Claim OwnershipThe WhatsOnStage Podcast
Subscribed: 45Played: 2,128
Subscribe
© Sarah Crompton, Alex Wood & Augusto Koschak
Description
WhatsOnStage managing editor Alex Wood and chief theatre critic Sarah Crompton host a weekly podcast on all things theatrical. News, views, frank exchanges and lists offer an unmissable guide to what’s happening on stage (and in film and on television) now, in the past and in future. From musicals, to plays, to immersive shows, to interviews with the biggest stars, there's something for everyone!
Hosted on Acast. See acast.com/privacy for more information.
158 Episodes
Reverse
This week, Emma Rice rechristened her company Wise Children with the new name Emma Rice Company, and we took the opportunity to sit down and reflect on her career so far – from touring new work, to enchanting families at Christmas and taking productions across continents. She explains her efforts to try and solve the problems around regional tours, her opinions on her time as artistic director at Shakespeare's Globe, and the magic of working with Ncuti Gatwa. And, controversially, that she thinks Chekhov is boring. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we sit down with Olivier Award-winning actor Kyle Soller to talk about his latest role in Romans, a novel, Alice Birch’s ambitious new play at the Almeida Theatre. Directed by Sam Pritchard, the piece is a sweeping exploration of masculinity from the nineteenth century to today. Kyle reflects on what drew him to the project, the challenges of embodying such expansive storytelling, and how Romans fits within his acclaimed career spanning stage and screen, from The Inheritance to Andor (and that famous bed scene). Hosted on Acast. See acast.com/privacy for more information.
1As the nights draw in, Sarah and Alex discuss some of their favourite shows about to hit the stage in the next couple of months including a stage version of The Hunger Games, the return of the Conor McPherson classic The Weir and appearances from Joe Alwyn, Nicola Walker, Letitia Wright, Susan Sarandon and many more Hosted on Acast. See acast.com/privacy for more information.
As she wraps up a month at the Edinburgh Fringe, Laura Benanti travels south to present her solo comedy show Nobody Cares. She explains her inspiration for the show, why it isn't like anything else she's done on stage, and how she's found a month of performing at the iconic Scottish arts festival. Oh, and why it's such a scary time for comics in the current climate. Hosted on Acast. See acast.com/privacy for more information.
It's a packed agenda on this week's episode of the WhatsOnStage Podcast. First up, Sarah reflects on her latest trip north of the border to talk on a panel about all things criticism, alighting on the subject of critic Arifa Akbar's wonderful series on criticism available on BBC Sounds. From there, Alex and Sarah mull over Sarah's fantastic interview with Alicia Vikander, due to sail onto the London stage this autumn in The Lady from the Sea. Finally, the pair discuss the hot topic of stage door etiquette and expectations, after Broadway legend Audra McDonald posted a video about an intense experience after a performance of Gypsy. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we’re joined by two leading lights of musical theatre who are stepping into one of the most beloved shows in the canon. Phillip Attmore and Lucy St. Louis star as Jerry Travers and Dale Tremont in Top Hat at Chichester Festival Theatre this summer, taking on roles made famous by Fred Astaire and Ginger Rogers. We also discuss how the Harlem Renaissance influenced the original film, what it was like when press night had to be restarted, the importance of representation on stage, and why musical comedy performances don’t always get the recognition they deserve. Hosted on Acast. See acast.com/privacy for more information.
Sarah has been to the Edinburgh Festival at the same time as Oasis and Liam Gallagher chose to make a few choice remarks about there being another event up the road. She and Alex discuss why his comments - he said the festival consisted of people “juggling f---ing b------s… swallowing swords” and “s----y card tricks” - cut against the spirit of festivals. And why a new book about the Greenwich and Docklands International Festival’s first 30 years sums up the unique appeal of that particular event. Hosted on Acast. See acast.com/privacy for more information.
Luke Newton has won over millions of hearts as Colin Bridgerton, but will face a wholly different challenge when he stars in Darrah Cloud’s House of McQueen off-Broadway at The Mansion at Hudson Yards. Newton will take on the role of Lee Alexander McQueen, more commonly known simply as Alexander McQueen, in a show based on the iconic fashion designer's life. Hosted on Acast. See acast.com/privacy for more information.
It’s wedding season and Alex is away at one of the numerous celebrations he’s been invited to this summer. Which made him and Sarah think about the way that weddings are used on stage, screen and television. As Beth Steel’s Till the Stars Come Down packs them in in the West End, they look back at plays by writers such as Lorca, Shakespeare and more surprisingly Brecht have used the conventions, tensions and hidden dramas of marriage to unpick uncomfortable truths about human nature and how sometimes a wedding ceremony will reveal more than than the bride and groom had bargained for. Hosted on Acast. See acast.com/privacy for more information.
