexual pioneer in an industry that wasn’t always welcoming to women—especially those with strong opinions. We’re talking about Louise ‘Bunny’ Downe. In planning for our episode about “The Girl, The Body, and The Pill,” we learned that Louise, the film's writer as well as assistant director (and former nudie-cutie actress), had just recently passed away. The moment felt right to give her a proper sendoff. So, for Episode 15 of the The Sin Syndicate podcast, we spoke with professor and screenwriter Janna Jones about her Bunny-based screenplay (“Cheap, Sexy and Shocking!”), Louise’s importance as a woman in the field of exploitation moviemaking, as well as her contentious relationship with one of the genre’s biggest names, Herschell Gordon Lewis. Prepare a 500 page paper on the relationship between men and women, and join us as we discuss the “muddy morality” of the birth control pill, Louise’s creative drive to create something meaningful, and the still controversial topic of in-school sex education. But more than anything, we hope you’ll accompany us in celebrating the life of one of sexploitation’s most underappreciated do-it-all artists, the still mysterious (just as she wanted it), Allison Alma Louise Bunny Downe—the “Godmother of Gore.”Links:Read Janna Jones’ essay, Neither the Nudie-Cuties nor the Gore Watch "The Girl, The Body, and The Pill" on the Something Weird ChannelInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:31) Intro(00:02:31) Rest in Peace Louise(00:07:48) Louise in Miami(00:15:40) Rewriting Louise’s Ending(00:22:49) Abortion and The Pill Onscreen(00:31:22) Louise’s Influence(00:47:18) Breaking New Ground(00:51:17) Picture Palaces(00:57:37) Louise’s Silence (01:02:00) The Cast(01:19:10) The Lesson for Today
Unless you’re neck deep in the world of sexploitation, you’re probably unfamiliar with the name “Bethel Buckalew.” And even if you are familiar, you may have been led to believe that strange moniker was just another pseudonym used by secretive director Pete Perry in a series of hay-roller hixploitation pictures for Harry Novak’s Box Office International. Let's start with some facts. #1: Drinking moonshine and walking should be illegal. #2: We gotta do something 'bout that boy. And #3: Bethel Buckalew was a real person, and in Episode 14 of the The Sin Syndicate podcast, “Moo Just a Little,” Casey and Gentry look at the man’s carefree, bovine-focused final film in his Sexy Southern series, “Sassy Sue.” Featuring a stacked cast of future hardcore starlets (Colleen Brennan, Tallie Cochrane, Sandy Carey), as well as the always amusing Buckalew muse, John Tull, “Sassy Sue” is a fittingly stupid, but entertaining end to a successful series of Southern sex comedies featuring fantastic fiddle-heavy Country music from the duo of Southern & Hensley, and plenty of skin-on-skin-on-dirt action. So join us as we search for the backwoods liquor still, discuss barnyard loving, and debate the merits of mixing poontang and corn, in surely one of our most braindead episodes yet.Stack the hay bales, prepare your bee'hind for measurement, and “Moo Just a Little.”Links:View the Bethel Buckalew ObituaryVisit the Temple of Schlock Instagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyPeep Gentry's Buckalew RankingCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:31) Opening(00:02:33) Updates(00:04:31) Plea to TerrorVision(00:06:15) The Bang Bang Gang(00:11:03) Sassy Sue(00:14:44) Sharon Kelly Speaks(00:24:12) Marlene Buckalew(00:30:57) Talie Cochrane(00:35:52) Talie Cochrane Speaks(00:36:50) The Sex Scenes(00:50:14) A Scream in the Streets(00:57:02) Sandy Carey(01:01:39) Patrick Wright(01:05:23) Supporting Players(01:08:59) Southern & Hensley(01:17:22) Sex Doesn't Sell(01:27:44) Buckalew Rankings(01:35:25) We're Leaving California
Hike up that skirt and show a little leg, we’re entering the world of psycho killers and girl boss pornographers for Episode 13 of The Sin Syndicate Podcast, “The Smut Picture Racket.” This week Gentry and Casey are joined by Toronto-based author Will Sloan, who has written a new critical reappraisal of Edward D. Wood Jr. entitled “Ed Wood: Made in Hollywood USA.” Join us as we discuss Wood’s career heading into the 1960s, as well as his final mainstream film, the sexploitation crime thriller, “The Sinister Urge,” a movie both ahead of and behind the times—anticipating the Roughie by half a decade through its depiction of a nudes-obsessed, knife-wielding sex maniac, while simultanously splicing in awkward footage from an unfinished delinquent youth picture, “Hellborn.” Put on your favorite angora sweater, grab a slice of pie from the cool kids pizza parlour, and come along as we investigate “The Smut Picture Racket.”Buy Will Sloan’s book from OR BooksInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:31) Opening(00:01:39) Pete Perry Updates(00:06:22) Will Sloan Intro(00:22:25) The Sinister Urge(00:31:22) Pornography(00:38:12) Psycho(00:49:14) Post 1960(00:55:43) The Players(01:06:22) The Wood Estate(01:17:06) Buy the Book(01:18:07) Final Thoughts
