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Testament, beatboxer, rapper and writer - presents a festive Adverb (complete with a yuletide salad battle), with his guests the former Scottish Makar Jackie Kay, poetic legend John Hegley, Mercury prize nominated folk singer Sam Lee, as well as satirical supremo Brian Bilston.They bring iconic robins, soul stirring music, poetic Christmas questions, and quirky Yule traditions to an audience in the BBC Philharmonic Orchestra Hall in Salford.Brian Bilston's very funny books include 'You Took the Last Bus Home', and 'Alexa, what is there to know about love'? His latest book is called ‘A Poem for Every Question’. He shares new poems and poems from his book ‘And so this is Christmas’:John Hegley brings surreal festive interaction and poignantly playful poems to the Adverb. He also celebrates a playful December celery battle recorded in the letters of Romantic poet John Keats.Sam Lee's album is ‘Songdreaming’ – he's joined by pianist James Keay to perform songs that sing us deep into this time of year. Sam organises 'Singing with Nightingale' events, so we find out where nightingales go for Christmas.Jackie Kay's latest book is 'May Day' - she shares a poem by one of her favourite poets Norman McCaig - which stars a robin - and tender winter poems from her collections.
Ian McMillan's guests include the Poet Laureate Simon Armitage with poetry from his latest collection 'New Cemetery', impressionist and poet Alistair McGowan and Joelle Taylor with her new book 'Maryville'.Poet Laureate Simon Armitage shares poems from his recent collection 'New Cemetery' - inspired by a cemetery that was being built near his house during lockdown. The poems incorporate a litany of moth species' names, meditations on writing, the dead as an audience for nature - and include responses to the death of Simon's father. Simon also contributes to our 'Neon Line' series - where we ask a poet to celebrate a remarkable line from any poem. Alistair McGowan is an impressionist, a stand-up comedian, as well as a pianist and a poet. In his poems featured on this week's show we encounter a tussle between a sofa and a cat, a critique of using 'that' instead of 'who' or 'which', and a tender exploration of the names we give siblings. His poetry collection is called 'Not what we were expecting'.Joelle Taylor brings us brand new poems from 'Maryville' - the story of a mythical bar in a snowglobe, a stage and a space for lesbian lives and relationships that might otherwise be forgotten. It's been described by Bernadine Evaristo as 'a consistently dazzling work of art'. Joelle won the TS Eliot Prize for poetry for 'C+nto & Othered Poems' and has since published her acclaimed novel, 'The Night Alphabet'.
Ian McMillan enjoys the language of the iconic 'Night Mail' poem by W.H. Auden, invites us into signal boxes, imagines train station bars, and evokes the empty platforms that inspire songs - as he celebrates 200 years of railway inspired poetry with his guests Don Paterson, Carmen Marcus, Bella Hardy and Patrick McGuinness.Don Paterson is a poet and musician. He's the editor of an anthology of train poems called 'Train Songs' (with Sean O'Brien) and described the chapters of his memoir 'Toy Fights' as 'train windows'. The Verb has commissioned Don to write a poem about a station that seems to him particularly unpoetic..Carmen Marcus is a graduate of the 'Verb New Voices' writing scheme. She is a novelist and poet, and for the anniversary of the passenger railway she has been talking to passengers on the Stockton & Darlington line and writing train inspired poems. Carmen brings railway trolls and brand new words for the excitement of train travel to the Verb studio.Patrick McGuinness is British-Belgian writer and poet. He teaches French and Comparative Literature at Oxford. His latest book is a series of essays called 'Ghost Stations' - he explains why the idea of the 'ghost station' has been such a powerful 'engine' for his writing.Bella Hardy is a lover of ballads, a BBC Folk Singer of the Year, and a songwriter. The Verb has asked her to respond to one of the greatest train platform inspired songs of all time - Paul Simon's 'Homeward Bound' . Bella performs a brand new song that celebrates the way waiting for a train can lead artists to come up with some of their best work.You'll also hear the acoustics of a real signal box - part of a soundscape produced by Sheffield folk and electronics duo Polyhymns.Produced by Faith Lawrence
Shaun Usher's Letters of Note project became a cultural empire spanning multiple books, stage shows, and an online archive. He's now produced Diaries of Note - a collection of diary entries that span centuries from the great and the good . He discusses the relationship between a diary entry and a poem.Katrina Naomi on her latest pamphlet of poems, Dance As If, in which she reconnects with her body, as a woman of a certain age, through the medium of dance.Amani Saeed on the culmination of the Language Is A Queer Thing project which for the last three years has brought poets from India and England together to create new work.Mother and daughter, Fran Edwards and Jennifer Jones, on Rebirth - a collection of poems which began as a private conversation reflecting on their relationship, during the pandemic.Presenter Ian McMillan
Producer: Ekene Akalawu
Ian McMillan celebrates an iconic poem that inspired a generation of poets and readers - Tony Harrison's 'Them and Uz'.
