Writing It!
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© 2026 The Bud Shorstein Center for Jewish Studies at the University of Florida
Description
"Writing It! The Podcast About Academics & Writing" dives deep into the world of academic writing and publishing. Join us for conversations with academics and editors as we discuss challenges, strategies, and insights from our writing lives. As we share our experiences and helpful hacks, we make the process of writing and getting published a bit more transparent and a bit less overwhelming.
76 Episodes
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Speaking with Jenna Weissman Joselit, the Charles E. Smith Professor of Judaic Studies and Professor of History at George Washington University, and the author of several books, including the recent Yale Jewish Lives book, Mordecai M. Kaplan: Restless Soul about turning to biography; researching a subject who lived over a century and who has many living relatives; writing for popular audience; keeping a lot on our writing plate; staying nimble in our writing; figuring out structure and chapters; and allowing our own research interests to guide our writing.
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On this episode, Writing It! host Rachel Gordan is in conversation with Sarah Bunin Benor, one of the co-hosts of the podcast, Peer Review: Creativity and Fulfillment in Academia (along with Professor Mira Sucharov) about what we’ve learned from our guests about writing and finding meaning in academia. We share some of our guests’ best tips, our own challenges,, and what we’ve managed to change in our own academic lives.
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We’re speaking with Temple University assistant professor of English, Laura McGrath about literary agents and academics. McGrath’s extensive knowledge about literary agents is the result of her research for her new book: Middlemen: Literary Agents and the Making of Contemporary American Literature, (Princeton University Press), and her own unexpected path to working with an agent. We talk about the crucial role of agent’s love for a project and interest in an author’s future works; the benefits of being a first-time author; the truth about author advances; why it’s not a great time for nonfiction, and why that might change; what the “comparable works” section of your book proposal can do for you; misconceptions about agents; and why it’s important to show that you will hustle for your own book.
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We talk with Max Perry Mueller, associate professor of religious studies in the Department of Classics & Religious Studies at the University of Nebraska-Lincoln about why he made the move from academic press, for this first book, to a trade press for his second book, and what that involved. We talk about finding an agent, the agent-author relationship, writing a trade press book proposal, creating your own peer review, how Max writes differently for trade versus academic, why we don’t always get the book title we want, why shorter is better, getting tenure and promotion credit for your trade press book, the role of an academic mentor in writing, and the money reality for first-time trade press authors.
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We talk with Yale Professor in the Practice in the department of English and Francis Writer in Residence, Anne Fadiman about essay writing, being a monogamous writer, teaching writing, how students keep us open to new ideas, creating a team spirit in the classroom, providing feedback, being the child of accomplished writers, sharing our writing with people we trust, and when procrastination stops.
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We’re speaking with Megan Marshall, Pulitzer Prize-winner and Professor Emerita at Emerson College, she is the author of biographies of Margaret Fuller, the Peabody Sisters, and Elizabeth Bishop, among other books. We speak about working on writing projects that take many years, writing about her former teacher (poet Elizabeth Bishop), unexpected turns in a writing project (including changing editors), archive discoveries, organizing notes, recreating scenes from long ago, writing groups, and balancing our absorption with a subject and our own family life. We also talked about Megan’s turn to writing about her own family in her most recent book, After Lives: On biography and the Mysteries of the Human Heart.
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In this episode, we talk with Yale University Press Executive Editor Adina Popescu about what makes her interested in a book manuscript and in an academic author. Our topics include: What the query letter should include; how to approach the conference "book exhibit hall conversation with an editor; what occurs at the mysterious university press "boards" and who is present at those meetings; why and when book manuscripts return to reviewers; why an editor might ask for additional reviews of your manuscript, and how to get the most out of the review process. Adina also talks what has changed the most in publishing and book-reviewing.
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Yale professor Elli Stern talks with us about figuring out what kind of writing we want to do after tenure—and the importance of building a team of friends and colleagues who can read drafts and provide valuable feedback.
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We’re talking with Alia Hanna Habib of the Gernert literary agency about how academics can successfully find agents; what’s the best way to write a cold-call query letter to agents; how an academic author can include her own intellectual history in the book proposal; avoiding the “voice from nowhere” style of writing; how much money is reasonable to expect as a first-time trade press author; and what to expect from an agent. We also discuss how book deals differ from their cinematic portrayals, and when an academic might consider trade press publication.
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We’re speaking with Richard Breitman, Distinguished Professor Emeritus of history at American University about his 45+ year career, and his 12 books. We talked about how research on FDR and the Holocaust spawned many research projects; how convenience and cost affects archival projects; how an agent can helpfully shape a writing project; how journalists can play a useful role in disseminating academic research; how even successful co-authoring has its rough patches; and getting past the “Hasn’t that been done before?” challenge to a book idea.