Think like a normal, clean living man and join us for “Too Much Sex Fizz,” Episode 12 of The Sin Syndicate Podcast, where Gentry and Casey teleport to Dr. Breedlove’s laboratory high in the mountains of Broadaslavia for a well-rounded (ahem) discussion of director Pete Perry's 1964 monster mash nudie-cutie, “Kiss Me Quick!” In this episode we discuss the early career of legendary producer Harry Novak, the origins of the dumbest films ever made, and peek behind the pseudonymous curtain of Seymour Tuchus. Listen as Casey outs himself as a “Little” Jack Little apologist and Gentry gets schooled on the difference between a general release film and an adults only picture. Don’t forget to shoot your sexbomb into the pool before it explodes.Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:31) Opening(00:01:32) Shannon's Women exists(00:04:12) Cathy Crowfoot news items(00:07:02) Intro to nudie-cuties(00:13:28) László Kovács MVP(00:17:20) Wonderful World of Girls(00:20:35) The Novak catalog(00:23:00) The Kiss Me Quick! production(00:25:32) Who is Pete Perry(00:33:30) Buckalew/Pete team(00:41:42) Breedlove's girls(00:47:20) The strange men(00:52:15) The surf rock (00:54:47) Monster Nudies(00:59:23) Sexist?(01:14:14) Our favorite nudie-cuties(01:23:18) Director of Peter's Pets(01:28:04) What's next
In the second bite-sized episode of our Short Ends series, Gentry and Casey try to navigate the choppy waters of minority depiction within sexploitation, specifically with regard to white actors playing other races, which is central to the plot of Ed Forsyth’s “The Ramrodder,” which was covered in Episode 11. We recommend you listen to that episode first, then join us for this discussion, however awkward it may be, and hopefully you'll meet us meet us halfway in trying to understand this ever-evolving issue.Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.com
The heat is on. Join us for “Do It In the Dust,” Episode 11 of The Sin Syndicate Podcast, where Gentry and Casey take a hike to Topanga Canyon and learn to love the lash as they ride with Ed Forsyth’s 1969 Nudie Western, “The Ramrodder.” In this episode we discuss the film’s Manson Family connections, if it was really shot at the infamous Spahn Ranch, as well as dig deep into the sexploitation careers of its key players: Kathy Williams, Jim Gentry, Julia Blackburn and Marsha Jordan. A naughty oater that places as much emphasis on the rites and rituals of the Native people as it does Kathy’s firm body, it is a film both deceptively progressive, and per the times, routinely thorny (and horny). So saddle up your steed, watch out for toothless bandits, and join us as we try to make sense of this slick and sexy cowboy picture.Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:31) Opening(00:01:12) Milligan at Tribeca Recap(00:18:18) Intro to The Ramrodder(00:35:43) The Production(00:43:02) Spahn Ranch(00:49:54) Jim Gentry(00:56:14) Kathy Williams (01:03:30) Julia Blackburn(01:05:36) The Whip(01:07:40) Don't Watch Brand of Shame(01:14:00) Marsha Jordan, Medicine Woman (01:22:37) Other Nudie Westerns(01:35:29) Closing Thoughts
Swing your hips, lick your lips, and take “A Vacation from Men” with Episode 10 of The Sin Syndicate Podcast, where Casey and Gentry take their Corvette down Hollywood Blvd and spend some time with writer/director/raconteur William Rotsler’s lesbian-yearning sexploitation film, “The Girl with Hungry Eyes.” This wild ride from 1966 stars Native American actress Cathy Crowfoot, common law cabin girl Adele Rein, and Rotlser himself as a great, white, heterosexual savior. Join us as we scratch only the surface of Rotsler’s multifaceted career, discuss his relationship with sleaze distributor Harry Novak, and talk the joys of casting yourself in sex films. Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.com
Close the blinds, flip the switch on the stag film projector, The Sin Syndicate are back and peering into the voyeuristic world of Bob Cresse and Lee Frost's underseen docu-roughie, "Love is a Four Letter Word." Forman 'Harvey' Shain plays a handsome young college student sucked into a world of dime-store loops, Tijuana sex shows, and sadomasochistic sorority initiations, culminating in a sleeping pill fueled nightmare that he'll never wake up from. Join us for a wide-ranging discussion with special guest Alex DiSanto on everything from copyright claims on orphaned films, Cresse's tragic run-in with the LAPD, and much, much more.Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSantoTimestamps:(00:00:28) Opening(00:01:22) Updates (00:04:13) Milligan at Tribeca(00:16:06) Bob Cresse’s Art Film(00:22:58) Casey’s First Time(00:27:23) Alex’s Defense(00:33:51) Tijuana Scene (00:37:24) Love Camp 7 (00:42:41) Pressbook Marketing(00:47:54) Harvey Shain, Heartthrob(00:53:30) The Tragedy of Cresse(01:07:03) The Frost/Cresse Relationship (01:17:13) Copyright Fun
