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Captured on Celluloid

Captured on Celluloid

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New releases, all-time classics, overlooked gems, visionary directors, and the business of cinema.

Adam McGee and Andrew Snyder passionately discuss all things film (and digital) through a host of fun and varied episode themes and formats.
22 Episodes
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In the latest episode of Captured on Celluloid, Adam and Andrew discuss one of the year's most critically acclaimed films, First Cow, and the wider filmography of director Kelly Reichardt. Also diving particularly deep on Old Joy and Meek's Cutoff, Adam and Andrew examine the style and themes of one of the most accomplished and interesting filmmakers working in the world of American independent cinema today. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about the Paddington (!!) movies. Running order: Intro - (0:25 - 01:41) Who is Kelly Reichardt? - (01:42 - 16:14) Old Joy - (16:15 - 57:05) Meek's Cutoff - (57:06 - 80:36) First Cow - (80:37 - 107:25) Wrap-up - (107:26 - end)
In the latest episode of Captured on Celluloid, Adam and Andrew discuss the films of Richard Ayoade. With just two feature films to his name, British independent filmmaker Ayoade has built a fascinating if compact filmography with Submarine and The Double. Adam and Andrew discuss those films in great detail, and much more. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about First Cow, and the films of Kelly Reichardt. Running order: Intro - (0:25 - 01:56) Who is Richard Ayoade? - (01:57 - 14:25) Submarine - (14:26 - 50:03) The Double - (50:04 - 87:59) What's next for Ayoade? - (88:00 - 95:38) Wrap-up - (95:39 - end)
In the latest episode of Captured on Celluloid, Adam and Andrew return with their (spoiler-free) thoughts on the movies of 2020 so far. The world has been turned upside down in 2020, and the effects of that have been felt particularly keenly in the world of cinema. Adam and Andrew highlight three 2020 movies that resonated with each of them, along with offering up a more extended list of honorable mentions for the year to date. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Submarine, The Double, and the work of Richard Ayoade. Running order: Intro - (0:25 - 02:01) The weirdest movie year ever and the future of movies - (02:02 - 33:48) Andrew’s 3 picks from 2020 so far - (33:49 - 80:16) Boys State - (33:49 - 53:43) Palm Springs - (53:44 - 64:52) I’m Thinking of Ending Things - (64:53 - 80:16) Adam’s 3 picks from 2020 so far - (80:17 - 124:29) Tenet - (80:17 - 89:21) The Painter and the Thief - (89:22 - 94:14) Hamilton - (94:15 - 106:42) Honorable mentions - (106:43 - 122:22) Wrap-up - (122:23 - end)
In the latest episode of Captured on Celluloid, Adam and Andrew return with thriller recommendations for each other based on a film the other hasn't seen. Starting off a new format that you'll hear more of in future episodes, Adam and Andrew discuss The Fugitive, Blow Out, and their more general thoughts on the thriller genre through the prism of those two movies. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Office Space, Being There, and comedies. Running order: Intro - (0:00 - 03:54) The Fugitive (With SPOILERS) - (03:55 - 42:36) Blow Out (With SPOILERS) - (42:37 - 124:29) Wrap-up - (124:30 - end) Note – Movies discussed in this episode include (in alphabetical order): Blow Out, The Fugitive
In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2004. As well as a wider look at the movies released in that year, Andrew and Adam discuss their picks from the year in detail: Michel Gondry's Eternal Sunshine of the Spotless Mind and Shane Carruth's Primer. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Da 5 Bloods and the films of Spike Lee. Running order: Intro to 2004 movies - (0:25 - 03:44) Prestige pictures and the Oscars - (03:45 - 21:58) Arthouse and indie releases - (21:59 - 37:27) Blockbusters and the box office - (37:28 - 52:52) Eternal Sunshine of the Spotless Mind - (52:53 - 91:23) Primer - (91:24 - 133:07) Wrap-up - (133:08 - end) Note – Movies discussed in this episode include (in alphabetical order): Before Sunset, Eternal Sunshine of the Spotless Mind, Fahrenheit 9/11, Million Dollar Baby, National Treasure, Primer, The Aviator