His guests include the new US Poet Laureate Arthur Sze, the former Poet Laureate of Belfast Sinéad Morrissey who brings us an autumnal 'Neon Line', zoologist and poet David Morley on his new book 'Passion', and Daniel Sluman on a landmark anthology 'Versus Versus - 100 Poems by Deaf, Disabled & Neurodivergent Poets' - edited by Rachael Boast, with the help of an Advocacy and Advisory Panel (including Daniel). Poets included in the anthology will be reading at London's Southbank Centre on 25th October.Presented by Ian McMillan
Produced by Faith Lawrence
Writer and poet Maria Popova on taking inspiration from 19th century ornithological studies for her new publication, An Almanac of Birds – 100 Divinations for Uncertain Days.Slam poet Aditya Narayan has had an impressive winning streak this year – winning the Roundhouse Poetry Slam in April and the Loud Poets Grand Slam final in August. He discusses writing poetry for performance and rhyming English, Hindi, and Urdu.Kimberly Campanello and D.M. Black are members of a distinguished group - poets who have translated Dante's epic poem, The Divine Comedy. They reflect on their different approaches to the 14th century three part work which takes the reader to hell, purgatory, and heaven - Kimberly weaving in her personal history including her Parkinson's diagnosis and the history of Italy in her translation of Part 1: Inferno, and D.M. Black drawing upon his experience as a psychoanalyst in his award-winning translation of Part 2: Purgatorio, and his recently published Part 3: Paradiso.Presenter: Ian McMillan
Producer: Ekene Akalawu
Ian McMillan presents The Verb from Contains Strong Language in Bradford - with poets Imtiaz Dharker, Kieron Higgins, Nabeela Ahmed, and Katrina Porteous (reading poems from her Laurel Prize winning collection Rhizodont).Rock, stone and sediments are everywhere in this celebration of poetry and poetry in Bradford. We have millstone grit and the story of stone in a specially commissioned poem from Queen's Gold Medal winner Imtiaz Dharker, the influence of ska on the sediments of language that turned Kieron Higgins into a poet. Nabeela Ahmed reads from her new book 'From Kashmir to Yorkshire' and explores the layers of languages, including Pahari, that helped to tune her poetry ear, and the winner of this year's Laurel Prize for Nature or Environmental poetry, Katrina Porteus, reads from her collection 'Rhizodont'. She was described by the judges as 'always keeping faith with the north-east' and the book was praised as a 'a crucial act of the imagination. speaking as non-human entities (eg an ice core) ...loving, knowing and authoritative'.Produced by Faith Lawrence
Testament presents poetry in performance from Daljit Nagra, Kate Fox, Andrew McMillan and Kirsty TaylorThe Adverb is recorded in front of a studio audience in St George's Hall, Bradford at the Contains Strong Language festival. Part of the Bradford 2025 City of Culture celebrations.Testament is a writer, rapper, educator and world-record breaking beatboxer. Daljt Nagra won the Forward Poetry Prize for best single poem in 2004 for "Look We Have Coming to Dover!" Verb regular Kate Fox's recent books include 'Bigger on the Inside' and 'On Sycamore Gap'. Andrew McMillan won the Guardian First Book award for his debut collection Physical and Kirsty Taylor is a writer and educator inspired by her beloved hometown Bradford - she opened the City of Culture year in January performing to 20,000 people in City Park.Presenter: Testament
Producer: Jessica Treen
Exec Producer: Susan Roberts
Ian McMillan presents poetry in performance with Jackie Kay, Hollie McNish and Michael Pedersen in this recording of The Adverb at the Ledbury Festival.