West End star Rosalie Craig will be returning to the stage this summer to appear alongside Sean Hayes in the London transfer of Good Night, Oscar, now playing at the Barbican Theatre. We sat down to have a virtual chat about the show, why it fits the Barbican so well and how for Craig, it's something of a homecoming. Beyond that, she also pined for an actor-musician version of Company – perhaps reuniting with her former co-star, and clarinet-playing friend, Jonathan Bailey... Hosted on Acast. See acast.com/privacy for more information.
Sarah and Alex pick up the debate about the role of criticism triggered by the New York Times decision to take three critics off their customary beat. And apply the lessons to the extraordinary range of reactions to Burlesque. And Alex reports back from Jesus Christ Superstar at the Watermill and Top Hat at Chichester. Hosted on Acast. See acast.com/privacy for more information.
We checked in with Emma De Souza, executive director of audience and commercial at Society of London Theatre and the mastermind behind the long-running audience development initiative, Kids Week. The scheme provides free theatre tickets for youngsters accompanying paying adult punters – a huge move in order to encourage the audiences of the future into the West End and beyond.Decades on from its launch, De Souza reflects on where Kids Week went so right, and why we live in unprecedented times for theatre audiences – and those who may one day build a lifelong love for all things stage. If you want to know more about how you can benefit from Kids Week, it runs until the end of August – so plenty of time to participate! Hosted on Acast. See acast.com/privacy for more information.
Sarah is still swanning it up in bella Italia (the country, not the restaurant), so Alex has brought in TheaterMania's editor-in-chief David Gordon to comb through two big stories in theatre this week. First of all, the turbulent Burlesque the Musical has had its opening night at the Savoy Theatre, with Alex giving his verdict on the production – and whether or not the behind-the-scenes controversy was over-sensationalised. Then – David reflects on his trip to Williamstown Theatre Festival in Massachusetts - where lines from a review spark public outcry from a production's director. Can creatives respond to reviews? And how does ALL of this play into what's happening at the New York Times? Hosted on Acast. See acast.com/privacy for more information.
In a special midweek episode, three former Elphabas – Louise Dearman, Kerry Ellis and Rachel Tucker – come together to discuss the legacy of Wicked and the new surge in love for the franchise after the release of the hit film. The trio will be appearing together for a special concert at Theatre Royal Drury Lane at the end of August, and have used this opportunity to reflect on the lasting legacy of the production, and how it set the blueprint for the modern musical – and its very devoted fanbase. Hosted on Acast. See acast.com/privacy for more information.
As the Edinburgh Festival approaches Sarah and Alex cast their eye over the listings to see if they can pick the hottest shows and the most promising futures. Plus a WhatsOnPage bonus of their holiday reading lists. Hosted on Acast. See acast.com/privacy for more information.
Alex and Sarah will be back on Friday, but in the meantime we’ve dedicated an episode to a British show that continues to conquer both sides of the Atlantic, having been crowned the 2024 Best New Musical at both the WhatsOnStage and Olivier Awards in London and receiving four Tony nominations (winning one) in New York – Operation Mincemeat. We paired up co-creator and original cast member Natasha Hodgson (now performing at the Golden Theatre in NYC) with current West End company member Alex Young, who both play the role of Ewen Montagu (and others) in the SpitLip musical comedy. Hosted on Acast. See acast.com/privacy for more information.
On this week's episode of the WhatsOnStage Podcast, Sarah and Alex plunder the letter bag to tackle some tantalising listener questions – with subjects ranging from cleaning costumes (very topical in the ongoing heatwave!) to the importance of intervals. Finally, they take a trip down memory lane to think about productions they'd love to have seen from years gone by. Hosted on Acast. See acast.com/privacy for more information.
With Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar celebrating a lengthy summer run at the award-winning Watermill Theatre in Newbury, Alex Wood popped into the rehearsal room to find out how the show is being performed by a group of actor-musicians - transplanting the tunes and placing them slap bang in the heart of the action. Hosted on Acast. See acast.com/privacy for more information.
As we put out our main episode two days early (go back and give it a listen!) – here's something to take you through the weekend. In what is our last episode on Evita for a while (we promise), we sit down with star Rachel Zegler and team behind the new production of Andrew Lloyd Webber and Tim Rice's Evita at The London Palladium. They spill the beans on that infamous balcony scene, the chance to revitalise classic musicals for new audiences, that staggering choreography and what the future might hold for the show... Hosted on Acast. See acast.com/privacy for more information.
In an excitable episode (fuelled by the heatwave), Sarah Crompton and Alex Wood unite to chew over Jamie Lloyd's production of Andrew Lloyd Webber and Tim Rice's Evita, starring Golden Globe winner Rachel Zegler – now that the embargo has lifted. After that, the pair discuss other shows that have wowed them in recent weeks – including a surprise and special hit in the form of Intimate Apparel at the Donmar Warehouse. Hosted on Acast. See acast.com/privacy for more information.
Comments
Download from Google Play
Download from App Store
United States