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Soundstage

Author: Playwrights Horizons

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Theater is for everyone and we want to make it available everywhere. Soundstage is an anthological, scripted fiction series of portable stories from Playwrights Horizons theater in New York City. Featuring short-form commissions from America’s best playwrights, these audio experiences are written specifically for the ear, not translated or recorded live from the stage. Now, the theater is wherever you are.

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If you like what you hear and want to support this program, we hope you will consider making a donation that will allow us to commission more artists, complete production on more podcasts, and continue to provide our writers with a much-needed creative outlet and an audience in these unprecedented times. To support us, text SOUNDSTAGE20 to 44-321.
32 Episodes
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A darkly comedic fable of violently lonely doppelgängers who mind-meld and are brought together through cookies, rats, and their cosmic connection to an exterminator. Written by Erin Courtney Produced and directed by Kate Bergstrom Written for Crystal Finn and Lucy Taylor and Todd Almond as the Exterminator. Sound Designer and Additional Music Works by Michael Costagliola Associate Produced and Stage Managed by Calvin Anderson   With music by Todd Almond
A panel of Black thinkers (a Broadway playwright, a spoken word poet, a Columbia professor, and an activist) try to define Freedom in the year ???? in this dark comedy about ancestors and artists. Written by Dave Harris Directed by Taylor Reynolds Sound Design by Ben Scheff Sound Editing by Dylan Carrow Production Stage Manager -- Hanako Rodriguez CAST: Walter Mixon Riley -- JEROME PRESTON BATES LaToya Beasley -- BRITTANY BRADFORD Jake Dillers / Sponsors / Announcer -- YONATAN GEBEYEHU Jones Joseph -- DAVE HARRIS Jerome Barker Thomas -- BEETHOVEN ODEN Season 2 of Soundstage was made possible with the generous support of the Scherman Foundation’s Katharine S. and Axel G. Rosin Fund and the National Endowment for the Arts.   Playwrights Horizons is supported in part by public funds from the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council. In addition, Playwrights Horizons receives major support from the Howard Gilman Foundation, the J. L. Greene Arts Access Fund in The New York Community Trust, and The Shubert Foundation.
This week we're so happy to bring you a full length audio play written, directed, and produced by our friends and frequent collaborators Ken Urban, Dan Kluger, and Knud Adams. It premiered at the 2022 Tribeca Festival as part of their Audio Storytelling program, and we're so pleased to be able to re-release and amplify it here for you, our Soundstage audience! Enjoy! At a chance meeting at the farmers market, two strangers find a connection rooted in their own unspeakable tragedies. The evening they spend together becomes an encounter they can’t forget. Written by Ken Urban Directed by Knud Adams Audio Produced and Mixed by Daniel Kluger Starring Maulik Pancholy and April Matthis Recorded by Noel Nichols Edited by Noel Nichols and Christian Frederickson Foley by Daniela Hart Additional Sound Design by Christian Frederickson Produced by John Albert Harris Original Music by Daniel Kluger and Occurrence To listen to the music from Vapor Trail, the soundtrack is available here: https://occurrencemusic.ffm.to/vaportrail VAPOR TRAIL premiered at the 2022 Tribeca Festival as part of their Audio Storytelling program and it was developed at the Playwrights’ Center in Minneapolis, MN during the 2020-21 season. VAPOR TRAIL was made possible thanks to the support of the d'Arbeloff Fund, the DeFlorez Fund and the SHASS Research Fund from the Massachusetts Institute of Technology.
A little meditation on what it is to carry what we can and can't control, and the crossroads of being and belonging. Written by Julia Izumi Directed by Sarah Cameron Hughes Sound Design by Fan Zhang Rocks -- JESS BARBAGALLO Someone -- JORGE CORDOVA   Grandchild -- MIDORI FRANCIS    She -- HARUNA LEE He -- RONALD PEET Mother -- SAORI TSUKADA
Two audio plays -- an old radio comedy of anxiety in the modern world, and a soliloquy of lost love -- sprung from the mind of this singular and iconic playwright. Written by David Greenspan Directed by Ken Rus Schmoll Sound Design by Leah Gelpe (There's) No Time for Comedy Cast: Sidney - EVANDER DUCK JR. Henry Flower - DAVID GREENSPAN Darlene - BETH GRIFFIN Mona - LISA KRON Donald - PACO TOLSON Loops Cast: Player - DAVID GREENSPAN
An abandoned limestone statue chronicles centuries of adventures through and beyond the Chinese diaspora. Written by Frances Ya-Chu Cowhig Directed by Michael Roth CAST: Uncle Dirt - KOK-HWA LIE Music Composition/Arrangements/Sound Design/Editing by Michael Roth Final Sound Mix and Mastering by Jessica Paz
Congratulations for choosing Program B! Our goal is to challenge and elevate you. It won't be easy, but transformation is possible! If you trust the process. Written by Sheila Callaghan Directed, Designed, and Edited by Alex Barron Original music by Surrija CAST: Rashan – FRANCIS BENHAMOU Chatty Stranger – SHEILA CALLAGHAN Whispering Man – MATTHEW J. HARRIS Additional voices – BRANDT ADAMS, KAILEE AYYAR, ALEX BARRON, ALISON KOCH, NGOFEEN MPUTUBWELE, J.J. SUELTO, MAGGIE THOMPSON, NYSELI VEGA Learn more at phnyc.org/soundstage or text PHNYC to 44-321.
Showtime! Mere hours into their journey, Terrence is broadcasting live from the MS Phoenix Rising. A new show is center stage as Terrence interviews the front office cast members, even grabbing a short interview with Co-Captains Rigor Johnson and Moranis Jackson, all leading up to THE cultural event of the decade. But what should be a standout win in the history of Dane Cruising has potential to become a greater horror than any imagined by Ionesco.
All aboard! Valerie invites radio host Terrence Standish to cruise. Sasha and Ted have actually read the play The Chairs and are tasked with telling the team how it really ends. PR consultant Cyd McCormick offers crucial counsel. Coral speaks up – but only one thing’s for certain, no one can snorkel their way out of this mess.
Could the relaunch be the most successful event since the Fyre Festival? The voyage has sold out and, as egos ride high, plans are made to convert restaurants into guest rooms. The Dane Cruising team bonds over dreams of onboard karaoke, and visionary director Angela's artistic choices rattle her assistant Coral.
The entire team has an epic call with Angela and assistant Coral DeMornay where budget cuts and clarity around the production's vision are top priorities. CEO of Dane Cruising Valerie Dane reveals the VIP list, but there’s trouble on the horizon as Financial Assistant Ted Rickles sinks into an existential crisis and the Ionesco Estate attempts contact.
It's time for the "Field of Dreams Strategy." Audience Development Director Gregory Limon and Finance Director Rupert Lake teach Marketing Assistant Sasha Heron this hot campaign idea... and the influencers take the bait. This episode offers a peek into the personal lives of Marsha and Angela (hint: more pleasure than business) while PR head Jackie Bowers receives a shocking phone call that could change everything.
Has everybody dialed in? Eying the end of the cruise industry’s shutdown, Marketing Director Marsha DeBois brings the Dane Cruising team avant garde theater director Angela Hove’s production of The Chairs to headline the relaunch. Approval in place, the front office bangs out next steps, oblivious of the complicated journey ahead.
Surprise! We're back! It's our pleasure to be dropping a 6-part podcast miniseries THE MS PHOENIX RISING, created by writer Trish Harnetiaux and director Katie Brook. Check out this introduction from Playwrights Horizons Artistic Director Adam Greenfield as well as an interview with Trish and Katie, then go ahead and binge the whole thing! Music Credit: Cradle Rock by Blue Dot Sessions (www.sessions.blue).
Telling stories is how we keep memories alive, and THE EDGE OF NIGHT reimagines a favorite family story as musical theater: Mrs. Annie Brown is determined not to miss her favorite soap opera but has to grapple head-on with segregation in the 1950’s south in order to succeed in her quest.
Somewhere between Google Image searches for pornography, family dynamics, college roommates, and low-wage jobs, BOY FACTORY is Milo Cramer’s funny and heartfelt monologue tracking a young man’s search for self-acceptance.
This week, we are pausing our normal release schedule to recommend some some fiction and non-fiction podcasts by BIPOC producers, writers, directors, reporters, and hosts. Check out soundstagepodcast.org for links to everything mentioned here and we invite you (please!) to email and tweet us about other shows and episodes and makers you love.
An astronaut goes to space. He can’t sleep. He can’t tell anyone. He can’t go home. He’s lonely. He doesn’t want to leave. He’s in trouble. NIGHTNIGHT takes the audience into mission control and into outer space to overhear ordinary workplace conflict in an extraordinary environment.
Heather Christian (writer, composer, and performer of Soundstage Episode 1: PRIME, A Practical Breviary) talks about what's inspiring to her about breviary masses, why she loves being in the studio - as well as the theater - and what creative life has been like for her since theaters have been shuttered by COVID-19.
OUTTAKES by Qui Nguyen

OUTTAKES by Qui Nguyen

2020-05-1420:22

A son keeps trying to get his charming (if frustrating) immigrant parents to tell him a true war story from their lives in Vietnam to help him write a new play. Imagined as edited found interview tapes, Outtakes is both funny and heartfelt, drawn from the playwright's real-life experiences.
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Comments (1)

rowena sabetta

Wow. What can I say... this was an amazing journey and sound experience. How beautiful and magical. I’m smitten. Heather Christian? (Sp?), you take my breath away.

May 10th
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