Writers on Film

Zombies want brains. Vampires want blood. Cannibals want human flesh. All monsters need feeding. Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what's wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it. In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power. Learn more about your ad choices. Visit megaphone.fm/adchoices

Terrence Malick's first film Badlands (1973) introduced the world to a new visionary talent. Tom Shone joins me to talk through the film. The biography The Magic Hours is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Sheri Chinen Biesen is Professor of Film History at Rowan University and author of Through a Noir Lens: Adapting Film Noir Visual Style (Columbia University Press, 2024), Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press, 2005), Music in the Shadows: Noir Musical Films (Johns Hopkins University Press, 2014), and Film Censorship: Regulating America’s Screen (Columbia University Press, 2018). She received her Ph.D. at the University of Texas at Austin, M.A. and B.A. at the University of Southern California School of Cinema-Television and has taught at USC, University of California, University of Texas, and in England. She has contributed to the BBC documentary The Rules of Film Noir, Turner Classic Movies’ Public Enemies, NPR, Warner Bros. Gangster Collection, Film Criticism, Historical Journal of Film, Radio and Television, Film and History, Film Noir: The Directors, The Netflix Effect: Technology and Entertainment in the 21st Century, Hollywood on Location, Literature/Film Quarterly, Netflix Nostalgia, Quarterly Review of Film and Video, Film Noir: The Encyclopedia, Gangster Film Reader, Film Noir Reader 4, The Historian, Television and Television History, Popular Culture Review, served as Secretary of the Literature/Film Association, Founding Chair of the ‘Stars & Screen’ Film & Media History Conference, serves on the editorial board of Film Criticism, and edited The Velvet Light Trap. Learn more about your ad choices. Visit megaphone.fm/adchoices

The best horror film ever made? The Texas Chainsaw Massacre for me is certainly the most unnerving and scariest to this day. Leatherface and his family wreak terror on a group of unsuspecting teenagers as they stray onto the family farm. James Rose's monograph for Devil's Advocate is a superb introduction, explication, and an in depth history of the making and reception of the film. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Cohan talks about his new book: On Audrey Hepburn: an Opinionated Guide Provides an original take on fashion in her films and shows how it was key to her popularity Focuses on Hepburn's abilities and craft as an actress; Offers a substantive and critical analysis of her “Cinderella” films as a discernible cycle; Argues that her striking success and popularity as a movie star was not only due to her unique physical features but to specific factors of postwar culture in the 1950s. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

