DiscoverBusy Being Black
Busy Being Black

Busy Being Black

Author: W!ZARD Studios

Subscribed: 368Played: 11,833
Share

Description

Busy Being Black with Josh Rivers is the podcast exploring how we live in the fullness of our queer Black lives.

134 Episodes
Reverse
You’ll no doubt have heard of and read Kuchenga Shenjé's debut novel, The Library Thief, which brings together her passions for history, mystery and rebels; and you’re likely to have felt the warmth and humour of her writing in publications like British Vogue and Stylist. In our conversation, we explore how she came to the transformative decision to pursue sobriety, her hodgepodge approach to her spirituality and spiritual practice, how the deferred dreams of her mother and grandmother have shaped how she enjoys her life and what she’s learned from the characters in her novel and daring women across history about what it means to live a life worth writing about. You can find out more about Kuchenga here. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices
I’ve been invigorated by Legacy Russell’s ongoing inquiries into how we come alive together. Whether she’s encouraging us to think expansively about the connection between marine life and Black agency under duress, or pointing us towards the liberatory possibilities at the intersection of our bodies, genders and technologies, her work is evidence of her desire and drive to live in a world in which Black folks thrive. We explore how an investigation into visual culture helps us appreciate and reckon with the role Black people have played in shaping the modern world, our responsibility as global and digital citizens to harness the internet to collectively push forward what our shared future looks like, and what we learn from what it means to really live—or to not live—from the ancestors who refused to survive the Middle Passage.  Legacy's first book, Glitch Feminism, explores how we find liberation in the glitch between body, gender and technology; her second book, Black Meme, shows us how images of Blackness have always been central to our understanding of the modern world. Both are available from Verso Books. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we engage with and sustain Black cultures, communities, histories and futures outside of the extractive infrastructures and institutions that thrive on Black death and disposability? Maleke Glee is a curator and scholar of cultural sustainability who offers go-go music as a wonderful working example: a genre and sonic landscape native to Washington DC, with an insular economy that supports self-taught and formerly incarcerated musicians. Our conversation today also explores the spiritual work that undergirds Maleke’s ongoing research into and preservation of go-go music, how initiatives for Black inclusion within art world institutions often stifle ongoing efforts to sustain Black vernacular cultures, and how a closer relationship to ugliness helps us queer what it means to embody and pursue Black excellence. If you’d like to dive deeper into the cultural, vernacular and academic references named throughout this conversation, please subscribe to Field Notes, a newsletter that collects the wonderlust that inspires and informs conversations on Busy Being Black. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices
Angelina Namiba serves as a possibility model for effective and sustained engagement with those vulnerable to HIV. When she was diagnosed in the early 90s, she immediately set to work to understand why Black women were being left out of national efforts to combat the spread of the virus, and she participated in and assembled groups of women committed to raising the voices of women living with HIV globally. She is a titan within England’s HIV advocacy movement and she has worked for almost 25 years to promote and advocate for the involvement of women living with HIV in forming and informing local and national HIV strategy and policy. Today, we explore the resilience required to sustain our advocacy when our lives are systemically undervalued and the ongoing need for cultural competency within the NHS, which despite being built on the backs of Black women, still leaves so many Black women to suffer in silence. Angelina shares the mnemonic device she created to help women remember their rights when engaging with healthcare practitioners, and the role literature, storytelling and book clubs have played in bringing her and others like her together to effect systemic change. Angelina reminds that in the face of anti-Blackness, homophobia and misogynoir, it has always been us looking after us. Recommended reading: Our Stories Told by Us by Angelina Namiba Queer Footprints by Dan Glass Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dennis Carney is an elder whose