What happens when the career you thought you were supposed to have turns out not to be the career you actually want? Megan Minutillo Weiner is a writer, poet, Broadway producer, and creator whose career has taken plenty of unexpected turns. From teaching theater to producing her own cabaret series, to becoming a Tony Award-nominated producer of Operation Mincemeat, Megan has built a creative life by following what interests her rather than sticking to a single lane.
Megan talks with Heather and Alan about taking the leap away from a steady teaching job, discovering that progress is rarely linear, and embracing the fact that she is a multi-passionate creative. They dig into the pressure to choose one identity, the challenge of balancing motherhood with writing and producing, and learning when to focus on one project while letting another take a back seat. Megan also shares how her poetry emerged during a challenging period of motherhood and IVF, eventually connecting her with readers who saw themselves in her work.
And then there's Tuscan Witch, Megan's wildly intriguing novel-in-progress about witches, sisterhood, Italy, and a world responding to the overturning of Roe v. Wade. We talk about failure, letting go of what we can't control, and why you don't have to accomplish everything all at once. Megan's reminder that you can have it all, just not all at the same time, might be exactly what another multi-passionate creative needs to hear.
Connect with Megan:
📱 Instagram: @MeganMinutillo
✍️ Good Attention on Substack
🎭 DUETS: The Concert Series
🎟️ DUETS: The Concert Series, Volume 11 at 54 Below
Connect With Us:
📩 Email us at
[email protected]
🎧 Follow Was It Chance? on your favorite podcast platform
📱 Connect with us on TikTok and LinkedIn
✨ More about Heather at her website, subscribe to her Substack and on LinkedIn, YouTube, and more
Visit Heather's Bookshop
Visit The Reading Well
EPISODE TAKEAWAYS
Creative careers rarely follow a straight line, and that's not a sign that you're doing something wrong.
Sometimes the biggest creative risk is walking away from the security of a steady job to find out what you're actually capable of.
You don't have to choose just one creative identity or fit yourself into a single lane.
Taking risks doesn't mean every idea will work, but the experiments that don't work can still teach you where you want to go next.
There is value in trying things simply because you're curious about them, even when you don't know where they'll lead.
You can have multiple creative projects and passions, but you don't necessarily have to pursue all of them at the same time.
Failure is something to learn from, not something you have to carry with you into your next opportunity.
Creative community matters, especially when the work itself can feel solitary.
Sometimes an idea stays with you because you're not finished with it yet, even if it takes years to develop.
You don't have to accomplish everything at once. Give yourself permission to build a creative life one opportunity, experiment, and unexpected turn at a time.
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