Tower of Babble

Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers’. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin’. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber’, and you can see the through lines. Like ‘Dumb and Dumber’ we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn’t the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then. Next Month: We seem to be unable to escape the 90’s, and why would we want to when there’s still so much to see! For November we take a look at a proto-Matrix movie by Alex Proyas - things get weird (probably) in the 1998 film ‘Dark City’.

After an extended hiatus, ToB returns with a fresh voice on the second chair. Julian is joined by long-time friend of the show, Matt Tworek. We spend this first episode of the "new" ToB getting to know him and setting up what else is to come. Sure, Matt's been on the show before, covering 1 of his top 3 favourite movies 'Swingers'. But the real question remains... do Matt and Julian's tastes align? Well we put this to the test by having Julian pitch all the movies he's been watching over the last year to Matt to see which ones pique his interest. Plus, look forward to our next Film Club - which will round out 2 out of 3 of Matt's favourites, as we cover a Farrelly brothers classic from the 90's, 'Kingpin'.

Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.

When dealing in the world of prequels, it’s impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we’ve yet to see on ‘Andor’ - “There’s some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That’s without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn’t much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.

Show Notes'Star Wars: Episode III – Revenge of the Sith' 20th Anniversary Poster from Matt FergusonAndor Season 2's Ghorman Language Sounds Familiar For A ReasonAndor Season 2 Finally Explains Why Saw Gerrera Needs His Breathing Device In Rogue One

It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!

Hard to believe that 'Constantine' came out 20 years ago. That being said, as the movie tells us, time stops when you're dead, so what IS 20 years anyway? And as long as we're asking questions, the biggest one related to this movie is "why was it a flop?". Julian and Jeremy try to answer that very question, as well as unpack this extremely dense film that makes no effort to hold the audience's hand. And despite some rocky elements, 'Constantine' holds up as a surprisingly comic accurate rendition of the titular character, even if we weren't aware of it when it first released. Keanu, despite missing some of the obvious character flourishes like the blond hair and a British accent, is still able to capture the essence of the character: an extremely talented magician/occultist, with tortured soul (literally), who's a bit of a dick, and loves a good smoke. All in all, it's a pretty fun ride, and an example of movies that just aren't really made anymore (despite rumours of a sequel) from a different era of Hollywood and comic book movie making. Special Announcement: After a lot of discussion and contemplation, Jeremy Kozier has made the decision to step back from the show. Though the door is open for him to return at any time, and he may yet still appear on an occasional basis, there is is no official timeline on when or if he will return full time. While we understand this may come as a shock to some listeners, Jeremy expresses his appreciation for the support we've received over the years and values the countless hours of conversation we've enjoyed over that time. I, Julian want to thank him for his dedication and passion. Despite not always seeing eye to eye, it's that difference in opinion that made for quality podcasting and his presence on the show will be missed dearly. This news comes during a period of change here at Tower of Babble, as previously announced, we look to implement new ideas and rejuvenate a show that has been on the air for well over a decade. The work continues on the relaunch of the Tower of Babble Podcast, and I appreciate the patience from our listeners and fans as this process continues. I remain extremely excited about the potential of the future of the show and in the interim the occasional bonus episode will still be hitting the feed and content from our sister show, Small Screen Star Wars will continue unabated. Thank you, Jeremy and thank you to everyone who has listened to us argue far too often over the years. Your willingness to listen truly means a lot to us.

Julian, once again joined Axel, from the Daily DVR Podcast to discuss a grab-bag of topics, including 'Captain America: Brave New World' and it's milk toast approach to politics, 'Daredevil: Born Again' and how Marvel is comparatively seemingly more willing to actually have a political point of view (so far) with the series, DC and their James Gunn plans, and the latest with 'Severance' (note that this was recorded prior to S2E8). Find more from Daily DVR here: https://dvrpodcast.com/category/dailydvr/

With the news that ‘Lanterns’ has officially begun shooting, coming with the official first look at our new Hal Jordan and John Stewart, Jeremy couldn’t wait to dive into a conversation all about Green Lantern and the many twists and turns that lead us to this moment. DC Studios is certainly busy, putting together a slate of movies and shows to launch the new DC Universe. While the first looks have been met with mixed reception, this one being no different, time will still tell how successful this new era will be. Especially with ‘Superman’ not yet in theatres. At the very least, it’s nice to see the production ramping up, meaning we’re THAT much closer to seeing the emerald knights on screen again. Plus, Julian looks back at the recent Academy Awards ceremony, and the extremely unlikable best actor acceptance speech.

Surprise! Another episode of Daily DVR (or maybe not so much of a surprise if you listened to our recent Tobies episode)! Julian was invited to join a panel over on friend of the show, Axel’s feed to discuss everyone’s top 10 in television from last year, plus a few disappointments for some added spice. If you felt like you could have listened to another 2+ hours of TV talk after this year’s Tobie Awards (and I cant’ blame you), then do we have an episode for you! Listen as a cast of characters from around the internet uncover the best of the best from the small screen in 2024!

It is once again that special time, where we come together to celebrate our favourite films and shows from the last year. As part of the ceremony, your hosts look back at some of the concerns worrying Hollywood about 2024 to see if any progress had been made (the answer is mostly no). When it comes to the awards themselves, as is tradition, Jeremy refused to do a list. Which really means he has the privilege of a front row seat as Julian delivers his selections. Plus enjoy an unexpected side tangent celebrating the 20th anniversary of 'Resident Evil 4' (do you feel old yet?).

