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The FADER’s Alex Robert Ross calls Eddie Chacon at home in L.A. to discuss the extremely weird path that’s led him to his new album ‘Sundown,’ and the quest to rid ourselves of excess.
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Ravenna Hunt-Hendrix joins The FADER’s Raphael Helfand in advance of her new album’s release to discuss her singular career as Liturgy, the triumphs and pitfalls of religion, and the enduring power of Transcendental Black Metal.
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Laura Les and Dylan Brady tell The FADER’s Editorial Director Alex Robert Ross their love of nu metal and ska, taking fun music seriously, and the long road that led to their new album , ’10,000 Gecs.’
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Karin Dreijer calls The FADER’s Jordan Darville from the mountains of Sweden to discuss their new album ‘Radical Romantics,’ making art about love, and radical solutions to everyday problems.
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slowthai tells The FADER’s David Renshaw about his new album ‘UGLY,’ a natural evolution of his quest towards happiness, being as honest as possible, and always speaking his mind, no matter how much trouble it gets him in.
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Damon Albarn talks about Gorillaz' new album, Cracker Island, and the blurry line between the cartoon world and the real world.
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The FADER’s Editorial Director Alex Robert Ross talks to Linkin Park co-leader Mike Shinoda about how the band’s second album, ‘Meteora,’ came to light, in advance of the records 20th-anniversary reissue.
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The FADER’s Raphael Helfand sits down with Velvet Underground co-founder John Cale following the release of his 19th solo album, ‘MERCY,’ for a brief but illuminating conversation about experimental music’s past and future, John Lennon’s smoking habits, and making a scene at the movies.
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In an early look at B. Cool-Aid’s forthcoming album, ‘Leather Boulevard,’ The FADER’s Arielle Lana LeJarde talks to Pink Siifu and Ahwlee about their synergistic partnership, collaborating with legends, and what it means to be an Aquarius.
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Ahead of the release of their new album ‘One Day,’ Fucked Up’s Damian Abraham and Mike Haliechuk talk to The FADER’s Editorial Director Alex Robert Ross about punk history, grief, and the constant need to write.
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Prolific, 25-year-old New York rapper MIKE joins The FADER’s Brandon Callender to discuss touring, sampling, New Year’s resolutions, and his new album, ‘Beware of the Monkey.’
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Ghanaian-British rapper, singer, and fashion icon Bree Runway joins The FADER’s Gyasi Williams-Kirtley to discuss her new surprise EP, ‘Woah, What a Blur!,’ a bite-sized sample of her immeasurable talent and unparalleled confidence.
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The FADER’s Brandon Callender talks to Detroit rapper Babyface Ray about his city’s influence spreading across the country, taking the long road to success, and how he views his artistic evolution.
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With her fifth album, ‘And In The Darkness, Hearts Aglow,’ arriving Friday, Weyes Blood joins The FADER’s Raphael Helfand for a discussion of invasive algorithms, astrology scams, and avoidant attachment styles.
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The FADER’s Jordan Darville talks to Coco & Clair Clair about their newfound commitment to songwriting, transcending TikTok, and the road from Atlanta house parties to sell-out crowds across the country.
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Westside Gunn talks working with RZA and Goo Goo Dolls, discusses unannounced forthcoming Griselda projects, and gives Armani Caesar her flowers in conversation with FADER contributor Son Raw.
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Fred tells The FADER’s Salvatore Maicki why he’s ready to pivot from documenting life via dance music, what he’s learned from working with Brian Eno and Four Tet, and where he’s headed next.
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Carly Rae Jepsen opens up to Alex Robert Ross about the awkwardness of Zoom songwriting sessions, fighting through loneliness while hundreds of miles from family, and writing a love letter to the songwriter who unknowingly convinced her to stick with music in the first place.
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The FADER’s Salvatore Maicki catches up with Swedish dance-pop diva Tove Lo for a wide-ranging conversation about going indie, sampling Hot Butter’s “Popcorn,” and the wild nights that shaped her new album, ‘Dirt Femme.’
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WILLOW is, as she told The FADER’s Gyasi Williams-Kirtley a few weeks weeks before the new record’s release, in her villain era. She also opens up about detachment, growing pains, her new recording process, and how sparks of neon energy helped her pushed through the black void of heartbreak.
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