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Marooned! on Mars with Matt and Hilary
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Marooned! on Mars with Matt and Hilary

Author: Matt Hauske & Hilary Strang

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a kim stanley robinson read-along podcast with regular forays into utopia. hosted by some friends who are into communism, science fiction and other stuff
133 Episodes
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Our review of Ridley Scott's Napoleon. Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
A very special episode of Marooned on Mars, a backdoor pilot, as they say in the biz, of Obstructed Viewing with friends of the pod returning-guest champion Bill and Dauphin Josh debuting their new movie podcast (has anyone ever done a podcast about movies before?). The theme of the show today is sabotage and movies that feature it: The Train (John Frankenheimer, 1964) and Sorcerer (William Friedkin, 1977). If possible, you should watch these movies before listening, just so you know what the heck we’re talking about. What is sabotage, who does it and why? Is terrorism sabotage by another name? What level of complicity does a saboteur need to have with the object or process that is the target of their sabotage? Why do people commit sabotage? How does sabotage relate to self-sabotage? Is it a negative or positive action? Is there a dialectics of sabotage? What is the good of sabotage in and of itself? What is the temporality of sabotage? But more importantly, how awesome are these movies, huh? Lots of stuff going on in them that’s sabotage, and perhaps even more that’s not sabotage! We talk about money, the national question, art, culture, modernity, economics, labor, politics, all the classic Marooned topics our listeners have grown accustomed to love and expect. With a special appearance by Slavoj Zizek. Follow Obstructed Viewing on your podcast app of preference! Marooned will be back sooner or later with more of whatever it is we do. Thanks for listening! Find Obstructed Viewing at obstructedviewpod.com, here, or wherever you get your p'casts! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars  Leave us a voicemail on the Anchor.fm app  Rate and review us on iTunes or wherever you listen to your podcasts!  Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
In our final reckoning with GALILEO'S DREAM, we talk about our horrible voices and their dumb verbal tics, the trickiness of time travel narratives, anticlimactic moments, conspiratorial webs, the decentering of Event, crabbing sideways toward the good, rocking, the universal unity of grief, and Milton doing TikTok dances. Thanks for listening! We'll be back later, probably with a movie episode or several. You can let us know what you'd like us to read next by emailing or tweeting. Stop donating to our podcast! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars  Leave us a voicemail on the Anchor.fm app  Rate and review us on iTunes or wherever you listen to your podcasts!  Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
This episode we discuss the Jovian society, the way the novel posits the relationship between science and religion, the entwined logics of extraction and redemption, the astrological epistemology, ecstasy, the our own Thirty+ Years War, and whales. Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
In probably our greatest episode ever, Matt and Ms. Partial Sentence talk about all the stuff we normally talk about, like Shark Tank, redemption, helmets, jazz, the Divine Comedy, and Constructivism. Plus Matt does drugs. Stay tuned to the very end to hear our next-level casting idea for who should play Galileo in the movie adaptation. The answer may shock and surprise you! Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
Buongiorno! We're back with another thrilling series of discussions, and back to our author of choice, Kim Stanley Robinson. This time around we're discussing his weird and wonderful 2009 novel Galileo's Dream! Lots to talk about here, like history and who it's for, narrational voice, genre, science's relationship to religion, politics, money, power, and labor, and, of course, cats. For this book our conversations will focus more on big themes rather than a narrative blow-by-blow. So: spoilers ahead! (Oh, and we also discuss the concept of spoilers with relation to this book.) This episode covers roughly the first hundred pages or so, though again our conversation is mostly conceptual and thematic. But it was a fun talk to have, hopefully a fun one to listen to, about a book that is super super fun! Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