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We’re talking with Helen Sword, emeritus professor at the University of Auckland, and founder of the writing community, the WriteSPACE. She is also the author of several books about academic writing, including Writing With Pleasure (Princeton, 2023); Air & Light & Time & Space: How Successful Academics Write (Harvard, 2017), The Writers Diet: A Guide to Fit Prose (Chicago, 2016), and Stylish Academic Writing (Harvard, 2012). We talk about what Helen has learned about academic writing through her research and by working with academic writers in groups and one-on-one.
Don't forget to rate and review our show and follow us on all social media platforms here:
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We’re talking with film historian Noah Isenberg, the Charles Sapp Centennial Professor and former Chair of the Department of Radio-Television-Film at The University of Texas at Austin. Isenberg is the author of the Los Angeles Times bestseller, We’ll Always Have Casablanca: The Legend and Afterlife of Hollywood’s most Beloved Movie, and several other books about film. We talk about why and when we might drop theory from our writing; finding a literary agent; the excitement of finding your audience and readers through community events; making the most of our research through multiple publications; the backlash and stigma academics can face when they “go popular,” and how academics help academic presses by writing more accessible books.
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We’re speaking with founding and current editors of In Geveb: A Journal of Yiddish Studies, about what it means to establish a new journal. Founded in 2015, In Geveb partook in the decade's ethos of disruption in technology by seeking to reimagine the academic journal. Aspiring to be the “N+1 of Yiddish studies, the journal is completely online, and contains sections on pedagogy and translation, as well as a blog, and has remained accessible to readers outside of the academy. Our guests, Jessica Kirzane, Saul Noam Zaritt, Sarah Zarrow, and Dalia Wolfson, tell us about the skills and knowledge they acquired about things ranging from fundraising and the financial side of a journal, to managing others and cultivating a collaborative and supportive working environment. We also talk about what working on the journal has allowed them to do in their professional lives, that had not been possible, otherwise.
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With the support of the University of Florida Center for the Humanities and the Public Sphere, we’re talking with history professor, we’re talking with history professor Raphael Folsom (Oklahoma), who wrote the book, How to Get Grant Money in the Humanities and Social Sciences (Yale University Press) about why it’s important to think big for grant writing; recommendation-letter writing; being encouraged by our failures; why it does make sense to be a giver in academia; and the good energy that comes from supporting others.
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We’re speaking with novelist and academic Elizabeth Graver about writing about her Sephardic family’s history as fiction, even as she incorporated facts and archival finds. Graver also talks about maintaining a creative process, alongside her academic position, and about moving between fiction and non-fiction genres.
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We’re speaking with UConn Associate Professor of History Andy Horowitz, who also serves as the Connecticut State Historian. We talk about Andy’s first book, Katrina: A History, 1915-2015 (Harvard University Press, 2020) which won a 2021 Bancroft Prize in American History, and was named the 2021 Humanities Book of the Year by the Louisiana Endowment for the Humanities, and a 2020 Best Nonfiction Book of the Year by Publishers Weekly. He has also written for The Atlantic, Time, the Boston Globe, the Washington Post, Rolling Stone, and the New York Times.
We talk about what it means to write about disasters and about the place where you live; writing about people who are currently alive; being a presentist historian; and what it means to write “important books.”
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We’re speaking with Jim Loeffler, Felix Posen Professorship in Modern Jewish History at Johns Hopkins University about how our public persona affects the stories we tell and pitch to editors. We talk about Loeffler’s publishing experience with academic presses, academic-trade, and why moving to trade press has been so different. We talk about some of the challenges involved in Loeffler's forthcoming book about antisemitism and free speech, which includes contemporary material about Charlottesville 2017, which Loeffler experienced as a UVA Jewish Studies professor, a Jewish community member, and then as a reporter, who covered the Charlottesville trial for the Atlantic. We also discuss the challenges of changing institutions, and the benefits of editing an academic journal and gaining a wider perspective on readers’ reports.
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We’re talking with Emory Professor Miriam Udel about lessons from a career full of writing highs and challenges, beginning with the realization that the dissertation will not become the first book. We talk about learning how to understand the gradations of rejection letters; the value of pitching editors in person; why spending time on works of translations may be highly worthwhile even when they do not count for tenure and promotion; when hiring a book publicist is useful for academics; writing Op-Eds; mentoring younger scholars; and having a memoir-in-progress in the drawer.
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We’re talking with Distinguished Professor of Art History at Cleveland State University about building a scholarly foundation for future historians of art through writing and then moving in a new direction with more popular writing. We talked about writing for Smithsonian Magazine; writing about artists who are still alive; how to surmount the challenges of getting your editor to include images in your book; and when cold-calling really pays off.
Don't forget to rate and review our show and follow us on all social media platforms here:
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We’re talking with Dr. Claire Sufrin, editor of Sources: A Journal of Jewish Ideas and Senior Editor at the Shalom Hartman Institute of North America about writing choices and how they affect our academic lives. We talk about choosing to leave a traditional academic position and how that affects our writing; writing about personal matters; deciding not to turn the dissertation into a book; and about the schedule of an editor.
Don't forget to rate and review our show and follow us on all social media platforms here:
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Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact
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