ArTEEtude: Art, culture and the creative mind. Never so close again. - with Detlef Schlich

ArTEEtude Shop https://www.arteetude.com/shop/ Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647 Spotify Podcast https://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tMonty Warren https://montywarren.bandcamp.com/ArTEEtude is West Cork´s first art, fashion and design podcast created and produced by Detlef Schlich. Schlich operates with his podcast cross-sectorally. For him, a visual artist has to think transversely instead of just enjoying the luxury of being the antagonist. To drive the narrative and to be a protagonist, he will dive and discover with us into the unknown and exciting deep ocean of the creative mind. In this podcast Schlich talks with South Florida roots rocker Monty Warren about Warren´s youth in West Palm Beach Florida, the anger and the difficulties of growing up in a small town, with a broken family and a broken heart. They talk about the experience of a lawyer who is rocking and rolling in a slapback backslap world. What makes you shout, live and play Rock´n roll?After learning his divorced mother was living in her car while he was at Emory University in Atlanta, Warren vowed to become a successful lawyer so she would never go hungry again.In 2007, Fate brought Warren face to face with seasoned musicians Terry Anderson & The Olympic Ass-Kickin' Team (“Battleship Chains” and “I Love You Period”). After hearing the songs on Warren’s demo, they insisted on helping him make his first record, “Trailer Park Angel.” And the rest, as they say, is Roots Rock history. "Ever wonder what Bob Dylan, Keith Richards, Paul Westerberg and Steve Jordan would sound like in a band together? Listen to Monty Warren & The Friggin Whatevers.” -The Palm Beach Post Rick Cornell put it best: “What if, instead of heading for L.A. in the '70s in pursuit of a record deal, Tom Petty put his rock 'n' roll dreams on hold to support his mother for 20 years until she passed away?” In a nutshell, that is Warren’s story.Detlef Schlich is Visual Artist, Film Maker and Ritual Designer, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture and video installation Transodin´s Tragedy. He is mainly working in the field of performance, photography, painting, sound, installations, and film. To research our human condition and create artwork from this reflection he is using often the methodology of the digital shaman as alter ego.WEBSITE LINKSInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYou Tube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectMore Monty Warren Linkshttps://weekendbroward.com/best-bands-in-south-florida/23011/monty-warren-friggin-whatevers/ https://www.instagram.com/philwolffmontywarren/https://soundcloud.com/monty-warren https://montywarren.bandcamp.com/Monty Warren’s Artwork Artisthttps://www.facebook.com/PaulFriedrichSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

ArTEEtude Shop https://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcast https://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tEpisode 143 In this Arteetude podcast, on behalf of John Lydon, Detlef Schlich performs his campfire version of God Save the Queen by Sex Pistols. Former Sex Pistols frontman John Lydon has said it is "tasteless" to endorse requests in connection with the band's punk anthem God Save The Queen after the monarch's death. Lydon, known by his stage name Johnny Rotten, wrote the lyrics to the 1977 hit which was released during the monarch's Silver Jubilee, before being banned by the BBC.LyricsGod save the queenThe fascist regimeThey made you a moronA potential H bombGod save the queenShe's not a human beingand There's no futureAnd England's dreamingDon't be told what you wantDon't be told what you needThere's no futureNo futureNo future for youGod save the queenWe mean it manWe love our queenGod savesGod save the queen'Cause tourists are moneyAnd our figureheadIs not what she seemsOh God save historyGod save your mad paradeOh Lord God have mercyAll crimes are paidOh when there's no futureHow can there be sinWe're the flowersIn the dustbinWe're the poisonIn your human machineWe're the futureYour futureGod save the queenWe mean it manWe love our queenGod savesGod save the queenWe mean it manThere's no futureIn England's dreaming God save the queenNo futureNo futureNo future for youNo futureNo futureNo future for meNo futureNo futureNo future for youThe Sex Pistols were an English punk rock band that was formed in London in 1975. Although their initial career lasted just two and a half years, they are one of the most groundbreaking acts in the history of popular music. They were responsible for initiating the punk movement in the United Kingdom and inspiring many later punk and alternative rock musicians. Their fashion and hairstyles were a significant influence on punk image, and they are often associated with anarchism within the music.ArTEEtude is West Cork´s podcast for Art, [digital] Culture and true stories, created and produced by Detlef Schlich. Schlich operates with his podcast cross-sectorally. For him, a visual artist has to think transversely instead of just enjoying the luxury of being the antagonist. To drive the narrative and be a protagonist, he will dive and discover with us into the unknown and exciting deep ocean of the creative mind. Detlef Schlich is Podcaster, Visual Artist, Film Maker, Ritual Designer and Media Archaeologist, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture and the video installation Transodin´s Tragedy. He mainly works in performance, photography, painting, sound, installations, and film. To research our human condition and create artwork from this reflection he is often using the methodology of the digital shaman as alter ego. His media archaeology is a conceptual and practical exercise in carving out the aesthetic, cultural, and political singularities of media in culture.WEBSITE LINKSDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

What happens when rebuilding a house becomes a way of reading your own past?In ArTEEtude 352, Detlef Schlich returns to Lackavaun and asks why these memories have resurfaced more than twenty years later — and why they have become more than a single podcast episode.Influenced by landscape, memory, Walter Benjamin’s idea of passages and his own evolving practice of Multilayerism, Detlef begins to see the reconstruction of the old house as something else: a method of thinking through layers.Then the philosophy gets dusty.The main house is completely stripped back. Rotten timber comes out. Floors are lowered. Stone walls are exposed and repointed. Drainage and underfloor heating go in. Woodworm treatment, chemicals, mosquitoes, concrete, exhaustion — and the slow process of learning skills from others before doing them himself.Yet beneath everything that has to disappear, something remains.The stone.The scars.The memory of the building.And eventually, through a new gable window, Dunmanus Bay enters the house.Keep what remembers. Lose what does not.The episode ends with a new Los Inorgánicos track:“Goodbye to the Rats.”About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile’s Bittersweet SongThe Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

THE HOUSE THAT BUILT ME — Water, Stone and the Little RuinPodcast SummaryIn ArTEEtude 351, “The House That Built Me — Water, Stone and the Little Ruin,” visual artist Detlef Schlich continues his journey back to Lackavaun on the remote Northside of the Mizen Peninsula, where he began a radically different life in 2003.After the arrival described in episode 350, Schlich now finds himself largely alone in a damaged rural house without running water, learning how to create the basic conditions for living. With no driving licence, a scooter becomes his connection to Goleen, supplies, local knowledge and the outside world. Sand, gravel, cement, a concrete mixer and eventually belongings transported from Cologne slowly turn survival into construction.Rather than immediately tackling the main house, Schlich begins with a small ruin beside it. The building becomes both shelter and experiment: a place to learn how to mix mortar, rebuild walls, restore a chimney and transform an abandoned structure into a functioning home.Water becomes the central element of the episode. Before a borehole existed, construction water had to be carried by hand from a nearby spring and poured bucket by bucket into large rain barrels. Only later did Schlich discover that the source was locally regarded as a holy well, retrospectively giving the physical act of building an unexpected ritual dimension.The arrival of a huge drilling rig marks another transformation. Approximately seventy metres are drilled into the ground before water can finally be brought directly into the building. Material extracted from deep beneath the landscape is reused around the property, while plumbing, electricity, fire and a loft bed gradually turn the little ruin into a genuinely habitable space.Looking back more than two decades later, Schlich recognises something he could not yet articulate in 2003: he was not simply learning how to rebuild a house. The repetitive physical relationship between body, landscape, water, stone and material was beginning to shape an artistic language that would later emerge in his work with ritual, media archaeology and performance.The episode closes with the song “The House That Built Me.” performed by Los Inorganicos.A ruin has become a home.And now the real work can begin.About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile’s Bittersweet SongThe Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

What if the house you bought was actually a time machine?In 2003, I arrived in Lackavaun on the remote Northside of the Mizen Peninsula in West Cork.No running water.Old jeans stuffed between roof and wall to keep the wind out.Rats upstairs.Dunmanus Bay outside the door.And then I met Pat McCarthy.What initially appeared to be simply a remote and beautiful part of West Cork gradually revealed itself as a place in which several historical layers were still visible at the same time. Through the story of an old house without running water, the late arrival of rural electrification, dramatic population decline after the Great Famine, and the isolation of everyday life, the episode paints a vivid picture of a landscape that was already entering the 21st century while still carrying traces of a much older rural culture.At the centre of the episode is Patrick McCarthy, co-author of Northside of the Mizen, who personally welcomed Detlef to Lackavaun in April 2003. McCarthy becomes a symbolic link between oral storytelling, local history and a disappearing way of life. An old butter churn, a curious matchmaking story, and the Irish tradition of the Pioneer movement open wider questions about how knowledge, gestures and memories survive once their original cultural context begins to disappear.Rather than romanticising rural hardship, the episode examines the tension between poverty and authenticity, isolation and beauty, tradition and technological change. Schlich reflects on how these five years in Lackavaun shaped his later artistic engagement with ritual, material culture, shamanism, technology and media archaeology long before he had a theoretical language for it.ArTEEtude 350 is a journey into a landscape full of traces — and into the stories that continue to live when someone decides to tell them again.About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile’s Bittersweet SongThe Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content