This week, we apologize for discussing STEALTH, an extended Incubus music video/ American military propaganda directed by Rob Cohen. Join us as we discuss the exploits of Ben "Big" Gannon (Talon 1, Josh "George" Lucas), Kara "Caraway" Wade (Talon 2, Jessica Biel), and Oscar-winner Jamie Foxx (Talon 3, "Henry"), as they face the threat of global terrorism and technological job precarity at the hands of EDI (Extreme Deep Invader), a VLO (Very Low Observable) UCAV (Unmanned Combat Aerial Vehicle), call sign Tin Man. If that isn't enough names for you, please listen to us talk about this quasi-post-western of the GWOT era and wrestle with the moral conundrums surrounding the question of who, when, and where to drop bombs and "get these bastards." The answers may surprise you! (They are "the bad guys," "always," and "over there.") Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
This week we are reading a very special, wonderful book, Everything for Everyone: An Oral History of the New York Commune, 2052-2072, by M.E. O'Brien and Eman Abdelhadi from Common Notions. Told as a series of interviews by two ageing ex-academics (because academia has been, thankfully, finally, abolished), Everything for Everyone depicts a future in which the central organizing force of human society is the Commune. Emerging unevenly, violently, and somewhat spontaneously around the world at various times and in various forms, the Commune is the form society takes when needs are met and the ubiquitous crises of everyday life under capitalism are addressed head-on. Ordinary people tell their own stories of bringing about and sustaining this post-capital, post-commodity, post-gender, post-state future. Matt and Hilary discuss how this book makes a problem of narrative itself, as well as many of the beautiful features of the world depicted. Care and community are the focus of everyday life, but the book also acknowledges that "care" and "community" are not, and have never been, static concepts. Rather, they are always changing, and the project of human living-together is precisely the work required to meet those ever-changing needs. We see characters bringing about the new ways of life by doing them, by living them. At the same time, the future depicted is not without pain, trauma, or struggle. Rather, trauma--in all its forms--take center stage as the thing to be addressed, worked on, overcome, and healed in a social organization worthy of the name. The Commune here is not a form yet to come, but rather something that's constantly being built.  We talk about crisis, the myth of property, technology, nostalgia, commitment to a social whole, gestation, and writing a future for ourselves, that includes ourselves. We also find potential parallels to KSR, William Morris, Octavia Butler, and Marge Piercy. Buy this book! And get an extra copy for a friend, family member, or enemy, and make them read it and talk to you about it! Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
WARNING: This podcast is a paid advertisement, for a book. The payment for the advertisement that this podcast is was the book that this podcast is advertising. So, it’s not really “paid,” in the sense that the IRS should not worry about this. In this very special episode of Marooned on Mars, we discuss the recently released anthology Tomorrow's Parties: Life in the Anthropocene, edited by Jonathan Strahan and published by MIT Press. We manage to touch on every story in the collection, at least in passing! And in this episode we try our best to minimize spoilers, considering the format of the texts we’re reading and their recent publication. Featuring stories by Meg Elison, Tade Thompson, Daryl Gregory, Greg Egan, Sarah Gailey, Justina Robson, Chen Quifan, Malka Older, Saad Z. Hossain, and James Bradley, artwork by Sean Bodley, and an interview with Kim Stanley Robinson, Tomorrow's Parties touches on many themes that that should be familiar to our listeners: political economy and ecology, trying to make history while living with the legacies of the past, the weirdness of being burdened with a body, capitalism and wage labor. Described by Strahan in the introduction as neither hopepunk nor material for doomscrolling, the stories here are imaginative and engaging, and well worth checking out (if you're into that kind of thing). Next up we'll be doing a deep-ish dive into Everything for Everyone: An Oral History of the New York Commune, 2052-2072, by M.E. O'Brien and Eman Abdelhadi, published by Common Notions. There will be spoilers, so buy it and read it! (You won't be sorry!) Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