In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2003. As well as a wider look at the movies released in that year, Andrew and Adam discuss their picks from the year in detail: Quentin Tarantino's Kill Bill Vol. 1 and Gus Van Sant's Elephant. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a look at the movies from the year 2004. Running order: Intro to 2003 movies - (0:25 - 10:23) Prestige pictures and the Oscars - (10:24 - 21:03) Blockbusters and the box office - (21:04 - 34:37) Kill Bill: Vol. 1 - (34:38 - 71:12) Elephant - (71:13 - 116:28) Wrap-up - (116:29 - end) Note – Movies discussed in this episode include (in alphabetical order): City of God, Elephant, Finding Nemo, Kill Bill: Vol. 1, The Lord of the Rings: The Return of the King, School of Rock
In the latest episode of Captured on Celluloid, Adam and Andrew discuss the films of Damien Chazelle, and The Eddy, a new Netflix series which Chazelle directed the first two episodes for. Chazelle has grown into one of the most successful and interesting filmmakers working in Hollywood today, enjoying colossal success both critically and commercially at a very young age. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion of the films of the year 2003. Running order: Intro - (0:25 - 06:38) The Eddy - (06:39 - 27:22) Guy and Madeline on a Park Bench and Whiplash - (27:23 - 69:08) La La Land - (69:09 - 84:49) First Man - (84:50 - 104:56) Final thoughts - (104:57 - 105:52) Wrap-up - (105:53 - end) Note – Movies and TV shows discussed in this episode include (in alphabetical order): First Man, Guy and Madeline on a Park Bench, La La Land, The Eddy, Whiplash
In the latest episode of Captured on Celluloid, Adam and Andrew discuss the TV adaptation of Sally Rooney's Normal People, and the films of Lenny Abrahamson, who directed the show's first six episodes. An Academy Award nominee for Room, Abrahamson has been a familiar name in his native Ireland for a number of years, but continues to see his profile grow globally, with the sensation that is Normal People being just the latest notable entry in his career. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion of Netflix mini-series The Eddy, and the films of director Damien Chazelle. Running order: Intro - (0:25 - 01:35) “Movie directors” working in TV - (01:36 - 14:02) Overview of Lenny Abrahamson’s filmography - (14:03 - 25:00) General thoughts about Abrahamson’s movies - (25:01 - 45:33) Introduction to Normal People - (45:34 - 54:28) Specificity vs Universal resonance - (54:29 - 71:32) How Normal People works as an adaptation - (71:33 - 79:26) Star-making performances - (79:27 - 84:18) Portrayal of romance, love, an intimacy - (84:19 - 100:50) Final thoughts - (100:51 - 106:00) Wrap-up - (106:01 - end) Note – Movies an TV shows discussed in this episode include (in alphabetical order): Adam & Paul, Frank, Garage, Normal People, Room, The Little Stranger, What Richard Did Sponsorships: off for this episode
In the latest episode of Captured on Celluloid, Adam and Andrew put together an extensive list of recommendations for Netflix, catering to listeners from around the world. With 45 films in total, Adam and Andrew cover everything from Date Night options, to documentaries, along with more general lists for subscribers across the globe, including in the U.S., and in the UK and Ireland. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion about Normal People, and the films of Lenny Abrahamson. Running order: Intro: (0:25 - 07:59) Andrew’s Date Night recommendations: (08:00 - 25:13) Set It Up (8:04 - 11:01) Always Be My Maybe (11:02 - 13:57) Sleeping With Other People (13:58 - 17:05) About Time (17:06 - 20:31) Mr. Right (20:32 - 25:13) Andrew’s Documentary recommendations: (25:14 - 42:18) Amy and Oasis: Supersonic (25:14 - 31:42) Sunderland Til I Die and Cheer (31:43 - 39:22) Jiro Dreams of Sushi (39:23 - 42:18) Adam’s picks for Netflix globally: (42:19 - 61:41) Private Life (44:16 - 47:35) I Lost My Body (47:36 - 50:16) Jim and Andy: The Great Beyond (50:17 - 55:26) Shirkers (55:27 - 58:35) Blue Jay (58:36 - 61:31) Adam’s picks for Netflix in the UK and Ireland: (61:42 - 97:50) Thunder Road (62:00 - 65:02) Apollo 11 (65:03 - 68:25) The Miseducation of Cameron Post (68:26 - 71:51) mid90s (71:52 - 76:13) Three Identical Strangers (76:14 - 79:35) Won’t You Be My Neighbor? (79:36 - 83:29) Mistress America (83:30 - 86:45) Long Shot (86:46 - 90:25) Support the Girls (90:26 - 93:01) Faces Places (93:02 - 97:50) Andrew and Adam’s picks for Netflix in the US: (97:51 - 177:24) The Lobster and The Killing of a Sacred Deer (97:51 - 106:05) Miles Davis: Birth of the Cool and Searching for Sugar Man (106:06 - 111:34) The End of the Tour (111:35 - 116:18) Krisha (116:19 - 120:14) Blue Valentine (120:15 - 125:34) Free Fire (125:35 - 128:48) Moon (128:49 - 133:27) Burning (133:28 - 138:24) The Invitation (138:25 - 141:24) Train to Busan (141:25 - 144:37) The Spectacular Now (144:38 - 150:13) American Honey (150:14 - 156:36) The Florida Project (156:37 - 162:45) Hell or High Water (162:46 - 166:10) 20th Century Women (166:11 - 168:45) Green Room (168:46 - 171:50) Frances Ha (171:51 - 175:29) The Other Guys (175:30 - 177:24) Wrap-up - (177:25 - end)
In the latest episode of Captured on Celluloid, Adam and Andrew are joined by Jordan Snyder to have a long-promised, extended discussion about Portrait of a Lady on Fire. Diving deep into a film that has been one of the most celebrated and acclaimed of the past six months or so, the conversation touches on screen portrayals of romance, the filmography and style of director Céline Sciamma, the magnetic lead performances of Noémie Merlant and Adéle Haenel, and much more. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a special episode on streaming recommendations for the quarantine age. Running order: Intro - (0:25 - 02:27) Why are we still talking about Portrait of a Lady on Fire? - (02:28 - 06:43) Who is Céline Sciamma? - (06:44 - 15:30) The incredible lead performances of Merlant and Haenel, and conveying love on screen - (15:31 - 47:13) Standout scenes and quotes - (47:14 - 64:36) Key themes and various endings (WITH SPOILERS) - (64:37 - 93:14) Wrap-up - (93:15 - end) Note – Movies discussed in this episode include (in alphabetical order): Girlhood, In the Mood for Love, Persona, Portrait of a Lady on Fire, Rear Window, Tomboy, Water Lilies
In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2002. As well as a wider look at the movies released in that year, Andrew and Adam discuss their personal favorites from the year in detail: Steven Spielberg's Catch Me If You Can and Paul Thomas Anderson's Punch-Drunk Love. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Snyder about Portrait of a Lady on Fire. Running order: Intro to 2002 movies - (0:25 - 16:01) Prestige pictures and the Oscars - (16:02 - 44:44) Blockbusters and the box office - (44:45 - 51:51) Honorable mentions - (51:52 - 65:20) Catch Me If You Can - (65:21 - 93:01) Punch-Drunk Love - (93:02 - 135:23) Wrap-up - (135:24 - end) Note – Movies discussed in this episode include (in alphabetical order): About Schmidt, Adaptation, The Bourne Identity, Catch Me If You Can, Chicago, Far From Heaven, Insomnia, The Pianist, Punch-Drunk Love
In the latest episode of Captured on Celluloid, Adam and Andrew are joined by Ti Windisch to discuss basketball movies After focusing on baseball last week, the deep dive into sports movies continues with the spotlight shifting to basketball in this episode. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about the films of 2002. Running order: Intro - (0:25 - 6:01) Relationship to basketball and basketball movies - (6:02 - 15:42) Overall impressions of how basketball comes across in movies - (15:43 - 27:27) Coach Knows Best: Hoosiers, Coach Carter, Blue Chips, The Way Back - (27:28 - 68:40) The Player’s Journey: He Got Game, Love & Basketball - (68:41 - 102:07) Basketball and Comedy: White Men Can’t Jump, Semi-Pro, Space Jam - (102:08 - 138:48) Society Through the Prism of Basketball: Hoop Dreams, Lenny Cooke - (138:49 - 166:59) Top-5 lists - (167:00 - 169:06) Wrap-up - (138:53 - end) Note – Movies discussed in this episode include (in alphabetical order): Blue Chips, Coach Carter, He Got Game, Hoop Dreams, Hoosiers, Lenny Cooke, Love & Basketball, Semi-Pro, Space Jam, White Men Can't Jump
