Writing Excuses

It's time to talk about alpha readers, and we start with a caveat from Howard: "I don't want to read your book." Let's face it, we here at Writing Excuses might be great alpha readers, but we're not YOUR alpha readers. We can't be your back-door to fame and fortune as a genre fiction writer. The good news? There are good alpha readers out there waiting for you. You just need to know how to find them. We talk about conventions a bit, those places that are full of genre-fiction lovers who might be able to help. We talk about Brandon's writing group (his alpha readers) and how his agent and editor are actually beta readers. This contrast illustrates the sort of things you should be looking for in an alpha reader. We talk about Howard's alpha reader (Sandra) and how she has to look at a script with no pictures, no blocking, and no dialog tags and figure out whether or not it's going to work. This illustrates how she's a genius and Howard's just a hack. Brandon and Dan also cover what they do not want in alpha readers -- poor delivery of criticism and proof-reading topping the list. And then we finally get around to some tricks for building a solid stable of alpha readers. It's not something you're going to pull off overnight. Audiobook Pick-of-the-Week: The Dragon Factory: The Joe Ledger Novels, Book 2 by Jonathan Mayberry, narrated by Ray Porter. Writing Prompt: Any time you've caught cold you're actually being possessed. Gesundheit. Loud Howard: brought to you by a too-close microphone. Jordo did his best to fix this in post, but we don't record on multiple channels so there's only so much that can be done on our budget. This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*. *Note: From the Audible website, here are the terms of the free membership. Read the fine print, please! Audible® Free Trial Details Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Worldbuilding is one of our favorite topics, and it's a domain in which game design and novel writing share a lot of territory. In this episode we talk about how much we love it, and how much we enjoy letting other people love it enough to do the heavy lifting for us. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Learning is great, but how do you translate it into doing without getting overwhelmed? What is the difference between learning in the classroom and executing when you're on your own?Marshall, our incredible recording engineer, just finished an MFA program. Congrats, Marshall!! On today’s episode, we gril Marshall in order to understand his takeaways from the program. Specifically, we are interested in how he takes everything he learned in the classroom and turns it into actionable things he’s doing on the page. We talk community, motivation, and how to consistently make time for your writing. Thing of the Week: The Fall of the House of Usher, TV show created by Mike FlanaganHomework: Take a turn being the teacher– how would you teach a group of people about a concept you’re struggling with in your own work, and what homework would you give them to better understand it?  Close Reading Series: Texts & TimelineNext up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) And a sneak peak on the rest of the year… Tension: Ring Shout by P. Djèlí Clark (starting September 1) Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe: https://www.homeserve.com* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Talkiatry: https://Talkiatry.com/WX* If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, our hosts discuss how to make every part of your story feel connected through causal chains, thematic resonance, and reader pattern recognition. We take the idea that each action in a story should lead naturally to the next and pair it with how readers instinctively search for meaning and connection (even in randomness). Along the way, our hosts discuss concepts like Edgar Allan Poe’s “unity of effect,” the Kuleshov effect, emergent narrative in games, and the role of thematic consistency in stories that may appear plotless on the surface. They also share techniques for creating narrative momentum, planting meaningful details, and leaving space for readers to actively participate in building the story’s meaning. Homework: Take a story you’re working on and write each scene on an index card. Shuffle the cards, pick two at random, and write a new scene that could connect them through either a causal chain or a shared thematic effect. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we are joined by Margaret Dunlap as we dive into the three-act structure. This traditional framework—setup, confrontation, and resolution—is a tool to use rather than a formula to follow. We break down each act, exploring the defining questions, try/fail cycles, and emotional shifts that shape a story. We also highlight the importance of identifying your central dramatic question while examining common pitfalls like the “soggy middle.” Today’s biggest takeaway is that this structure should serve your story, not constrain it. Homework: Take a familiar fairy tale (e.g., “The Three Little Pigs” or “Goldilocks”) and map it onto a three-act structure. Identify where Act One, Act Two, and Act Three fall, and note whether you would need to add or adjust elements to make it fit more clearly. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. Our guest was Margaret Dunlap. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we zoom out from moment-to-moment tension and look at how escalation and de-escalation shape a story at the structural level—how raising stakes, lowering pressure, and shifting focus can control pacing, reader emotion, and narrative momentum. Our hosts explore what happens when stakes escalate too quickly (and lose meaning), and how de-escalation can be used intentionally through humor, distraction, or shifting perspective. From miscommunication tropes to scene transitions to avoiding “pointless up-and-down” detours, we offer practical ways to keep your readers engaged while guiding them smoothly between emotional highs and lows. Homework: Map the major beats of your work-in-progress and label each one as either an escalation or a de-escalation across your plot lines. Then review that map to identify any “pointless up-and-down” moments—places where tension drops without purpose or without a corresponding rise elsewhere—and revise so that every shift either advances stakes, deepens character, or introduces a new layer of tension. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about tension and release as a kind of call and response, and how that dynamic can guide your reader through a story. It explores how different types of tension—conflict, unanswered questions, anticipation, and microtension—can be balanced with moments of release to shape pacing and keep readers engaged. The conversation also looks at how resolving one kind of tension while sustaining another creates forward momentum, and how varying those patterns prevents a story from feeling flat or repetitive. Along the way, it examines how genres like horror and humor use this rhythm especially well, and how techniques like contrast, modulation, and layering multiple plotlines can sharpen emotional impact and control the reader’s experience.Homework:Look at a scene you’ve already written and identify what creates tension within it. If nothing stands out, add a source of tension—such as a question, juxtaposition, or anticipation. If tension is already present, try changing or swapping it for a different type and observe how that affects the scene.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe: https://www.homeserve.com* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Talkiatry: https://Talkiatry.com/WX* If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side can deepen the emotional impact and keep your readers engaged. Our conversation also looks at different kinds of contrast—from big structural turns to subtle tonal juxtapositions—and explores how managing distance, tension, and “loaded” moments can create that satisfying snap when a scene lands.Homework:Look at a pivotal moment in your story and add a beat before or after it that inverts some element of the original. This could mean changing the tone or mood, introducing a contrasting character, or shifting the setting in a way that highlights something new about the scene.Locus Magazine Annual Fundraiser (ends April 14th, 2026)Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe: https://www.homeserve.com* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Talkiatry: https://Talkiatry.com/WX* If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until they finally succeed. Our conversation gets into how failure builds tension and empathy and how you can use “yes, but / no, and” to control your story’s momentum. We also address the difference between barriers and attempts, and how to keep things from feeling repetitive or stalled, whether you’re writing epic fantasy or a quiet coffee shop story. Homework: Look at the MICE quotient elements (milieu, inquiry, character, event) in your story and make a list of barriers for each. Then choose a smaller subset of those barriers that work well together, and use them to design try-fail cycles that keep your story dynamic without becoming repetitive or overcrowded. Locus Magazine Annual Fundraiser (ends April 14th, 2026) Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plots, predictable outcomes, and disconnected side quests can make the middle drag, and offer tools to fix it: focusing on what characters are actually doing, using “same but different” to keep repetition engaging, letting major events happen sooner so you can explore their consequences, and ensuring every subplot or detour creates real change in the character or world. Homework: Grab a book or short story. Read the first page, a page from the exact middle, and the final page. Track which story threads introduced at the beginning are still active in the middle, and how they evolve by the end. Locus Magazine Annual Fundraiser (ends April 14th, 2026) Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clutter. We talk about running through your senses to troubleshoot what’s actually pulling your focus, and how small adjustments (a different chair, a cleaner desk, a bowl for your phone) can make a real difference. We also dig into noise (everything from industrial playlists to total silence), boundaries with the people you live with, and the fine line between solving a problem and avoiding the work. Sometimes the fastest way forward is figuring out what you’re running from. AND what you're running toward. Homework: Use your senses to make an inventory of your writing environment — sound, sight, smell, touch, even taste. Then identify which elements serve you and which ones create friction, and experiment with changing one barrier this week. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool factor. From The Matrix to hockey rinks to fantasy prologues gone wrong, we look at how action can function as a delivery system for tension, authority, and emotional investment. The goal isn’t just spectacle — it’s giving readers a reason to turn the page. Homework: Choose an action cold open from a movie. Write down everything it’s doing beyond the visible action — how it builds the world, establishes stakes, defines character, and makes you feel. Then rewrite that scene in prose, making those elements explicit on the page. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action alone isn’t enough without an emotional lens. From relatable sensory cues to carefully chosen specifics, they break down how small details can anchor even the biggest explosions. When readers step into a story, we want them oriented, invested, and ready to follow. Homework: Take the opening of your work in progress and write out only the physical actions — what is happening and what the character is doing. Then annotate it with the emotions you want attached to each moment, and rewrite the scene integrating both action and emotion. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, we explore what it really means to set reader expectations at the beginning of a story. We talk about how openings communicate the shape of what’s to come — from genre and tone to the kind of emotional ride we’re inviting our readers onto. We dig into practical tools for building reader trust early: making (and fulfilling) small promises, letting readers feel clever, answering questions before raising bigger ones, and controlling tone so the story delivers on what it signals. Because when readers check the label on page one, we want to be sure we can deliver. Homework: Review the first chapter of your work in progress and make a list of all the story promises you’ve made. Keep that list somewhere visible so you can track how—and when— you fulfill them. ANNOUNCEMENTS: FEBRUARY 15th: Cruise Prices Increase The final WXR cruise sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leveling up.” Our hosts dig into grounding the reader through myth, pattern, and delayed information, and how a familiar framework can make readers feel both clever and cared for. The conversation unpacks how intentional choices—like withholding names, structuring scenes around question words, and planting details early—create trust and momentum. Along the way, we talk honestly about what it feels like when craft skills become internalized and a story finally clicks into ease. Homework: Take a strong emotion you’ve felt recently and describe it as a metaphor. Then use that metaphor as a writing prompt. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Marshall Carr, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help readers feel grounded and cared for from the first page. Using the metaphor of hosting a party, they unpack common mistakes like starting too early, overwhelming readers with detail, or failing to make a clear promise. The discussion also reassures writers that beginnings often change in revision—and that’s not just normal, it’s necessary. Homework: Create an artificial slush pile of beginnings. Read them cold and note which ones make you lean in and why. ANNOUNCEMENTS: FEBRUARY 15th: Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader experience. Our conversation also widens to encompass the larger question of how writers can evolve while still feeling recognizably like themselves. Homework: Choose two works from the same franchise or series. Break down what stayed the same and what changed, then reflect on which choices felt satisfying, surprising, or off-putting—and why. ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conversation also digs into how stories can satisfy expectations—or deliberately invert them—without becoming predictable or tropey. Homework: Take a simple outline of the Hero’s Journey (we’ll include one in the liner notes). On an index card or Post-it, list as many stories, films, or shows as you can that follow this pattern, just to see how and where it shows up. ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in. Homework: Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there. ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, we turn our attention to one of the most stubborn traps writers fall into: assuming someone else’s process should work for you. Building on last episode’s conversation about intentions, the hosts shift the focus from what you should do to how you can figure out what actually works, starting with observation, pattern-spotting, and a little self-compassion. The discussion moves through practical ways to lower friction and build supportive rituals—linking tasks together, listening to physical and emotional cues, and treating yourself like your own best assistant. Along the way, the hosts emphasize that your reactions are data, your process is allowed to change, and permission to be human is often the missing tool. The goal isn’t discipline for discipline’s sake, but a writing life that adapts to you. Homework: Make a list of all the steps in your writing process, starting with the smallest, most concrete actions and working outward to the bigger ones. Then go through that list and notice which parts are serving you, which aren’t, and which you might want to change—without worrying yet about how to change them. ANNOUNCEMENTS: Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy