This is Vinyl Tap

Send us a Text Message.On this episode we tackle the Rolling Stones 1968 LP Beggars Banquet. 1968 was a tumultuous year for much of the world and a transitional time  for  the Rolling Stones. Their founder and original leader, Brian Jones,  was  increasingly absent due to his drug use, and their long-time  manager/producer Andrew Loog Oldham had grown disinterested in the band  due to his own drug and alcohol use, leaving them to produce their next   album on their own. The result, 1967's Their Satanic Majesties Request,  was widely considered a misstep for the band and the Stones were looking   for a fresh start. They found it with producer Jimmy Miller, who helped the Stones get back to their roots, and found ways to inspire the band to create what most believe to be the first album of their classic period, showcasing acoustic blues and hard-hitting social commentary. While not without its controversies, Beggars Banquet does contain some of the most compelling music this classic band has ever made. Visit us at www.tappingvinyl.com.

Send us a Text Message.This week, we dig into the debut LP by the Scottish jangle pop band Aztec Camera , 1983's High Land, Hard Rain. The creative force behind the band was Roddy Frame, a fine singer, remarkable guitarist, and very gifted songwriter, who started his career at 15, and was 18 when this album was recorded.  Completed in just three weeks, the album is filled with wonderful pop songs that touch on jazz and soul, and often defy categorization. Upon its release it was a commercial success in the UK and received critical raves on both sides of the pond.High Land, Hard Rain is an inconceivably mature and complex album given the age of the songwriter.  And while the album suffers some from 1980's production issues (most notably the use of synth drums),  thankfully the strength of the songwriting transcends this weakness.   Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode we look a one of the finest songwriters to come out of Texas, Guy Clark, and his 1975 debut LP Old No. 1.  While Clark is considered one of the great county and folk songwriters of the latter half of the 20th Century, he is also one of the least appreciated when it comes to recording his own songs. On Old No. 1, he records his own songs, many of which had already been made famous by the likes of the Everly Brothers and Jerry Jeff Walker, among many others. Originally recorded in a way that did not meet Clark's vision, that version was ultimately scrapped. The version that was released was essentially a collection of demos,  that took on new life when guests musicians and friends such as Rodney Crowell, Emmy Lou Harris, Johnny Gimble, Steve Earl, and David Briggs joined in. The album puts the focus squarely where it belongs, on the songwriting and provides a wonderful framework for Clark's poetic and reflective storytelling. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this weeks episode, we take on a big LP, the 1979 monster hit by Supertramp, Breakfast in America. Supertramp struggled early in their career to find an audience. The two main song writers brought different strengths to the band. Founding member Rick Davies leaned more to the progressive rock side of things, where as Roger Hodgson was more pop oriented.  Every album after their breakout LP Crime of the Century showed them gaining popularity. But Breakfast in America is their magnum opus. It is the definitive Supertramp album, the culmination of  Davies and Hodgson blending tier individual strengths into a distinctive sound (aided in no small part by heavy use of a Wurlitzer electric piano).  Full of well crafted (and catchy) tunes like  "The Logical Song," "Take the Long Way Home," and "Goodbye Stranger," and possessing one of the most iconic album covers of all time, Breakfast in America captured the hearts of millions of listeners worldwide. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this weeks episode, we take a listen to the second LP by one of the foundational bands of 1970's power pop: Fresh by the the Raspberries. The Raspberries were an intentional antithesis to everything that was going  on in the early Seventies. Instead of focusing on the extended (and as they saw it, self-indulgent) musical jams, the Raspberries would craft three-and-a-half-minute pop songs that leaned heavily on early British Invasion groups like the Beatles, the Who and the Kinks. Fresh, is full of catchy melodies, infectious hooks, and glorious harmonies. And while the band did see success during their all too short career, it is their legacy that is worth celebrating. Enormously influential (modern power pop would not be the same without them) the band had an impact on everyone from John Lennon to Mötley Crüe. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we discuss Beck and his twelfth studio album, 2014’s Morning Phase. Beck is known for embracing a wide-range of genres, to include folk, lo-fi, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia (just to name a few). He often glides between genres on the same album, and sometimes even on the same song. What makes Morning Phase stand out is Beck’s willingness to maintain a beautiful consistency throughout.  Beck has traveled similar ground before with 2002’s Sea Change. Morning Phase is considered a companion piece to that album, even using most of the same personnel to record it. And while they are cut from the same cloth, Morning Phase seems a more mature effort that is lyrically melancholy, yet hopeful, and musically complex and utterly gorgeous.Visit us at www.tappingvinyl.com.

