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This is Vinyl Tap

Author: This Is Vinyl Tap

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Mining the layers of long players. We focus on great albums in their entirety and believe every album tells a story. We take a deep dive into the history of the artist and the album while discussing the merits of the music within the grooves. We are highly opinionated and outspoken and hope to provoke you into sharing your own opinions on albums. If you are serious about great music, this is your podcast.  www.tappingvinyl.com

155 Episodes
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Send us a text On this week's episode, we discuss the self-titled debut by the New York Dolls, one of most influential albums of the 1970s. The New York Dolls blended the Rolling Stones' swagger with garage rock aggression and glam rock theatrics, that both embraced the sounds of early rock and roll and foreshadowed punk rock. Produced in what seems like an unusual hands-off approach by Todd Rundgren,The New York Dolls presents the band with minimal polish. Its full of high energy...
Send us a text On this week's episode, we discuss an album that came out in 2024, the fifth album by the Lemon Twigs, A Dream is All We Know. Consisting of multi-instrumentalist brothers Brian and Michael D'Addario, the music of the Lemon Twigs often feels like it’s been plucked straight from the 1960s or 1970s. Echos of the Beatles, the Kinks and the Beach Boys are obvious, in fact they brothers call the sound of this LP "Mersey Beach." However, the Brothers D'Addario make ...
Send us a text On this episode, we discuss one of the most heralded debut albums of the early 1990's: The La's by the La's. Heavily influenced by the 1960s British Invasion bands, The La’s is full of bright, jangly, melodic guitar pop, ear-worms all. The single “There She Goes” has become a classic, and is possibly one of the most perfectly constructed pop songs ever recorded. The album’s history, however, is one of the most tortured in the annals of rock and roll. The band’s lead...
Send us a text On this episode, we discuss one of the first albums of 1967, the eponymous debut by the Youngbloods. 1967 is one of the most heralded years in rock music, and The Youngbloods was a good primer to the music that would come culminating in the Summer of Love. Originally from the East Coast, the Youngbloods took inspiration from the folk music and acoustic blues they heard and played in the coffee houses of the in The Village in New York and fused it with the sounds of comin...
Send us a text On this episode, we discuss Grievous Angel, the last album recorded by one of the most interesting, tragic, and influential people in modern music: Gram Parsons. In just six short years, from 1967 until his death in the fall of 1973, Gram Parson help pioneer what would become known as country rock, or what he preferred to call "Cosmic American Music." In those six years, he made several landmark albums with the International Submarine Band, the Byrds, and the...
Send us a text On this weeks episode, we discuss an LP by John Wesley Harding (né Wesley Stace), 1996’s John Wesley Harding’s New Deal. After releasing two EPs and three full length albums with a full band for Sire Records, Harding decided to strip down his sound for his debut on his new label Forward Records (an imprint of Rhino Records). Harding much preferred the intimacy of acoustic live performances and created an album that embraced that aesthetic whole heatedly. Descr...
Send us a text On this weeks episode, we take a listen to a true Texas legend, Jimmie Dale Gilmore, and his 1993, Spinning Around the Sun. With his high, lonesome voice, Jimmy Dale embodies the very essence of that land from which he hails, the Texas Panhandle. Even thought he was in his forties when his first solo album was recorded, he had already made his mark on the musical landscape of the Lone Star State, having been in the legendary Flatlanders (along with Joe Ely and Butch Hancock) an...
Send us a text On this week's episode, we take a listen to another Listener's Pick: Thin Lizzy's sixth studio album, Jailbreak from 1976. It took some time, but by the time they recorded Jailbreak, Thin Lizzy's had figured out their formula and Jailbreak became their breakout LP. Showcasing the tuneful songs of Phil Lynott and the expert twin guitar interplay of Scott Gorman and Brian Robertson, the album is the ultimate combination or power and melody.Lyrically, Lynott tapped int...
Send us a text On this week's episode, we dig into the the forth album by the band the National, 2007's Boxer. The National is a band, literally, of brothers (two pairs) and a friend all from Ohio that formed after all parties moved to New York. From the get go, the band's music leaned heavily on and atmospheric and stood out due to the deep baritone vocals of lead singer and lyricist Matt Berninger. After slowly but steadily building up a following, Boxer, their second albu...
