Book banning across the country continues to concern the Canadian literary community, especially in Alberta where certain books are slated to be pulled from school shelves this Fall. What do these types of bans mean for writers and for readers, now and in the coming months? Years? What calls to action might help prevent the banning of books in the future? Join our panelists and experts as they explore the ramifications of banned books and more this August. The Panelists Gail de Vos Storyteller, author, librarian and educator, Gail de Vos has been an active promoter of the oral tradition of literature in Alberta for over three decades. Gail teaches courses on storytelling as well as courses on Canadian Children’s Literature, Indigenous Literature for Young Readers, Comic Books and Graphic Novels at the University of Alberta in the Faculty of Library and Information Studies. Gail is the author of ten award winning resource books on storytelling and folklore in popular culture intended for educators working with students in Grade 6 and above as well as numerous guest chapters on comic books and graphic novels, storytelling, monsters, and folklore in popular culture for academic monographs. While her specialty is telling contemporary legends to young and not so young adults, she is equally at ease telling stories to young audiences. She is an active champion for intellectual freedom in her storytelling, writing, course material, and on social media. http://storytellerdevos.com/ Ira Wells Ira Wells is a writer and associate professor of literature at Victoria College in the University of Toronto, and the President of PEN Canada. His writing has appeared in The Atlantic, Globe and Mail, Guardian, The New Republic, and many other venues. His most recent book is On Book Banning. He lives in Toronto with his wife and children. You can find him at Unacknowledged Legislation on Substack. Peter Midgley Peter Midgley is the author of several books of poetry, children’s literature, non-fiction, and plays. He has received national and international recognition as a writer and editor. His latest book, let us not think of them as barbarians, is an elegy for Namibia, the country of his birth, and a meditation on the multiple legacies of colonialism. His scholarship includes investigations into the relationship between writing, publishing and ideology, and he has spoken internationally on the subjects of censorship and writing as resistance. https://www.midgley.ca/ Malcolm Azania Malcolm Azania (Minister Faust) is an award-winning novelist, award-winning print journalist, radio host-producer, television host and associate producer, sketch comedy writer, video game writer, playwright, and poet. He has spoken and taught workshops widely. ministerfaust.com
The current trade war between the United States and Canada–including tariffs focused on the book and publishing industry– has people thinking about buying products made in Canada and supporting local companies that keep our money in Canada. With Canadians paying closer attention to how our money is spent, is there now a fresh opportunity to get the word out there about reading books authored by Canadian writers that are also published in Canada? Join our group of panelists as they consider the potential for upward trends in buying local, and the impact the current climate could have on the Canadian literary scene and publishing industry overall. Laura Rock Gaughan – Panelist Laura Rock Gaughan serves as the executive director of the Literary Press Group of Canada (LPG), a national arts service organization that supports Canadian-owned literary publishers and promotes the growth of Canadian literary culture through All Lit Up and many other projects. She’s also a writer, with fiction and essays published in Canadian, Irish, and US journals and anthologies. Her first book, MOTHERISH, is a short story collection published by Turnstone Press. Jay Millar – Panelist Jay Millar is the co-owner and co-publisher of Book*hug Press, a Toronto-based independent literary publisher working at the forefront of contemporary book culture. He currently sits on the board of the Ontario Book Publishing Organization as Treasurer. Jay operates a secret bookstore called Apollinaire’s Bookshoppe, specializing in the books that no one wants to buy, and is the author of seven collections of poetry, the most recent of which is I Could Have Pretended to be Better than You: New and Selected Poems. Katie Lafreniere – Panelist Katie Lafreniere is an Assistant Professor of marketing at the University of Alberta. She has a MSc in management and PhD in business. She studies language and communication, both among consumers (e.g., product reviews) and between consumers and firms (e.g., how managers should respond to reviews). Her research has been featured in Harvard Business Review, CBC, and the Wall Street Journal. Hazel Millar – Panelist Hazel Millar is the co-owner and co-publisher of Book*hug Press, a Canadian independent literary publisher working at the forefront of contemporary book culture. Hazel has been working in the publishing industry since 2009. In addition to her work at Book*hug Press, she is the Past Chair of the Board of the Literary Press Group of Canada and sits on several publishing-industry boards and advisory committees. She lives in Toronto with her husband, Jay Millar (aka the other half of Book*hug Press), their sons, and a cool, diva calico cat named Tess.
Alberta Literary Awards Finalists Online Reading by Writers' Guild of Alberta
Please join us for a virtual conversation with Kit Dobson and David A. Robertson for Freedom to Read Week. The authors will discuss the importance of intellectual freedom, and share their own experiences with writing, teaching, and reading banned and/or challenged books. About the Speakers: David A. Robertson is the author of When We Were Alone (2017 Governor General’s Literary Award), The Barren Grounds (2020 Governor General’s Literary Award finalist), and Back Water, winner of the Alexander Kennedy Isbister Award for Non-Fiction and the Carol Shields Winnipeg Book Award. He is a member of Norway House Cree Nation and currently lives in Winnipeg. Kit Dobson is a professor in the Department of English at the University of Calgary. His book Field Notes on Listening was one of the CBC’s top non-fiction titles of 2022. His first novel, We Are Already Ghosts, was released in spring 2024. In the fall semester of the 2024-2025 academic year, he taught a course on banned and challenged books that will inform his comments for this discussion.
Controversy at Noon: Writers Against AI by Writers' Guild of Alberta
Expanding on our September Controversy @ Noon discussion, which focused on traditional publishing vs self-publishing, our December panel will address questions WGA members and fellow literary folks submitted on the topic. Panelists will also have the opportunity to share their views, insights, and experiences with self-publishing, traditional publishing, and/or hybrid publishing. Submitting Questions: Our December panel will be pre-recorded, but in an effort to keep things interactive, we would love for you to send any topic-related questions you have to Ashley Mann at ashley.mann@writersguild.ab.ca. We will have our panelists answer your questions – and more – during their discussion. We will be accepting one question/submission per person, and we will attempt to cover as many questions as possible during the panel discussion. Questions should be submitted no later than November 22, 2024 Moderator: Barb Howard Panelists: Naomi K. Lewis, Charlene Carr, and Jaima Fixsen About The Panelists Jaima Fixsen Jaima Fixsen is a USA Today and International best-selling author living and writing in Edmonton. Her novel, The Girl In His Shadow (co-authored under the pen name Audrey Blake), was selected as Libby’s 2022 Big Library Read, and has been translated into eight languages. Jaima studied Occupational Therapy at the University of Alberta, and her experiences learning anatomy and dissecting cadavers began her fascination with the history of medical science, which often figures in her stories. Her debut crime novel, The Specimen, released this year. Jaima still works in health care supporting children with disabilities and their families. She loves history, snow, reading, snow, mountains and snow. And Diet Coke. Website: http://jaimafixsen.com/ Instagram: @byjaimafixsen Barb Howard Barb Howard has published five books and more than 50 short stories and essays in magazines, journals, and anthologies across Canada. She has been President of the Writers’ Guild of Alberta, Writer-in-Residence for the Calgary Public Library, editor of FreeFall Magazine, and a board member for Calgary Arts Development. Barb is currently a mentor in the Newcomer Arts Professional Program operated by the Immigrant Council for Arts Innovation. Website: www.barbhoward.ca Facebook: @barb.howard.50115 LinkedIn: https://www.linkedin.com/in/barb-howard-ab542120/ Charlene Carr Charlene Carr studied literature at university, attaining both a BA and MA in English, including a study program at Oxford. She has independently published nine novels and her first agented novel, Hold My Girl, sold to HarperCollins Canada, Sourcebooks Landmark (US), Welbeck Publishing (UK) and Alma Littera (Lithuania). It was named one of the Best Books of 2023 by CBC Books, was an Amazon Editor’s Pick for Best Literature and Fiction, was shortlisted for both the Thomas Raddall Atlantic Fiction Award and the Dartmouth Book Award, and has been optioned for adaptation to the screen. Charlene received grants from Arts Nova Scotia and Canada Council for the Arts to write and revise her most recent novel, We Rip The World Apart, and is working on her next book. She lives in Dartmouth, Nova Scotia with her husband and young daughters. Instagram: @charlenecarrauthor Facebook: @charlenecarrwritinglife (Charlene Carr – Writing Life) Naomi K. Lewis Naomi K. Lewis writes fiction and nonfiction, and also works as an editor, currently at Freehand Books. Instagram: @na.oh.mee Facebook: Naomi K. Lewis Website: https://www.naomiklewis.com/
Do newcomers and immigrants to Alberta face more pressure to write about current issues in their place of origin (eg, Gaza, Ukraine, Venezuela, etc.) than other writers? How do writers, especially immigrants and refugee writers, deal with the many giant global “distractions” enough to write about anything else? Should current events and related topics be prioritized by all writers in all genres? Why or why not? Join our panelists as they discuss the complexities of writing through a diasporic lens and more in November’s Controversy @ Noon panel. About The Panelists Kelly Kaur Kelly Kaur grew up in Singapore and lives in Calgary. She was recently awarded the 2024’s Top 25 Canadian Immigrant award. Kaur’s poem, “A Singaporean’s Love Affair,” landed on the moon on February 22, 2024, as part of the Lunar Codex — the first historic library of its kind, declared an Artemis Accords Heritage Site. Her novel, Letters to Singapore, which chronicles the experiences of a newcomer to Canada, will also be going to the moon on the Astrobotic Griffin/NASA VIPER mission in September 2025. Her creative works have been published around the world. Her poems were exhibited in North Dakota, United States, in a one year travelling exhibition that went to art galleries and museums, and other poems were even danced to by the Voices Dance Project in Ottawa who set her poetry to music and choreography. Kaur has a passion for human rights, and she is an editor and judge for the International Human Rights Art Movement, New York (IHRAM). She is an editor for their upcoming fourth quarterly magazine, December 2024: Indigenous Voices of Canada: Heart, Hope and Land. Other anthologies Kaur edited were Her Rights, Our Stories: An African Women’s Anthology and From Africa With Love: Voices of a Creative Continent. She has an upcoming children’s book, Howdy, I’m Singh Hari, the story of a pioneer Sikh rancher in Alberta. Kaur’s poetry collection, to be published by the University of Calgary Press, will be out in 2026. Facebook: https://www.facebook.com/kelly.kaur.98 Instagram: https://www.instagram.com/kellykaur3/ Mila Bongco-Philipzig Mila is a writer, visual artist, and community organizer. Her children’s books, poems, essays and podcasts have been published in Canada, USA, the Philippines and Germany. The diaspora of the global majority is a recurring theme in her writings. www.milabongco.com IG: @milabillabong FB: Mila Bongco
We’re pivoting a bit and looking to have some fun with our October Controversy @ Noon Panel; this may be our most controversial discussion to date! We want to know: Who is the greatest horror writer of all time? From the gothic pages of Stoker and Shelley, to King’s twisty endings or Rice’s description-laden vampire tales, who really takes the cake when it comes to making us squirm, scream, cry, or throw our pages across the room in unabated anger? There are too many writers to list here, but you catch our drift. What makes for excellent horror writing? Are there formulas and tropes we should follow as writers to successfully reach our audience, or is creating timeless horror an innate ability? What do we love to see in horror writing? What do we loathe? Join our panelists this October as they hunt down the nuances of great — and not so great — horror writing. Moderator: Susie Moloney Panelists: Richard Van Camp, Jacqueline Baker, and Francine Cunningham
The publishing world has gone through tremendous change in recent years, especially post-pandemic. Even established authors who have found great success being traditionally published have aired their grievances about the hardships and uncertainty in the industry moving forward. Self-publishing has become a popular alternative for writers who want more control and autonomy when publishing their work, but it can be expensive and there still seems to be a level of ambiguity that plagues the process. Both avenues have their pros and cons, but what does it really entail to have your work traditionally published? To self-publish on your own? Is one better than the other, or are they simply different? Are works that are traditionally published valued more? If so, why? Which route might be best for you? Join our panelists this September as they delve into the often polarizing topic of traditional publishing vs self-publishing.
Marty Chan (Moderator): Marty Chan writes books for kids, theatre for adults, and social media posts for fun. The 2024 recipient of the WGA’s Golden Pen Award, Marty has written dramas, comedies, fantasy, and suspense. He works and lives in Edmonton with his wife Michelle and their two cats, Minnie and Hugo. For more information about Marty, visit martychan.com. Social handles: X: Marty_Chan Blue Sky: https://bsky.app/profile/martychan.bsky.social Threads: @martychanwriter Facebook: MartyChanAuthor Instagram: martychanwriter Julie Sedivy (Panelist): Julie Sedivy is a writer and linguist whose love of language extends to many literary genres and whose work often intertwines aesthetic and scientific perspectives. Her publications include three books of nonfiction, a forthcoming children’s picture book (co-authored with Souad Shehab), a non-boring textbook on the psychology of language, and an edited volume of personal essays (co-edited with Rona Altrows). Her book Memory Speaks was shortlisted for the W.O. Mitchell City of Calgary Book Prize and the Eggleston Award for Nonfiction. She has published dozens of essays and articles in outlets such as Nautilus, The Literary Review of Canada, Scientific American, Discover, Politico, as well as in various anthologies. She occasionally writes and performs poetry as well. She is preparing to launch her scientific memoir, Linguaphile: A Life of Language Love, in October 2024. Farah Heron (Panelist): Farah Heron is a critically acclaimed romance author for adults and teens. Her books have been named as best books of the year by CBC books, USA Today, and NPR, and have been praised in Entertainment Weekly, Buzzfeed, and Teen Vogue. She writes contemporary romances and romantic comedies full of huge South Asian families, delectable food, and most importantly, brown people falling stupidly in love. Her adult books include ACCIDENTALLY ENGAGED, JANA GOES WILD, and JUST PLAYING HOUSE, and her young adult books include TAHIRA IN BLOOM and HOW TO WIN A BREAKUP. Farah lives in Toronto with her family. Social Handles: Instagram: farahheronauthor X: FarahHeron Facebook: FarahHeronAuthor Conor Kerr (Panelist): Conor Kerr is a Métis/Ukrainian writer living in Edmonton. He is a member of the Métis Nation of Alberta. His Ukrainian family are settlers in Treaty 4 and 6 territories in Saskatchewan. He grew up in Saskatoon, Edmonton, and other prairie towns and cities. In 2022 he was named one of CBC’s Writers to Watch. He is the author of the poetry collections An Explosion of Feathers and Old Gods, which was shortlisted for the 2023 Governor General's Award and named one of the Best Poetry Books of 2023, as well as the novel Avenue of Champions, which was shortlisted for the Amazon Canada First Novel Award, longlisted for the 2022 Giller Prize and won the 2022 ReLIT award. He recently published his second novel Prairie Edge. Social Handles: Instagram: Millcreekcowboy
Folks in the writing world continue to talk about AI and how they are using – or not using – it as a tool, a test, or even a novelty party trick. The writing seems to be on the wall when it comes to the inevitability of AI and its use in everyday life, but have writers and readers had their say about how AI creates new works of art? Some groups of writers are speaking out against the use of their writing to train Large Language Models (LLMs) without recognition and compensation, but is that enough? Are writers and consumers of literature willing to say they are not interested in purchasing new stories and books that are written entirely by AI? Is there a strong enough case for Human Intelligence and Human Creativity or is there just no stopping technology? Join us for a spirited discussion of what we value as writers and as humans and the ways in which we can fight back. Panel includes: Alison McBain, Christine Taylor, Matthew Stepanic, and Travis Croken. Matthew Stepanic – Moderator Matthew Stepanic (he/she/they) is a queer writer who lives and works on Treaty 6 territory in Edmonton. He edits and designs chapbooks for the recently launched Agatha Press. He is a co-author of Project Compass (Monto Books, 2017) and the author of Relying on that Body (Glass Buffalo, 2018). His work has appeared or is forthcoming in Queer Little Nightmares (Arsenal Pulp, 2022), Plenitude, FreeFall, and others. Social handles on Twitter & Instagram are: @mlstepanic Alison McBain- Panelist Alison McBain’s novels are the recipients of over 13 awards, including the Foreword INDIES. When not writing for herself, she’s a ghostwriter who has penned over two dozen books for clients, as well as an award-winning editor who has worked with both celebrity and NY Times-bestselling authors. She’s currently pursuing a project called “Author Versus AI,” where she’s writing a book a week over the course of a year, using NO AI at all (52 books total). When not writing, Ms. McBain is associate editor for the magazine ScribesMICRO and draws all over the walls of her house with the enthusiastic help of her kids. She lives near Edmonton in Alberta. Author Versus AI website Author website Facebook Twitter Instagram LinkedIn YouTube Christine Taylor – Panelist Christine Tsai Taylor is a writer, storytelling consultant, and diversity specialist. The biracial daughter of a Taiwanese mother and American father, Christine grew up in the US, Germany, Saudi Arabia, and Switzerland. She moved to Edmonton in July 2021 after seventeen years in The Netherlands. Her Substack newsletter is Wanderings. Travis Croken – Panelist Travis J. Croken lives in Ottawa, Canada and writes in a variety of genres. He is the National Co-Chair of the Canadian Authors Association, a member of the Ottawa Independent Writers, and Society for Children’s Books Writers and Illustrators. Croken hosts several writing programs including the Writer’s Chat, Scribe’s Journey Podcast, and After the… literary talk show. He owns Wax Seal Productions where he designs literary cocktails and helps authors reach their goals through coaching, editing, and other supports. Socials: Instagram: @thecalmscribe Twitter: @thecalmscribe TikTok: @thecalmscribe
As writers, we are told that rejection, a lot of rejection – most likely – is par for the course. Some of us cope by making light of the situation, framing rejection letters and showcasing them on an office wall or shelf. Others opt to go back to the drawing board, reframing their process, their work, or even their overall career plans. When is enough enough? Is there a point where we accept that something isn’t working and move on to the next project? Where is the line that separates resilience from naivety? Join our panelists as they discuss the complexities of dealing with rejection during our May Controversy @ Noon panel. About The Panelists Ali Bryan – Moderator Ali Bryan is an award-winning novelist and creative nonfiction writer who explores the what-ifs, the wtfs, and the wait-a-minutes of every day. Her work has been shortlisted for the Stephen Leacock Memorial Medal for Humour, nominated for the Pushcart Prize, longlisted for both the Commonwealth Short Story Prize and the Wilbur Smith Adventure Writing prize, and has been optioned for TV by Sony Pictures. Her sixth book, a YA contemporary novel, Takedown, was released in May. Born and raised in Halifax, she now lives in the foothills of the Canadian Rockies on Treaty 7 Territory. When not writing, she operates Parlay Manuscript Services with her business partner, Sandra McIntyre. Sandra SG Wong- Panelist Sandra SG Wong writes fiction across genres. The cross-genre Lola Starke novels and Crescent City short stories have garnered finalist nominations for the Crime Writers of Canada Awards of Excellence. The standalone thriller, IN THE DARK WE FORGET, was an Anthony Awards finalist and Canadian bestseller. In addition to being a speaker, mentor, and community organizer, Sandra is a Past President of Sisters in Crime, and an active member of Crime Writers of Color. Nisha Patel – Panelist Nisha Patel (Nee-Sh-aww, Put-ell) (She/her) is a Poet Laureate Emeritus of the City of Edmonton and a Canadian Poetry Slam Champion. A queer and disabled artist, Nisha is a recipient of the Queen’s Platinum Jubilee Medal and the Edmonton Artists’ Trust Fund Award. Her sophomore collection of poetry, A Fate Worse Than Death, engages in the necropolitics surrounding disability, and is out now with Arsenal Pulp Press. Lauren Seal – Panelist Lauren Seal is a writer and former St. Albert Poet Laureate. She mentors the teen and young adult poets of SWYC, the Spoken Word Youth Choir, and performs in the adult incarnation of the group. Her debut novel-in-verse, Light Enough to Float, is forthcoming October 2024 with Rocky Pond Books, a Penguin-Randomhouse imprint.