In the latest episode of Captured on Celluloid, Adam and Andrew are joined by returning guest Jordan Treske to discuss baseball movies With a void in both sports and new movie releases at present, it seemed like a good time to take a closer look at when those two things intersect. In the first of two sports-themed episodes, the focus is on America's pastime, and its varied portrayals on screen. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about basketball movies Running order: Intro - (0:25 - 5:02) Relationship to baseball movies, and why they’re so pervasive - (5:03 - 15:54) Honorable mentions - (15:55 - 21:43) Baseball as American nostalgia: Field of Dreams, The Natural - (21:44 - 57:56) Baseball and the Rom-Com: Bull Durham, Major League, Take Me Out to the Ball Game - (57:57 - 98:34) The modern baseball movie: Moneyball, Everybody Wants Some!! - (98:35 - 135:34) Top-3 lists - (135:35 - 138:52) Wrap-up - (138:53 - end) Note – Movies discussed in this episode include (in alphabetical order): Bull Durham, Everybody Wants Some!!, Field of Dreams, Major League, Moneyball, The Natural, Take Me Out to the Ball Game
In the latest episode of Captured on Celluloid, Adam and Andrew explore the movies of the year 2001. As well as a wider look at the movies released in 2001, Andrew and Adam discuss their personal favorites from the year in detail: Steven Soderbergh’s Ocean's Eleven and Alfonso Cuaron’s Y Tu Mama Tambien. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about baseball movies Running order: Intro - (0:25 - 3:26) Baseball and Basketball movie episodes coming up - (3:27 - 7:09) Overview of 2001 as a movie year - (7:10 - 43:44) Honorable mentions - (43:55 - 48:27) Ocean’s Eleven - (48:28 - 86:22) Y Tu Mama Tambien - (86:23 - 119:45) Y Tu Mama Tambien WITH SPOILERS - (119:46 - 134:11) Final thoughts on 2001 - (134:12 - 135:25) Wrap-up - (135:26 - end) Note – Movies discussed in this episode include (in alphabetical order): A Beautiful Mind, Mulholland Drive, Ocean’s Eleven, The Royal Tenenbaums, Training Day, Y Tu Mama Tambien, Zoolander
In the latest episode of Captured on Celluloid, Adam and Andrew dive into the career and movies of actor Jake Gyllenhaal, with the help of special guest  Jordan Treske. Along with exploring Gyllenhaal's persona, and his status as a movie star, Adam, Andrew, and Jordan dive deep on their personal favorite performance and movies he's starred in. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about the year 2001 in cinema, with a particular focus on Y Tu Mama Tambien and Ocean's Eleven. Running order: Intro - (0:25 - 2:18) Why Jake Gyllenhaal, and what makes him interesting as a movie star? - (2:19 - 14:36) What are Gyllenhaal’s strengths as a performer? - (14:37 - 21:10) Honorable mentions - (21:11 - 42:01) Prisoners - (42:02 - 55:59) Nocturnal Animals - (56:00 - 69:14) Wildlife - (69:15 - 80:51) Zodiac - (80:52 - 97:01) Nightcrawler - (97:02 - 116:00) Enemy - (116:01 - 131:11) What next for Gyllenhaal? - (131:12 - 137:35) Wrap-up - (137:36 - end) Note – Movies discussed in this episode include (in alphabetical order): Brokeback Mountain, Donnie Darko, Enemy, Nightcrawler, Nocturnal Animals, Okja, Prisoners, Spider-Man: Far From Home, Source Code, Wildlife, Zodiac
In the latest episode of Captured on Celluloid, Adam and Andrew dive into the films of French New Wave director Jacques Demy, with the help of special guest (and Andrew's brother) Jordan Snyder. Along with touching on some of Demy's foundational films such as Lola, The Umbrellas of Cherbourg, and The Young Girls of Rochefort, the Snyders' shared love of Damien Chazelle's La La Land means it also features prominently in the conversation thanks to its own Demy tributes and influences. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Treske about the career of Jake Gyllenhaal. Running order: Intro - (0:25 - 1:59) Why Jacques Demy? - (2:00 - 4:53) Introduction to Demy, and the French New Wave - (4:54 - 11:57) The world and themes of Demy’s films - (11:58 - 18:55) Lola - (18:56 - 39:03) Lola with SPOILERS - (39:04 - 45:55) The Umbrellas of Cherbourg - (45:56 - 68:25) The Umbrellas of Cherbourg with SPOILERS - (68:26 - 75:10) The Young Girls of Rochefort, and its relationship with La La Land - (75:11 - 98:14) Demy’s lost Hollywood career - (98:15 - 103:36) Final thoughts on Demy - (103:37 - 106:11) Jordan’s recommendation - (106:12 - 108:32) Wrap-up - (108:33 - end) Note – Movies discussed in this episode include (in alphabetical order): La La Land, Lola, Model Shop, The Umbrellas of Cherbourg, The Young Girls of Rochefort