I talk to Professor Jie Li, the winner of the Kraszna-Krausz Prize Moving Image Book Award. Please note she will be delivering a lecture in London later in November, details below. Friday 29th November, 6pm Venue: BLOC, ArtsOne, Queen Mary University of London, Mile End Road London E1 4NS Free to attend, booking essential Click here to book The Foundation is delighted to be collaborating with Queen Mary University, London to present an evening celebrating the winner of this year’s Moving Image Book Award Professor Jie Li, for her book ‘Cinematic Guerrillas Propaganda, Projectionists, and Audiences in Socialist China‘ (Columbia University Press). Featuring: Jie Li, Professor of East Asian Languages and Civilizations, Harvard University and Dr. Kiki Tianqi Yu, Senior Lecturer in Film Studies at Queen Mary University of London. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In all his films, Wes Anderson turns the mundane into magic by building distinctive and eccentric worlds. But how well do you know the man behind the camera? Discover the inspirations of one of our most revered auteurs with The Worlds of Wes Anderson. Anderson’s playful and vibrant aesthetic is universally admired – but how has he managed to create such a recognisable identity? From Hitchcock and Spielberg to Truffaut and Varda, there are countless homages and references scattered throughout Anderson’s filmography, while his cultural anchor points go far beyond film and into the worlds of art and literature. Evocations of place and time underpin his work, from mid-century Paris in The French Dispatch to grand pre-war Europe in The Grand Budapest Hotel, while cultural institutions – such as Jacques Cousteau and The New Yorker magazine – are other touchstones. For Wes Anderson fans and cinephiles alike, this is an essential insight into the creative process of one of the world’s most unique filmmakers. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Benjamin Halligan joins John Bleasdale to talk about Hotbeds of Licentiousness, the first substantial critical engagement with British pornography on film across the 1970s, including the “Summer of Love,” the rise and fall of the Permissive Society, the arrival of Margaret Thatcher, and beyond. By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, author Benjamin Halligan discusses pornography in terms of lifestyle aspirations and opportunities which point to radical changes in British society. In this way, pornography is approached as a crucial optic with which to consider recent cultural and social history. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first major biography of the French filmmaker hailed by Martin Scorsese as “one of the Gods of cinema.” Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the “complicated passions” that informed Varda’s charmed life and indelible work. Rickey traces Varda’s three remarkable careers―as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda’s impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda’s incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy. A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Solomons has been a film critic, one of the first film podcasters, an author and is now moving into a new role as a film producer with his company Movie Love Productions. He's currently working on adapting and bringing the brilliant best-selling memoir A Waiter in Paris to cinemas; and on the folk horror comedy The King of the Witches, based on a true story that’s never been told. His book Woody Allen: Film by Film is available where all good books are sold. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jez Conolly is the author of the Devil's Advocate edition of his book The Thing (available here) as well as an essay in Volume 3 of Scarred for Life (see here). Consigned to the deep freeze of critical and commercial reception upon its release in 1982, The Thing has bounced back spectacularly to become one of the most highly regarded productions from the 1980s 'Body Horror' cycle of films, experiencing a wholesale and detailed reappraisal that has secured its place in the pantheon of modern cinematic horror. Thirty years on, and with a recent prequel reigniting interest, Jez Conolly looks back to the film's antecedents and to the changing nature of its reception and the work that it has influenced. The themes discussed include the significance of The Thing's subversive antipodal environment, the role that the film has played in the corruption of the onscreen monstrous form, the qualities that make it an exemplar of the director's work and the relevance of its legendary visual effects despite the advent of CGI. Topped and tailed by a full plot breakdown and an appreciation of its notoriously downbeat ending, this exploration of the events at US Outpost 31 in the winter of 1982 captures The Thing's sub-zero terror in all its gory glory. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Bleasdale talks about Paul Verhoeven, the Coen Brothers, Paul Thomas Anderson, Quentin Tarantino, David Fincher and film bros with Adam Nayman, author of Paul Thomas Anderson Masterworks and The Coen Brothers. Adam talks about his beginnings as film critic in Toronto. He also tells John his thoughts on the current state of film criticism, including the impact on social media on the film discourse. Adam's recommended film book is Un-American Psycho: Brian De Palma and the Political Invisible by Chris Dumas. Buy Adam's latest book here. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Euronews journalists David Mouriquand and Amber Bryce are joined by Sarah Bradbury of the UpComing to talk the 81st Venice Film Festival with myself, John Bleasdale. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joker: Folie à Deux hits Cannes and I am joined by David Mouriquand and Amber Bryce of EuroNews to talk about Todd Phillips' sequel starring Lady Gaga and joaquin Phoenix, and if it can live up to expectations. Live from the 81st Venice Film Festival. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Day 6 or 7 of the Venice Film Festival and David Mouriquand and Amber Brice from EuroNews join me to talk about The Brutalist, The Room Next Door and Queer. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Angelina Jolie and Nicole Kidman are on the Lido with two new films which are going to put them back in the headlines. David Mouriquand from EuroNews joins me to discuss the films Maria and Babygirl in the second of our Venice reports. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Mouriquand from EuroNews and Nicholas Bell from Eye on Cinema join John Bleasdale to talk about Tim Burton's Beetlejuice Beetlejuice, the opening film of the 81st edition of the Venice Film Festival. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Calogero became a viral sensation with his videos skewering movie clichés, so I had to get him on the podcast to talk police lieutenants and filthy coroners. His new comedy album HUSKY BOY can be ordered here and all the information you want is available from his site, here. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Bleasdale talks to Michael Benson on his book Space Odyssey: Stanley Kubrick, Arthur C Clarke and the Making of a Masterpiece. Buy the Book Here. The definitive story of the making of 2001: A Space Odyssey , acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke- "a tremendous explication of a tremendous film....Breathtaking" ( The Washington Post ). Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ever made, 2001: A Space Odyssey depicted the first contacts between humanity and extraterrestrial intelligence. The movie was the product of a singular collaboration between Stanley Kubrick and science fiction visionary Arthur C. Clarke. Fresh off the success of his cold war satire Dr. Strangelove, Kubrick wanted to make the first truly first-rate science fiction film. Drawing from Clarke's ideas and with one of the author's short stories as the initial inspiration, their bold vision benefited from pioneering special effects that still look extraordinary today, even in an age of computer-generated images. In Space Odyssey , author, artist, and award-winning filmmaker Michael Benson "delivers expert inside stuff" ( San Francisco Chronicle ) from his extensive research of Kubrick's and Clarke's archives. He has had the cooperation of Kubrick's widow, Christiane, and interviewed most of the key people still alive who worked on the film. Drawing also from other previously unpublished interviews, Space Odyssey provides a 360-degree view of the film from its genesis to its legacy, including many previously untold stories. And it features dozens of photos from the making of the film, most never previously published. "At last! The dense, intense, detailed, and authoritative saga of the making of the greatest motion picture I've ever seen ... Michael Benson has done the Cosmos a great service" (Academy Award-winning actor Tom Hanks). Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ehsan Khoshbakht, curator of the Retrospective: “How to tell the story of a leading Hollywood studio while both teasing out the nuances and stressing the significance of canonical titles worthy of continued celebration? This has been the main challenge for our 40-title retrospective mapping Columbia Pictures’ glorious rise from Poverty Row to major force in Hollywood. ‘Lady with the Torch’ is an unofficial history of Columbia Pictures that celebrates big names, Oscar winners, and era-defining films but pays equal attention to the B-unit and yet to be discovered masters. Think the fast-talking career women of screwball comedies or think existentialist cowboys, prophetic anti-fascist quickies or unsettling ‘problem pictures’. Sony's generosity means we will bring to Locarno new restorations of films by John Ford and Phil Karlson, among many other gems. Once upon a time there was a brilliant exchange between art and commerce, between the system and the artist, and this Retrospective will celebrate that.” Visit the site here. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices