Cows in the field
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A movie podcast inspired by a Werner Herzog quote, “We have to articulate ourselves, otherwise we would be cows in the field.” Hosted by Justin Khoo (professor of philosophy at MIT) and Laura Khoo (art historian turned fundraiser).
114 Episodes
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Today we explore the dark recesses of the human soul with Agnes Callard (Chicago). We discuss von Trier's minimalist staging, the movie's parable, the duality of human nature, the lies we tell ourselves and others, the film's political angle, and the role of anger in response to true evil.
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John Milius's 1984 film Red Dawn has a reputation as being a jingoistic conservative fever dream, but we talk with Nat Hansen, who argues that its political outlook is more complex and more interesting. Along the way, we also discuss the film's portrayal of masculinity, the toll of war, the film's many references, from The Battle of Algiers to Alexander Nevsky.
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We go BACK to Arrakis, desert planet, homeworld of the spice and the Fremen and keeper of Shai Hulud. We're joined again for the journey by major spice-head John DeVore to discuss Villeneuve's two films in relation to Lynch's 1984 version and Frank Herbert's book. Along the way, we consider the worm Uber, the possibility of bad trips with the Water of Life, the lack of St. Alia of the Knife, the deliberate backgrounding of the more mystical elements of the novel, and the film's magnificent score. Repeat after us: "It is by will alone I set my mind in motion... fear is the mindkiller... long live the fighters... and power over spice is power over all!"
Preorder John's book, "Theater Kids: A True Tale of Off Off Broadway" now!
Join us and critic Sean Burns to give out silly meaningless awards to our favorite films of 2023! Who will take home the top prize? Who will win best lisp? Tune in to find out!
We are joined by Fran Hoepfner (BW/DR, Fran Magazine) to experience the triumph and tragedy of the Von Erich family. We discuss wrestling (duh), Zac, brothers, fathers, bodies, cults, the American political circus, all while trying to figure out our wrestling names and signature moves.
Take the plunge with us and Veronica Fitzpatrick (BW/DR, Brown University) as we explore the moral complexities of narratives, relationships, and justice. Justice for Sandra? Justice for Samuel? Tune in to find out!
We're joined by two philosophers of art to discuss how they've helped each other come to a greater appreciation for this quirky but lovable entry into the Fast and Furious franchise. We discuss how art can change depending on the context in which it is embedded, and the ways the franchise could have gone after this film. We also compare notes on the different ways we've come to appreciate this film over time.
This episode is sponsored by The Art of the Trailer. Learn how to become a professional trailer editor today. Use promo code "COWS" for 20% off!
The cows look back on 2023 with a Cows in the Field super-quiz -- how many questions can you get right?? Then, we reprise our Blair Witch episode, wherein we explore why the Blair Witch Project was the tenth highest grossing movie of 1999, why it took so long for Hollywood to capitalize on found footage horror, the nature of horror itself and why we desire to be horrified, as well as what makes the Blair Witch Project so especially horrifying.
Join us and Emily St. James to discuss Fred Claus (streaming now on Max)! We marvel at the film's strange and unnecessarily complicated backstory about the cosmology of sainthood, discuss Santa Claus's moral epistemology, elf-yourself levels of CGI, why everyone deserves a second chance, and somehow spend five minutes discussing the phenomenon of "ugly hot".
Time to get HUSH HUSH with Blake Howard (One Heat Minute Productions). Noir, moral compromise, postwar LA, the American Dream, police, the LAPD, Dante FREAKING Spinotti, and MORE!
Joe is going to die. But he has a chance to be a hero, and live like a king. Only, that means he'll have to jump into a volcano. Is Joe's story all of ours? We sit down with Chad Perman (Founder of Bright Wall / Dark Room) to dig into what makes this zany, existential, transcendent, hilarious, slapstick, profound movie so good. Along the way, we discuss the Kantian sublime, Heidegger's notion of being-toward-death, the meaning of life, and flibbertigibbets!