Part 1 of 2! In our final episode of our miniseries exploring the Alien franchise, Matt and Hilary, joined by the inimitable Bill, discuss Alien: Covenant, Ridley Scott's second non-prequel, released in 2017. We like this installment quite a bit, and have a lot of fun picking it apart. We talk wheat (the grain!), xenomorph kitty kats (to protect the grain!), and interstellar neoliberal postmodern settler colonialism (to grow the grain! and build a cabin!). Also pregnancy, reproduction, embryos, history and/ of/ by prequels, robots with accents, and kinship. Back very soon with part 2! Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
The fifth and penultimate episode in our ALIEN Franchise series. Joined once again by Bill, we discuss Ridley Scott's return with Prometheus (2012), starring Noomi Rapace (pronounce as you will), Charlize Theron, Idris Elba, and that guy from UPGRADE (a really good sci-fi action movie).  We spend a lot of this episode making fun of this movie instead of properly analyzing it. You can blame Matt for that. We even skip over most of its imagination of reproduction—which we will address in the next episode! What we do talk about is puffy humanoid aliens who might be related to Jesus, the way corporations express love, TED Talks, vulgar Nietzscheanism, Frankenstein, Lawrence of Arabia, the Tower of Babel, intelligent design, and Armond White. Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
We're back, with our discussion of a serious piece of shit, Alien: Resurrection, the Joss Whedon-scripted, Jean-Pierre Jeunet-directed, 1997 mess that concludes the Ripley arc of the Alien franchise. We hate this movie, and unfortunately for you, we talk about it for an hour and a half! If you've never seen it, you might have to suffer through it just to understand what the hell we're talking about, so: our apologies. This disasterpiece is full of anxiety about sex, panic about gender, and downright hatred of women. It's an abysmal example of what Matt terms late-1990s Hollywood Baroque, containing no ideas and making no sense. The phrase "it raises more questions than it answers" could be used here, but only in the worst way, because Alien: Resurrection isn't even interested in the questions it raises in the first place, let alone answering them. Why, for instance, does whiskey come in solid cubes? Why does the Ripley clone know how to fly a spaceship but not how to work a fork? Why doesn't Christie just shake his foot to free himself from the grip of a dead xenomorph? Is that fingernail polish or are her nails actually that color? (And by the way, if you know the name of the popular late-90s nail polish that Hilary references, please let us know)? The answers: stop thinking about it, pigs! Just eat your popcorn and shut up! This movie made us so mad we didn't even notice the distinct and fatal absence of cats. So, again, sorry, but it's not our fault this movie exists. At least Prometheus will be pretty to look at. Thanks for listening, and sorry! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
We’re watching the Assembly Cut (an extra 30 minutes!) of Alien3 for our latest foray into the Alien franchise. This one takes place on a forced-labor penal colony inhabited by a strange religious sect of hyper-violent, hyper-male murderers, rapists, and scoundrels. But Ripley’s not worried because Charles Dance, who’s not at all creepy, is there. We struggle to make some kind of synthetic sense of this film, which has an extremely circuitous production history (which we discuss) making for a confusing but nevertheless fun viewing experience, and an even more fun talking experience. Never mind the names of the characters: they all look alike except for Charles S. Dutton and Ripley. One probably smells like garlic but he can’t help it, and besides he’s crazy. Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
We're back with Bill, tracing the adventures of new mom Ellen Ripley through the vast reaches of space as she returns to LV-426, now a colony (in every sense of the word) being terraformed by the Weyland-Yutani company. Jones has been left behind to... guard the grain. OK. James Cameron's 1986 entry in the Alien franchise takes the form of a war film, but Matt argues it's more like a western. The series from this point begins to focus on reproduction, and we begin to try to make sense of how that fits in with the settler colonial discourse, with a plot that's initiated by an attack on a nuclear family from an indigenous population. A question we end with is, if survival and survivability are so important to the corporation, or to the xenomorph, why would reproduction be necessary at all? This seems to be a contradiction, and we try to resolve it. Along the way we note the film's move into 80s-style militarism, a la Schwarzenegger and Stallone (Ripley goes full Rambo on the Queen), compare Linda Hamilton and Sigourney Weaver along the badassery vs. everygirlness spectra, explore the Biehn line, complain about kids in films, definitively assert that Aliens is better than T2, and explore the supposed universality of motherhood. And more! GAME OVER, MAN! Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
Hop a ride on your nearest commercial towing vehicle and set a course for the stars! We're back with a special series on the ALIEN movie franchise. Joined by our friend and one-and-only guest Bill (who joins us from a fishbowl), we will be discussing all 6 films in the series in order of their release: Alien (1979), Aliens (1986), Alien3 (1992), Alien: Resurrection (1997), Prometheus (2012), and Alien: Covenant (2017) (and Matt just wrote all those, in order, with the correct years, without having to look them up--so off to a good start!). "Modern classic" is an over-used phrase, but Alien, directed by the not unattractive Ridley Scott, actually fits the description. Combining horror and science fiction in a new way, the film raises fascinating questions about both biological and social reproduction, as well as class, gender, and the status of labor. What does it mean to be a survivor, and why is that important for the Weyland-Yutani Corporation? How does the figure of the robot compare to the xenomorph, and what meaning can we make by putting them next to each other? Is Jonesy jealous that the alien gets to kill all those humans? And where are all the mice? These questions and more will be answered DEFINITIVELY. We'll be back soon with Episode 2 on Aliens. Thanks for listening, and above all: Don't Panic! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
In this FINAL episode of our discussion of Green Earth, Matt and Hilary talk about the themes of unintelligibility throughout the novel(s) and think about the ways the novel(s) insert climate change into both the political and the everyday lived realities of people who are used to living relatively comfortable lives. We work through some issues on the historical contexts of the novel's publication and our reading of it a mere 18 (or 7) years later, but in what feels like a radically different world both politically and with regards to climate. The ways the novel does show in a subtle way some of the holes in the kinds of solutions it posits, like the Quiblers' possibility of moving in with the Khembalis, the questionable nature of American democracy vis a vis the fixed (or unfixed) presidential election, and the cloudy relationship between capitalism and liberal democracy, especially in light of the role China plays in the denouement.  We touch on metaphor, science, Buddhism, 1000-year projects, the Chemosphere, class consciousness among the PMC, and so, so much more. Thanks for listening to this season! We'll be taking a bit of a break for a few weeks and will return with a series of episodes on the ALIEN movie franchise, then probably an episode on the book Climate Leviathan: A Political Theory of Our Planetary Future by Joel Wainwright and Geoff Mann. And eventually we'll return to KSR--we still have at least five books left to read! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
In this, our PENULTIMATE episode in our examination of Green Earth, Matt and Hilary start off by sharing what they're going to miss after the global civilizational collapse (heat in the winter, showers, i.e., relief from the pressure to be clean), and talk about how we're not talking about the very real threat of civilizational collapse. Then we talk about Chapters 25, 26, and a bit of 27 before we run out of brain power. Here our conversation runs through decision-making and the myths surrounding it, complaints about sociobiology and evo psych and their connection to imagining responses to climate change, the ways history keeps us anchored to the present, realism and science fiction. How will we wrest freedom from the grasp of necessity? What is the ransom adequate to save the world? Are cats a liquid or a solid? We dive deep into Edgardo's experience of the Piazzolla concert and think about the premise that all joy is anticipatory, "dragged out from some better future time," and we lament the total unnecessariness of the misery of the present that we all, nevertheless, persist in reproducing. Whether we find all that funny is an open question. This section also includes "Sacred Space," which depicts Rudra's death and funeral and Charlie and Frank's trip to the Sierras. We wonder about the Single-Frank Theory, also known as the Theory of Transcendent Franks. This episode is bookended by cat appearances, so be sure to stay tuned until the end! (And don't make your hobby your side hustle.) Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