respect among our community needs no justification nor explanation. Among much else, he led the now-closed Black Gay and Lesbian Centre in Brixton, and he has worked for 25 years as a therapeutic practitioner, supporting Black gay men to love themselves more deeply, hold their emotions more gently and show up in the world more fully. We explore his involvement in the Stop Murder Music campaign, the internationalism of Brixton’s Black Gay and Lesbian Centre and the creation of “Let’s Wrap”, the UK’s first-ever discussion group for Black gay men, which was hosted at London Lighthouse, the leading hospice and charity for people living with HIV. We attend to the history of the long 1980’s, and Dennis shares his advice and insights on what we should pay closer attention to about that fraught, traumatic and generative period of our collective history. Dennis shares how his disillusionment with the efficacy of protests and marches helped recalibrate his energy and efforts towards self-empowerment within our communities, and we broach the ever-important topic of intergenerational conversations, including what we learn from each other in our efforts to get free. Dennis reminds us that love for oneself and community, especially within a world so primed for lovelessness, has a singularly motivating power that supports us in being the change we hope to see in the world. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are living through a particularly tense geopolitical moment and I have found myself in a near-constant state of anger over the past couple of weeks. I have had to work very hard to ensure the language and energy I put out into the world is not only angry, but productive. To help me – and us – show up with compassion and clarity in this moment, I’m resurfacing my 2019 conversation with communications provocateur Jean Lloyd. Jean has spent her life deeply committed to the emancipation of the human spirit and she invites us to focus on and remember that language is a tool used to create, not destroy. We explore the difference between talking and communication; forgiveness and making peace with unanswered questions and missing apologies; the urgent, important and life-long work of being ourselves; and communication as the essential tool for love and our liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices
I’m thrilled to share this conversation with British Nigerian writer and curator Irenosen Okojie, which was recorded at the Garden Cinema in London after a private viewing of Blitz Bazawule’s new musical adaption of The Color Purple. Our conversation was one of many events that took place as part of Irenosen’s Black to the Future festival, an afrofuturist celebration of outstanding Black artists and a growing space for visionary imaginings to thrive. We explore why The Color Purple aligns with Irenosen’s notions of afrofuturism; the lessons we can learn from characters within the novel and the musical about Black hope, family and love; and the ways Black queer people across space and time continue to live, by example, the futures we deserve to inhabit together. Thank you to our friends at Warner Bros, The Royal Society of Literature and The Garden Cinema for making this conversation with Irenosen possible. Learn more about your ad choices. Visit megaphone.fm/adchoices
The urgent problems of our time require collective engagement with the generative offerings of our imaginations. Whether our work calls us to challenge the extractive practices ruining our planet, educate a new generation of thinkers and creators, or to put out into the burning world poetry that awakens and enlivens, each of us carries – and feels the weight of – a responsibility to help fashion a better future. My guests today offer us ways to tackle the demands of liberation through active engagement with the Black radical imagination and tradition. I’m in conversation with Melz Owusu, Marai Larasi and Yomi Sode. Melz is the Founder of the Free Black University and a PhD researcher at the University of Cambridge. Marai is a feminist advocate, community organiser and consultant who has worked in social justice for over twenty-seven years. And Yomi is an award-winning writer and the recipient of the 2019 Jerwood Compton Poetry Fellowship. This conversation was recorded at Rehearsing Freedoms, a festival of community health, healing, movement building, arts and culture created and curated by Healing Justice London. And together we explore how the Black radical imagination helps shift us out of oppressive landscapes and times, and towards just and dignifying worlds that affirm Black aliveness. Learn more about your ad choices. Visit megaphone.fm/adchoices
