Decoder with Nilay Patel

Today, we’re going to try and figure out "digital god." I figured we’ve been doing Decoder long enough, let’s just get after it. Can we build an artificial intelligence so powerful it changes the world and answers all our questions? The AI industry has decided the answer is yes.  In September, OpenAI’s Sam Altman published a blog post claiming we’ll have superintelligent AI in “a few thousand days.” And earlier this month, Dario Amodei, the CEO of Anthropic published a 14,000-word post laying out what he thinks such a system will be capable of when it does arrive, which he says could be as soon as 2026. Verge senior AI reporter Kylie Robison joins me on the show to break it all down.  Links:  Machines of Loving Grace | Dario Amodei The Intelligence Age | Sam Altman Anthropic’s CEO thinks AI will lead to a utopia | The Verge AI manifestos flood the tech zone | Axios OpenAI just raised $6.6 billion to build ever-larger AI models | The Verge OpenAI was a research lab — now it’s just another tech company | The Verge California governor vetoes major AI safety bill | The Verge Inside the white-hot center of AI doomerism | NYT Microsoft and OpenAI’s close partnership shows signs of fraying | NYT The $14 Billion question dividing OpenAI and Microsoft | WSJ Anthropic has floated $40 Billion valuation in funding talks | The Information Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today’s episode, well — it’s a ride. I’m talking to Intuit CEO Sasan Goodarzi, who’s built Intuit into a juggernaut business software company in part through a series of major acquisitions: TurboTax, MailChimp, CreditKarma, and loads more. There’s a lot of good Decoder material there, and we get into it.  But it’s TurboTax, and the company’s tax lobbying efforts to protect it, that really drives a major narrative about Intuit, for better and worse. So you can bet I asked Sasan about all this, and it got a bit contentious. In fact, the company's chief communications officer even demanded we delete a portion of this interview over an exchange with Sasan on TurboTax. Don’t worry — we don’t do that here at The Verge. So expect to hear that section right up top, with the rest of the interview following after. Links: Inside TurboTax’s 20-year fight to stop Americans from filing taxes for free| ProPublica TurboTax deliberately hid free file page from Google Search | ProPublica TurboTax maker Intuit spent millions in record lobbying blitz | OpenSecrets FTC: Intuit’s “free” TurboTax ads misled consumers | The Verge TurboTax isn’t allowed to say it’s ‘free’ anymore | The Verge Intuit owes you money if it made you pay for TurboTax “free” | The Verge IRS extends its Free File tax program for five more years | The Verge IRS Direct File set to expand availability in a dozen new states | IRS Mint is shutting down, and it’s pushing users toward Credit Karma | The Verge Intuit Mailchimp CEO Rania Succar on Decoder | Decoder Ethics Statement | The Verge Transcript: https://www.theverge.com/e/24037861 Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today’s episode is a little different: Digitas CEO Amy Lanzi and I recorded this conversation live on stage during advertising week in New York City at an event graciously hosted by Adweek.  I've actually been dying to talk to Amy. Digitas is one of the most important agencies in the entire advertising business with huge clients and massive influence over big platforms like Instagram and YouTube. After all, they're the ones buying the ads that keep all of those companies afloat. As you'd expect, she has a lot of thoughts about influencers, creators, AI, and everything that is going to change the advertising industry in the months and years to come. Links:  Publicis Groupe acquires influencer-marketing giant Influential | Marketing Dive Epsilon has first Digital CDP to provide native omni-channel activation | Epsilon Stagwell is on the hunt for adtech as the ad company continues its acquisition spree | BI Emma Chamberlain Is the People’s Influencer | Allure Inside the World of Sephora Squad | Marketing Scoop Fanatics Launches Fanatics Live, a Next-Gen Live Commerce Platform | Fanatics There’s no AI without the cloud, says AWS CEO Adam Selipsky | The Verge A Google breakup is on the table, say DOJ lawyers | The Verge For Gen Z, TikTok Is the New Search Engine | The New York Times Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. This episode was edited by Xander Adams. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Luis von Ahn is the co-founder and CEO of Duolingo. There are lots of opportunities to enhance a product like Duolingo with AI, and we talk about all that — but I also wanted to talk to Luis about learning, generally. Duolingo is a global product, and there are a lot of tech tensions there, dealing with different user needs worldwide. We talk about it all in a pretty direct way... including all those unhinged things the owl does on social media. Links:  Duolingo Introduces AI-Powered Innovations at Duocon 2024 (Duolingo) Video Call with Lily (Duolingo / YouTube) AI Boosts Duolingo As Company Posts First Profit (Nasdaq) Foreign Language Training (US State Department) Exploring My Villain Origin Story (Duolingo / TikTok) Duolingo cuts workers as it relies more on AI (The Washington Post) Why Silicon Valley Is Talking About Founder Mode (The New York Times) Duolingo's Math and Music lessons finally hit Android a year after iOS (Android Police) Airbnb CEO Brian Chesky on taking it back to basics (Decoder / The Verge) How Duolingo is using its 'unhinged content' with Duo the Owl (Digiday) How we turned Duo's butt into a viral Super Bowl commercial (Duolingo) A Duolingo employee has apologised for joking about Amber Heard (The Tab)  Transcript: https://www.theverge.com/e/24031882 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. This episode was edited by Xander Adams. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I’m talking with my good friend David Pierce, Vergecast co-host and The Verge’s editor-at-large, about something he spends an ungodly amount of time thinking and writing about: software. Scores of new workplace apps are cropping with clever metaphors to try to make us work differently. Sometimes that works… and sometimes it really, really doesn’t. And it feels like the addition of AI to the mix will accelerate the pace of experimentation here in pretty radical ways. Links:  Why software is eating the world | Wall Street Journal (2011) Mailchimp CEO Rania Succar on why email makes sense for Intuit | The Verge Why would anyone make a website in 2023? | The Verge Wix CEO Avishai Abrahami isn’t worried AI will kill the web | The Verge Figma CEO Dylan Field is optimistic about AI | The Verge We don’t sell saddles here | Stewart Butterfield (2014) The CEO of Zoom wants AI clones in meetings | The Verge Dropbox CEO Drew Houston wants you to embrace AI | The Verge Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. This episode was edited by Xander Adams. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rabbit’s adorable R1 gadget launched with a lot of hype, but early reviews of the device were universally bad. Now, a core feature, its long-promised LAM Playground has arrived. I had a lot of big questions for CEO Jesse Lyu about how it all works — not just technologically, but if his plans are sustainable from a business and legal perspective.  Links:  Rabbit R1 review: an unfinished, unhelpful AI gadget | The Verge Loopholes aren’t a technology | Buzzfeed News (2012) I tested Rabbit R1's next generation LAM — and it tried to gaslight me | Tom’s Hardware I tried Rabbit's LAM Playground, and I'm still disappointed | Android Authority Rabbit's AI bot will try to help you do anything (keyword is 'try') | Fast Company Rabbit’s web-based ‘large action model’ agent arrives on R1 October 1 | TechCrunch Rabbit R1 founder defends “unfinished” AI gadget | City AM AI hardware is in its flip-phone phase | Fast Company The iPhone 16 will ship as a work in progress | The Verge Humane AI Pin review: Not even close | The Verge Marques Brownlee says ‘I hear you’ after fans criticize his new wallpaper app | The Verge Transcript: https://www.theverge.com/e/24024222 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking to Jason Schreier, a Bloomberg journalist and author of the new book Play Nice: The Rise, Fall, and Future of Blizzard Entertainment. If you don’t know Blizzard, you do know its games — the studio behind Warcraft, Diablo, and Overwatch has achieved legendary status over three decades. At the same time, the company has become emblematic of many of gaming’s biggest failings. Jason’s book is out on October 8th, and it’s an incredible, detailed accounting of how Blizzard started, grew into a hitmaker and, eventually, became a victim of its own mismanagement. Oh, and there are a series of chaotic acquisitions along the way, culminating in Microsoft’s purchase of Activision Blizzard last year. In this episode, Jason and I get into all of this and more.  Links:  Play Nice: The Rise, Fall and Future of Blizzard Entertainment | Hachette  How Blizzard’s canceled MMO Titan fell apart | Polygon Blizzard was built on crunch, co-founder says, but it’s ‘not sustainable’ | Polygon Inside Activision and Blizzard’s corporate warcraft | Bloomberg Blizzard cofounder’s new company Dreamhaven aims to recreate old magic | Bloomberg Activision Blizzard’s rot goes all the way to the CEO, alleges report | The Verge Activision Blizzard’s workplace problems spurred $75 billion microsoft Deal | WSJ California settles Activision Blizzard gender discrimination lawsuit | The Verge Microsoft completes Activision Blizzard acquisition | The Verge Microsoft lays off 1,900 Activision Blizzard and Xbox employees | The Verge Credits:  Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt Strauss is the Chairman of Direct-to-Consumer at NBC Universal. That’s a big fancy title that means he’s not only in charge of Peacock but also every other streaming video offering the company has worldwide. So you can bet Matt and I got into what that structure even looks like, and how it all operates under the overall ownership of Comcast, which is in the middle of its own massive transition as its traditional cable TV business continues to fade. There’s a lot in this one – tech, media, sports, and culture, all at once. It’s quite a ride. Links:  Comcast's new DVR ditches the hard drive, stores your recordings in the cloud (The Verge, 2013) Comcast and Charter Lost Another 269,000 Broadband Customers Last Quarter (The Motley Fool) It's official, people aren't watching TV as much as they used to (The Verge) The future of TV is up in the air (The Verge) Peacock Quarterly Loss Narrows to $348M as Subscribers Drop to 33M (THR) OTA and free online video drives higher US TV-video viewing hours (S&P Global) Streaming was part of the future — now it’s the only future (The Verge) US pay-TV losses reach a nadir (Light Reading) The 2024 Olympics were a big win for TV of all kinds (The Verge) Court blocks Disney-Fox-WBD sports streaming bundle (The Verge) An AI version of Al Michaels will deliver Olympic recaps on Peacock  (The Verge) Transcript:  Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We have a very special episode of Decoder today. It’s become a tradition every fall to have Verge deputy editor Alex Heath interview Meta CEO Mark Zuckerberg on the show at Meta Connect. This year, before his interview with Mark, Alex got to try a new pair of experimental AR glasses the company is calling Orion.  Alex talked to Mark about a whole lot more, including why the company is investing so heavily in AR, why he's shifted away from politics, Mark's thoughts on the link between teen mental health and social media, and why the Meta chief executive is done apologizing for corporate scandals like Cambridge Analytica that he feels were overblown and misrepresented.   Links: Hands-on with Orion, Meta’s first pair of AR glasses | The Verge The biggest news from Meta Connect 2024 | The Verge Mark Zuckerberg: publishers ‘overestimate the value’ of their work for training AI | The Verge Meta extends its Ray-Ban smart glasses deal beyond 2030 | The Verge The Ray-Ban Meta smart glasses actually make the future look cool | The Verge Meta has a major opportunity to win the AI hardware race | The Verge Instagram is putting every teen into more private and restrictive new account | The Verge Threads isn’t for news and politics, says Instagram’s boss | The Verge Facebook puts news on the back burner | The Verge Meta is losing a billion dollars on VR and AR every single month | The Verge Transcript: https://www.theverge.com/e/24017522 Credits:  Decoder is a production of The Verge and is part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt; our editor is Callie Wright. This episode was additionally produced by Brett Putman and Vjeran Pavic. Our supervising producer is Liam James.  The Decoder music is by Breakmaster Cylinder.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Josh Miller, co-founder and CEO of The Browser Company, a relatively new software maker that develops the Arc browser. The company also has a mobile app called Arc Search that does AI summaries of webpages, which puts it right in the middle of a contentious debate in the tech industry around paying web creators for their work.  We’ve been talking about these topics pretty much nonstop for last year here on Decoder. So I was really excited to have Josh on the show to explore why he built Arc, what he hopes it will accomplish, and what might happen to browsers, search engines, and the web itself as these trends evolve.  Links:  Researcher reveals ‘catastrophic’ security flaw in the Arc browser | The Verge The Arc browser is the Chrome replacement I’ve been waiting for | The Verge Arc’s mobile browser is here — and it’s not really a web browser at all | The Verge Arc is getting better bookmarks and search results, all thanks to AI | The Verge Arc Search combines browser, search engine, and AI into something new | The Verge Judge rules that Google ‘is a monopolist’ in US antitrust case | The Verge Google paid Apple $20 billion in 2022 to be Safari’s default search engine | The Verge One startup's quest to take on Chrome and reinvent the web browser | Protocol Scenes from a dying web | Platformer Perplexity’s grand theft AI | The Verge Transcript: https://www.theverge.com/e/24011410 Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Google’s in the middle of its antitrust case in just as many months, after it lost a landmark trial in August over anticompetitive search practices. This time around, the DOJ is claiming Google has another illegal monopoly in the online advertising market.  Verge senior policy reporter Lauren Feiner has been on the ground at the courthouse to hear testimony from news publishers, advertising experts, and Google executives to make sense of it — and, ultimately, to see whether a federal judge hands the company another antitrust defeat.  Links:  Google and DOJ return for round two of their antitrust fight | The Verge Judge rules that Google ‘is a monopolist’ in US antitrust case | The Verge In US v. Google, YouTube’s CEO defends the Google way The Verge Google and the DOJ’s ad tech fight is all about control | The Verge How Google altered a deal with publishers who couldn’t say no | The Verge Google dominates online ads, says antitrust trial witness, but publishers are feeling ‘stuck’ | The Verge US considers a rare antitrust move: breaking up Google | Bloomberg This deal helped turn Google into an ad powerhouse. Is that a problem? | NYT Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Roy Jakobs. He’s the CEO of Royal Philips, which makes medical devices ranging from MRI machines to ventilators. Philips has a long history —- the company began in the late 19th century as a lightbulb manufacturer, and over the past century it’s grown and shrunk in various ways. Basically, while every other company has been trying to get bigger, Philips has been paring itself down to a tight focus on healthcare, and Roy and I talked about why that market is worth the focus.  Roy and I also talked about an ongoing controversy at Philips that he had a part in: In 2021, after years of consumer complaints, Philips was made to recall millions of its breathing machines. Those devices were eventually tied to more than 500 deaths. That’s a pretty big decision, with massive life-or-death consequences, and you’ll hear us talk about it in detail. Links:  Problems reported with recalled Philips ventilators, BiPAP & CPAP machines | FDA FDA says 561 deaths tied to recalled Philips sleep apnea machines | CBS News Philips kept complaints about dangerous breathing machines secret | ProPublica Top Philips executive approved sale of defective breathing machines | ProPublica Philips reaches final pact with DOJ, FDA on ventilator recall | WSJ Philips suspends U.S. sales of breathing machines after recall | NYT CPAP maker reaches $479 million settlement on breathing device defects | NYT Philips exits shrinking home entertainment business | Reuters Original TSMC investor Philips sells off final shares | PC World Philips unveils new AI-powered cardiovascular ultrasound | Mass Device Transcript: https://www.theverge.com/e/24006874 Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’ve been covering the rise of AI image editing very closely here on Decoder and at The Verge for several years now — the ability to create photorealistic images with nothing more than a chatbot prompt could completely reset our cultural relationship to photography. But one argument keeps cropping up in response. You’ve heard it a million times, and it’s when people say “it’s just like Photoshop,” with “Photoshop” standing in for the concept of image editing generally.  So today, we’re trying to understand exactly what it means, and why our new world of AI image tools is different — and yes, in some cases the same. Verge reporter Jess Weatherbed recently dove into this for us, and I asked her to join me in going through the debate and the arguments one by one to help figure it out. Links:  You’re here because you said AI image editing was just like Photoshop | The Verge No one’s ready for this | The Verge The AI photo editing era is here, and it’s every person for themselves | The Verge Google’s AI ‘Reimagine’ tool helped us add disasters and corpses to photos | The Verge X’s new AI image generator will make Taylor Swift in lingerie and Kamala Harris with a gun | The Verge Grok will make gory images — just tell it you're a cop. | The Verge Leica launches first camera with Content Credentials | Content Authenticity Initiative You can use AI to get rid of Samsung’s AI watermark | The Verge Spurred by teen girls, states move to nan deepfake nudes | NYT Florida teens arrested for creating ‘deepfake’ AI nude images of classmates | The Verge Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Mike Krieger, the new chief product officer at Anthropic, one of the hottest AI companies in the industry. Anthropic’s main product right now is Claude, the name of both its industry-leading AI model and a chatbot that competes with ChatGPT.  