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The Goldsmith Odyssey
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The Goldsmith Odyssey

Author: Yavar, David, and Clark

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A chronological journey through the filmography of composer Jerry Goldsmith.
117 Episodes
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Are you now, or have you ever been, a Jerry Goldsmith fan? If so, you won’t want to miss our third and final production report on Leigh Phillips’s marvelous Jerry Goldsmith at The General Electric Theater series. Your humble hosts David, Yavar, and Clark chat with Leigh about the three latest additions: the stark and grim “My Dark Days”, the cheerfully Italian-flavored “The Committeeman”, and the gorgeous library music collection “Autumn Love”. In addition to exploring the various challenges of bringing these scores to the finish line, Leigh reflects on the success of the GE Theater project as a whole, and takes some time to talk about what he might be tackling in the future. Along the way, you’ll hear samples from each of the scores, and behind-the-scenes excerpts of Leigh working his talented ensemble of players. So grab a plate of mama’s homemade spaghetti, and take a listen!
We know what you’re thinking: “Wait… didn’t you guys already do an Inchon Soundtrack Spotlight?” Indeed we did, back in 2020, when Intrada rereleased Jerry Goldsmith’s memorable score for the otherwise largely forgotten 1981 Korean War drama. Now, Intrada has released the score yet again, with improved audio and a small handful of new extras. In this follow-up Spotlight, your humble hosts David and Clark chat with Intrada’s Douglass Fake and audio engineer Chris Malone about the surprising discovery that led to this new release, the ways in which this score improves on the audio quality offered by previous releases, the various engineering decisions that affect the quality of a film music recording, the thought process that goes into deciding whether or not to reissue a score, and much more. Those who have already purchased one or more of the previous editions of the score will undoubtedly have differing opinions on whether or not to upgrade, but we hope this program will prove a useful resource in helping you make an informed decision. So give it a listen, and find out why you should consider visiting Inchon againchon! Your Odyssey Soundtrack Spotlight - Inchon Tech Talk with Doug Fake and Chris Malone  Track List 
Jerry Goldsmith’s musical legacy lives on in the new animated series Gremlins: Secrets of the Mogwai, featuring a wonderful score by composer Sherri Chung. In this Odyssey Interview, your humble hosts David, Yavar, and Clark chat with Sherri about the score’s large collection of memorable thematic ideas, the joy of being given the opportunity take a traditionally orchestral musical approach, the wide array of distinctive ethnic instruments employed throughout, the importance of nodding to Goldsmith’s iconic themes, the challenges of navigating the modern TV music landscape, what we might be able to expect musically from the second season of the show, and more! So if it’s after midnight and you’re struggling to fall asleep, just sit down in a brightly-lit place, pour yourself a nice glass of water, grab a snack, and give this one a listen!Here's the Odyssey Interviews - Sherri Chung on Gremlins: Secrets of the Mogwai Track List, with better credits than you'll find stated in the episode itself for some tracks.Please send your correspondence to mail@goldsmithodyssey.com.
Attention! Our final Soundtrack Spotlight of the year is here! 2023 hasn’t exactly been jam-packed with new Goldsmith releases, but it’s closing with a pretty special one: Intrada’s new 2-CD presentation of MacArthur, which offers both a restoration of the original LP re-recording and the premiere of the original film tracks. Your humble hosts Yavar and David are joined by Intrada’s Douglass Fake, liner notes writer Jeff Bond, and restoration specialist Chris Malone to discuss this thrilling new release. They discuss the surprising thematic depth and variety the full version of the score has to offer, the assorted restoration challenges posed by this project, the sonic differences between the film mix and the re-recorded album cues, and much more. Remember: old film scores never die, they just get better-sounding and more complete. Dismissed! Soundtrack Spotlight shall return… in 2024.Track List - Odyssey Soundtrack Spotlight - MacArthur Please send your correspondence to mail@goldsmithodyssey.com.
Take shelter! Mariah is here! (No, not that one.) Your humble hosts David, Yavar, and Clark dig into the CBS Radio Workshop episode "Storm," a meteorologically-themed docudrama featuring striking narration from William Conrad and a tense, turbulent score from Jerry Goldsmith. You'll hear discussion of the unique nature of this experimental radio series, the effectiveness of Goldsmith's decision to use music to create a dividing line between the narration and the scripted drama, the striking use of a harmonica to represent the storm, the minimal use of recurring themes, and more! While you're waiting for the skies to clear, join us in the storm cellar for an exploration of this little-known musical gem. Enjoy!CBS Radio Workshop - Storm Track List!Please send your correspondence to mail@goldsmithodyssey.com.
We know what you're thinking: why is The Goldsmith Odyssey covering Leith Stevens? Well, for one thing, War of the Worlds (1953) is a personal favorite film and score of Odyssey co-host and editor W. David Lichty. For another, it's a good excuse to spend time with friends of the show Chris Malone (who co-produced the new expanded  album for La-La Land) and John Takis (who wrote the liner notes), both of whom once again have marvelous musical insights to offer. And for more reasons, just listen to the show itself, in which you'll hear discussion of where this score sits within Stevens' body of work, the surprising ways in which the score functions dramatically, the crucial improvements this album makes to the previous release, the qualities of the companion score When Worlds Collide, the wildly different versions of this classic story that have been offered over the years, and much more! Don't worry, we aren't planning to start wandering off-mission on a regular basis, but this new release was too exciting a conversation topic to pass up.  Despite the relative absence of our pal Jerry, we hope you'll enjoy this affectionate celebration of an underappreciated composer's most significant work. Here!  A The War of the Worlds Bonus Soundtrack Spotlight track list!Please send your correspondence to mail@goldsmithodyssey.com.
Better late than never, we offer a detailed Soundtrack Spotlight on Varese Sarabande's definitive presentation of Jerry Goldsmith’s memorably noir-tinged score for Harold Becker's City Hall! First, your humble hosts David and Clark are joined by liner notes writer Tim Greiving for a discussion of the film's modest virtues, the score's central ideas, the real-life experiences that informed the film's screenplay, the musical influence of Leonard Bernstein's On the Waterfront, and other topics. Afterwards, David and Clark explore the significant and subtle differences between the various film versions, album versions, and alternates this thorough score presentation has to offer. We hope you'll join us for a stroll down the corridors of power(ful film music)!Here is your de-confusing City Hall Soundtrack Spotlight Track List!Please send your correspondence to mail@goldsmithodyssey.com.
The latest Jerry Goldsmith at The General Electric Theater volume is now available, and we're thrilled to give you all the details in this Production Report with our friend, conductor/reconstructionist/renaissance man Leigh Phillips. The fifth entry in his ongoing series of re-recordings is "The Last Dance," a sensitive and emotionally complex score for an episode of television that remains lost for the time being. In addition to offering a detailed breakdown of the assorted challenges posed throughout the recording session, Leigh talks to your humble hosts David, Yavar, and Clark about how the success of the earlier Kickstarter campaigns led to this "bonus" recording, inviting a wider audience to view the recording sessions, the most effective approach to leading an orchestra, his ambitious plan to re-record Goldsmith's Lionheart, and much more. Give it a listen, and then click over to Leigh's website to secure your copy of the score (featuring liner notes by Yavar). Enjoy!Edited by Wes Deckers.Please send your correspondence to mail@goldsmithodyssey.com.
Back in October of 2021, your humble hosts Yavar and David had a conversation with esteemed art designer Joe Sikoryak about his work  for Film Score Monthly, Intrada, Percepto, and La-La Land Records. Over the course of that chat, Joe offered comments on falling in love with film music as a child, shopping at Intrada Records during the physical shop's early days, and getting a job from Lukas Kendall to redesign and help give Film Score Monthly a more professional magazine look. He mused on the evolving style of soundtrack album design, the challenging economics of releasing soundtrack albums, the Jerry Goldsmith music he enjoys most, and why (as a huge fan of both Goldsmith and Star Trek) he initially struggled to fully connect with the music for Star Trek: The Motion Picture! That discussion is bookended by a more recent chat, in which Joe offers an update on a graphic novel he’s been working on, talks about his participation in both The Jerry Goldsmith Companion and Jerry Goldsmith at The General Electric Theater Kickstarter projects, and offers a great many further insights. Joe has contributed a great deal to the world of soundtrack albums and has a lot of thoughtful commentary to offer, so this is a 2-in-1 conversation you'll want to make time for. It's the interview equivalent of dry-aged brisket placed within a freshly-baked bun, and our hope is that it's comparably enjoyable!Edited by Wes Deckers.Please send your correspondence to mail@goldsmithodyssey.com.https://www.joesikoryak.comhttps://birdcage-bottom-books.myshopify.com/products/when-we-were-trekkies-bundle-issues-1-7
Given that all members of the Odyssey team are also lifelong Star Trek enthusiasts, we were particularly thrilled and honored to welcome actor/director Jonathan Frakes to the program. Your humble hosts Yavar, David, and Clark, along with Film Score Monthly founder Lukas Kendall, chat with Jonathan about his experiences working with Jerry on Star Trek: First Contact and Star Trek: Insurrection, the complex nature of Goldsmith’s relationship with the Trek franchise, the collaborative qualities that distinguished Jerry from other film composers, the warmly-received third season of Star Trek: Picard, and much more! It's a warm, lively chat filled with fond memories and memorable music. If you've got 50 minutes to spare, make this show your Number One priority!Note: This interview was conducted on July 12th, 2023, just prior to the SAG-AFTRA strike.Track List - Odyssey Interviews - Jonathan FrakesSpecial thanks to friend of the show Stéphane Coëdel for his lovely work on this episode's cover image. Please send your correspondence to mail@goldsmithodyssey.com.
In this episode, we turn our attention to one of America's most memorable, witty, and insightful figures: Andy, co-host of the excellent film music podcast Settling the Score. He joins your humble hosts David, Yavar, and Clark to examine the Playhouse 90 installment "The Shape of the River," which details the tragedy-filled later years of writer Samuel Clemens (aka Mark Twain), and offers a Goldsmith score that alternates between bustling Americana and plaintive melancholy. We take a look at why this teleplay struggles to succeed despite being written by Oscar-winner Horton Foote, try to pin down Goldsmith's unusually loose and slippery thematic ideas, and even offer some reconstructed versions of cues missing from the episode (generously provided by friend of the show Carson Cohen). So give it a listen, and allow our viewing pain to become your listening pleasure!Your handy Shape of the River Track List! Please send your correspondence to mail@goldsmithodyssey.com.
The whole band is back together for a very special kinda-sorta anniversary show! Your humble hosts David, Yavar, Clark, and Jens dig into Goldsmith’s memorable radio score for the 1956 CBS Suspense episode "The Security Agent," a political thriller about two friends attempting to flee Communist Poland. You'll hear discussion of the surprising musical origins of Goldsmith's main theme, the composer's early instincts for knowing when to hold back, the surprisingly nuanced characterizations this tale has to offer, and much more! Afterwards, stick around for a bonus trip down memory lane, as we look back on some of our favorite episodes and discoveries of the Odyssey's first five years. Whether you've been along for the whole ride or have just discovered the show, we thank you for listening, and hope you'll pardon the self-indulgence. Enjoy!Please send your correspondence to mail@goldsmithodyssey.com.
After decades of writing about Jerry Goldsmith, author and film music historian Jeff Bond is preparing to deliver his definitive work on the subject: The Jerry Goldsmith Companion, a massive, two-volume set offering a thorough examination of the legendary composer's full career. In this Production Report, your humble hosts Yavar and David chat with Jeff about the process of creating the book, the degree to which the Goldsmith-themed liner notes he's written over the years informed the project, surprising discoveries made throughout the process, the different eras and defining traits of Goldsmith's career, and much more! It's a lively, music-filled conversation that we hope serves as a satisfying appetizer for the grandiose main course that lies ahead. Enjoy!Here's your Jerry Goldsmith Companion with Jeff Bond Production Report Track List! Please send your correspondence to mail@goldsmithodyssey.com.