In the latest episode of Captured on Celluloid, Adam and Andrew begin their cinematic journey through the 21st century to date, starting with the films of the year 2000. As well as a wider look at the movies released in the year of the millennium, Andrew and Adam discuss their personal favorites from the year in detail: the Coen brothers’ O Brother, Where Art Thou? and Wong Kar-Wai’s In the Mood for Love. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Snyder about Lola, The Umbrellas of Cherbourg, The Young Girls of Rochefort, and the cinema of Jacques Demy. Running order: Intro – (0:25 – 5:50) Overview of the movies of 2000 – (5:51 – 43:51) Andrew’s pick: O Brother, Where Art Thou? – (43:52 – 74:57) Adam’s pick: In the Mood for Love – (74:58 – 108:40) Wrap-up – (108:41 – end) Note – Movies discussed in this episode include (in alphabetical order): Cast Away, Erin Brockovich, Gladiator, In the Mood for Love, O Brother, Where Art Thou?, Requiem for a Dream
Top-10 movies of 2019

Top-10 movies of 2019

2020-02-1802:53:28

In the latest episode of Captured on Celluloid, Adam and Andrew reveal their respective top-10 lists for the movies of 2019 in a spoiler-free podcast. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for the first part of a wider discussion of the films of the 21st century, beginning with the year 2000, and featuring In the Mood for Love and O Brother, Where Art Thou? You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher. Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile. Running order: Intro - (0:25 - 5:17) Honorable mentions - (5:18 - 19:19) The Irishman - (19:20 - 30:19) Pain and Glory - (30:20 - 35:13) The Farewell - (35:14 - 43:37) Knives Out - (43:38 - 51:41) Transit - (51:42 - 56:18) The Lighthouse - (56:19 - 69:13) Bait - (69:14 - 78:28) Midsommar - (78:29 - 94:31) Little Women - (94:32 - 109:22) Marriage Story - (109:23 - 124:49) Parasite - (124:50 - 129:27) Portrait of a Lady on Fire - (129:28 - 139:46) Uncut Gems - (139:47 - 148:41) Once Upon a Time in Hollywood - (148:42 - 169:23) Wrap-up - 169:24 - end Note - Movies discussed in this episode include (in alphabetical order): Bait, The Farewell, The Irishman, Knives Out, The Lighthouse, Little Women, Marriage Story, Midsommar, Once Upon a Time in Hollywood, Pain and Glory, Parasite, Portrait of a Lady on Fire, Transit, Uncut Gems
In the third episode of Captured on Celluloid, Adam and Andrew dive deep on Parasite, and the wider variety of Bong Joon-ho’s directorial career. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion about Parasite and the films of Bong Joon-ho. You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher. Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile. Running order: Intro – (0:25 – 07:52) Bong and Parasite’s big night at the Oscars – (07:53 – 32:18) What is Parasite about? – (32:19 – 45:26) The universality of Parasite‘s themes (45:27 – 57:05) Balancing tone and jumping across genres (57:06 – 66:54) (SPOILERS FROM THIS POINT ON!) Extended thoughts with spoilers (66:55 – 90:54) Ending and overall thoughts: (90:55 – 115:09) Crash Course: The hallmarks of Bong: (115:10 – 120:32) Barking Dogs Never Bite: (120:33 – 123:26) Memories of Murder: (123:27 – 131:37) The Host: (131:38 – 136:28) The Mother: (136:29 – 139:01) Snowpiercer: (139:02 – 144:42) Okja: (144:43 – 129:00) Wrap-up: (129:01 – end) Note – Movies discussed in this episode include (in alphabetical order): Barking Dogs Never Bite, Dunkirk, Memories of Murder, Uncut Gems, Parasite
In the second episode of Captured on Celluloid, Adam and Andrew dive deep on the Safdie Brothers' Uncut Gems. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion about Parasite and the films of Bong Joon-ho. Running order: Intro - (0:25 - 4:30) Why should people watch Uncut Gems? - (04:31 - 13:26) What is Uncut Gems about? - (13:27 - 20:28) Adam Sandler goes dramatic again (20:29 - 47:49) (SPOILERS FROM THIS POINT ON!) The world of Uncut Gems (47:50 - 87:05) Building unbearable tension (87:06 - 95:12) Ending and overall thoughts: (95:13 - 107:37) Recommended further viewing: (107:38 - 116:17) Wrap-up: (116:18 - end) Note - Movies discussed in this episode include (in alphabetical order): A Serious Man, Dunkirk, Hard Eight, Uncut Gems, You Were Never Really Here
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