Mike has a fascinating resume: he was the cofounder of Instagram, and then started AI-powered newsreader Artifact. I was a fan of Artifact, so I wanted to know more about the decision to shut it down as well as the decision to sell it to Yahoo. And then I wanted to know why Mike decided to join Anthropic and work in AI — an industry with a lot of investment, but very few consumer products to justify it. What’s this all for?  Links:  Instagram co-founder Mike Krieger is Anthropic’s new chief product officer | The Verge Instagram’s co-founders are shutting down their Artifact news app | The Verge Yahoo resurrects Artifact inside a new AI-powered News app | The Verge Authors sue Anthropic for training AI using pirated books | The Verge The text file that runs the internet | The Verge Anthropic’s crawler is ignoring websites’ anti-AI scraping policies | The Verge Golden Gate Claude | Anthropic Inside the white-hot center of AI doomerism | New York Times Dario Amodei, CEO of Anthropic, on the paradoxes of AI safety | Hard Fork No one’s ready for this | The Verge OpenAI announces SearchGPT, its AI-powered search engine | The Verge Amazon-backed Anthropic rolls out Claude AI for big business | CNBC Transcript: https://www.theverge.com/e/24001603 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The web has a problem: huge chunks of it keep going offline. The web isn’t static, parts of it sometimes just… vanish. But it’s not all grim. The Internet Archive has a massive mission to identify and back up our online world into a vast digital library. In 2001, it launched the Wayback Machine, an interface that lets anyone call up snapshots of sites and look at how they used to be and what they used to say at a given moment in time. Mark Graham, director of the Wayback Machine, joins Decoder this week to explain both why and how the organization tries to keep the web from disappearing. Links:  When Online Content Disappears | Pew Research Game Informer is shutting down | The Verge When Media Outlets Shutter, Why Are the Websites Wiped, Too? Slate MTV News lives on in the Internet Archive | The Verge The video game industry is mourning the loss of Game Informer | The Verge Guest host Hank Green makes Nilay Patel explain why websites have a future | Decoder How The Onion is saving itself from the digital media death spiral | Decoder The Internet Archive is defending its digital library in court today | The Verge The Internet Archive has lost its first fight to scan and lend ebooks | The Verge The Internet Archive just lost its appeal over ebook lending | The Verge Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday. In the meantime we thought we’d re-share an explainer that’s taken on a whole new relevance in the last couple weeks, about deepfakes and misinformation. In February, I talked with Verge policy editor Adi Robertson how the generative AI boom might start fueling a wave of election-related misinformation, especially deepfakes and manipulated media. It’s not been quite an apocalyptic AI free-for-all out there. But the election itself took some really unexpected turns in these last couple of months. Now we’re heading into the big, noisy home stretch, and use of AI is starting to get really weird — and much more troublesome.  Links:  The AI-generated hell of the 2024 election | The Verge AI deepfakes are cheap, easy, and coming for the 2024 election | Decoder Elon Musk posts deepfake of Kamala Harris that violates X policy | The Verge Donald Trump posts a fake AI-generated Taylor Swift endorsement | The Verge X’s Grok now points to government site after misinformation warnings | The Verge Political ads could require AI-generated content disclosures soon | The Verge The Copyright Office calls for a new federal law regulating deepfakes | The Verge How AI companies are reckoning with elections | The Verge The lame AI meme election | Axios Deepfakes' parody loophole | Axios Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday, and I’m very excited for what we have coming up on the schedule.  