Another pair of Jerry Goldsmith re-recordings are right around the corner, and we're pleased to offer all of the exciting details in our latest Production Report. This time, Leigh Phillips is presenting two strikingly different Goldsmith scores written for The General Electric Theatre: the bright, chipper “The Legend That Walks Like a Man” (previously covered by The Goldsmith Odyssey back in Episode 25) and the grim, militaristic "Hitler's Secret." Your humble hosts David, Yavar, and Clark talk with Leigh about how those scores were chosen, the work that was involved in preparing them for recording, which passages in "The Legend That Walks Like a Man" required virtuosic soloists, the thought process behind making minor modifications to the "Hitler's Secret" sheet music, what we can expect from the next round of Kickstarter recordings, and much more! Additionally, this episode is loaded with exclusive behind-the-scenes excerpts from the recording sessions, giving you the opportunity to be a fly on the wall for a variety of key moments in the creation of these new recordings. Unlike certain notorious historical figures, we keep no secrets on this show, so give it a listen and get the inside scoop! Your The Legend That Walks Like a Man & Hitler's Secret Track List!Please send your correspondence to mail@goldsmithodyssey.com.
In the summer of 2022, your humble hosts David and Yavar had a conversation with Mike Matessino about his work on the Director’s Edition of Star Trek: The Motion Picture (both the original DVD presentation and the dazzling new 4K restoration). While some of the revelations Mike offered prevented us from releasing this show until now, we are pleased to finally share this extraordinary interview. Over the course of this bountiful conversation, Mike talks about the years he spent working alongside director Robert Wise, the circumstances that led to the creation of the Director’s Edition, the challenging aspects of the restoration process, the ways in which the many changes enhance the film’s storytelling, his discussions with Jerry Goldsmith about the project, and so much more. This is our longest show to date, but one we feel is well worth the time. It’s an essential supplement to The Director’s Edition, loaded with insights from a man who knows the film as well as anyone. It will startle your senses, challenge your intellect, and alter your perception of the future… or at the very least, provide an absorbing listen. Enjoy!Here is your handy track list! Please send your correspondence to mail@goldsmithodyssey.com.
A lot of unusual noises have been heard in Jerry Goldsmith’s score for The ‘Burbs, so we gathered all of the neighbors together to discuss them. In this very special Soundtrack Spotlight, your humble hosts Yavar, David, Jens, and Clark are pleased to welcome director Joe Dante, editor Marshall Harvey, recording engineer Bruce Botnick, album co-producer Neil S. Bulk, and album art designer Dan Goldwasser. You’ll hear stories about the creation of the film, discussion of the wide array of colorful elements in Goldsmith’s witty score, insights on the creation of the Morricone-heavy temp track, details on the improved sound and additional music offered by the new La-La Land release, and much more! In addition, we also take a little time to discuss the group’s memories of Goldsmith’s collaboration with Dante on the comparably spirited and eclectic Looney Tunes: Back in Action, which turned out to be the final score of the composer’s remarkable career. It’s a joyful, tuneful show with lots of music and memories, so open the trunk and see what you find!Please send your correspondence to mail@goldsmithodyssey.com.