Before the episode, you'll hear a trailer for Die Hard on a Blank, a wonderful show hosted by former Cows guest Liam Billingham. Check it out, it's great!!
Twitter: @cowspod
Web: www.cowspod.com
Contact us: cowspod@gmail.com
"The smaller the audience, the bigger the history." So, at least, said Tony Wilson, co-founder of Factory Records and larger than life character at the center of Michael Winterbottom's 2002 punk pseudo-music-doc, our topic today!
We are joined by Professor of Italian Studies at Boston College to explore the pull of nostalgia, anticipated retrospection, how the film's blend of fact/fiction/and legend reflects the mythmaking of its protagonist, and, of course, the music duh!
What do you think of the movie? What do you think of the show? Email us at cowspod@gmail.com! Reach out to us on Twitter @cowspod! And find us on the web at www.cowspod.com
James Cameron's terrifying and overwhelming sequel ALIENS is a rollercoaster that Roger Ebert called "absolutely, painfully and unremittingly intense." We sit down with Brendan Hodges to explore the film's power over us, what all that goo and slime means, the film's anti-bureaucratic "strong individualist" conservatism and second wave feminist ideology, its use of space in allegorical and punishingly literal ways... and so much more. GAME OVER MAN! GAME OVER!
It's just us for our one hundredth episode talking Sofia Coppola's The Virgin Suicides! We hit all the good stuff: suburban malaise, fear, control, parenting, childhood, Trip Fontaine's hair, memory, privacy, the joys of human connection, first loves, and Kathleen Turner!
Have you ever wanted to know the TRUE story that inspired King Arthur? Did you know that Arthur was a freedom fighter battling for the independence of Britannia? Wait until you see what armor Guinevere preferred to wear into battle! And don't forget Tristan and his faithful falcon! Join us and Jon Gabrus (High & Mighty, Action Boyz, 101 Places to Party Before You Die) to unpack this forgotten mid-aughts classic from Antoine Fuqua!
Liam Billingham (Die Hard on a Blank / OuevreBusters) joins us to discuss Paul Verhoeven's meta-propaganda Brechtian war film Starship Troopers. We discuss the film's odd mixture of big budget VFX with soap opera stars, how it's three movies in one, the nature of meaning in a world devoid of conflict, and art that risks embarrassment. It's a squishy, gooey, fun time, so jump on this one way rocket to Klendathu with us, folks!
The Phantom Menace has weathered the highs and (mostly) lows of fan appraisal. Once derided, then reclaimed, where does it stand in 2023? We issue the definitive assessment: it is good (kind of). Matt Teichman (Elucidations Podcast) brings his colleague Jar Jar Binks along for the ride, as we discuss pod racing, queen wardrobes, lightsaber battles, Jedi Stoicism, ineffectual bureaucracy, and the allure of fascism. Stay with us to the end for a blast of 1999 nostalgia!
We sit down with my colleague Agustín Rayo (Professor of Philosophy, Dean of SHASS at MIT, and winner of the big number duel) to discuss Alfonso Cuarón's autobiographical film, Roma. We discuss memory, dreams, guilt, class, background, lenses, digital formats, and, of course, Mexico City.
Join us and Bilge Ebiri (New York Magazine / Vulture) to discuss Christopher Nolan's deconstructed biopic about the man who birthed a very big bomb. Deconstructed narratives, quantum mechanics, moral dilemmas, subjective inflection, brilliant and sure-handed intercutting... and we set the record straight on whether Nolan's films are funny and whether his female characters are poorly developed.
Joining us to talk about What Maisie Knew (2012) is the film's producer, Daniela Taplin Lundberg (whose feature credits include The Kids Are All Right, Beasts of No Nation, and Honey Boy)! We talk about the challenges making independent feature films, the film's portrayal of divorce and new beginnings, and how it captures the feeling of a memory. After you listen, you should check out Daniela's podcast, Hollywood Gold, a series of interviews with Hollywood producers about the stories we know and love.
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