Send us a Text Message.When Eric Clapton and Steve Winwood started hanging out and jamming together after the dissolution of their previous bands (Cream and Traffic respectively), there was no set plan to start a band together. That changed when Cream drummer Ginger Baker joined the fun. With the addition of bassist Ric Grech from the band Family, Blind Faith was born.  Their one and only album combined the best (and sometimes the worst) of both Cream and Traffic. It doesn’t always work, but when it does it transcends both bands with a unique mix of blues, jazz and folk, all topped off with Winwood’s amazing blue-eyed soul crooning.Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we dig into Pete Townshend's official debut solo LP, 1980's Empty Glass. As the main songwriter for The Who, Pete Townshend crafted songs that let singer Roger Daultrey flex his powerful voice and lets the rhythm section stretch out and indulge their bombastic sides. But on Empty Glass, Townshend is able to show that he can write songs that require a softer, perhaps more nimble, touch. His voice is sweet, almost delicate in places, but its the musicianship where Townshend really shows that he is capable of nuance and subtlety.  The songs are tight, precises (very much the opposite of the Who), and deftly straddles the the old-guard rock world 1970's and the bright,  synth heavy world of a still burgeoning post-punk/new wave movement. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this episode, we turn our attention to one of the most successful bands from the late 1960s and early 1970's, Creedence Clearwater Revival, and what is considered by many their masterpiece, Cosmo's Factory. 1970 was a fertile year for music. While the English Invasion was still dominating the airwaves and the psychedelic scene was still influencing everything from movies to fashion to music, CCR formed  near the center of all that was "happening" and making music that hearkened back to a different era and being quite successful at doing so. John Fogerty was the mastermind behind the the music and the band's success.  "Swamp Rock" is often the label applied to CCR, but regardless of what you call it,  it was often fun, always heartfelt, and quintessentially American. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode we discuss Sunflower, the1970 LP by the Beach Boys.  The Beach Boys' songwriting was mainly Brian Wilson's department, especially after their masterpiece, Pet Sounds. But on 1970's Sunflower, all members contributed to the songwriting, instrumentation, vocals (with some help from other background singers and members of the great Wrecking Crew ), and even the production. And they are fine contributions indeed. Though this was their lowest selling album at the time of its release, it was hailed by many in the rock industry as their best post-Pet Sounds LP, and in retrospect is considered  one of the best albums of the 1970's, and included on manynlists of all-time greats. Sunflower is a collection of fantastic songs that branches out from the "typical" Beach Boys sound, to include songs that embrace soul and R and B, and anticipated the advent of Chillwave decades later. Visit us at www.tappingvinyl.com.

Send us a Text Message.This week's podcast is a listener's pick and boy are we grateful to have it be Shake Some Action by the Flamin' Groovies.  Shake Some Action   is nothing short of a power pop masterpiece. With its British Invasion vibe, it's hard to believe it came from 1976. There a bunch of great covers, including one that goes back to 1914.  But it's the  originals where the band shines. The songs are full of hooks and great harmonies, that will make you want to dance or sing a long at the the top of your lungs while you're driving down the road. The title track is power pop royalty. The Flamin' Groovies are a remarkable band that are critics darlings, but for some reason mostly unheard by the record-buying public. Join us as we dig into the story of the band, and discuss this remarkable set of songs, on one of the best albums of 70s.Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we revisit an artist we discussed during our first season  - Van Morrison when we talked about his 1974 album Veedon Fleece.  This time we discuss his 1986 LP No Guru. No Method, No Teacher.  Morrison is known for making albums rich in spiritual themes and Celtic lore. Around the time of No Guru, he was also writing songs from the perspective of a curmudgeonly angry guy complaining that "copycats have ripped off his songs". While this album has more than it should of the latter, it is also steeped in the former, with lush string arrangements, beautiful oboe and cor anglais parts (played by the Dream Academy's Kate St. John), and a band firing on all cylinders. It is an album of thematic contrasts, held together by its production; and one portending things to come for Morrison. It is also an album cited by many as a favorite among Van Morrison album.  Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we explore the 1973 LP by one of progressive rock’s most interesting (and entertaining) bands, Selling England by the Pound by Genesis. Considered by many to be the best album of the Peter Gabriel era of Genesis, it is definitely the most accessible, and even gave the band their first Top 40 single int he UK with “I Know What I Like (In Your Wardrobe) which peaked just shy of the Top 20.  The overall theme of the album laments the Americanization and commercialization of English culture. The songs are full of vivid imagery, played by outstanding musicians, and sung by one of the best voices in rock. A thing that sets Genesis apart from other progressive rock bands of the time is their ability to make complex music that is not showy. Gabriel’s vocals adds a level of soul that is absent from other bands of the genre.  All of this makes for a compelling listen, and puts Selling England by the Pound up there with the greatest progressive rock albums ever released.Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we discuss the debut album by Kris Kristofferson 1970's Kristofferson. A man of many talents, Kris Kristofferson is a scholar,  an athlete, a pilot, an actor, a performer, and most importantly, one of country music's most beloved (and most successful) songwriters.  On par with Bob Dylan, Townes Van Zandt, and John Prine, he has penned some of country music's most endearing songs.  Many of the songs on this album have been covered before and since this album was made, some arguably performed by better singers. But Kristofferson voice has character that imbues these songs with an earnestness that makes for compelling listening.Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we discuss Tomorrow, the criminally underappreciated 1968 self-titled debut album by the band Tomorrow.Mostly known as a band that featured future Yes guitarist, Steve Howe.  Alongside bands like Pink Floyd and the Soft Machine,  Tomorrow was a pillar of the British underground scene, and their song "My White Bicycle" was considered by many to be its its anthem.  While heralded by critics, the album saw little success (an almost year long delay in its release didn't help). It has become somewhat of cult classic, but it deserves a much wider audience.  Quintessentially British, the music is whimsical and fun, even when the subject matter isn't.  And while the LP cover may be absent of color, the songs are not.  Full of amazing musicianship (especially Howe's guitar playing) and unique studio trickery, Tomorrow  is easily some of the best psychedelic rock ever committed to vinyl. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we discuss the Band and their second LP, The Band (also affectionately known as the Brown Album).  With 50 plus years having passed, its difficult to understand the impact the Band had on the music industry, but it was HUGE. It is also hard to find a band that incorporated more American music traditions into their sound than the Band did, which is odd when you consider all but one of the members was Canadian. After years of honing their skills in individual groups, they found each other while playing together as unit backing rockabilly great Ronnie Hawkins and later backing the newly electrified Bob Dylan. On this, their second album, the Band continues the exploration of musical genres and lyrical themes they started with the debut album: Music From Big Pink.  Like its predecessor, The Band is a collection of outstanding songs played expertly by some of the best musicians in all of rock. Yet The Band  feels like a more cohesive statement and may arguably be their masterpiece. And it is fitting that we explore this album in the wake of the recent passing of main songwriter and guitarist, Robbie Robertson.Visit us at www.tappingvinyl.com.

