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The Warburg Institute is concerned mainly with cultural history, art history and history of ideas, especially in the Renaissance. It aims to promote and conduct research on the interaction of cultures, using verbal and visual materials. It specializes ...
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Professor Christoph Frank, Università della Svizzera italiana
Christoph Frank received his PhD in the History of the Classical Tradition from the Warburg Institute in 1993. Since 2005 he has been Professor of the History and Theory of Art and Arc...
Peter Burke (Professor Emeritus of Cultural History, University of Cambridge)
Jonathan Jones (Art critic for The Guardian and former judge of the Turner Prize)
Martin Ruehl (Senior Lecturer in German History and Thought, University of Cambridge)
Speaker: Glyn Davies, Museum of London
Speaker: Adam Lowe, Factum Arte, Madrid
Tessa Murdoch, Victoria and Albert Museum
Re-opening the Workshop: Medieval to Early Modern - Lecture Series
Workshop and workshop practices represent a core and dynamic research strand in the history of art. This strand encompasses the study of ...
Speaker: Manuel Arias, Museo Nacional da Escultura, Valladolid
Re-opening the Workshop: Medieval to Early Modern - Lecture Series
Workshop and workshop practices represent a core and dynamic research strand in the history of art. This strand enco...
The Warburg Institute
Addressing and Undressing the Female Body in the Magdalene Chapel at San Francesco, Assisi
Keynote address
Penny Jolly
(Skidmore College)
The Warburg Institute
'Divine proportion' in Renaissance Venice: Bellini, Carpaccio and Luca Pacioli
Paul Hills
(Professor Emeritus, The Courtauld Institute of Art)
Venetian painting around 1500 is marked by a distinctive geometry. In ...
Warburg Institute
Concepts of 'Nachleben'. Aby Warburg, Friedrich Gundolf and Julius von Schlosser as Book Collectors
Michael Thimann
(Professor of History of Art, Georg-August-University Göttingen)
This lecture focusses on three ch...
1Warburg Institute
Early Faces
Professor Ludwig Morenz
(University of Bonn)
Recent discoveries have pushed the boundaries of art making into unimaginable depths of time and across diverse geographies bringing to light the crucial role o...
Warburg Institute
The Origin of Symbolic Material Culture. What does the Archaeological Record say?
Professor Francesco d'Errico
(University of Bordeaux)
Recent discoveries have pushed the boundaries of art making into unimaginable dep...
Warburg Institute
Environment versus culture: Rock Art in the Context of Holocene Climatic change
Dr Maria Guagnin
(University of Oxford)
Recent discoveries have pushed the boundaries of art making into unimaginable depths of time and ...
Warburg Institute
Human Art: The First 30,000 Years. New Perspectives on Palaeolithic Cave Art and the First Known Images
Professor Paul Pettitt
(Durham University)
Recent discoveries have pushed the boundaries of art making into unima...
Warburg Institute
The Shock of the Old. Art in the European Ice Age
Dr Jill Cook
(British Museum)
Recent discoveries have pushed the boundaries of art making into unimaginable depths of time and across diverse geographies bringing to l...
The Warburg Institute
The Stone Age Origin of Art: What, When, Where, Why and by Whom?
Professor Steve Mithen
(University of Reading)
Recent discoveries have pushed the boundaries of art making into unimaginable depths of time and acro...
Warburg Institute
Lachmann today: The debate on the method of textual criticism and its consequences for the history of ancient art
Luca Giuliani
(Humboldt Berlin)
Warburg Institute
The Role of Erasmus in the Career of Gilbert Cousin of Nozeroy (1506-72)
Ann Blair
(Harvard University)
Warburg Institute
Per Monstra ad Sphaeram: Aby Warburg and the Future of the Humanities
David Freedberg
(Warburg Institute)
Warburg Institute
Contemporary Image Conflicts: Violence and Iconoclasm from Charlie Hebdo to Daesh
Hugh Kennedy
(SOAS)
The Iconography of ISIS
Workshop organised by the Warburg Institute in conjunction with the Bilderfahrzeuge Proj...
Warburg Institute
Contemporary Image Conflicts: Violence and Iconoclasm from Charlie Hebdo to Daesh
David Freedberg
(Warburg Institute)
Making Images, Breaking Images. Iconoclasm in the Age of Digital Reproduction
Workshop organised...
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