cornett – The Xenharmonic Alliance Community

For Xenharmonic Composers

Viadana’s Sinfonia Padovana, tuned into 31edo

We propose Lodovico Grossi da Viadana’s Sinfonia Padovana, tuned into 31edo, rendered for 2 cornetts, 2 sackbuts, organ, bass. Tuned by Scala, implemented by SynthFont, mixed by Audacity. This piece of work falls into the “Monthly Tunings” project on Facebook.

05-19
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Claudi Meneghin’s Air Triste à 5 in 18edo for Oboe, Recorder, Cornett, Cello, Organ

We propose Claudi Meneghin’s Air Triste à 5, in 18edo, for Oboe, Recorder, Cornett, Cello, Organ. This piece (which falls into the Monthly tuning project on Facebook) is made up by 9 sections each one 1/9-octave higher than the preceding … Continue reading →

01-29
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Claudi Meneghin’s Chaconne et Fugue à 5 “Les Regrets” in 46edo

We propose Claudi Meneghin’s Chaconne et Fugue à 5 “Les Regrets” in 46edo, for Recorder, Cornett, Viola, Viol, and Continuo. This piece falls into the “Monthly Tunings” project on Facebook.  This is an extended version of the Chaconne “Les Regrets”, written in 2017, … Continue reading →

12-03
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Claudi Meneghin’s Chaconne “Les Regrets” in 46edo

We propose Claudi Meneghin’s Chaconne “Les Regrets” in 46edo, for Recorder, Cornett, Viola, Viol, and Continuo. This piece falls into the “Monthly Tunings” project on Facebook. Soundfonts : Campbell’s Recorder, Cupmute Cornett, Zetabank Strings, Phil’s Lute. Tuned by Scala, implemented by Synthgms. Artwork … Continue reading →

10-31
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Claudi Meneghin’s Mavila Fugue

We propose Claudi Meneghin’s Mavila Fugue for Cornett, Oboe, Bassoon, and Cello. Tuning is Golden Mavila, i.e., the linear temperament generated by a Golden-Mavila fifth and octave period.  The number of tones in this example is 16 (C=0, seven fifths down and … Continue reading →

06-30
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Chopin’s Nocturne op. 9 n. 2, tuned into 31edo

We propose Chopin’s Nocturne op. 9 n. 2, tuned into 31edo, rendered into three different versions: harspichord, organ, baroque ensemble (cornett, oboe, harp, cello). Chopin_Nocturne_9_2_E31_Campbell’s_Harpsichord Chopin_Nocturne_9_2_E31_Jeux14 Chopin_Nocturne_9_2_E31_Cornett+Oboe+Harp+Cello Tuned by Scala, implemented by SynthFont, Mixed by Audacity. Jeux14 organ version : registration … Continue reading →

06-06
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Claudi Meneghin’s Prelude & Fugue in 11edo for Organ or Chamber Ensemble

We propose two versions of Claudi Meneghin’s Prelude & Fugue in 11edo, one for organ and one for chamber ensemble. The Prelude reuses material from 21edo-Chacony for harpsichord. Prelude & Fugue, 11edo Organ Prelude & Fugue, 11edo, Cornett + Oboe + Bassoon + … Continue reading →

05-31
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Claudi Meneghin · Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts & Timpani

We propose Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts & Timpani, by Claudi Meneghin. Tuned by Scala, implemented by Synthfont.

06-29
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Claudi Meneghin · Tocada in 13 edo

We propose Claudi Meneghin’s Tocada in 13 edo (in three movements: Prelude, Air, Blue Fugue) for Cornett, Harp, Organ, and Cello. Tuned by Scala, implemented by Timidity++.

06-13
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Locke, Air from Music for His Majestys Sagbutts and Cornetts, tuned into Vicentino’s adaptive Just intonation system (224edo)

We propose the Air from Matthew Locke’s Music for His Majestys Sagbutts and Cornetts, tuned into Vicentino’s adaptive just intonation system, in an organ version (hereabove) and a one for two cornetts and three suckbuts (below). Vicentino system has been … Continue reading →

12-31
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