They share poems of friendship, childhood, and of love in its many forms - from the love of a child for a parent, to the love of balconies.Jackie Kay is the former Makar (Poet Laureate) of Scotland - she shares poems of great tenderness from her latest collection May Day and from earlier collections too.Hollie McNish is one of our best-loved poets. In books like 'Nobody Told Me' and 'Lobster', her work explores taboos around the body and the experience of motherhood. In this programme we hear her poetry of friendship too.Michael Pedersen is a poet and author, as well as the Makar for Edinburgh. He has been acclaimed for his attention to male friendship in his collection 'The Cat Prince' and for the poetic writing in his new book 'Muckle Flugga' - which is filled with warmth and humour.
Pulitzer prize-winning poet Forrest Gander discusses the Academy of American Poets Laureate Fellowships. An initiative which awards $50,000 to poets of literary merit appointed to serve in civic positions to enable them to create projects that enrich the lives of their neighbours, through responsive and interactive poetry activities.In awarding Laurie Bolger The Moth Poetry prize, Nobel Laureate Louise Glück said, "I respond to poems that surprise me". Laurie reflects on the impact of this assessment of her poetry, and explains why her first full poetry collection, Lady, is like a romcom blockbuster.Marking the arrival of this year's European Poetry Festival, its founder and director, SJ Fowler, joins The Verb to share his approach to bringing poets together to create new work. With a little help from Ian, he performs one of the poems - Levels of Care - that he co-wrote for the festival with Latvian poet Krišjānis Zeļģis. Writer and editor Rachel Segal Hamilton who specialises in photography, assesses the marriage of photography and poetry with two new examples of the form - A Difficulty Is A Light by Rebecca Norris Webb, and The Dereliction by Liz Berry and Tom Hicks.Presented by Ian McMillan
Produced by Ekene Akalawu
Ian McMillan is joined by actor and writer Harriet Walter, sound artist Jason Singh, poet Gillian Allnutt - and hears ritual language for glaciers - from writers Andri Snaer Magnason and Manjushree Thapa.Dame Harriet Walter is one of our best loved actresses. She's absorbed the rhythms of Shakespeare's writing over decades of her award-winning work on the stage. For 'The Verb' Harriet performs new poems she's written for her book 'She Speaks', an anthology which gives the women characters from Shakespeare's plays a chance to explore their experiences and their relationships with each other.Jason Singh is a sound artist, and nature beatboxer. He shares an evocative soundscape recorded at a Shinto Ceremony in Japan for a scientist who's been called 'The Mother of the Sea'. Leigh-born biologist Kathleen Mary Drew Baker made important discoveries about a type of seaweed, discoveries that have had a huge impact on Japanese Nori production. You can hear Jason's whole piece on 6th July at Pennington Flash in Leigh ( Greater Manchester). https://www.visitmanchester.com/event/flashes-festival-of-nature-2025/99390101/Poet Gillian Allnutt was awarded the Queen's Gold Medal in 2016 - and her new collection 'Lode' has been celebrated for its 'indelible images' . Gillian reads a poem about meeting the Queen, in which the word 'plimsoll' plays a surprising part, and another poem in which she invents the word 'ditheridoo'.Icelandic writer Andri Snaer Magnason, and Canadian-Nepali writer Manjushree Thapa have both written inscriptions to mark the dying of a glacier called Yala in the Hindu Kush Himalaya. They join Ian to talk about finding the right words for the ceremony, and what impact they hope their language will have.
Ian McMillan welcomes poetry about fathers, songs celebrating the things that fall out of books, and a poetic investigation into the women who were labelled witches, with guests Alison Binney, Boo Hewerdine, Yvonne Lyon, and Fiona Benson. Ian also presents a new Eartoon (our cartoon for the ear ) which celebrates the quirks of phrasal Verbs written by Stagedoor Johnny (aka Richard Poynton).Alison Binney explores what it means to have a parent with dementia in a new collection called 'The Opposite of Swedish Death Cleaning' (Seren). Alison is an English teacher and PGCE course tutor - her debut pamphlet is 'Other Women's Kitchens'.Boo Hewerdine and Yvonne Lyons' new album is called 'Things that Fall out of Books' - they're performing their new songs in multiple venues across the UK in July and August - https://www.yvonnelyonmusic.com/events/'Middenwitch' is Fiona Benson's new poetry collection and is a Poetry Book Society Summer Choice. Her poems illuminate the lives of the women who were the victims of superstitions about witches, and examines the societies who deal with fear of illness and other misfortunes by blaming outsiders.Our Eartoon (a cartoon for the ear) this week delights in the seemingly arbitrary and confusing nature of phrasal Verbs. This is the latest episode in our series by Stagedoor Johnny 'Richard Poynton' in which he offers an origin myth for the English Language.
On this week’s edition of The Verb: Ian McMillan basks in the glow of a Neon Line explained by the celebrated Faroese poet and novelist Carl Jóhan Jensen; Karen Downs-Barton shares poems from her debut collection, Minx, which reflects on her Romani childhood; Cristóbal Bianchi, cofounder of the Casagrande Collective, on their Bombing Of Poems project; and Naz Knight, poet-in-residence at Luton Town FC, on drawing poetic inspiration from the terraces.Presenter Ian McMillan
Producer: Ekene Akalawu
Ian McMillan's guests celebrate hedges, with poetry from Alison Brackenbury and Testament, singing from Sam Lee, Michael Symmons Roberts explores a poem with a nightingale at its centre, and hedgelayer Paul Lamb records himself walking a hedgerow that's rich in wildlife.This hedge-themed special features a haunted hedge from poet Alison Brackenbury, part of the anthology 'Lincolnshire Folk Tales Reimagined' (ed, Anna Milon and Rory Waterman). Alison's hedge started off life as a talking hedge in her non-fiction book 'Village' which is all about her childhood home in Lincolnshire (to be published online in July)Testament, a world record-breaking beatboxer, rapper and poet, performs a poem called 'The Lig', based on his experiences observing three generations of farmer hedge-layers in Cumbria. Testament is a member of the Hot Poets Collective which explores climate change through spoken word poetry.Sam Lee's most recent album is 'Songdreaming' - and he sings, not only in front of human audiences, but also with and alongside nightingales. Sam takes musicians and small groups of people into woodland for annual 'Singing With Nightingales' events - events which celebrate this vulnerable bird and our creative connection with it. Sam sings 'Bushes and Briars' on the show and explores the poetry of 19th century poet John Clare.Poet and professor Michael Symmons Roberts chooses a 'neon line' for The Verb's ongoing series about stand-out lines in poems . His choice is from a poem that features a 'deconstructed hedge' and a singing blackbird. Michael listened carefully to the blackbirds in his garden whilst writing his new book 'Quartet for the End of Time: On Music, Grief and Birdsong', - inspired by his relationship with the music of the composer Olivier Messaien.Ian also dips in and out of a very long hedge with the help of Paul Lamb, a hedge-layer who walks the Gower Peninsula to bring us hedge language. Paul's new memoir is called 'Of Thorn and Briar - A Year with the West Country Hedgelayer'