Harden your hearts, strap on the cone bra, The Sin Syndicate are back and hitting the backroads of Waco to talk with Texploitation experts Dennis Campa and Melinda Belles about director Maurice Levy’s 1968 classic, "She Mob." A technical marvel in the land of Dale Berry and Whit Boyd’s, She Mob features the mysterious Marni Castle in the dual role of inimitable butch Big Shim and industrial business president Brenda McClain. Come for the kidnapped gigolo and stay for the slippery bubble bath. Join us as Dennis and Melinda drop deep lore about this action-packed offering from the Lone Star State, including its connections to the Velvet Underground, the ABC crime drama Honey West and Oswald assassinator Jack Ruby. Don’t forget to “Underline Choirboy.”Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelBuy the disc from Vinegar Syndrome Watch the Interview with Joy Dale Find Vintage Texploitation on InstagramListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:28) Opening(00:01:03) Updates (00:05:00) Intro to Dennis & Melinda (00:07:30) Maurice Levy (00:17:30) Velvet Underground connection (00:25:00) Jack Ruby (00:32:25) Writer Diana Paschal (00:34:50) Texploitation scene(00:39:22) The She Mob cast(00:42:15) Jeff Burns / Adam Clyde(00:51:25) Monique Duvall(01:02:11) Fantastic Fest (01:07:40) Texploitation faves
Quiet on the hardcore set, The Sin Syndicate are avoiding vice cops and hitting the high seas as we sail along with director/actor Alain Patrick and executive producer Bob Chinn for their sexploitation passion project, “Blue Money” The meta movie from 1972 from dirty film partners Patrick and Chinn features beautiful Bohemian star Barbara Mills as a young mother and the wife of a philandering producer of illegal pornography. Join us as we discuss the too short life and career of Mills, as well as the precarious legality of adults only film distribution in America during the early 1970s, in "Make It Before the Tape Goes."Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyBuy the disc from Vinegar SyndromeCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:35) Intro(00:01:30) Updates(00:11:00) Blue Money(00:17:00) Synopsis (00:27:30) Alain Patrick(00:30:14) Barbara Mills(00:45:00) Suzanne Fields(00:50:00) Sandy Dempsy(00:58:47) Art Imitate Life?(01:10:16) Final Thoughts
Check the hotel rooftops for shooters, The Sin Syndicate are dodging bullets and finding pleasure in pain as they ride along with Barry Mahon’s Red Scare sexploitation, “Run Swinger Run!” The 1967 film features frequent Sarno starlet Gretchen Rudolph as the nude-in-flight from a nefarious call-girl organization selling guns to Communists and flesh to visiting dignitaries. Join us as we dissect the Mahon of it all while celebrating the life and career of Gretchen Rudolph in “Marked by Beauty.”Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyRead the Rita Gretchen Lindabury ObituaryCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:35) Intro(00:01:08) Updates(00:08:45) Synopsis(00:09:30) Producers(00:14:00) Barry Mahon (00:26:00) Let's Play a Game(00:28:40) A Fantastic Story(00:50:35) Gretchen Rudolph(01:02:13) The California Films(01:20:31) Final Thoughts
Prepare the water hose, The Sin Syndicate are opening the valve on William L. Rose, the mysterious director of the 1965 roughie, “Rent-A-Girl.” Best known for directing the gothic-giallo “The Girl in Room 2A," Rose got his start writing and directing sexploitation, but maybe not all the films he's credited with. Join us as we look at his directorial debut, and how another character, Werner Rose, fits into this surprisingly complicated saga. Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:33) Intro(00:01:06) Lost Milligan Update +(00:04:05) The Synopsis(00:05:46) The Producers(00:12:25) The Big Reveal(00:25:25) The Cast
The Sin Syndicate presents The Short Ends, the first in a series of bite-sized bonus episodes. This minisode includes further discussion from Episode 4 around the cast of Andy Milligan's "Seeds" as well as conversation about his rarely seen Caffe Cino-shot film, "Compass Rose." Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSanto
The Sin Syndicate, film critic Gentry Austin and adult film historian Casey Scott, are joined by Andy Milligan obsessive, Alex DiSanto, for a discussion about Andy’s lost 1960s sexploitation films before a deep dive into the production of 1968’s messy family masterpiece, “Seeds.”Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyPurchase the disc at Vinegar Syndrome, Severin Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:01:24) Corrections(00:04:41) Alex DiSanto Intro(00:08:05) The Promiscuous Sex(00:15:04) The Naked Witch(00:25:32) The Degenerates(00:33:42) Depraved!(00:47:03) The Filthy Five(01:06:22) Kiss Me, Kiss Me, Kiss Me(01:15:41) Tricks of the Trade(01:32:15) Gutter Trash(01:40:28) Seeds
The Sin Syndicate, film critic Gentry Austin and adult film historian Casey Scott, try to uncover the invisible mysteries of Doris Wishman photographer C. Davis Smith's 1966 toe-sucking, kung fu fighting, milk modeling, sexy spy thriller, “The Girl from S.I.N.” Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyPurchase the disc at Vinegar Syndrome, Severin Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comAdditional research by Alex DiSanto
The Sin Syndicate, film critic Gentry Austin and adult film historian Casey Scott, take a look at their namesake, Michael Findlay's 1965 sex trafficking noir, "The Sin Syndicate."Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & CaseyCheck out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.com