But while we’re out, we’d like to highlight a great episode from the Land of the Giants podcast, which is over at Vulture this season, for a deep dive into Disney. Can it be a tech company? It’s the question that defines the struggles of its streaming service Disney Plus — and it also tells us where it needs to go in the future to compete with Amazon, Apple, and Netflix.  Links:  Disney Is a Tech Company? | Vulture Why Disney plussed itself | Vulture Disney’s CEO drama explained, with Julia Alexander | Decoder The clock is ticking on Disney’s streaming strategy | Decoder The Disney Plus, Hulu, and Max streaming bundle is now available | The Verge Disney reportedly wants to bring always-on channels to Disney Plus | The Verge How baseball's tech team built the future of television | The Verge The year Netflix ended the streaming wars | The Ringer   Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Onion is a comedy institution — and like everything else in media, it went on a pure nightmare hell ride in the 2010s. We could do an entire episode on the G/O Media calamity, but the short version is: A bunch of friends just managed to buy The Onion, and they're busy relaunching the website, going back to print, and, clearly, having a blast doing it. CEO Ben Collins and chief product officer Danielle Strle joined me to explain how that even works in 2024. Links:  The Onion sold by G/O Media | The New York Times Sam Reich on revamping the game show - and Dropout’s success | NPR Platformer’s Casey Newton on surviving the great media collapse | Decoder Craig Silverman: Digital advertising’s structure has been weaponized | Digiday US Warns a Gaza Ceasefire Would Only Benefit Humanity | The Onion The Truth is Paywalled but the Lies are Free | Current Affairs A newsroom expands and The Onion is out again on paper | Washington Post Report: Nuclear War Sounds Fucking Amazing Right Now | The Onion Google defends AI search results after they told us to put glue on pizza | The Verge Jury awards nearly $1B to Sandy Hook families in Alex Jones defamation case | CNN ‘No Way to Prevent This,’ Says Only Nation Where This Regularly Happens | The Onion Transcript: https://www.theverge.com/e/23989633 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today I’m talking with Thomas Dohmke, the CEO of GitHub. GitHub is the platform for managing code – but since 2018, it’s also been owned by Microsoft. We talk a lot about how independent GitHub really is inside of Microsoft — especially now that Microsoft is all-in on AI, and Gitbhub Copilot is one of the biggest AI product success stories that exists right now. But his perspective on AI is pretty refreshing: It’s clear there’s still a long way to go. Links:  Original GitHub landing page | Wayback Machine Introducing Entitlements | GitHub Blog ashtom (Thomas Dohmke) | GitHub The developers suing over GitHub Copilot got dealt a major blow in court | The Verge GitHub Copilot can now help start a project with AI | The Verge GitHub users can mess around with different AI models | The Verge GitHub’s AI-powered Copilot will help you write code for $10 a month | The Verge Google DeepMind co-founder joins Microsoft as CEO of its new AI division | The Verge Transcript: https://www.theverge.com/e/23986019 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There’s a major internet speech regulation currently making its way through Congress, and it has a really good chance of becoming law. It’s called KOSPA: the Kids Online Safety and Privacy Act, which passed in the Senate with overwhelming bipartisan support late last month. At a high level, KOSPA could radically change how tech platforms handle speech in an effort to try and make the internet safer for minors.  It’s a controversial bill, with a lot going on. To break it all down, I invited on Verge senior policy reporter Lauren Feiner, who’s been covering these bills for months now, to explain what’s happening, what these bills actually do, and what the path forward for this legislation looks like. Links:  Senate passes the Kids Online Safety Act | The Verge The teens lobbying against the Kids Online Safety Act | The Verge How the Kids Online Safety Act was dragged into a political war | NYT House Republicans won’t bring up KOSA in its current form | Punchbowl News Why a landmark kids online safety bill is still deeply divisive | NBC News Why Sen. Schatz thinks child safety bills can trump the First Amendment | Decoder Child safety bills are reshaping the internet for everyone | The Verge Online age verification is coming, and privacy is on the chopping block | The Verge Credits:  Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices