Voice
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Voice

Author: National Theatre

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There are references in some Shakespeare's plays to the vocal exercising of an actor before performance and the importance of enunciation and volume. In ancient Greek times, it was the greatest orators, those with the physical gift of a beautiful voice and a strong diaphragm, that were the actors and public speakers. Vocal exercises are part of an actor’s working life. There are many types of vocal exercises, and each addresses a different part of the vocal mechanism. You can look at each component as a cog in a machine that, when put together, will aid understandable and natural sounding speech that can easily be heard at the back of an auditorium. This collection takes you through a warm up and a series of exercises typical for actors in rehearsal at the National Theatre.
12 Episodes
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This short vocal warm-up led by Jeannette Nelson offers actors techniques to prepare their voice ahead of rehearsals and performances, featuring exercises on breathing, resonance, projection and articulation.
Voice work on Ophelia’s speech.
Voice work on Hamlet’s speech.
A vocal exploration of the Olivier theatre
Embodying prose from Bernard Shaw's Saint Joan
Deconstructing the Friar’s speech in Much Ado About Nothing
Focusing on clear articulation
Stretching exercises to open up the actors’ voice
Warm-up exercises to work on the voice’s resonance
Starting the vocal warm-up with breathing exercises
A vocal exploration of the Lyttelton theatre
A vocal exploration of the Cottesloe theatre
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