Send us a text This week This Is Vinyl Tap discusses the criminally underrated album by Pure Prairie League, 1972's Bustin’ Out. Bustin' Out contains the band's most well known song, "Aime," a radio staple for the last 50 years. Oddly, while even the most casual of music listeners know the song, many would be hard pressed to name the band that performs it. As a result, Bustin' Out has been somewhat ignored, which is a shame, because it is a fantastic collection of country infused rock s...
Send us a text On this episode, we take a deep dive into a “Listener Pick” - the fifth and final studio album by the Simon and Garfunkel, 1970's Bridge Over Trouble Water. While the partnership between Simon and Garfunkel was under immense strain that elementally led to its demise, the duo went out with a bang. Bridge Over Trouble Water was a commercial smash, and is regarded by many as Simon and Garfunkel's masterpiece. The album was their most ambitious and showed Simon...
Send us a text This week we dig into the 1973 self-titled debut by Bad Company. Coming off of the success of Free, Paul Rodgers hooked up with Mott the Hoople guitarist Mick Ralphs, and along with former Free drummer Simon Kirk, and King Crimson bassist Boz Burrell, formed what may be the most American-sounding British band ever: Bad Company. Rodgers soulful and powerful voice and Ralphs crunchy guitars punctuate songs about the old west, ballads about sea birds, and tunes about physical ...
Send us a text This week we dive head first into the 1968 psychedelic rock opera by the Pretty Things, S.F. Sorrow. Ask any music fan what was the first rock opera was and most would say Tommy by the Who. That answer would be wrong. Recorded on S.F. Sorrow started a year before the Who even went into the studio to begin Tommy. Unfortunately the release of the album was delayed and was released after Tommy, placing S.F. Sorrow into the "also ran" category for the vast majority of ...
Send us a text We start Season Five off with a monster album, Eat a Peach, by the Allman Brothers Band. Released in 1972, it is a double album and simultaneously their 3rd studio album and their 2nd Live album. The Allman Brothers Band were perhaps the first "Southern Rock" band, but they were so much more than that. Steeped in the blues, the brothers Duane and Greg actually had careers as session musicians playing everything from soul to psychedelic folk. Their jams were inspired by jazz imp...
Send us a text On this episode, we have a listener pick: Nick Lowe and his 1994 album The Impossible Bird. Nick Lowe has been a topic of conversation several times on This Is Vinyl Tap due to the indelible mark the man has left on pop music. Lowe was a bass player, singer and songwriter of the influential pub rock band Brinsley Schwarz. He was a member of the the fabulous Rockpile. He is a producer of some note, having worked with countless artists including Elvis Costello, the Preten...
Send us a text Join us on this week's episode as we discuss the 1970 album by Thunderclap Newman: Hollywood Dream. Thunderclap Newman were comprised of Townshend protege (drummer, songwriter and lead singer) Speedy Keen, a 15-year-old guitar prodigy named Jimmy McColluch, and the band's namesake - the eccentric self-taught piano player Andy "Thunderclap" Newman. Hollywood Dream (their one and only album) was recorded to capitalize on the success of Thunderclap Newman's surprising numb...
Send us a text On this week's episode, we jump into Joe Jackson's fantastic sophomore LP, 1979's I'm the Man. When Joe Jackson's hit the airwaves in fall of 1978, critics labeled him as one of the new "angry young men" on British music, the other two significant members of that group being Elvis Costello and Graham Parker. This was lyrically mature music that owed a debt to the early 70's UK Pub Rock scene, but played with the aggressive attitude of Punk. Jackson's debut Look Sharp was...
Send us a text On this week’s episode, we discuss what was once considered one of the hottest bands to come out of the late sixties San Francisco scene, Moby Grape and their debut album, 1967’s Moby Grape. Moby Grape is one of the most celebrated debut albums ever produced. Recorded by five musicians who could all write and sing, Moby Grape spans multiple genres (rock and roll, folk music, pop, blues, and country) and does so effortlessly. Add a three guitar attack, and some a amazing harmo...
Send us a text On this weeks episode, we discuss King Crimson's 1969 debut: In the Court of the Crimson King. Not only is In the Court of the Crimson King regarded as one of the greatest and most influential progressive rock (or prog rock) albums of all time, it is considered by many to be the album that defined the genre. Like all prog rock musicians, Robert Fripp, Greg Lake, Micheal Giles, and Ian McDonald all know their way around their instruments. But what makes King Crimson s...
Send us a text It's a violation episode!! Often times we wonder how much the members of the This Is Vinyl Tap team are actually paying attention to what we do around here. In an effort to find out, we present the first ever This Is Vinyl Tap "Trivia From The Vault" episode, where we ask each other in-depth questions pertaining to past episodes to determine who has (and who has not) been asleep on the job. Of course we invite you, the listener, to play along at home. ...
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