A life-changing course with Paula Vogel, San Francisco, post-grad revelations, The Kilroys, joy, and loss on this episode of “The Subtext.”
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.
The writer of 'Funny, Like an Abortion' and 'The Night Witches' talks about long commutes, writing science plays, and the parts she wishes she'd been able to play in school.
The writer of 'Issei, He Say' talks about making plays from her family's life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.
This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
This month Brian speaks with the Playwrights' Center core writer and co-artistic director of Minneapolis's Red Eye about chance encounters and her relationship to future thinking.
This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title 'playwright.'
This month Brian talks to the writer of 'Alma' and 'In His Hands' about narration, inspiration, family ties, and Julio Cortázar.
This month Brian talks to the busy playwright and TV writer about sketch comedy, grad school, and the audition that changed her path.
This month Brian speaks with the busy playwright about dramatizing Idaho, promoting the film of 'The Whale,' and working on a new play at Steppenwolf.
This month Brian talks to the writer and producer about pivoting from teaching, feeling stuck in development hell, and championing local storytellers.
This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.