DiscoverThe Theatre Podcast with Alan Seales
The Theatre Podcast with Alan Seales

The Theatre Podcast with Alan Seales

Author: Broadway Podcast Network

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Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

Part of the Broadway Podcast Network.

343 Episodes
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Schele Williams has never been afraid to immerse herself in the thing that she loves in order to achieve what she wants. She reflects on her journey, the motivations and support from her family, and the significance of storytelling in her life, which has led her to where she is today. She shares how she chooses which projects to work on, given her busy schedule, her creative process, and making sure to foster a sense of involvement and connection with her children in whatever she does. She also emphasizes the importance of building relationships throughout her career and creating a supportive network. While she’s accomplished so many things already, Schele opens up about dealing with imposter syndrome, particularly when transitioning to new roles, and how she overcame it. Currently co-directing “The Notebook”, Schele explains the conscious choice to diversify the casting in the show, which aims to make the story more inclusive and relatable to a broader audience. We also dive into her excitement about directing “The Wiz”, its impactful storytelling, how it celebrates blackness, friendship, and courage, and the joy of seeing children in the audience. Schele Williams is a Broadway director who was originally pursuing her dreams of playing with the London Philharmonic Orchestra as a teenager. She eventually became an actor with credits, including both “RENT” and “Aida” on Broadway, leading her to become dance captain for “RENT” on Broadway and an associate choreographer for the tour. She uncovered her true calling to being a director. She associate-directed “Motown the Musical” on Broadway, and is currently working on a stage adaptation of “Hidden Figures”. She is also co-directing “The Notebook” alongside Michael Greif, which just opened on Broadway, and is also solo directing the incoming extremely highly-anticipated production of “The Wiz”, scheduled to open on April 17th at the Marquis Theater–the first black woman to direct a Broadway musical in over 50 years. Connect with Schele: Website: schelewilliams.com Instagram: @schelewilliams Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Ali became enamored by the idea of performing since he was a kid as a way to study the human condition. He looks back on his multicultural upbringing that blends American and Moroccan influences, and his journey into acting and performing, revealing his passion for storytelling. Despite growing up surrounded by artists, he opens up feeling alone at one point when his dad wasn’t fully on board with his dream of pursuing an acting career yet. Playing the lead role in the production of “The Who’s Tommy”, Ali shares his involvement in the show, highlighting his deep dive into the music and ethos of The Who for his role. He also talks about the cathartic nature of performing and the immersive experience of being on stage, as well as its unique format, which eliminates applause during the show to maintain uninterrupted storytelling and for the audience to fully immerse themselves into the story. Ali Louis Bourzgui is one of the industry's newest rising stars who truly embraces what makes him unique. He recently just finished the first national tour of “Company 1st”. He was previously in the national tour of “The Band’s Visit” and originated the role of young amazing Yosef in The Goodman’s World Premiere play, “Layalina”. Apart from that, he’s also an accomplished voiceover artist. You can hear him in the popular podcast, “Quiet Part Loud”, produced by Jordan Peele. He is also a jazz artist, a guitar player, and a songwriter, and you can soon catch him making his Broadway debut in the lead role of Tommy in the upcoming production of “The Who's Tommy”. Connect with Ali: Website: www.alilouisbourzgui.com Instagram: @ali.louis Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Exclusive interviews from inside the 'The Outsiders' rehearsal room on a special, invite-only press junket. Watch the behind the scenes video here: https://www.instagram.com/theatre_podcast/reel/C4mRRe6uoYG/ Hear from: Brody Grant (Ponyboy Curtis) Sky Lakota-Lynch (Johnny Cade) Joshua Boone (Dallas Winston) Brent Comer (Darrel Curtis) Jason Schmidt (Sodapop Curtis) Emma Pittman (Cherry Vallance) Daryl Tofa (Two-Bit Matthews) Kevin William Paul (Bob Sheldon) Dan Berry (Paul Holden) Tilly Evans-Krueger (Ace, Associate