Julian Joseph is acclaimed as one of the finest jazz musicians to emerge this side of the Atlantic and his career has been characterised by many ground-breaking advances: he was the first Black British jazz musician to host a series of concerts at London’s Wigmore Hall and the first to headline a late-night televised performance at the BBC Proms. We explore how jazz and life are both animated by the art of improvisation, the methodology that undergirds the educative offering of the Julian Joseph Jazz Academy, the instruments and symphonies that enchant him, the artists and composers he recommends to inspire us to adventure, and his message to those who feel like they have music within them, but aren’t quite sure how to get it out. Julian plays Gershwin with London Philharmonic Orchestra on 22 November – and subscribers to Field Notes have an exclusive discount on tickets. About Busy Being Black Busy Being Black with Josh Rivers is the award-winning podcast that centres and celebrates queer Black liveliness. Help these enlivening conversations reach more people, by leaving a rating and review. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Learn more about your ad choices. Visit megaphone.fm/adchoices
Questioning and then breaching our limits is a salient and consequential concern — and a quest Elijah McKinnon undertakes as founder and executive diva of Open Television (OTV), a platform and media incubator for intersectional storytelling. Elijah’s insights into how their imagination is supported and encouraged by their pragmatism made me think and reflect on how I engage with my own; and we wax lyrical on a shared desire to become undone. We explore the difference between surrender and intentional release, the differing demands of and confusion between transparency and vulnerability, and refusing to be bound by other people’s ideas and labels. Elijah reflects on their stewardship of OTV, the care required to sustain artistic vitality, and how an entitlement to softness has transformed their sense of duty to themselves and the communities they love. About Elijah McKinnon Elijah McKinnon (they/them) is an award-winning entrepreneur, strategist and visionary from the future currently residing on planet earth. They are the founder of Chicago-based consultancy and creative studio People Who Care, which specialises in campaign development and management, brand strategy and identity and cultural productions exclusively for non-profits and grassroots initiatives. Elijah is the Co-founder and Executive Director of Open Television, an Emmy-nominated non-profit and web TV platform for intersectional artistry. About Busy Being Black Busy Being Black with Josh Rivers is the award-winning podcast that centres and celebrates queer Black liveliness. Help these enlivening conversations reach more people, by leaving a rating and review. Sign up for Field Notes – Busy Being Black's newsletter offering to encourage your wonderlust. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Learn more about your ad choices. Visit megaphone.fm/adchoices
Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Kokomo City takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers: Daniella Carter, Liyah Mitchell, Dominique Silver and the late Koko Da Doll, who share their reflections on desire, confronting taboos, gender’s many meanings and the ways Black trans women are harmed by both structural and cultural impositions that render their lives less valuable than any other. The film is the directorial debut of D Smith, a veteran of the music industry who was shunned when she came out as trans. In creating Kokomo City, D Smith has captured an unapologetic and cutting analysis of Black culture and society at large from a vantage point that is vibrating with energy, sex and hard-earned wisdom – and tenderness, intimacy and humour. We explore how the artistic process that made Kokomo City possible reflects what D’s learned through her own survival, thriving and liveliness; the role of forgiveness in clearing room for creative expression; and creating art about Black LGBTQ lives that intentionally extends beyond the confining limits of mainstream LGBTQ media narratives. D says she was inspired to create a work of art that not only calls us to imagine and produce more and better options for Black trans women in the world, but also one that cis Black women, her brothers, uncles and father would encounter and which might provoke necessary and life-sustaining conversations about the world we want to inhabit together. About D Smith and Kokomo City D. Smith is a Grammy-nominated producer, singer and songwriter. She is the director of Kokomo City, which was executive produced by Lena Waithe, and the film won the Sundance Film Festival’s NEXT Innovator Award and NEXT Audience Award, as well as the Berlinale’s Audience Award in the Panorama Documentary section. Kokomo City is released in the UK and Irish cinemas on 4 August, 2023. A special thank you to Campbell X for always advocating for Busy Being Black and thus making this conversation possible. About Busy Being Black Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices
At just 23 years old, Leon Benson was sentenced to 61 years in prison for a murder he did not commit. At 47 years old, Leon is a free man after his case was taken up by lawyers at the University of San Francisco Law School’s Racial Justice Clinic. Over 25 years, Leon consumed as much knowledge as he could get access to, which helped him explain the complex dynamics of not only his physical form in relation to confined space, but also of how his mind made sense of the injustice of his experience and the experiences of those like him. We explore the parallel experiences of those confined within and beyond the walls of prison, the awakenings and reckonings that helped him build emotional and psychic resilience and the near impossible task of embodiment in a place that traffics in sensory deprivation. We discuss the moments and people in 2020 that would be instrumental in his release and how people born guilty in America maintain faith in the idea of justice, which he believes is a natural human impulse and, like hope, is also a spiritual practice. About Leon Benson Leon's case was championed by The Racial Justice Clinic at the University of San Francisco’s School of Law and led by all-star attorney and author Lara Bazelon. The particulars of his case are the focus of season three of investigative podcast series Suspect. Leon performs as EL BENTLY 448 and shares his survivor's journey on Innocent Born Guilty, an explosive hip hip record full of poetry, philosophy and world history, inspired by Black-led social justice movements. Innocent Born Guilty is available now from Die Jim Crow Records. Throughout his incarceration, Leon was supported by family, friends and strangers on the internet, like Shannon Coleman and Steve Willet. For those interested in supporting charities in the UK addressing miscarriages of justice and prison reform, please consider supporting the work of Appeal and the Prison Reform Trust. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer and organiser Kenyon Farrow is fighting for better infrastructures of support for queer Black people vulnerable to and living with HIV. He trained as an actor before he pivoting to activism in response to the fault lines he saw emerging as gentrification, criminalisation and healthcare inequalities began to rock his personal and extended networks. He has since coordinated campaigns large and small, local, national and global at the intersection of public policy, public health and social justice. Today, we explore his upbringing in Cleveland, Ohio – including watershed encounters with gay Black film and literature – and the events that led to a hard pivot from acting to activism. He shares how his work at the policy level is work that centres queer Black liveliness, and speaks lovingly about house music and house music spaces as evidence of the ways queer Black communities create for themselves that which is often structurally denied: spaces of love, care, spiritual renewal and healing. About Kenyon Farrow Kenyon Farrow is a writer, editor and strategist working at the intersection of public health and social justice. Kenyon has a long and distinguished track record working in communities impacted by HIV. BET named Kenyon a "Modern Black History Hero". About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices
Earlier this year, writer, actor and director Rikki Beadle-Blair gave an electrifying and affirming keynote speech at Let’s Debate, a conversation about creativity and culture in the UK, produced by arts commissioner Mediale with the support of Arts Council England. As Rikki does, his speech centred his insistence that marginalised communities create art unashamedly; and at a time of increased cultural and political disregard for queer life around the world, Rikki reminds us all that art-making is life-giving. So it feels like the right time to resurface our 2018 conversation, in which he asks us to pay closer attention to the beauty that abounds around us and within us, and to our role as creators of the worlds we want to inhabit. Watch: Let's Debate Keynote for Inclusivity and Relevance About Rikki Beadle-Blair Rikki Beadle-Blair MBE is a British actor, director, screenwriter, playwright, singer, designer, choreographer, dancer and songwriter of British/West Indian origin. He is the artistic director of multi-media production company Team Angelica. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices
Farzana Khan is the tender titan leading the transformative work of Healing Justice London, which works to dignify lives made vulnerable and to cultivate public health provisions for collective liberation. She's a writer, cultural producer and award-winning arts educator, and her work centres community health, repair and self-transformation, rooted in disability justice, survivor work and trauma-informed practice. We share a love for the poetic wisdom of Kevin Quashie and language and practices that engender tenderness. And our conversation today explores how Farzana and the team at Healing Justice London are thinking through and building new infrastructures that respond to the ongoing needs of vulnerable communities. Undergirding this work is Farzana’s commitment to holding and facilitating spaces that invite change through a deeper engagement with the world of feeling and wisdom in our bodies. We discuss the importance of attending to our grief, mobilising with an improved class consciousness and the long work of un-internalising hundreds of years of colonial thinking. Farzana calls on us to refuse the individualising thrust of the colonial regime, so we can then free ourselves for the transformative work of extending ourselves to each other’s aliveness. References in this conversation include: "Unworlding: an aesthetics of collapse", "the endless possibilities of open-source design" and Rehearsing Freedoms. About Healing Justice London Healing Justice London builds community-led health and healing that creates capacity for transformation. Working for and with communities surviving state and systemic oppression, Healing Justice London build towards futures rooted in dignity, safety and belonging and free from intimate, interpersonal and structural violence. Their practice nurtures the work of radical and holistic medicine to support our personal, collective and structural transformation. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices
There is a divine vision for all of us and Mikael Owunna hopes his work can be a vessel for the transformation of our consciousness. Trained in the mechanics of bioengineering and empowered by the imaginative possibilities of photography, his artistic practice conjures queer Black people as embodied reflections of the black and brilliant cosmos. He does this work because he believes we, as queer Black people, are heirs to African cosmological traditions, which place us as the stewards of spiritual experience and as gatekeepers between the realms of the physical and the numinous. Our conversation explores how Mikael utilises technology to help us reencounter ourselves as divine beings, what 50 different expressions of queer Black liveliness taught him about his own capacity for self-actualisation and how art helps us push back against distorted images of ourselves. About Mikael Owunna Mikael Owunna is a Nigerian American multimedia artist, filmmaker and engineer. He is the Director of Mikael Owunna Studios, LLC., a full-service art production company, and the co-founder of Rainbow Serpent, Inc., a Black LGBTQ art nonprofit. His art emerges from the generative intersection of technology, art and African cosmologies, with the aim of reanimating our imaginative possibilities. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of us have an intimate and ongoing relationship to shame and shame forms part of a very public conversation about what it means to be queer in the world. And until my conversation today, which is with social worker and psychotherapist Rahim Thawer, I thought I had a pretty good grasp of what shame is. I was wrong. I wasn’t aware, for example, of how shame really operates, nor how it prevents the radical intimacy necessary for our collective liberation. Our conversation today explores how shame thrives on white supremacist ideas of desirability, how we learn to live with shame’s imprint and residue and the four defensive behaviours we exhibit to separate us from our shame. Rahim also shares why attempts to love ourselves before we can love anyone else will always leave us wanting; and says that contrary to the dominant culture’s insistence that shame is a problem for the individual to address in isolation, we must learn that love for yourself only develops in positive relationships with other people. For those who’d like to dive deeper, Rahim has a number of articles available on Medium. About Rahim Thawer Rahim Thawer works as a psychotherapist, clinical supervisor, facilitator and public speaker, sessional lecturer, writer and community organiser. Rahim is particularly interested in examining innovation in queer relationships. He has dedicated almost ten years to community organising with Salaam Canada, a national volunteer-run LGBTQ Muslim organisation. He was also a co-editor and essay contributor in a local history anthology entitled Any Other Way: How Toronto Got Queer. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emily Aboud – Splintered

Emily Aboud – Splintered

2023-04-2601:03:44

Emily Aboud believes that art needs to be political. Whether in its critique of power or its provocation of joy and laughter, art must help move us towards freedom. Her cabaret-play, Splintered, gathers the first person experiences of 12 queer women in Trinidad and Tobago and weaves together these experiences to show how queer women living under threat of homophobic violence manage to cultivate and nurture intimacy, joy and resistance together. Emily says she made an explicit and intentional decision to avoid centring the trauma queer women know so well, deciding instead to let laughter, irreverence and satire act as the vehicle for a necessary critique of what post-colonial countries and cultures decide to hold onto. We explore Emily’s complicated feelings about carnival, her adoration of the mythic shapeshifter Lagahoo, and her challenge to what she calls the false binary between art and science. Emily says art and science are asking the same question in two distinct but connected ways and we discuss how Splintered is evidence of her scientific approach to theatre-making. About Emily Aboud Emily Aboud is a theatre director, a film director and a writer of mixed heritage, born and raised in Trinidad and Tobago, based in London. She won the Evening Standard Future Theatre Award in 2021. She is an associate artist at the Bush Theatre and Artistic Director of Lagahoo Productions. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices
When we think of the sweeping constellation of music that is Americana, we could be forgiven for thinking of it as a genre that doesn’t really speak to our lived experiences as queer Black people. Emerging in the 1940s as music borne of the weathered realities of rural life in the United States, Americana is perhaps most closely — if not accurately — associated with the region of Appalachia and the experiences of white Americans. But as my guest, Paula Boggs, makes clear: there is no Americana — no bluegrass, no country, no folk music — without the backbeat of African influences and the musical ingenuity of Black Americans. Paula Boggs fronts the Paula Boggs Band, whose music is described as “Seattle-brewed soulgrass.” She is an accomplished musician and songwriter and the COVID-19 pandemic offered her an opportunity to reevaluate and research, §and to come into closer relationship with her ancestral lineages — an experience which animates Janus, the newest release from the Paula Boggs Band. Today, we explore how the pandemic has altered our understanding of place and belonging, how the segregation of public radio helped obscure the West African roots of bluegrass and why bluegrass is the genre Paula feels most at home within. She also shares the recipe for her 30-year relationship with her wife, a secret sauce which offers insights into how we might create a more graceful civic life together now and in the future. About Paula Boggs Paula Boggs served as Executive Vice President, General Counsel and Secretary at Starbucks Corporation from 2002 to 2012. In 2009, NASDAQ©️ named her its top general counsel. She also had a 14-year career in public service, including as an Assistant U.S. Attorney, and in various capacities as an attorney for the U.S. Army, the Department of Defence and the White House Office of Legal Counsel. She served eight years as a Regular Officer in the United States Army, earned Army Airborne wings and a Congressional appointment to the US Naval Academy – among America’s first women to do so. Paula is a graduate of the University of California at Berkeley School of Law and earned a bachelor’s degree in International Studies from Johns Hopkins University. She was also an adjunct professor at the University of Washington School of Law and she served under President Obama on the President's Committee on the Arts and the Humanities. About Busy Being Black Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Theory and Play of the Duende, Spanish poet Federico García Lorca extolled the artistic necessity of duende – a poetic and artistic force that emerges from the darkness of our wounds. Lorca believed that art could only be great when duende was joined with wisdom and inspiration; the romance of angels and muses alone is not enough to create art that resonates with our fleshy, human experience. It was duende I thought of while in conversation with my guest today, Mojisola Adebayo. She is a performer, playwright and theatre maker, who often draws from the deep wells of Black pain to address the extractive practices that have robbed Black people of our lives and environments for 400 years. She marries these histories of extraction with the fantastical, adventurous and more-than-human to create art that challenges, provokes and inspires. Today, Mojisola takes us on a journey from Goldsmiths University to Antarctica, to space and back again, in a conversation that explores utilising performance to challenge the sanctity of whiteness, what an orgasm-seeking space odyssey tells us about the world-changing potential of queer Black pleasure, and how the reanimation of the life and story of Henrietta Lacks prompts us to consider our own genealogical and cosmic immortality. About Mojisola Adebayo Mojisola Adebayo is a Black British performer, playwright, director, producer, workshop leader and teacher of Nigerian (Yoruba) and Danish heritage. Over the past 25 years, she has worked on various theatre and performance projects from Antarctica to Zimbabwe. She has acted in over 50 theatre, television and radio productions, and devised and directed over 30 scripts for stage and video. More information about STARS: https://tamasha.org.uk/projects/stars/ More information about Family Tree: https://www.atctheatre.com/production/family-tree-uk-tour-2023/ About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices
loading
Comments (9)

Kraig Le Fevre

this is a shit hole country huh you need to go visit Venezuela or Cuba Or north Korea or China and do not tell any one in a Muslim country your gay or trans. they will kill you ....but I guess you really don't know what your talking about.

Jun 8th
Reply (5)

Warrior of Wessex

Anti-white racist garbage.

Nov 22nd
Reply

Mark H.

I don't know much about Lama Rod Owens... but after checking out his website, if he really is one of the top Buddhist leaders he claims he is, and quotes himself by, then he should be mindful of not tripping over his own ego (like we all should).

Jul 1st
Reply

Dan mile

I don't base who I am by the color of my skin, more like the content of my character.

Jun 30th
Reply