One fateful evening, your humble hosts Yavar, David, and Clark gathered together to record a new installment of The Goldsmith Odyssey, focusing on the Playhouse 90 drama “Project Immortality”. The episode is a character-driven story with just a splash of sci-fi intrigue, starring Lee J. Cobb as a dying scientist who has agreed to let a team of researchers attempt to reproduce his brain using an advanced computer program. The accompanying Jerry Goldsmith score is frequently somber and sensitive, though it also contains some dazzling bursts of energy and color. If we're permitted to say so, it's a good conversation about a good episode of television. The only problem — and it's a sizable problem, to be honest — is that Clark's mic was having issues, and his audio sounds rather dismal as a result. An unfortunate turn of events, but we hope the conversation and analysis proves compelling enough to overcome this issue. Thanks for understanding, and enjoy the show!Track List - Episode 37 - Project Immortality - Playhouse 90Please send your correspondence to mail@goldsmithodyssey.com.
What's that mysterious sound coming from the room upstairs? Could it be the ghost of a murdered composer, playing a distinctly Goldsmithian melody on the piano? Mercifully, no. Upon closer inspection, it was just an audio clip featured in the latest installment of The Goldsmith Odyssey, which focuses on the Ida Lupino-directed Thriller episode "What Beckoning Ghost?" Your humble hosts David, Yavar, and Clark are joined by two special guests: director Amin Maltaqa and composer Panu Aaltio, both of whom have a wide variety of insights to offer on Goldsmith's playfully mysterious score. Also, if you want to get to know Amin and Panu a bit better and hear more about their Goldsmith fandom, be sure to check out our recent Odyssey Interview with them. Enjoy the show, and happy holidays!Here's your handy Thriller - “What Beckoning Ghost?” Track List!Please send your correspondence to mail@goldsmithodyssey.com.
While we've been honored to have both composers and directors appear on The Goldsmith Odyssey, it was a particular treat to welcome our first director-composer team to the program: filmmaker Amin Maltaqa and composer Panu Aaltio, whose new film 5000 Blankets is playing in theaters December 12 & 13 (and will be streamable in the months ahead). In this Odyssey Interview, Amin and Panu tell your humble hosts Yavar, David, and Clark about their deep and abiding film music fandom, their love of Jerry Goldsmith, their collaborative process, and much more! Naturally you'll hear plenty of excerpts from Panu's new score: a melodic, emotional work marked by memorable themes, striking orchestrations, and a welcome sense of old-fashioned romanticism. And stay tuned for our next regular episode, in which Amin and Panu will join us for an examination of Jerry's score for the Thriller installment “What Beckoning Ghost?” Enjoy!To hear Amin and Panu do a deeper dive into Panu’s thematic material and its development over the course of 5000 Blankets, check out this video featurette on YouTube!Please send your correspondence to mail@goldsmithodyssey.com.Mentioned in the show, Erik Woods' program, Cinematic Sound Radio has covered Panu's music a few times.  Here are those shows, Episode 37 being the one to which Amin refers:http://www.cinematicsound.net/tag/panu-aaltio/
On the record, off the QT, and not even remotely hush hush: it's a new Soundtrack Spotlight! Yavar is joined by liner notes writer and film music journalist Tim Greiving for a conversation about Varese Sarabande's new Deluxe Edition of Jerry Goldsmith's Oscar-nominated score for L.A. Confidential. You'll hear about how this score represents the culmination of Goldsmith's noir-themed work, why Tim didn't connect with the film, Tim's approach to the liner notes, the balance between source music and score in the film, Goldsmith's conservative approach to spotting, and more! Along the way, you'll hear plenty of excerpts from the new album, which adds over 15 minutes of previously unreleased music. So give it a listen! Life is good on The Goldsmith Odyssey... it's paradise on earth. Ha ha ha ha. That's what they tell you, anyway.Here's your Odyssey Soundtrack Spotlight - L.A. Confidential Track List!Even more helpful is this L.A. Confidential Comparison spreadsheet made by Jason LeBlanc.  The film versions and album versions can be quite different, with alternate takes and different blends of cues.  We couldn't have covered all of this in the show, and now, you don't need us to!Please send your correspondence to mail@goldsmithodyssey.com.
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Comments (1)

Gianmaria Caschetto

an impressive podcast. mostly for hard-core Goldsmith of film music fans, but supported by an incredible historic research.

May 15th
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