HORROR 101 with Dr. AC

THE PLAGUE OF THE ZOMBIES (1966) d. John Gilling (UK) THE REPTILE (1966) d. John Gilling (UK) ONE MILLION YEARS B.C. (1966) d. Don Chaffey (UK) THE WITCHES (1966) d. Cyril Frankel (UK) For nearly a decade, Hammer had built its reputation on sumptuous Gothic horror, with mysterious castles, suspicious villagers, and iconic monsters, usually with Christopher Lee and Peter Cushing topping the bill. But by 1966, Hammer was looking outward, experimenting with new monsters, new settings, and even entirely new genres. With The Plague of the Zombies, starring André Morell, Diane Clare, Jacqueline Pearce, and John Carson, director John Gilling gives us a nightmare rooted in rural Cornwall, where the dead are being turned into obedient, shambling workers. The famous graveyard sequence remains one of Hammer's most striking set pieces, while also setting itself apart from other zombie films in a number of ways, making one wish Hammer had gone back to the well for more. Gilling also directed The Reptile (on the same sets, in fact), another distinctly different kind of Hammer horror. With Noel Willman, Jennifer Daniel, Ray Barrett, Jacqueline Pearce, and Michael Ripper, the film sees a remote village plagued by mysterious deaths, with another exotic and ancient curse at play. Jacqueline Pearce is exquisite as the young shapeshifting maiden at the center of the story, with veteran Roy Ashton delivering one of his most iconic monster makeup designs. One Million Years B.C. represented perhaps the biggest departure the studio, with Hammer taking its taste for spectacle to an entirely different level. Directed by Don Chaffey, and featuring John Richardson and Raquel Welch as loincloth-wearing star-crossed members of different prehistoric tribes, with stop-motion maestro Ray Harryhausen returning to his roots to deliver some of the most authentic and anatomically correct dinosaurs ever seen on screen. The result was a box office smash, with Welch's iconic pin-up poster art becoming an indelible piece of pop culture history. Finally, The Witches, directed by Cyril Frankel, explores psychological and supernatural horror through a more contemporary lens. In her final big screen role, Joan Fontaine plays a former missionary who becomes entangled in increasingly sinister events after moving to a quiet English village. While the film never reaches the heights of Hammer's more celebrated efforts, it is laudable for continuing to take risks and break ground for future occult-themed efforts such as The Devil Rides Out. Join AC and his amazing panel of guests (Stan Hyde, Barry Kaufman, Alan Tromp) as we step back 60 years to delight in the monstrous, magical, murderous, and Mesozoic world of Hammer! -------------------------------------------------------- STAN HYDE teaches, examines, and consults on international film programs for students (International Baccaluareate's Film Course), as well as writing about model making, film history, and some fiction. He is winner of the Mangled Sky-Scraper Award for helping bring G-FEST, the annual Godzilla Convention in Chicago, to life since 1995, and is a 2021 Canadian Science Fiction and Fantasy Association Hall of Fame recipient for his work with science fiction conventions, clubs, and fanzines. BARRY KAUFMAN has been committed to spreading the gospel of obscure horror and science-fiction cinema since writing the fanzines Monsters of Japan and Demonique in the 1970s and 80s. He ran All-Horror Video out of a house in the woods in Homewood, Illinois through the 1980s, followed by his shop The House of Monsters in Chicago from 1996 to 2007. He now vends at genre related shows and programs festivals in the Chicago area featuring his inconspicuous film favorites. ALAN TROMP is a golden age Monster Kid, who has published articles in Filmfax, Twilight Zone Magazine, and We Belong Dead publications in the UK. He was scriptwriter for the shot-on-video nightmare, The Soul Eaters. ------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

CLASS OF NUKE 'EM HIGH (1986) d. Richard W. Haines / Lloyd Kaufman (USA) CLASS OF NUKE 'EM HIGH PART II: SUBHUMANOID MELTDOWN (1991) d. Eric Louzil (USA) CLASS OF NUKE 'EM HIGH PART III: THE GOOD, THE BAD, AND THE SUBHUMANOID (1994) d. Eric Louzil (USA) RETURN OF CLASS OF NUKE 'EM HIGH (2013) d. Lloyd Kaufman (USA) RETURN TO RETURN OF CLASS OF NUKE 'EM HIGH (2017) d. Lloyd Kaufman (USA) POULTRYGEIST: NIGHT OF THE CHICKEN DEAD (2006) d. Lloyd Kaufman (USA) Few independent film companies have cultivated a cinematic identity as unmistakable—or as gloriously unhinged—as Troma Entertainment. Founded by Lloyd Kaufman and Michael Herz, the New York-based outfit built its reputation by giving audiences the movies Hollywood wouldn't touch: outrageous, irreverent, low-budget spectacles that mixed horror, comedy, sex, punk attitude and social satire. Released in 1986, Class of Nuke 'Em High is one of the best examples of the Troma formula. Directed by Richard W. Haines and Lloyd Kaufman, the film transforms the familiar high-school horror movie into a radioactive free-for-all, with Tromaville High sitting dangerously close to a nuclear power plant. Students mutate, the honor society goes spectacularly bad, and the school becomes ground zero for a gleefully tasteless collision of sci-fi, splatter and teenage rebellion. In between the Nuke 'Em sequels and reboots, we got Poultrygeist: Night of the Chicken Dead, Lloyd Kaufman's magnificently deranged 2006 splatter musical. Set in an American fast-food restaurant built atop an ancient burial ground, Poultrygeist unleashes chicken zombies upon unsuspecting diners while skewering corporate fast food, consumer culture and American excess. Put together, the films demonstrate that Troma's secret weapon was never simply blood, guts or shock value. Class of Nuke 'Em High and Poultrygeist turn exploitation cinema into a playground for satire, DIY filmmaking, and sheer creative lunacy. Forty years after Tromaville High first glowed green, Troma is still proving that sometimes the best way to make movies is to consult the rulebook... and then blow it the cluck up. Join AC and his Troma-loving panel of guests (Zack Beins, Dave "M" Gray, Jonathon Lucas) as we celebrate 40 years of NUKE 'EM HIGH and 20 years of POULTRYGEIST!  ---------------------------------------------- ZACK BEINS is a filmmaker from Denver, CO.  He has made several films and music videos including The Misled Romance of Cannibal Girl and Incest Boy, and Atom the Amazing Zombie Killer. Zack has a lifelong passion for cinema and cult films. His love of celluloid brought him to Tromaville where he worked on Poultrygeist: Night of the Chicken Dead (2006) and volunteered at the TromaDance Film Festival, and now hosts the Talkin' Troma podcast with the Loudspeaker network! DAVE "M" GRAY is currently a test subject in a subterranean mad science lab and allowed to send proofs of life to Raiders of the Podcast (raidersofthepodcast.blogspot.com or anywhere you podcast) and Twitch (twitch.tv/sh4ggyr4nd) weekly. JONATHON LUCAS is a horror fiend from Australia whose love for the genre predates his brain's ability to form memories. He contributed the essay for At Midnight I'll Take Your Soul for Hidden Horror. ------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

SCREAM (1996) d. Wes Craven (USA) SCREAM 2 (1997) d. Wes Craven (USA) SCREAM 3 (2000) d. Wes Craven (USA) SCRE4M (2011) d. Wes Craven (USA) SCREAM (2022) d. Matt Bettinelli-Olpin/Tyler Gillett (USA) SCREAM VI (2023) d. Matt Bettinelli-Olpin/Tyler Gillet (USA) SCREAM 7 (2026) d. Kevin Williamson (USA) By the mid-1990s, the slasher cycle that had produced Halloween, Friday the 13th, and A Nightmare on Elm Street had become increasingly formulaic, with audiences being fed a stream of quote/unquote "psychological thrillers." True horror was, in many respects, considered "dead." Kevin Williamson's ingenious screenplay understood exactly why audiences had become tired of slashers—and then made that familiarity part of the entertainment. Its characters know the rules of horror movies, discuss them openly, and understand the clichés that traditionally govern who lives and who dies, balancing sharp humor, suspense, mystery, and brutal violence. The result was both a celebration of the slasher tradition and a clever reinvention of it. The commercial and critical success of Scream, as directed by Wes Craven, also helped breathe new life into the genre, inspiring a wave of imitators, including beloved fan favorites I Know What You Did Last Summer, Urban Legend, and countless other late-1990s and early-2000s slashers. A major part of Scream's lasting success can also be attributed to its unforgettable central characters, particularly Sidney Prescott (Neve Campbell), Gale Weathers (Courtney Cox), and Deputy Dewey Riley (David Arquette).. Audiences came to regard them as old friends, and their enduring popularity yielded a horror franchise with a genuine emotional legacy. Today, Craven's achievement appears even more significant than it did 30 years ago. Just as A Nightmare on Elm Street kept the slasher alive in 1984 when the genre was beginning to run out of steam, Scream gave horror another desperately needed shot in the arm in 1996. Craven and Williamson didn't merely revive horror – they carved a path which allowed the genre to evolve, and that is something to scream about. Join AC and his amazing panel of guests (Anna Ceragioli, Alex DiVincenzo, Daniel Millhouse, Jordy Sirkin, Ciara Wylie) as we celebrate three decades of SCREAM!! -------------------------------------------- ANNA CERAGIOLI is a Chicagoan who lives for horror movies. From throwing horror-themed dinner parties, playing Monster Bash in her pinball league, or chilling with a Goblin vinyl, it's all horror all the time for her. ALEX DIVINCENZO is a Massachusetts-based independent filmmaker, journalist, and content creator. He runs the website Broke Horror Fan, through which he produces a line of modern genre films on VHS. He can be found spending too much time on social media @brokehorrorfan DANIEL MILLHOUSE joyfully returns to review films with Dr. AC and friends! As an Assistant Professor at the College of DuPage, he cherishes his Theatre, TV/Film, and Motion Capture acting experiences. He is one mischievous, charming, goofball. JORDY SIRKIN is the horror-obsessed critic behind Jordy Reviews It (jordyreviewsit.com). Slashers, creature features, paranormal haunts, and everything in between, she's an avid fan of the macabre, and a HUGE enthusiast of practical effects. Since 2015, she's been reviewing genre films and is a Rotten Tomatoes-approved critic. You can follow her on Instagram and TikTok at @jordyreviewsit CIARA WYLIE is a lifelong horror fan and co-creator of Deep Cuts Horror Trivia in Chicago, IL. In her free time she can be found screaming into the uncaring void about Final Destination 3. ------------------------------------------------------ Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

TOMBS OF THE BLIND DEAD (1972) d. Amando de Ossorio (Spain/Portugal) RETURN OF THE BLIND DEAD (1973) d. Amando de Ossorio (Spain) THE GHOST GALLEON (1974) d. Amando de Ossorio (Spain) NIGHT OF THE SEAGULLS (1975) d. Amando de Ossorio (Spain) Writer/director Amando de Ossorio's Tombs of the Blind Dead (1972) represented a landmark achievement that introduced an entirely new monster into the genre, the haunting Knights Templar (based on the legitimate historical figures who fought in the Crusades and were later put to death for their efforts), complete with shabby robes, skeletal faces, grizzled facial hair, shiny swords, and a quenchless thirst for human blood. In fact, the early scenes of this zombie flick (yes, we'll call them zombies for now) are so overwhelming in their thick gloomy atmosphere that viewers cannot help but admire the sheer confidence and audacity executed in bringing them to the screen. Ossorio provides a brief introductory setup of three romantically entwined companions on a train ride through the Spanish countryside, then embarks on a breathtaking twenty-minute, nearly dialogue-free episode that must be experienced to be believed. During this astounding sequence, Anton Garcia Abril's jangling, chanting, percussive musical score and lively environmental soundtrack combine with Ossorio's eerie visuals to create an intoxicating dream-like aura. In addition to Ossorio's prolific career, which features titles such as Demon Witch Child, The Loreley's Grasp, The Sea Serpent, and Night of the Sorcerers, the success of The Blind Dead spawned three more loosely connected entries in the series over the next three years: Return of the Blind Dead, The Ghost Galleon, and Night of the Seagulls. Together, they form an unforgettable quartet of thrills and chills, staking out an undeniable place in Spanish horror history. Join AC and his incredible panel of guests (Darren Callahan, Damien Glonek, Ryan Olson, Jimmy Seiersen, Alan Tromp) as we celebrate a half-century of THE BLIND DEAD! ---------------------------------------------------- DARREN CALLAHAN is an award-winning writer, director, and composer who has written drama, fiction, and non-fiction for many major outlets, mostly focused on the horror genre. He has also released nearly 100 records, from pop to noise to ambient to film soundtracks.  His website is darrencallahan.com and his IMDB is http://www.imdb.me/darrencallahan. DAMIEN GLONEK is best known as the co-creator of Living Dead Dolls, which holds the record for the longest continuously running horror-themed dolls. He is also co-host of the horror podcast, Discover the Horror. In Damien's spare time, he collects horror movie posters, watches horror movies, reads about watching horror movies and talks about reading and watching horror movies to anyone that will listen.  RYAN OLSON (aka S. Ravenlord of The Cold Beyond music group) is the owner of Deadspeak Design and Night World Records, as well as a member of the Synapse Films street team and a regular on the Synapse Films podcast. His work has been featured in Liquid Cheese, Horrorhound, & Evilspeak Magazines. JIMMY SEIERSEN from Sweden has written essays for the HORROR 101 and HIDDEN HORROR books, been a short film programmer for Lund Fantastic Film Festival (2010–2022), and creates short films that eventually make their way to YouTube: https://www.youtube.com/@JimmySeiersen ALAN TROMP is a golden age Monster Kid, who has published articles in Filmfax, Twilight Zone Magazine, and We Belong Dead publications in the UK. He was scriptwriter for the shot-on-video nightmare, The Soul Eaters.  ----------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

THE FLY (1986) d. David Cronenberg (USA/Canada) THE FLY II (1989) d. Chris Walas (USA/Canada) After years of building a reputation as a fiercely intelligent filmmaker that deftly combined gooey special effects, challenging technical concepts, and emotional narrative heft, Canadian David Cronenberg finally hit the jackpot in this updating and reimagining of the 1958 classic, The Fly. Rather than the simple swapping of heads and hands, brainy inventor Seth Brundle (played to perfection by Jeff Goldblum) sees his transporter pods inadvertently become gene splicers when a wayward fly enters the equation. Watching the slow and horrifying evolution as the insect's characteristics make themselves known is where Cronenberg's customary gross-outs excel, courtesy of Chris Walas' Oscar-winning effects. But it is Goldblum's brilliant muti-layered characterization (often beneath pounds of makeup) of a man at war with his own body that sticks in the memory and gives the film its heart. Geena Davis gives an equally strong performance as a reporter who is first attracted to the project as a story idea, but ends up falling in love with the doomed scientist, while John Getz turns in a terrific sleazy portrait as Davis' boss (and ex-lover). Howard Shore's musical score is one of his best, and he is joined by numerous other Cronenberg collaborators, such as editor Ronald Sanders, cinematographer Mark Irwin, costume designer Denise Cronenberg, and production designer Carol Spier. Join AC and his buzz-worthy panel of guests (Dan Caffrey, Jon Kitley, Eli LaChance, J. Luis Rivera, Chris Scales) as we celebrate 40 years of David Cronenberg's THE FLY!!  ------------------------------------------------------ DAN CAFFREY is a Brooklyn-based playwright, screenwriter, podcaster, and lifelong horror fan. Caffrey currently co-hosts The Losers' Club: A Stephen King Podcast and Halloweenies: A Horror Franchise Podcast, both on Bloody Disgusting's podcast network, Bloody FM. He received his MFA In Playwriting from UT Austin and has also written as a cultural critic for The A.V. Club, Consequence, Pitchfork, Vox, and elsewhere. His favorite horror movie is Halloween. His favorite movie-movie is also Halloween. (https://www.dancaffreywrites.com/) JON KITLEY has been running his website, Kitley's Krypt for 25 years. He's a columnist for HorrorHound magazine, a co-host on the Discover the Horror podcast, and attends multiple conventions and all-night horror movie marathons at the drive-in theaters! https://kitleyskrypt.com/ ELI LACHANCE is a horror writer, chemist, and paleontology enthusiast. He is currently starting his last year in UMSL's MFA in creative writing program. He resides in St. Louis, Missouri with his wife, dog, and two cats, one of which may be the living dead. Some of his writing can be found in Medium Chill and on Channel-31.com. When he's not writing, he loves walking with his dog, bird watching, and hunting fossils. https://channel-31.com/ J. LUIS RIVERA is a Mexican filmmaker and cinephile whose love for movies began early in his life with Cronenberg's The Fly as a kid. Director of several horror short films, he is currently developing his first feature-length film. CHRIS SCALES is a lifelong horror fan, aspiring horror screenwriter, and horror panelist.  ------------------------------------------------------ Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!