Choreographer) Danya Taymor (Director) Adam Rapp (Book) Justin Levine (Book, Score) Zach Chance (Score) Jonathan Clay (Score) Jeff & Rick Kuperman (Choreography) Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Marc Summers believes that if he didn’t have Obsessive Compulsive Disorder (OCD), he wouldn’t be where he is today. He looks back into the humble beginnings of his diverse career, his struggles with severe OCD, battles with cancer, and his resilience that ultimately defined his career journey. Marc highlights the unique aspects of “Double Dare”, how he landed the job, and his creative input in the physical challenges and the show's distinctive nose that’s supposedly modeled after his own. His off-Broadway show, “The Life and Slimes of Marc Summers” written by Alex Brightman and featuring music by Drew Gasparini, showcases his life, including the various challenges he faced throughout, from a car crash where he broke every bone in his face to the stigma of having obsessive-compulsive disorder on his career. It also touched on his early career as a magician and comedian, his experiences at the Comedy Store alongside legends like Dave Letterman and Robin Williams, and the supportive role his wife played in his life and career for over 50 years. He discusses the show's exploration of overcoming obstacles and the theme of perseverance–traits that Marc takes pride in. Director Chad Rabinovitz and composer Drew Gasparini talk about their collaboration on "The Life and Slimes of Marc Summers", including the creative process and thematic elements behind bringing the show to fruition. Chad reminisces about his childhood admiration for Marc, his dream of participating in "Double Dare", and the journey from being a fan to collaborating with Marc, Drew, and Alex Brightman in creating and directing the show. Drew shares how a summer stock production of "Grease" brought him and Marc together, the immersive nature of the production, intertwining the nostalgic elements of "Double Dare" with heartfelt storytelling about Marc's life, and his unique perspective as the composer of the show. Marc Summers is a TV personality, comedian, game show host, producer, and talk show host known from the original “Double Dare” game show on Nickelodeon, and as the host of “Unwrapped” on the Food Network. He was the executive producer for Food Network's “Dinner: Impossible” and “Restaurant: Impossible’, and now he has an off-Broadway, almost one-man show called “The Life and Slimes of Marc Summers” written by Alex Brightman, and with music by Drew Gasparini. Connect with Marc Summers: Instagram: @realmarcsummers Instagram: @drewgasparini Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
A globally renowned actor known for his iconic roles in shows like "Quantum Leap", “Star Trek: Enterprise” and "NCIS: New Orleans," Scott Bakula looks back on his fruitful and diverse career, including his time as Dr. Sam Beckett (Becket?), and some interesting behind-the-scenes details including whether or not that final end screen of the series actually has a typo! With so many changes that occurred post-pandemic, he shares his thoughts on doing self-tapes for auditions, why he thinks it’s become an empty experience, and why it can be limiting and isolating. He talks about his current role in the new Jason Robert Brown musical “The Connector”, his view on journalism after doing the show, and the reason behind their incredibly designed double-raked stage. With his family and the joy of connecting with people as his driving forces, Scott advocates theater as a foundational learning ground for aspiring actors. Scott Bakula is an actor who commanded the leading role of Dr. Sam Beckett in “Quantum Leap” from 1989 to 1993 and has earned him a Golden Globe Award and multiple Emmy Nominations. His other TV and film credits include “Star Trek: Enterprise” where played Captain Jonathan Archer, “American Beauty”, “Necessary Roughness”, “Murphy Brown”, and Ray Romano's “Men of a Certain Age”. Aside from lending his voice to animated series such as “American Dad”, “The Simpsons”, and “Archer”, he also has a Tony Award nomination for his performance in the 1988 Broadway production of “Romance/Romance”. His additional stage credits include “Is There Life After High School” in 1982, “Marilyn” in 1983, and “Three Guys Naked from the Waste Down” in 1985 for which he received a Drama Desk Award nomination. Apart from acting, he’s now showing off his dancing and singing skills eight times a week as Conrad O'Brien in “The Connector”, extended through March 17th at MCC Theater in New York. Connect with Scott: Instagram: @scottbakula Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille’s Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
With Anoushka Lucas’ talent and success as a songwriter, it may come as a surprise for some that she initially had no interest at all in working in theatre. Just like in most of her endeavors, she fell into it. She expands on this as shares her journey, revealing her initial passive disposition, which contrasts with her willingness to embrace diverse experiences–the duality of man, as they say. From playing the piano and writing songs at an early age, Anoushka talks about her upbringing, writing songs from the point of view of the characters on TV, and how the piano became her sanctuary. She reflects on failure and her aversion to it, and the heartbreak and acceptance that her initial plan of becoming a pop star and securing a record deal isn’t going to happen. Despite the initial struggle, she recognizes the value of the experience, emphasizing the usefulness of failure in shaping her life positively, proving that tenacity goes a long way. Anoushka Lucas is a singer, songwriter, musical theatre composer, and actor who has starred in West End productions, including “Oklahoma!” and “Jesus Christ Superstar”. She began composing music at the age of 14 and has a degree in Russian and Italian from Oxford University. She has been nominated for an Olivier award, an Evening Standard Theatre Award, and a Black British Theatre Award. She was the recipient of the Best Writer award in the 2023 stage debut awards. Among other films. You can also see her in “Murder on the Orient Express” and starting on the 21st of February, she can be heard in a brand new original musical podcast called “U.Me: The Complete Musical”. Connect with Anoushka: Website:www.anoushkalucas.com Instagram: @anoushkalucasmusic Listen to U.Me: The Complete Musical Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
From cults and documentaries to their deeply thought out character motivations, actors John Lavelle and Haskell King look back on their theatre journey. The two share their background, doing productions when they were younger, and what eventually made them pursue acting as a career. Currently starring in "Russian Troll Farm: A Workplace Comedy", they talk about how they got involved with the show, hitting it off on the first meeting, and the allure of cults and how people get drawn into them. With the show being as relatable as ever today, they reflect on how it changed their relationship with social media, how they interact with it, and the complexity of playing as bad guys. John and Haskell also impart some advice to aspiring actors and their motivations, including the desire to be seen and connect with others and become a better person for one’s family. Haskell King has performed all over the Off-Broadway and regional stages such as the Irish Repertory Theatre, Ensemble Studio Theatre, and the Abingdon Theatre. His TV and film credits include “Dear Edward”, “Law & Order: Criminal Intent”, “As the World Turns”, “The Fly Room”, and “Shadow & Lies”. John Lavelle has been on Broadway in “The Graduate”, and off-Broadway stages including La Jolla Playhouse, The Shakespeare Center LA, and The Old Globe. His TV and film credits include “Selma”, “Frozen”, “Wreck-It Ralph”, “Zootopia”, “The Taking of Pelham 123”, “Kipo and the Age of Wonderbeasts”, and “Grace and Frankie” among many others. They are both part of the stellar cast of the off-Broadway production of “Russian Troll Farm”, an office comedy, at the Vineyard Theater in New York City. More info and tix here: https://vineyardtheatre.org/shows/russian-troll-farm/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Among all the things Jai Rodriguez knows how to do well, not punching down is at the top of the list . Sharing his journey from going to Broadway to landing a role in the groundbreaking TV series, “Queer Eye For The Straight Guy”, his grit and talent took the stage by storm, playing in shows like “Rent” and “The Producers”. He shares how he got started by going to his first audition at the age of 12 – a funny but inspiring anecdote on why you shouldn’t take ‘no’ for an answer easily. Jai also recounts his “Queer Eye” audition, the success of the show, and the overwhelming response they received early on. Despite the external glamor, Jai reveals his financial struggles during the press tours. He also gets real as he talks about a pivotal moment in his career during a meeting with agents, and how he was told that he may not be castable due to his identity – an untrue trope that stayed with him throughout a lot of his career. While it may have affected him deeply, Jai did not let it stop him from taking up space in the industry by rephrasing “you can’t do it” as “it’s just never been done before”. Jai Rodriguez is an actor and musician best known for his role in the original Fab Five 'Culture Vulture' in the award-winning show “Queer Eye For The Straight Guy”. He had his Broadway debut at the age of 18 when he was cast as Angel in the critically-acclaimed musical, “Rent”. His other credits include the long-running musical, “The Producers”, “Zanna, Don’t!”, and an off-Broadway hit, “Sex Tips for Straight Women from a Gay Man”. He has a web series, “The Horizon”, which is the most-watched LGBTQ web series in the world.  Connect with Jai: Website: linktr.ee/jairodriguez Instagram: @jairodriguez TikTok: @jairodriguezworld Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
A multifaceted artist, Melissa Errico talks about her career, including her album "Sondheim In The City," her latest project which pays tribute to the legendary Stephen Sondheim. Melissa also reveals the reason behind her Instagram username, what it’s like raising kids in a “tough city”, and how theatre became her place to organize her emotions. Living in New York, she’s developed a deep connection with the city, which also reflects on her exploration of Sondheim's profound relationship with Manhattan–emphasizing the importance of preserving its vibrant and pluralistic spirit. With an upcoming residency at Birdland, Melissa shares her plans to combine Sondheim, jazz, and film noir elements, creating a unique and immersive experience for the audience.  Melissa Errico is a Tony Award nominated actress who made her Broadway debut in the 1992 production of “Anna Karenina”. She's since added a bazillion more credits to her resume, including “My Fair Lady”, “Amour”, “High Society”, and “Dracula, The Musical”. Her TV and film credits include the 1995 TV series, “C.P.W.”, “Law & Order”, “Blue Bloods”, “The Good Wife”, “The Jim Gaffigan Show”, “The Knick”, and “Billions” among many others. She's also a writer and a recording artist and was a frequent collaborator with the late great Stephen Sondheim for decades. Her 2018 album, “Sondheim Sublime”, was called “The best all-Sondheim album ever recorded” by the New York Times. She now has a new album dropping on February 16th called “Sondheim in the City”. Connect with Melissa: Website: melissaerrico.com Instagram: @melissa_errico_fairymom TikTok: @melissa_errico_fairymom Melissa Errico and Billy Stritch: "BABY ITS WOKE OUTSIDE" by Adam Gopnik Listen to Sondheim in the City: found.ee/SondheimInTheCity Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
From growing up a self-proclaimed overachiever to her recent success in “Dancing with the Stars”, Ariana Madix remains unstoppable as she makes her Broadway debut in an eight-week run as Roxie Hart in the Broadway production of “Chicago”. She reflects on her childhood, what got her into performing and theatre, and the shows she drew inspiration from. She also looks back into her early career, including moving to New York as a theater major after college, and the realities of the industry that led her to move to Los Angeles. As she returns to New York for her Broadway debut in “Chicago”, she talks about her role and the preparations she’s doing for the show and imparts an important piece of advice for aspiring actors: “Get in line. Never get out of line because one day your number will be called.” Ariana Madix is a TV personality, actress, model, and author who’s known for being a cast member on the Bravo reality TV series, “Vanderpump Rules”, and was one of Variety's 40 Most Powerful Women on Reality TV. She just finished in the top three in the latest season of “Dancing with the Stars”, and has a book out called “Single AF Cocktails”. Starting January 29th, 2024, she's making her Broadway debut in an eight-week run of “Chicago” as Roxie Hart. Connect with Ariana: Instagram: @arianamadix TikTok: @arianamadix Book: Single AF Cocktails: Drinks for Bad B*tches by Ariana Madix Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
An accomplished actress, singer, author, and educator, Alexandra Silber delves into her extensive career as she shares her origin story, revealing that her early influences, particularly her deep connection to literature and theater, emerged from the challenges of her father's illness when she was a child. Believing in the transformative power of storytelling, it became her sanctuary to explore profound questions about life and death, including reading (listening to, and watching) “The Secret Garden” and how it impacted her life. She opens up about her GI battles, her father’s death, and dealing with grief through acting. Currently starring in the limited off-Broadway run of "Our Class", Alexandra explores the unique chemistry and connection formed between actors on stage, its significance in creating authentic performances, and why having a community with your co-actors is necessary. She also talks about the unique “exit practices” in their production, her perspective on being a multidimensional artist–underscoring the importance of exploring different creative outlets, especially for aspiring artists. Alexandra Silber is a Grammy nominated artist who has performed roles on Broadway, the West End and on TV and film, and many concert stages. She had her Broadway debut in 2011 in the production of “Master Class”. She also starred as Tzeitel in the 2015 revival of “Fiddler on the Roof", and on the West End, she created the role of Laura Fairlie in “The Woman in White”, played Hodel in the 2007 production of “Fiddler on the Roof", and was Julie Jordan in “Carousel”. She's also an author, with "After Anatevka” as her debut novel, and her memoir "White Hot Grief Parade". She’s currently starring in the limited off-Broadway run of “Our Class”. Connect with Alexandra: Website: alexandrasilber.squarespace.com Instagram: @alsilbs Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
It's always better the second time around! Leslie Rodriguez Kritzer returns to the podcast to talk about her life and career post-pandemic back on her time in “Beetlejuice”, the show closing during the pandemic, and everything that went down in between. Currently starring in “Spamalot”, she takes pride in the exceptional ensemble dynamics in the show and shares how she’s approaching her role as The Lady of the Lake. She also provides an insider's perspective on the decision-making process behind a potentially controversial number in the show and the cast's collective discussion and commitment to presenting the performance in the spirit of joy and celebration. Leslie shares her insights into the role of theater both as a means of escapism and a space for reflection, as well as the audience's right to interpret and experience the show in their own way. She reflects on the vocal challenges of her role and gets real as she opens up about going through vocal injuries, and learning the importance of knowing your limits and “maintaining your vintage Porsche [body]”. Leslie Rodriguez Kritzer made her Broadway debut in “Hairspray” in 2004, followed by a string of amazing roles in “Legally Blonde”, “A Catered Affair”, “Elf”, and “Something Rotten”. She’s also starred in TV shows like “The Marvelous Mrs. Maisel”, “Bridge and Tunnel”, “New Amsterdam”, and “The Broadway Show with Tamsen Fadal” among others. Leslie is now tearing up the stage as the Lady of the Lake in the Broadway revival of “Spamalot”. Connect with Leslie: Instagram: @lesliekritzer Twitter: @LeslieKritzer Tiktok: @leslierodriguezkritzer Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
An actor, writer, and Shakespeare enthusiast, Ellen Adair shares their journey into acting and the profound impact it has had on their life. From their early fascination with Shakespeare to experiences in various productions, they emphasize the importance of connection in their work and the collaborative aspect that comes with it. They find joy in interacting with fellow actors, exploring characters, and being present in the moment. Ellen also delves into the challenges artists face, highlighting the necessity of mental equilibrium for navigating the unpredictable nature of the industry. Starring in the 2023 horror movie “Herd”, they reflect on the message of the movie and how it reflects our society today. Ellen shares personal anecdotes, from their aversion for anything with tentacles to growing up with no TV. They get personal as they talk about gender identity, the joy of being an actor, and connection as a form of motivation. Ellen Adair is a star of stage and screen with TV credits that include “Bull”, “The Good Fight”, “Billions”, “The Sinner”, “Homeland”, and “Nurse Jackie” among many others. Her stage credits include off-Broadway and Regional Productions of “Sleep No More”, “Romeo and Hamlet”, “As You Like It”, “The Importance of Being Earnest”, “A Doll's House”, “Macbeth”, “Taming of the Shrew”, and “The Merchant of Venice”, among many more other credits. You can now watch Ellen in the lead role of Jamie Miller in a new horror film called “Herd”. Connect with Ellen: Website: www.ellenadair.com Instagram: @ellenadairg Twitter: @ellen_adair TikTok: @ellen.adair Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Can we call it a tradition now? Diana Salameh, Vice President of Brand Integration at Serino Coyne, once again co-hosts the final episode of the year. Serino Coyne is the nation's longest-running theatrical advertising agency, so as always Diana brings some fun insider insight to how this strange business of show actually goes down. What was your favorite show of 2023? What are you most looking forward to seeing in 2024? Tag me in your stories and let me know! Connect with Diana: Instagram: @_dianasalameh Twitter: @_dianasalameh Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
For Stephanie, she was either going to be a nun or a musical theatre actress. She elaborates on this as she looks back on her early days and her influences growing up, including her mom. She reflects on her journey as an actress, moving to New York in her early 20s and being intimidated by the city, leaving and eventually finding her way back. Being involved with the original creation of “Wicked”, Stephanie recalls how she dealt with rejection and why she believes that rejection is protection. She shares more anecdotes, including the two-hour work session she had with Hugh Jackman, meeting her now husband Sebastian Arcelus on the Wicked 1st Nat’l Tour, what made her say yes to playing Cher, and getting the right speaking voice for the role… with the help of Crest Whitestrips. She also talks about balancing motherhood and a performing career, revealing how they give importance to portraying a sense of teamwork with her family. She recently released a Christmas album called “Merry Christmas, Darling”, and shares the process of recording it, while on tour for “Into the Woods”. Stephanie J. Block is a three-time Tony Award nominee and six-time Drama Desk Award nominee for her work on the Broadway stage. She has originated or starred in many Broadway productions including “The Boy From Oz”, “Wicked”, “9 to 5”, “The Mystery of Edwin Drood”, “Falsettos”, the recent revival of “Into the Woods”, and the first national tour of “Wicked”, and of course, “The Cher Show” where she won a Tony Award in 2019. Her TV and film credits include “Madam Secretary”, “Orange is the New Black” and “Homeland”. She recently released her latest album, “Merry Christmas, Darling,” available everywhere you find your music. Connect with Stephanie: Instagram: @stephaniejblock Stream “Merry Christmas, Darling” everywhere you listen to music Listen to the “Stages Podcast” Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
A two-time Tony Award-winning actor and singer, Norbert Leo Butz opens up about his childhood, the challenges he faced pursuing a career in acting, and the remarkable twists of fate that brought him to Broadway. Hailing from a large family of 11 siblings, he shares how the importance of education was instilled to them by his parents. Despite his family's support for school plays, his strict upbringing and limited resources led Norbert to sneakily pursue his love for acting. Norbert eventually had to confess to his father about attending a different college and studying to become an actor, a moment that ultimately led to his parents becoming his biggest supporters. He recounts his serendipitous entry into Broadway with "Rent," joining the cast as a cover for the roles of Roger and Mark–a right place, right time moment for him. He also talks about how he dealt with the pandemic through music, which eventually resulted in releasing his 4th solo album “King of Hearts” co-written with her daughter, Clara Davis. Growing up, Norbert developed a sense of self-reliance and resilience that shaped his approach to hard work and dedication. He encourages aspiring actors to avoid seeking validation through advice and instead cultivate self-awareness and a love for their craft. Norbert Leo Butz is a four-time Tony Award nominee having won two of those four nominations for his performances in “Dirty Rotten Scoundrels”, and “Catch Me If You Can”. He made his Broadway debut in “Rent” in 1996 before moving on to a slew of additional Broadway credits, including “Wicked”, “The Last Five Years”, and “Big Fish”, among many others. He’s also an accomplished TV and film actor with credits such as “Justified: City Primeval”, “The Good Wife”, “Blue Bloods”, Fosse/Verdon”, Dan in Real Life”, “Better Nate Than Ever” and the most recent, “The Exorcist: The Believer”. His fourth and latest solo album, King of Hearts was co-written with his eldest daughter, Clara Butz. Connect with Norbert: Instagram: @norbert_leo_butz Listen “King of Hearts” on YouTube Stream “King of Hearts” everywhere you listen to music Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Casey Cott, a talented actor best known for his role as Kevin Keller on "Riverdale," discusses his current role and Broadway debut as Christian in the Broadway production of "Moulin Rouge! The Musical”. He shares insights into his journey from television to the Broadway stage, including how he landed the role, finally fulfilling one of his lifelong dreams. Casey reflects on the challenges and rewards of performing on Broadway, including the supportive and encouraging atmosphere within the "Moulin Rouge" cast and crew. He talks about the unique experience of singing in the show and the mental aspects of navigating the demanding schedule of eight performances a week while caring for a newborn at home!. He shares their pre-show routines and rituals, involving a "Ted Lasso Believe" sign in Casey's dressing room and slapping a lamp before going to the stage. He opens up about moments of self-doubt and anxiety, and realizing the importance of enjoying the imperfections and finding grace in the pursuit of perfection instead. Casey gets personal as he discusses the significant influence of his family, particularly his newborn son and wife, on his motivation and performance. He advises aspiring artists to give themselves grace and enjoy the journey, acknowledging the inevitability of failure in the performing arts. Casey Cott is an actor best known for his role as Kevin Keller in the long running CW series “Riverdale”. His other TV film credits include “Asking for It”, “All The Little Things We Kill”, “Law & Order: SVU”, “Katie Keene”, “Instinct”, and some theater credits which include “The Who's Tommy” at the Kennedy Center. He recently had his Broadway debut as Christian in “Moulin Rouge! The Musical”. Connect with Casey: Instagram: @caseycott Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
From dancing to “Chicago” songs to finally playing the role of Mama Morton in the long-running musical, Lili Thomas’s acting career has definitely come full circle. Celebrating her first anniversary on the show, Lili shares the unique experience of being part of a production with constantly changing casts, and the show’s dynamics, including the encouragement for actors to bring their individuality to their characters. She also talks about her Broadway debut and the excitement of performing on opening night, the complexity of her character, and the challenges of adapting to a fast-paced environment. As a mother and Broadway performer, Lili sheds light on the balancing act required to manage her career and responsibilities at home. She reflects on her unique journey as a single mom in the industry and offers advice to aspiring performers, highlighting the importance of being true to oneself. Lili Thomas is an actress who just recently ended her leg of the “Dear Evan Hansen” First National Tour playing the role of Cynthia Murphy. Before that, she appeared in Dave Malloy’s pre-Broadway run of “Octet” and has other off-Broadway credits including “We're Gonna Die”, “The Hello Girls”, and “Only Human”. She is now making history in her Broadway debut as the first Asian American to play the role of Mama Morton in “Chicago”. Connect with Lili: Website: www.lili-thomas.com Instagram: @thelilithomas Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Pulitzer Prize winner James Ijames starts off by sharing his love for writing and the meaning behind the philosophy on his website. He discusses the transformative power of his first encounter with a play and how it ignited his desire to help “expand the range of storytelling about black people”. The conversation also delves into his play "Fat Ham" wherein he reflects on its creative process, the play's resonance, and the impact it had, especially in the context of Black and queer representation in the theater. As a founding member of Orbiter 3, James discusses the unique model of his group. He emphasizes the importance of creating a community and supporting local playwrights, giving light to the collaborative and inclusive aspects of their work. He shares how long it normally takes for him to write a full-length and the common themes found in his works. Additionally, James provides insights into his role as an associate professor at Villanova University where he teaches acting and collaborative theater-making, and how working with bright and enthusiastic students keeps him inspired and engaged. James Ijames is a Pulitzer Prize-winning playwright who recently received five Tony nominations, including Best Play for his hit Broadway show, “Fat Ham”. He's also an actor in his own right, a professor, a two-time winner of the Barrymore Awards for Outstanding Direction of a Play, and the 2015 winner of the Terrance McNally New Play Award, among many others. Connect with James: Website: www.jamesijames.com Instagram: @jwijames  Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
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