Send us a Text Message.On this weeks episode, we dive deep into the history of British rock legends Ten Years After and discuss their iconic 1971 album "A Space In Time." Their first record for new label Columbia showcased a notable shift towards a more acoustic and melodic direction compared to their previous works. Alvin Lee, widely regarded as the Flash Gordon of guitar, delivered some of his most memorable guitar licks throughout the record.  This collection also includes the instantly recognizable number, "I'd Love To Change The World."Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week’s episode, we dig into the eponymous third album by the “Queen of Americana” 1988’s Lucinda Williams. After a move to California, Lucinda Williams found herself in the middle of a burgeoning roots rock scene, where traditional music was being performed with a punk-rock attitude. She formed a band of ace musicians and began making a name for herself as part of the scene. Eventually signed by Rough Trade after several labels passed, Williams recorded a self-titled LP that is the work of a pioneering artist who has finally found her voice. Its a transformative album that is genre-defining; deftly blending country, blues, and folk to create a sound that is accessible and compelling. Williams' voice and songwriting are on full display here, creating songs that are personal, heartbreaking, defiant and utterly unique.Visit us at www.tappingvinyl.com.

Send us a Text Message. On this weeks episode, we discuss one of the most underrated albums by one of the most underrated bands of the 1990s: Spilt Milk by Jellyfish.  Only the band's second outing, Spilt Milk is a fully realized collection of of meticulously crafted pop songs, with orchestration and lyrics that elevate those songs way above your normal pop fare. After a critically acclaimed, but commercial disappointing debut, the creative core of the Jellyfish- Andy Sturmer and Roger Manning Jr - set out to create their masterpiece. Supported by a veteran producer and engineer, and backed by a number of top notch studio musicians, many believe the band succeeded in that goal.  Released at a time when record buying public was more interested in the distorted guitar and vocals of grunge than a band drawing critical comparisons to Queen and the Beach Boys, the the album  fared worse the charts than its predecessor. This, combined with the toil of making the "perfect" album took its toll on the band. Spilt Milk  was not only their crowning achievement, it was to be their last album. Visit us at www.tappingvinyl.com.

Send us a Text Message.On this week's episode, we talk about the third LP from the Steve Miller Band: 1969’s Brave New World. Considered by many to be the most consistent album from his early years, it is an album that foreshadowed the path Miller would take in subsequent albums. It's a mix of swampy blues, gurgling synths, and psychedelic overtones. But most of all it's a guitar album that shows off Miller's considerable chops on the instrument. Visit us at www.tappingvinyl.com.