Well that's all folks! Well possibly anyway. We don't yet have official word on whether Disney and Lucasfilm will bring back 'Skeleton Crew' for another season. So as it stands, this is the story. Overall pretty great, and while we can gripe a bit about the lack of an epilogue to really tie up loose ends, on the whole this finale was satisfying. All four of the kids had an arch that felt complete and inclusion of the parents helped put a bow on that (despite Wendle largely still being an idiot). The episode had strong pacing, as none of the character centric moments felt rushed, though again, it could have maybe done with a few more minutes of run time to make sure that everyone got a fair shake. KB, for instance, got short shrift. The ending itself leaves a lot of story left to be told, and thankfully given it's placement in the timeline, even if we don't get a second season, there should be plenty of opportunity to pick up on some of the loose threads in future Star Wars projects. All in all, 'Skeleton Crew' is one of the strongest outings from Lucasfilm in awhile and it's our sincere hope that it represents a sign of what's to come from the recently maligned studio.

Penultimate; everyone's favourite TV word. When it came to 'Game of Thrones', we became accustomed to this next-to-final episodes being a big splash, before a relatively calm finale. That tradition has carried forward into all sorts of different series but Star Wars has never been one to follow the trends. So here we are, 'Skeleton Crew' now only has one episode remaining, and the big question is, did this week's lead-up do enough work setup a satisfying conclusion. In our humble opinions, yes, but that's largely on the back of what is, standing alone, a pretty amazing 30 minutes of Star Wars fun. This episode is full of twists and unexpected turns that left us genuinely surprised. The big factor here though is of course Jod (Jude Law), who has now gone full heel, which has us concerned whether the show has the balls to commit to this turn or unwind it all in the last few moments. Either way, not knowing is part of the fun and as they proved this week there are certainly a lot of ways this show can go to stick the landing. Time will tell!

After a very strong outing last week (maybe the best of the season!), which revealed the pirate lair and cracked the mystery wide open, 'Skeleton Crew' follows that up with the shortest episode so far, which provides neither much plot progression nor anything beyond overly simplistic character beats. Despite that, there is at least one extremely interesting reveal, that begs the question, "why wait this long to reveal this?". With now two episodes left to close out the season, and especially with this week really feeling like it was dedicated to setting up a bombastic finale, we can look forward to the kids meeting the pirate hoard back on At Attin very soon! And from all of us here at the show, we want to wish a Happy New Year to everyone in a Galaxy Far Far Away (do they celebrate galactic new year?), and to all the Small Screen Star Wars and Tower of Babble fans all around the globe. Here's to a much better year in 2025!

Don’t let it be said that The Tower of Babble Podcast is not generous. Julian and Jeremy are in the giving spirit for the festive season, and in that spirit, they sat down on a wintery weekend morning to discuss in detail a Christmas movie that doesn't get enough attention, the Nicolas Cage vehicle, ‘The Family Man’. Both enjoyed this movie, mostly carried by the great performances, which seems to present a pretty clean moral message. But if you look a layer deeper (which the guys were happy to oblige) it reveals a pretty odd and mixed perspective on what it actually means to have an "ideal life". Luckily that tonal weirdness matches Cage's energy quite well, and ultimately creates a very enjoyable movie. But the ToB gifts don't stop there as your hosts shift gears to provide a bonus conversation around James Gunn's new ‘Superman’ teaser. Happy holidays everyone!

After a fairly odd WWII/French resistance inspired episode last week, we turn the page to something almost as weird - a luxury spa built on top of a pirate haven. Starting smartly with some needed character work and lore building, the episode then turns into a fairly wacky romp that draws similarities to the Canto Bight side quest from 'The Last Jedi', complete with alien species and visual easter-eggs aplenty. But what really works here is the humour. They seemed to have nailed a tone that allows for effortless comedy, while when needed, are able to ratchet up the tension effectively. Speaking of which, while we thought last week's heel turn from 33 was good, it doesn't hold a candle to this week's finish, surpassing it in every way. We couldn't be more excited to see what happens next!

Halfway through the season and 'Skeleton Crew' maintains its strong momentum, even if this fourth episode isn't necessarily a home run. The kids find themselves on a dark mirror-like version of At Attin that has been ravaged by generations of war. Unfortunately, this solid story idea is undercut by being executed slightly too simplistically, even for a kids show. That being said, there are some great moments here. The world-building, was interesting and a we get a few satisfying twists in the larger adventure, including a terrifying final moment. Of course we can't forget about Neel, who finally gets the attention he deserves, sieving upon the opportunity and becoming the internets new favourite adorable Star Wars character (at least until Grogu shows up again).

With the two-episode premiere out of the way, 'Skeleton Crew' can start finding its groove, and while this episode is enjoyable, the show might need to keep searching for what exactly that groove is for at least another week. Despite getting to spend a full, though somewhat short, episode with Jude Law, it's the kids (and especially Nick Frost's SM 33) that continue to steal the show. It's probably just a matter of time, but Jod (Jude Law) has yet to fully land as a character. A handful of charming scenes gets him going in the right direction though. Overall, this is a relatively safe step along the path for a show that has yet to get into the meaty parts of the adventure. Our prediction? Things really pick up in earnest next week. Stay tuned!