Ian McMillan's guests are the Scottish Makar Peter Mackay, Jamaican poet Lorna Goodison, as well as Indian dancer and poet Tishani Doshi, and the musician Scanner.Scanner lets us into the baffling and mysterious 'poetry' of album titles by Autechre, Aphex Twin and other electronic music artists. Scanner has worked with Laurie Anderson, and Pauline Oliveros amongst other artists, as well as creating sound design for installations at museums, at an airport and for dancers at the London Olympics. For this week's Verb Scanner has created sound design for poems by Peter Mackay, inflected with uncertainty and nostalgiaWe hear new poetry by Peter Mackay, in Gaelic and English, written in response to 'O Wert Thou in the Cauld Blast' by Robert Burns. Peter explains why Burns is a great poet for uncertain times, and why the Gaelic word 'ta' is so useful. His poems can be also heard at the Poetry Jukebox, at the Linenhall Library in Belfast (part of a set of curated poems by ten different writers responding to work in the 'Fragments of Scottish Poetry Project').Queen's Gold Medal winning poet, and former Poetry Laureate of Jamaica Lorna Goodison explains why Miss Lou, (the ground-breaking champion of nation language in Jamaica, and a good friend to Lorna) is a key character in her new version of Dante's Inferno (Carcanet).Indian Poet and dancer Tishani Doshi presents the next in our recurring series 'The Neon Line' - where we celebrate a stand-out line from a poem, and work out why it's powerful, beautiful, or memorable. Tishani also shares new poetry that explores the connection between human emotions and the natural world.https://scannerdot.com/
https://www.tishanidoshi.com/
https://linenhall.com/event/launch-of-the-mcadam-poetry-jukebox/
Rebecca Watts has just published her third poetry collection - The Face In The Well. She discusses writing poems that engage with the work of an earlier generation of poets, turning a cherished childhood memory into poetry, and Emily Brontë's love of ironing.
Poet and writer Brian Bilston is as much a fan of the American writer, artist, and designer Edward Gorey as The Verb. He accepted our commission to create an updated version of one of Gorey's most celebrated poems - The Gashlycrumb Tinies. He premieres his approach to Gorey's alphabetical and flatly macabre list of children's final fates - The Garbledoom Tiddlers.Cristina Rivera Garza is a Pulitzer Prize-winning Mexican writer, poet and professor. Her new book, Death Takes Me, fuses crime fiction, literary theory, and the poems of Argentinian poet Alejandra Pizarnik. She discusses the power of language to reflect, proscribe, and change society.Deryn Rees-Jones is a poet, a professor, and editor at Pavilion Poetry. She talk to Ian about the art of creating a poetry collection and how deciding on the order of the poems in a new collection can be a surprisingly physical activity.Presenter: Ian McMillan
Producer: Ekene Akalawu
Flames and poetry - what poetry tell us about the Los Angeles fires, the pleasure the poet John Keats took in reading - a poem-letter to an imaginary estate agent, and magical language. To explore all this McMillan is joined by poetry writers and poetry lovers.Ian's guests:
BBC newsreader and journalist Reeta Chakrabarti is a trustee of the Keats-Shelley Memorial Association. She shares her passion for John Keats' poem 'On First Looking into Chapman's Homer' - with its 'realms of gold' and a planet that 'swims'.Fred D'Aguiar is a British-Guyanese poet who lives and teaches in Los Angeles - he shares a powerful new commission which bears witness to the Los Angeles fires, and asks how we might depict and talk about fire in an age of rising temperatures.What does it mean to be a tenant, or an artist in residence in someone else's house - at a time when it is harder to buy houses than in the past?
The poet Ella Frears has written a book-length poem exploring rented and borrowed spaces - addressed to an imaginary estate agent - full of tender and frank observations about modern life.Edward Wilson-Lee's new book 'The Grammar of Angels - A Search for the Magical Powers of Language' explores the attraction (and the rejection) of language that has a powerful effect, or casts a spell on us - including the speech of angels and inscriptions on amulets. The book invites us to consider when sound is more powerful than sense, and why that might have concerned our ancestors.
How does it feel to be adopted? How does naming things affect experience? Why does a mysterious sound make Ian want to get out of the studio in Salford? Is it ever a good idea to pretend to have a particular accent? Poems, questions and much more - on this week's Verb.Ian McMillan is joined by poets Joelle Taylor, Anthony Joseph, Luke Wright, and sociolinguist Rob Drummond.Joelle Taylor brings us a brand new commission inspired by the 50th anniversary of the BBC television series 'The Changes' - with its mysterious sound that transforms and challenges modern life. Does it still have resonance today? Joelle won the TS Eliot Prize for poetry in 2022, and her most recent book is a novel - 'The Night Alphabet', which has been described as 'relentlessly inventive.'Anthony Joseph is a poet, musician and academic. He shares poetry of intimacy and intimacy with language - in work from his selected poems 'Precious and Impossible'. Anthony won the TS Eliot prize in 2023 with his 'luminous' collection 'Sonnets for Albert'.Luke Wright is a ground-breaking performer and poet - currently touring with his show 'Joy'. He reads new poems which look at the power of early experiences: a book that helped him understand the experience of being adopted, and a poem which celebrates the beauty of the view from his window in Suffolk.Did the contestant who faked a Welsh accent on 'The Traitors' TV series make a good decision? And what poetry was there to be found in the series? Ian talks to Rob Drummond, Professor of Sociolinguistics at Manchester Metropolitan University.
Ian McMillan presents highlights from the TS Eliot Prize Readings - extraordinary poetry from 2024.Poetry books featured :Raymond Antrobus 'Signs, Music' (Picador Poetry)
Hannah Copley 'Lapwing' (Pavilion Poetry)
Helen Farish 'The Penny Dropping' (Bloodaxe Books)
Peter Gizzi 'Fierce Elegy' (Penguin Poetry)
Gustav Parker Hibbett 'High Jump as Icarus Story' (Banshee Press)
Rachel Mann 'Eleanor Among the Saints' (Carcanet Press)
Gboyega Odubanjo 'Adam' (Faber & Faber)
Carl Phillips 'Scattered Snows, to the North' (Carcanet Press)
Katrina Porteous 'Rhizodont' (Bloodaxe Books)
Karen McCarthy Woolf 'Top Doll' (Dialogue Books)
Evolutionary biologist Richard Dawkins tells Ian McMillan about the influence of poetry on his writing, and shares poems written by his own mother. Ian also explores the influence of a very competitive mother on the life and poetry of former National Poet of Wales Gwyneth Lewis. And as it's the first Verb of the year, stand-up poet Kate Fox suggests new names for all the calendar months, whilst Stagedoor Johnny brings a new 'eartoon' (which explains why the names of baby animals can be so confusing).Richard Dawkins' new book is 'The Genetic Book of the Dead'
Gwyneth Lewis' memoir is 'Nightshade Mother'
Kate Fox's latest book is 'On Sycamore Gap'




So good, so educational, and so appreciable to me. I thank this episode for being. It's an amazing amalgamation of creativity, language, science, and performance-based artsI I came across 'The Verb: Insects and Language', completely by happenstance. I was searching for something meaty enough in length, produced by a reputable source, but particularly on the subject of insects; I browsed the search results {string=insects}, which is when I saw good old BBC3. Living West of Britain, I'm only familiar enough with the BBCs designation of #3, in the implications of musi, arts & entertainment. This was definitely confirmed within minutes of playing, when a piece of musical poetry was performed live, in studio. A web of solo - a capella spun poetry. Hocketing between mouth sounds, lyrical imitation, and all together cleverness. Its sole purpose was (assuming) to capture and captivate the listener. To the point you (listening), quickly become aware that the song is that of an insect(s). I was,