Why Make? Podcast

See Joyce’s work at joyce-lin.com

Welcome to the world of Automata, a form of sculpture this episodes guest Tom Haney specializes in. What is Automata? It is kinetic figurative sculpture that tells a story. And the figures are powered by an equally artful system of handmade gears, and springs that resembles a watch movement. An incredible degree difficulty that extends to just pronouncing the word Automata. A task me, your humble interviewer struggled with mightly. Listen carefully to this episode and you too will be a cool cat and be able to pronounce it flawlessly. We joined tomorrow in his Studio in Black Mountain North Carolina and had a chance to see the full range of his creations, powered by hand cranks, electric motors and amazing ingenuity.

I have always been amazed by detailed meticulous objects because I know I am not capable of such work myself. I do not have the attention span or patience to manufacture and assemble hundreds of pieces of anything into a detailed mosaic of an idea no matter how compelling that idea might be. But as this episode’s guest Vivian Chiu clearly states she is not afraid of time nor repetition in fact there is something very comforting and enjoyable in figuring out the process of boring hundreds of accurately placed holes and then boring said holes. And the results of her labors speak for themselves, a body of work that is both diverse and compelling.

This episode is the story of two artists, two very different approaches and a almost two hundred year old photographic process called Cyanotype or blue printing. Join us as we journey to take a look at an exhibition at the Visions of Museum of Textile Art in San Diego California called Cyanotype with two of the participating artists Patti Gaddis and Morgan Ford Willingham. As we once again explore the world of modern fiber art.

Haystack at 75 An Experiment in Community and Education Why Make Today we’re sharing a piece we are calling “Haystack at 75 - An Experiment in Community and Education” in celebration of the school's 75th year. A conversation with Haystack executive director Perry Price. We talk about the history of Haystack and the iconic campus that is perched on a cliff above the Atlantic Ocean. Why it still calls itself a school of craft and not art. How the craft school experience differs from an academic institution and finally how has Haystack approached teaching technology. So take a listen, breath in the salt air and hear the sound of the waves pounding the cliffs below Haystack.You can listen to it here and on Apple Podcasts and Spotify View fullsize Haystack campus in Deer Isle, Maine, aerial photo courtesy of OPAL Architecture / Research / View fullsize Students move their looms onto the deck outside the Fiber studio to enjoy the sunshine on the Haystack campus, 2023. Image courtesy of Haystack Mountain School of Crafts. View fullsize View of the Metals studio overlooking Jericho Bay, 2023. Image courtesy of Haystack Mountain School of Crafts. View fullsize Resident artists gather and collaborate in the Fab Lab during Open Studio Residency, photo by Dan Rajter, 2023. Image courtesy of Haystack Mountain School of Crafts.