This recording is from an online reading featuring finalists for the 2024 Alberta Literary Awards. Antoinette Bekker Astrid Blodgett Kate Boorman Jennifer Bowering Delisle Natasha Deen Julie Sedivy Josée Thibeault *Note. The audio volume drops at the end of the recording during Astrid Blodgett's reading. Apologies for the inconvenience*
Does bias exist in the literary world where age is concerned? Writing is hard enough in the first place, do writers also have to worry about the continued relationship with their publisher, agent, readers, and other writers in the industry as they get older? If so, in what ways? Additionally, are writers in certain genres prone to be more successful if they fall under a particular age group? Less successful? Our panelists will examine these questions and other age-related industry issues during our April Controversy @ Noon Panel. About The Panelists Norma Dunning – Moderator Norma Dunning (PhD) is a Padlei Inuk writer, professor and grandmother. Dr Dunning has published in poetry, prose, fiction and nonfiction. Kinauvit? (what’s your name?) a work of nonfiction shortlisted for the Shaughnessy Cohen prize for political writing in 2023 and Tainna (the unseen ones) received the Governor General’s Award in literary fiction in 2021. Annie Muktuk and Other Stories (2017) received the Danuta Gleed in 2018, as well as several other literary awards. Her books have been translated into French, Greek and Amharic. Aput! (snow), a children’s book, will be released in the fall of 2024. Dunning lives in Regina where she teaches at the First Nations University of Canada. Facebook Rona Altrows – Panelist Rona Altrows is a fiction writer, essayist, editor, and playwright. She believes literature plays a critical role in the fight for social justice. Her books of short fiction are A Run on Hose, Key in Lock, and At This Juncture, and her work has appeared in Queen’s Quarterly, The Prairie Journal, and many other magazines and e-zines in Canada and the US. She has edited or co-edited three anthologies, including You Look Good for Your Age, an exploration of women, aging, and ageism. Honours she has received include the W.O. Mitchell Book Prize, the Jon Whyte Memorial Essay Award, and two Independent Book Publishers awards. Website, Bluesky Sharon Butala – Panelist Butala is the author of 22 books of both fiction and nonfiction and for nearly fifty years, at 83, has been writing and publishing with both major publishers and smaller companies. She has been agented since the eighties and has appeared at many festivals in Canada and the USA and made presentations in, besides Canada, the USA, Mexico, Ireland and the Czech Republic. Her many awards and prizes include the Marian Engel Award, the W.O. Mitchell/City of Calgary Award and the Glengarry Book Prize Award. She was recently shortlisted for the Writers’ Trust Fiction Prize. Her memoir, The Perfection of the Morning, was on the Canadian bestseller list for a year. Website Tololwa Mollel – Panelist Edmonton-based Tololwa M. Mollel writes books, plays, and stories for performance for all ages in English and Kiswahili, the national language of Tanzania where he was born. He has published 24 books for the young in both languages. Some of the books are translated into various African, Asian, and European languages. Tololwa also performs stories, solo or with other performers or artists. He has been spreading his passion for story, performance and writing to the young and old through story workshops, performances and presentations in Alberta schools and communities. Website
With book banning in Alberta and Canada seemingly on the rise, it’s left many wondering what this means for writers, for readers, and for the community at large. What are the ways in which censorship affects and/or impedes the literary world, and what can we do to maintain the creative freedom to read and to write what we choose to?
The ethics of writing on social issues can be a complicated topic of conversation for writers: What does it mean, really? Are certain issues off-limits for particular writers? What are the types of issues that fall under this very broad theme? How can we strive to write characters and narratives that feel meaningful, informed, and appropriate to the story we’re trying to tell? Join our group of panellists as they discuss the ethics of writing on social issues during our first Controversy @ Noon panel in 2024. About The Panellists Dr. Jenna Butler (she/her) www.jennabutler.com Dr. Jenna Butler (she/her) is an award-winning poet, essayist, mentor, and editor. She is the author of three books of poetry, Seldom Seen Road, Wells, and Aphelion; a collection of ecological essays, A Profession of Hope: Farming on the Edge of the Grizzly Trail; and the Arctic travelogue Magnetic North: Sea Voyage to Svalbard. Her book, Revery: A Year of Bees, essays about beekeeping, climate grief, and trauma recovery, was a finalist for the 2021 Governor General’s Literary Award in Non-Fiction and a longlisted title for CBC Canada Reads 2023. Butler teaches creative writing at the University of Saskatchewan and serves as the Environmental Writing Fellow for the Spring Creek Project and Oregon Wild. She teaches for Calgary’s Alexandra Writers’ Centre as their outgoing Writer in Residence, focusing on ecological writing. Her work has its roots in the off-grid organic farm she runs with her husband in northern Treaty 6, Alberta. Natasha Deen natashadeen.com Recent works: The Spooky Sleuths series, Book three, Don’t Go Near the Water! Guyanese-Canadian NATASHA DEEN is a best-selling author, with novels for kids, teens, and adults, and she’s a recipient of the Queen Elizabeth II Platinum Jubilee Medal. Her novel, In the Key of Nira Ghani, won the Amy Mather Teen Book Award and her most recent YA title, The Signs and Wonders of Tuna Rashad was a Globe & Mail‘s Top 100 Books for 2022. When she’s not writing, she teaches Introduction to Children’s Writing with the University of Toronto’s SCS and spends an inordinate amount of time trying to convince her pets that she’s the boss of the house. Uchechukwu Peter Umezurike www.instagram.com/uche_peter_umez/ Uchechukwu Peter Umezurike is the author of literary works such as there’s more (2023), Double Wahala, Double Trouble (2021), Wish Maker (2021), and a co-editor of Wreaths for a Wayfarer (2020). Rayanne Haines (she/her) www.rayannehaines.com/ Rayanne Haines is an award-winning author, educator, and cultural producer. She is the creator and host of the literary podcast Crow Reads, is the President of the League of Canadian Poets, and teaches at MacEwan University. Her hybrid poetry collection, Tell the Birds Your Body is Not a Gun won the 2022 Stephan G. Stephansson Alberta Literary Award and was shortlisted for both the Robert Kroetch Award and the ReLit Award. She’s been published in the Globe and Mail, Minola Review, Fiddlehead, Prairie Fire and others. A CNF poetry and essay collection exploring grief, identity, and gendered trauma is forthcoming from Frontenac House September 2024 Bibliography: 1 - https://bookriot.com/mistreatment-of-women-in-game-of-thrones/ 2 - https://www.vulture.com/2019/02/kosoko-jackson-a-place-for-wolves.html# 3 - https://www.texasmonthly.com/arts-entertainment/american-dirt-book-controversy/ 4 -https://lareviewofbooksorg/article/my-taco-laughs-at-you-on-death-threats-aimed-at-women-of-color-who-dont-fellate-white-supremacy/
We are thrilled to present the latest episode of the Canadian Literature Centre podcast. In this episode, also part of the “Air and Fire” series of readings and conversations this year, Hari Alluri, Alice Major, and Michelle Porter explore the literal and metaphorical significance of fire in a brilliant, wide-ranging reading and conversation.
As the presence of Artificial Intelligence evolves and its reach continues to expand, writers are forced to ask themselves: What does this mean for me and my work? The topic of AI is multi-faceted, and while AI promises endless possibilities for artists and writers alike, it also brings with it fear and uncertainty. What lines have been drawn between AI as a supplemental tool and AI as the career-crushing thief many believe it could be?
July 26, 2023 was supposed to be an outdoor event featuring writers Katherine Abbass, Meghan Eaker, and Colby Clair Stolson. The event was rained out but the writers were kind enough to jump on a Zoom to be recorded and shared with you now. Please enjoy.
Freedom to read can never be taken for granted. Even in Canada, a free country by world standards, books and magazines are banned at the border. Schools and libraries are regularly asked to remove books and magazines from their shelves. Few of these stories make headlines, but they affect the right of Canadians to decide for themselves what they choose to read. Our neighbours to the south seem to be banning another batch of books or covering up more library shelves and display cases every week. What effect does this have on artists, activists, and the librarians whose job it is to challenge us with new ideas and concepts, as well as put books containing those ideas into the hands of readers everyday? We’ll talk to people in the Alberta literary community about the importance of intellectual freedom and what the lasting legacy of banning books really is.