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FENCE Magazine - Poetry Fiction Essay Other
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FENCE Magazine - Poetry Fiction Essay Other

Author: Jason Zuzga

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With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated. Fence Magazine's founder and editor-in-chief is Rebecca Wolff.This podcast was compiled and created by Jason Zuzga.
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Featuring the work of FENCE 36 contributors.Poetry from Brandon Downing, Nonfiction from Adrienne Walser, Music by Cove Blue of Normal State, Poetry from John McShea, Fiction from Robert Lopez,  and Poetry from Peter Giebel.  Episode Three coming soon! More on Normal State: Bandmember Covelline Blue's Art and Music Website.A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and InterviewsWith most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated.Rebecca Wolff is the founder and editor-in-chief of FENCE magazine. This podcast was produced and edited by Jason Zuzga. Support the show (https://www.fenceportal.org/subscribe/)
Featuring the following FENCE Issue 36 Contributors: Poetry from Damon Moore,  Phyllis Peters, Lesle Lewis, Colleen O'Brien, Sarah Heady, a conversation between Collen O'Brien and Sarah Heady, poetry from José Luis Moctezuma, and music from Cove Blue of Normal State.More on Apollinaire: "La parole au timbre juste": Apollinaire, poetry audio, and experimental French phonetics by Chris Mustazza.Apollinaire's early recording at PennSound.More on Normal State: Bandmember Covelline Blue's Art and Music Website.Rep. Barbara Jordan's full remarks: Barbara Jordan on the Constitution and the Nixon Impeachment Hearings.A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and InterviewsWith most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated. Rebecca Wolff is the creator and editor-in-chief of FENCE magazine.This podcast was created and edited by Jason Zuzga.  Support the show (https://www.fenceportal.org/subscribe/)
This single podcast contains nearly the entirety of the works in the print edition of FENCE Magazine 35, Winter/Spring Issue of 2019. You can listen to the entire issue in one long and luxurious literary binge, or, instead, you can, on your own time, not all at once, listen to the contents via any sequence of the navigable chapters that you choose. Writers include Edgar Garcia, Mattilda Bernstein Sycamore, Tess Brown-Lavoie, Laura Sims, Eleni Sikelianos, Leah Dworkin, Rachel Levitsky, Christopher Patrick Miller, Blake Butler, Tamara Barnett-Herrin, Nora Toomey, Ji Yoon Lee, David Blair, David Alejandro Hernandez, Nawal Nader French, Jenessa VanZutphen, Robin Clarke, Brian Kim Stefans, Wendy C. Ortiz, Jesse Nathan, Abby Minor, Gary Lundy, Margaret Johnson, Amy Lawless, Emmett Gallagher, Matthew Moore, Steven Alvarez, Sam Truitt, Josh Kalscheur, Joanna Fuhrman, Tasia Trevino, James Tate, Nicole Burdick, Desirée Alvarez, Nat Suffrin, Alison Wellford, Liana Jahan Imam, Bonnie Chau, Steffan Triplett, Dan Chu, Serena Solin, Erica Hunt, Timothy Otte, Geoffrey Cruickshank-Hagenbuckle, and BC Griffith. Music provided by the permission of Matmos. This audiobook/podcast has been gathered and assembled by Jason Zuzga. He is one of the print journal's two Other/Nonfiction Editors along with Sarah Falkner.In continuous publication since 1998, FENCE is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE also publishes a range of books and additional digital content, such as Fence Streaming Posts, Afrosonics/Mythscience, Elecment and The Constant Critic. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. FENCE is edited by Rebecca Wolff. For FENCE's COMPLETE MISSION STATEMENT and FULL LIST OF EDITORIAL STAFF: click and scroll down.Support the show (https://www.fenceportal.org/subscribe/)
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Featuring the work of FENCE 36 contributors.Poetry from Wayne Koestenbaum, Poetry and Music from Jackie Clark and Ryan Anselmi, Poetry from Makmak Faunlagui, Fiction from JoAnna Novak, Poetry from Paco Márquez, Poetry from Kristin Bock, and a Nonfiction Essay from Matthilda Bernstein Sycamore. Music by Cove Blue of Normal State.  Opening noise by Jason Zuzga. Episode Four coming soon!More on Normal State: Bandmember Covelline Blue's Art and Music Website.A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and InterviewsWith most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated.Rebecca Wolff is the founder and editor-in-chief of FENCE magazine. This podcast was produced and edited by Jason Zuzga. Support the show (https://www.fenceportal.org/subscribe/)Support the show (https://www.fenceportal.org/subscribe/)
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