Starting Sixty Days and Counting, Chapters 21-24 Again we ask the big questions: Why are we doing this? When does Frankie say, "relax"? What if the 14 multinational corporations standing on each other's shoulders wearing an American flag overcoat that claim to be the USA suddenly took off the overcoat? We have some pre-Uvalde, post-Obama thoughts about Phil Chase's idea that America is the "hope of the world," as well as housing precarity, plastic(!), hiding things in forests, and total information awareness. We don't achieve total information awareness in this episode, but hopefully we're getting close! (This was recorded on May 15.) Thank you for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
First, the name of the Buddhist climate activist who self-immolated in front of the Supreme Court was Wynn Bruce. Matt forgets his name when he mentions him, but everyone should know him. In this episode, we finish volume 2 of Green Earth, discussing "The Cold Snap," "Always Generous," "Leap Before You Look," and "Primavera Porteño"-- in a very freewheeling manner, it must be said! We talk about the gap between knowing and acting, seeming and being. And ponder the following questions: Are elections meaningful?  Is Frank's brain injury the cause of his indecision? Is the Khembali exorcism ceremony real? Which of them are theater? Paranoia, bourgeois individualism, coping, illusion, co-imagining trauma and the everyday, living a whole life--big themes in this episode! We also mourn the passing of Hilary's cat and frequent podcast drop-in Louise, and look forward to the utopia of feline immortality under communism. Thanks for listening! Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
NOTE: This episode was recorded in early April. In this episode we focus on “Is There a Technical Solution?,” “Autumn in New York,” and “Optimodal.” But first we spend some time (as usual) lamenting the state of the world, especially the plight of the unhoused from Maine to Chicago. We decide private property should be abolished, which is also one of the best takeaways from Eric Holthaus’s The Future Earth. We also curse Barack Obama for what the Obama Center is doing to the South Side of Chicago. A bad guy, actually! This leads us into thinking about public space and the commons, which takes us back into Green Earth and Frank’s experience living in a tree in Rock Creek Park. Here, outdoor spaces have become something more than what they were before the flood and the freeze. In the park, with Frank, the bros, and the frisbee golfers, we can find the novel’s speculative kernel, taking us outside the question of whether science can become political and whether politics can be reconciled to science. We talk about home and habits, how the everyday lives of the characters are so partitioned and look for the things that hold Frank’s life together, one of which is the economy, indebtedness, insurance–ironically the very thing that, in the novel’s A-plot, may force the world to change course. The uninsurability of property in the face of catastrophic climate change may force capital into a different direction. In this way, Green Earth provides an actuarial imagination that gives a different relationship to the future, in ways that KSR will continue to develop in New York 2140 and The Ministry for the Future. Meanwhile, Phil Chase is doing his Wizard of Oz routine, and Matt and Hilary reflect on what it looks like when our politics is centered on charismatic leaders. Being beholden to a pseudo-magical figure and the hierarchies and dependencies entailed by that arrangement don’t lend themselves to having a better democracy. Even Frank’s relationship with the bros seems to be one of liberal benevolence, which they do not fail to call him on. We critique Chase’s speech calling on America to fulfill its “historical destiny” and put pressure on the possibility of threading the needle between the U.S. being a world leader without being hegemonic, “inventing permaculture” without engaging in imperialism. Can we reconcile the idea of the nation-state with the idea of a global civilization? What does “culture” mean in a borderless world? The whole notion of “permaculture” is a weird one–isn’t culture constantly changing? The section ends with some hints toward the need for a new global religion, with Frank dipping his toe in Emerson (and then getting beat up). Hilary pulls a switcheroo, picks a bone with Donna Haraway, demands action, and Matt plugs Tokyo Vice. It’s all happening. Email us at maroonedonmarspodcast@gmail.com Follow us on Twitter @podcastonmars Leave us a voicemail on the Anchor.fm app Rate and review us on iTunes or wherever you listen to your podcasts! Music by Spirit of Space --- Send in a voice message: https://podcasters.spotify.com/pod/show/marooned-on-mars/message
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Martin Dieu

ideology

Sep 17th
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