DiscoverAnglotopia Podcast | Discussing UK British Travel, History, Culture, London, British Slang, and More!
Anglotopia Podcast | Discussing UK British Travel, History, Culture, London, British Slang, and More!

Anglotopia Podcast | Discussing UK British Travel, History, Culture, London, British Slang, and More!

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The Anglotopia Podcast is your deep dive into the rich and diverse world of British culture, hosted by Jonathan and Jacqueline Thomas, publishers of Anglotopia.net and Londontopia.net. Each episode takes you on a journey through iconic British television, captivating historical events, and essential travel tips, ensuring you experience the very best of the British Isles. Our engaging discussions feature important British guests and authors, covering everything from the latest trends and timeless traditions to hidden gems and popular landmarks. Whether you're a passionate Anglophile or simply curious about the UK, our podcast offers a delightful mix of insights and entertainment. Join us as we celebrate the charm, heritage, and unique allure of Britain, making every episode a must-listen for anyone who loves all things British.
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Historian Sophie Shorland returns to the podcast — last time for The Lost Queen, her book on Catherine of Braganza, the forgotten queen who helped bring tea to Britain. This time she has turned her attention to the most famous queen England ever had, and found a story most of us think we already know but really don't. All the Queen's Men takes the endless question that hung over Elizabeth's entire reign — who will marry the Virgin Queen? — and reframes it completely. Not as a love life, but as foreign policy. Courtship as diplomacy; flirtation as statecraft; a single woman keeping every prince in Europe dangling for decades in order to keep her country alive. Sophie's argument is that the domestic picture of Elizabeth — progresses, tilts, flirting with favorites, and the occasional baffling decision that older scholarship put down to the menopause — makes far more sense once you add the geopolitics back in. When she abruptly invites a French suitor over, it's because the relationship with Spain is deteriorating and she would rather not be invaded. Historians usually reach for a chess metaphor; Sophie prefers poker, because in chess you have one opponent, and Elizabeth was playing against every head of state in Europe and sometimes her own subjects too. Along the way: the ambassadorial brawl over whose heraldic heart had the better arrows; why whoever married Elizabeth would effectively have won England, its navy and its wealth without a shot fired; the Earl of Arundel who spent a fortune in bribes while the queen laughed behind her sleeve; Eric of Sweden signing himself "your most loving Eric" and complaining that four years of courtship felt like ten; Ivan the Terrible, already on roughly his seventh wife, cancelling the Anglo-Russian trade relationship in a huff; and the Duke of Alençon — nicknamed her Frog, possibly for his small froggy fingers — with whom Elizabeth exchanged rings in front of witnesses, which under Tudor law meant they were technically married, before paying him a great deal of money to leave the country. Links Sophie Shorland's Books All the Queen's Men: Power, Ambition, and the Making of Elizabeth I — the US edition, published by Pegasus Books on 27 October 2026 All the Queen's Men at Pegasus Books / Simon & Schuster All the Queen's Men: The Competition to Marry Elizabeth I — the UK edition, which carries a different subtitle The Lost Queen: The Surprising Life of Catherine of Braganza — her previous book, and the subject of her first appearance on this podcast The Lost Queen at Pegasus Books Sophie Shorland at Simon & Schuster Anglotopia Friends of Anglotopia Club Anglotopia Store Takeaways The gap Sophie found wasn't in the research but in the framing. There is superb scholarship on Elizabeth, but it tends to concentrate on the domestic reign — the progresses, the tilts, the flirtations — and some of her decisions look random or even irrational in that frame. One older strand of scholarship attributed a sudden invitation to a French suitor to the menopause. Add the international context and it resolves instantly: her relationship with Spain was deteriorating and she did not want to be invaded by a great power. Her most reliable move was to open a marriage negotiation whenever something went wrong. In 1563 Margaret of Parma, governing the Netherlands, lost patience with English piracy and declared a trade embargo — disastrous for English wool, the country's main export. Elizabeth immediately began courting Margaret's cousin, the Habsburg Archduke Charles of Austria. On its own the courtship looks capricious; with the embargo in view it is obviously repair work. Her accession set off something close to a feeding frenzy. Fights broke out in the corridors outside her rooms; courtiers complained of stumbling over ambassadors and envoys. The Danish and Swedish delegations had near-identical emblems — a heart pierced with arrows versus a heart pierced with javelins — and the resulting quarrel became a genuine diplomatic incident requiring the parties to be separated. The stakes were that high because marrying Elizabeth meant acquiring England. As a woman, it was assumed her husband would head both household and realm; whoever married her became King of England, with her relegated to second place, and with direct control of the navy, the merchant fleet and the country's wealth. This was not theoretical — England had just been pulled into a French war on Spain's behalf during Mary's marriage to Philip, losing Calais, despite Parliament's efforts to limit his powers. Poker beats chess as a metaphor, and Sophie makes the case cheerfully rather than dogmatically. In chess you face one opponent; Elizabeth faced every head of state in Europe and occasionally her own subjects. She played her cards close, to the lasting frustration of even her closest advisors, and she bluffed — especially early on, when the assumption was that an unmarried queen of a militarily humiliated country would be invaded within the year unless she married a great power quickly. The serious contenders were the ones we still remember, plus some we don't. Robert Dudley; the French candidates including Alençon; Archduke Charles; and Frederick, Crown Prince of Denmark, who made real strategic sense — both Protestant, geographically close, and a combined Anglo-Danish grip on the shipping lanes would have been formidable. The long shots are better company. The Earl of Arundel, fabulously rich, spent thousands bribing his way closer to a queen who laughed at him behind her sleeve. Ivan the Terrible, whom most people don't realize was Elizabeth's contemporary, was on roughly his seventh wife. Eric of Sweden wrote for years as "your most loving Eric," complaining that four years of courtship felt like ten — his language so overheated that when the King of Denmark intercepted the letters he was simply baffled. And Adolf of Denmark was briefly a strong contender mainly because he was handsome, which was apparently reason enough to float several candidates. The Alençon courtship went further than any other and nearly became real. He was nineteen to her thirty-seven when it began, the youngest of four brothers and correspondingly ambitious, and one of the very few foreign suitors to actually make the trip. By his second visit she was forty-five — her last realistic chance to use the tactic. She promised to marry him before witnesses, he said the same, and they exchanged rings, which under Tudor practice meant they were married: no church service, no signature, just the words before witnesses. Ladies fainted. The Spanish ambassador reported home that this time she was serious. Spain relented, Elizabeth got what she wanted — and then had to extract herself, paying Alençon handsomely to leave and go fight his war in the Netherlands, with Dudley sent to make sure he actually went. Jean de Simier, Alençon's envoy, is the episode's great comic discovery. Sent to England partly because he'd just fled France after a duel over his brother's affair with his wife, he flirted outrageously with Elizabeth on his master's behalf, stole her nightcap from her bedchamber to send back to Alençon, was rumored to be having an affair with her, survived assassination attempts, switched to working for Elizabeth after quarrelling with another Frenchman — and when Cecil discovered he had been taking enormous Spanish bribes throughout, Elizabeth was so fond of him that she simply let it go. Elizabeth said she would never marry when she was eight, and said it again in her first address to Parliament, declaring she would remain a vestal virgin married to England. With hindsight, Sophie notes, it is baffling that everyone assumed otherwise. The closest we have to her strategy in writing is Walsingham's exasperation from Paris — essentially, I know what you're doing, and stringing the French along will not get you an alliance, it will just make them angry. Soundbites "It suddenly makes sense why she was inviting a suitor over from France. It's because her relationship with Spain was deteriorating and she wanted, basically, to not be invaded by a great power." "Fights were breaking out outside her rooms, in the corridors. The Danes used a heart pierced with arrows, and the Swedes used a heart pierced with javelins — and this was a diplomatic contretemps. There was a big fight. They had to be separated." "Here is an opportunity to basically conquer England, a pretty wealthy country, without any bloodshed." — Sophie on why Europe lost its head over Elizabeth's accession. "Chess, you only have one opponent — whereas Elizabeth was playing against every head of state, basically, in Europe, and sometimes also her own subjects." "He spent thousands and thousands of pounds bribing people trying to get close to her, and she just kind of laughed at him behind her sleeve." — on the Earl of Arundel. "He'd only been courting her for four years, but it felt like ten." — Eric of Sweden, whose letters were so florid that the King of Denmark intercepted them and couldn't work out what was going on. "She nicknamed him her frog, possibly because he had very small little fingers, like little froggy hands — which is slightly odd to think about." "For Tudors it technically meant that they were married. You didn't need a church service, you didn't need to sign anything. All you needed to do was say I will marry you, I will marry you, in front of witnesses, and you're done." "At one point the Spanish ambassador is just casually saying: maybe I'll assassinate this Italian spy. No — but actually, people might notice, so probably won't bother. I'll just intercept his letters." "Once you've played the card of a marriage, you can't play that card again. Whereas if you just keep promising, you get almost the same benefits — and then you can reuse the same card." Chapters 00:21 W
This is part of a special Jane Austen series, sponsored throughout by Strictly Jane Austen. It is one of Jonathan's favorite kinds of story: the man who talks an entire city into existence. Picture him arriving in Bath in the early 1700s — a chancer, a gambler, a womanizer, with no visible income, no rank, no property, and nothing to recommend him but charm, brilliant conversation, gold braid and an unmistakable white hat. Within a few years he has made himself the absolute monarch of the place. He writes the rules. He decides who dances with whom and when the evening ends. He turns a provincial spa town into the most fashionable destination in Britain. His name was Richard Nash, and everyone called him Beau. If you have read Northanger Abbey or Persuasion, you have walked through the world Beau Nash built — the Pump Room, the Lower Rooms, the ceremonies of introduction, the etiquette that governs whether Catherine Morland may even speak to Mr. Tilney. Dr. Moira Rudolf, historian of Georgian and Regency Bath, returns to introduce the man who wrote those rules, and the extraordinary trio who built the city he ruled. Along the way: the small debt and the pair of boots, two plays, a tobacco box and a fiddle Nash left behind at Oxford; the pageant that earned him a knighthood from William III, which he refused; the duel that vacated the post of Master of Ceremonies and handed him the city; the Brussels lace apron he tore from the waist of the Duchess of Queensbury and flung into the back benches, and her entirely good-humored apology; the royal princess told she could not dance after eleven; the fortune Ralph Allen made from reforming the postal service and then made again from the stone under Combe Down; the gravity railway that ran it down the hill with a nervous brakeman on the back; John Wood the Elder's plan to rebuild Bath as ancient Rome, and his death weeks after laying the foundation stone of the Circus; a full walk through a typical Bath day, from the six o'clock bath and the sweating cure to the Pump Room arrivals book and the supper boxes in the pleasure gardens; and the sorry end — a court case over a proto-roulette game called EO that cost Nash the city's trust and left him downsizing into his mistress's house. 🎀 OUR SPONSOR: STRICTLY JANE AUSTEN This Jane Austen series is brought to you by Strictly Jane Austen — Bath's most Austentatious travel company. If this episode has put you in the mood to experience the Regency for yourself, there is no better way than stepping into Jane Austen's Bath with an expert guide — and this is an episode that rewards walking the ground. Nash's Bath is still there to be found: the Pump Room, Terrace Walk and Parade Gardens where Harrison's Rooms once stood, the Lower Rooms' riverside setting, Queen Square, the Circus, the Royal Crescent, and the house beside the Theatre Royal with its plaque to Beau Nash. What they offer: Expert Guided Tours of Jane Austen's Bath — Private walking tours led by expert Janeite guides Period Dress Hire & Afternoon Tea in Bath — Regency costume delivered to your hotel, then promenade through Bath and take afternoon tea in a historic tearoom Bridgerton in Bath — The city's Bridgerton filming locations and Regency high society Jane Austen & Bath's Gothic History Twilight Tour — Northanger Abbey, Frankenstein, and the darker side of Regency Bath Discovering Jane — A Three-Night Travel Experience in Bath & Hampshire — The full immersive short break Escape to Bath by Rail from London — Paddington to Austen's Bath in style Bespoke Group Tours of Bath & Hampshire — For individuals, couples, book clubs and groups of any size Annual Jane Austen Celebrations — Dance, discussion and Regency merriment at the Gainsborough Bath Spa 🎁 Gift Vouchers — The perfect present for the Janeite in your life Book or learn more at strictlyjaneausten.com · Call +44 1225 333747 (Mon–Fri, 09:00–17:00 GMT) Follow them: Instagram · Facebook Winner, Bristol Bath & Somerset International Tourism Award 2025 (Bronze). Part of ECT Travel, a Bath-based tour operator running successful travel programs since 1993. Links Beau Nash — Bath Preservation Trust — context on the Georgian city Theatre Royal Bath — Nash's Sawclose house forms part of the present entrance, and Juliana Popjoy's house with its Beau Nash plaque stands next door Prior Park Landscape Garden — National Trust — Ralph Allen's "swagger mansion" above his quarries Combe Down Stone Mines — the subterranean quarries Allen bought Sham Castle, Bath — the eye-catcher on the hill, visible from Allen's townhouse The Circus, Bath — John Wood the Elder laid the foundation stone in 1754 and died weeks later Queen Square, Bath — Wood's first major extension beyond the Roman walls, begun 1728 Pulteney Bridge — Robert Adam's only completed building in Bath, begun 1769 Nash's Bath, and Austen's The Roman Baths & Pump Room — the present Pump Room opened in 1795, built around the remains of the 1706 one Thermae Bath Spa — the Cross Bath — one of the baths in use in both Nash's and Austen's day The Assembly Rooms, Bath — National Trust — the Upper Rooms, opened 1771, a decade after Nash died Sydney Gardens, Bath — the surviving pleasure garden, coming up in the next episode Sally Lunn's — reputedly trading in both Nash's and Austen's day The Jane Austen Centre, Bath Visit Bath — for Milsom Street, Terrace Walk, Great Pulteney Street and the rest Previous Episodes in This Series Robert Morrison on The Regency Years Dr. Moira Rudolf on scandal, duels and quack cures in Georgian Bath Dr. Gabrielle Malcolm on Austen's filming locations Theresa Roche on the people who made Jane Austen Dr. Gabrielle Malcolm on America's love affair with Jane Austen Anglotopia Friends of Anglotopia Club Anglotopia Store Takeaways Nash had every reason to amount to nothing. Born in Swansea in 1674 to a partner in a glassmaking firm and the daughter of a royalist soldier, schooled in Carmarthen, sent to Jesus College, Oxford to read law — and he left in 1692 without a degree, having abandoned a small debt and, by way of compensation, a pair of boots, two plays, a tobacco box and a fiddle. He did have the presence of mind to draw his allowance first. Oxford failed, the army failed, the law failed. His father bought him an army commission and he hated the regimented life; he enrolled at London's Middle Temple and developed his real niche instead — man about town. His fellow students concluded he must be a pirate or a privateer, since he plainly had no means of support, and he seems to have gone hungry to keep himself in gaudy clothes. He was offered a knighthood and turned it down. In 1695 he supervised a pageant at the Middle Temple in honor of William III; the King was so charmed that a knighthood followed. Moira thinks the refusal is the key to everything that came after — that Nash had already worked out he would rather be a king somewhere small than a knight in somebody else's story. Bath's unique asset is that its water comes out of the ground hot. Moira counts at least 26 spa towns in Britain, and all the others artificially heat cold springs. Bath's arises naturally hot, with a legendary reputation for curing, and when Nash arrived around 1702 the city was a quiet backwater of genteel invalids with a growing sideline as a marriage market. The potential was obvious to anyone who looked. His break came through a duel. Captain Webster, the Master of Ceremonies whose assistant Nash had become, was killed in 1705 — and Nash was elected to the honorary, unsalaried post that effectively handed him the city. He could not have done it alone, and the other two legs of the Bath Triumvirate are just as remarkable. Ralph Allen arrived from Cornwall in 1712, aged nineteen, already admired for reforming the Cornish post office; he made his first fortune reforming England's postal service with a cross-post system so mail no longer had to travel to London to be sorted, then made a second from the stone under Combe Down. Prior Park and Sham Castle were, in effect, advertisements for Bath stone — and he even built an early gravity railway to run the stone down to Ralph Allen Wharf, with a nervous brakeman riding the back to control the descent. John Wood the Elder was trying to rebuild Bath as ancient Rome on the soil of Bath. He gave us Queen Square in 1728, the first significant extension beyond the Roman walls, designed a forum that was never built where North and South Parade now are, and laid the foundation stone of the Circus in 1754 — then died weeks later at fifty, of suspected overwork. His son John Wood the Younger finished the Circus and went on to build much of the rest. Nash's reforms were practical before they were social: a band of London musicians funded by subscription and a rake-off from the gambling tables, better communications in and around the city, a new set of Assembly Rooms — the Lower Rooms, since lost — for dancing, cards and indoor promenading in bad weather, residents compelled on pain of a fine to light lanterns from 14 September to 25 March, and the sedan chairmen brought under regulation. The rules themselves were the real invention: a community where rank and background were respected, but conduct was governed by affability and politeness so that people from different walks of life could mingle at balls and assemblies. He enforced them on everybody. He tore a Brussels lace apron worth 500 guineas from the waist of the Duchess of Queensbury and flung it into the back benches with the reproof that "none but Abigails appear in white aprons" — and she, being good-tempered, was amused and begged the King of Bath's pardon. He forbade Princess Amelia to dance past eleven with the line that defines him: "You are a princess, Madam, but in Bath I am the king." Gambling ma
Jonathan is finally ready to talk about it. After fifteen years of wanting to, a year of preparation and nine days of walking, he completed the Hadrian's Wall Path National Trail — coast to coast across the neck of England, from Wallsend in the east to Bowness-on-Solway in the west, following a line a Roman emperor drew across Britain nearly two thousand years ago. This is the full account: what it was actually like, what he learned, the glorious bits and the genuinely hard bits, and whether you should do it too. The honest version includes a first leg out of Newcastle that was frankly a disappointment — graffiti on every information board, burnt-out shopping trolleys, an industrial hum he recognized from growing up near the Indiana steel mills. It includes three cafés and leisure centers that turned out to be shut when he arrived starving. It includes a thousand-foot climb he's not sure he could have managed if he hadn't broken the first day in half, and a final fifteen-mile stretch across open marshland with no shade and cars passing at sixty that was, he says plainly, the hardest day of the whole thing. But it also includes the day that made the entire walk worth it: a tiny church alone on a hill at Heavenfield, sheltered from a ferocious wind by ancient trees, empty, silent, and one of the most beautiful places he has ever been. And a man in a lay-by whose entire job is selling two-pound cups of tea to walkers, who became his hero. And honesty sheds with kettles and PayPal QR codes. And a communal dinner with eleven strangers at a Lanercost B&B that he dreaded and which turned out to be one of his favorite evenings of the trip. And standing at the little hut at Bowness with Scotland in the distance, phoning his wife in tears. Plus the practical stuff: how the self-guided model actually works, why you will walk considerably more than 84 miles, why distance is a bad measure of difficulty, and what he'd tell you to do differently. 🥾 OUR SPONSOR: MACS ADVENTURE This episode is brought to you by Macs Adventure — the self-guided walking and cycling specialists who planned and booked Jonathan's entire Hadrian's Wall walk and made it possible. The self-guided model is the reason a walk like this is achievable for someone who isn't a hardened hiker. You walk at your own pace, on your own, but everything else is arranged: a bed booked every night along the route, breakfast included, and — the genuinely magic part — luggage transfer, so you leave your bag at reception each morning and it appears at your next stay while you carry only a day pack. You also get their app, which handles navigation, distance, pace, elevation profiles and a written briefing for each day including where to find food and facilities. There's a 24-hour emergency line if things go wrong. As Jonathan puts it: you still have to walk every hard mile yourself, and nobody carries you. But the logistics are handled by a staff of people who have done these walks themselves, and that is what makes it manageable. Hadrian's Wall Path — East to West — 9 days, 8 nights (the direction Jonathan walked) Hadrian's Wall Path — West to East — 9 days, 8 nights, with the prevailing weather and sun at your back Best of Hadrian's Wall Path — shorter options if you want the finest central section without the full coast-to-coast All Macs Adventure Hadrian's Wall itineraries Book one a year ahead if you can — there is a limited stock of accommodation near the trail, and Jonathan's was booked the October before he walked. Links The Trail Itself Hadrian's Wall Path National Trail — the official trail site Hadrian's Wall Path Passport — £6, stamped at points along the route, with the fee going toward maintaining the trail AD 122 Hadrian's Wall Bus — the seasonal bus along the central section, and a perfectly honorable way to skip a stretch SplashMaps — the fabric maps that also sponsored the walk, and which everyone along the trail admired East End — Newcastle & Wallsend Segedunum Roman Fort, Wallsend — the museum at the trail's eastern terminus, where you buy the passport Tynemouth Priory and Castle — English Heritage — the spiritual start of the Wall, even though the trail doesn't reach it Tynemouth Station Market — the antique and flea market in the railway station Heddon-on-the-Wall to Chollerford Wylam Waggonway — the old colliery waggonway, now a walking route through the woods George Stephenson's Birthplace — National Trust — the cottage on the Waggonway, worth a detour Corbridge Roman Town — English Heritage St Andrew's Church, Corbridge — the Roman arch scavenged into a Saxon tower St Oswald's Church, Heavenfield — the church alone on the hill, and the emotional high point of the walk Battle of Heavenfield — Oswald of Northumbria's victory, AD 633/634, after which he was later canonized The Central Section — The Best of It Chesters Roman Fort — English Heritage Carrawburgh / Brocolitia Temple of Mithras — English Heritage Housesteads Roman Fort — English Heritage — the largest fort on the Wall, and where Jonathan bought the stocking cap that saved his ears Winshields Crags — the highest point on the Wall, with its Ordnance Survey trig point The Twice Brewed Inn — the inn in the middle of nowhere, with its own brewery and stargazing Kielder Observatory — the major Northumberland observatory, further north in Kielder Forest Northumberland International Dark Sky Park Into Cumbria — Gilsland to the Sea Lanercost Priory — English Heritage — the ruin with a working church still inside it Abbey Farm House, Lanercost — Charlotte's B&B, the communal dinner, and the best night's stay of the trip Abbey Farm House photography workshops — Charlotte is an award-winning photographer Carlisle Cathedral — whose bells rang Jonathan out of town on the final morning St Mary's Church, Beaumont — said to be the only church built directly on Hadrian's Wall St Michael's Church, Burgh by Sands — where Edward I lay in state after dying nearby in July 1307 Bowness-on-Solway — the western terminus, and the little shelter where the trail begins and ends Coming Soon A series of roughly ten daily episodes recorded on the trail each evening, going much deeper into the day-to-day Anglotopia Friends of Anglotopia Club Anglotopia Store Takeaways The official distance is 84 miles. Jonathan's actual total was closer to 120. The gap comes from everything the trail map doesn't count: hotels that aren't on the route, walking into town to find dinner, a B&B half a mile from the nearest pub, and the two miles in Carlisle spent hunting for a restaurant that could seat him. If you're thinking "it's only 84 miles," adjust. Distance is a poor measure of how hard a day will be. Some of the shortest days — six or seven miles — were the most punishing, because of relentless climbing and descending. One of the longest was comparatively easy. Look at the elevation profile, not the mileage. Breaking the first day in half was the single best decision of the trip. The official day one is fifteen miles. Doing the first five on the afternoon you arrive in Newcastle leaves ten for the next day — and Jonathan is genuinely unsure he could have completed that day's thousand-foot climb otherwise. The first leg out of Wallsend is the least lovely part of the whole trail, and you should not judge the walk by it. Every information board was graffitied or damaged beyond reading. There was trash and burnt-out shopping trolleys. It's paved and easy but you can't see anything. It gets dramatically more beautiful after that — so keep going. Luggage transfer is transformative and you don't appreciate it until it's gone. Jonathan describes watching the van carry his bag past him on day seven and thinking only "stop, let me get in the truck." The morning after finishing, he instinctively rushed to pack for a transfer that no longer existed, and the luggage was suddenly his problem again. There is an entire economy of small kindnesses along the Wall, and it carries you as much as the logistics do. Tea vans parked in lay-bys. Honesty sheds with kettles, fridges, snacks and a tin for your money or a PayPal link. Ice cream vans in unexpected places. Jonathan's firm conclusion: the days with plenty of tea stops were dramatically easier than the days without, and that is not really about the tea. Stop when you can, and take the full hour. Jonathan found the afternoons after a proper sit-down were far better than the afternoons he tried to push through. The refreshment gets scarcer the further west you go, so never walk past tea assuming there'll be more. Learn to manage blisters before you leave. Jonathan had done a year of training but not enough long-distance walking to discover that he blisters at seven or eight miles, mostly on his left foot, which is a different size from his right. He had to learn the technique on the trail. Cared for properly — drained each night, aired out, dressed for the morning — blisters barely hurt. Cared for badly, they become open sores and a real problem. There is no prize for walking every step. Taxis are easy to find along the whole route, Uber works, and two buses cover the trail between them for about three pounds. If your body has had enough for the day, get on the bus — it is enough to simply be there doing it. Jonathan chose to walk the whole thing, saw the bus repeatedly and was tempted, but didn't. That was his choice, not a rule. The average walker Jonathan met was over sixty and doing this in retirement, which left him grateful to be doing it relatively young — and with a message for anyone putting it off. Stop waiting and just do it. You'll earn every view, and you'll never forget it. Soundbites "There's a slight madness to doing this walk. I'm an American — Americans are famously carbrained
This is Episode 5 of a special six-part Jane Austen series, sponsored throughout by Strictly Jane Austen. It is, when you stop to think about it, one of the strangest love affairs in literary history. Here is a country founded on tearing up the rule book of aristocracy, of inherited rank, of who married whom — a nation that fought a war precisely to be free of all of it. And what does it do? It falls utterly and permanently for a clergyman's daughter from Hampshire who wrote six novels about the English gentry. Americans fill ballrooms in Regency gowns. They queue for Chawton. They've given the world Clueless, Bridget Jones, and Mr. Darcy fighting zombies. Mark Twain loathed her so passionately he said he wanted to dig her up — and lost, comprehensively, to his own countrymen. Jonathan Thomas is joined by Dr. Gabrielle Malcolm, who holds a PhD from the University of Kent, is the author of Fan Phenomena: Jane Austen and There's Something About Darcy, and is the creative director of Strictly Jane Austen — so there is nobody better placed to explain what draws people across an ocean to walk in Austen's footsteps. The conversation starts with the tote bag that started it all: Gabrielle moved to Bath, saw students and tourists carrying bags reading "I ♥ Darcy," and realized no other character in English literature could possibly warrant one. Along the way: why everybody calls her Jane and nobody calls Dickens Charlie; the Netherfield scene that demonstrates exactly how Austen gets inside everyone's head at once; her genuinely provocative argument that Americans recognized Austen's contribution before the English did; the Victorian children's novel in which an American girl visits Austen's grave and the cathedral warden has no idea who she's talking about; why male academics were still dismissing Austen as a romance writer within living memory; what makes Darcy structurally different from Rochester and Heathcliff — he is the one who actually changes, rather than needing to be set on fire first; why the 1995 adaptation and the growth of the internet were a tandem phenomenon; why Austen fandom is, improbably, the kindest corner of the internet; and why Bath — a city Austen never much liked — became the heart of the pilgrimage. 🎀 OUR SPONSOR: STRICTLY JANE AUSTEN This entire six-part series is brought to you by Strictly Jane Austen — Bath's most Austentatious travel company. Today's guest, Dr. Gabrielle Malcolm, is their creative director, and in this episode she explains exactly what she was brought in to build. Gabrielle's role is to recruit the speakers and specialists — experts in Georgian embroidery, fashion, architecture and gardens, the literary history of Austen's writing and her family — so that guests spend each day of a residency doing something different. Guests stay at the Gainsborough Bath Spa, with access to the warm spa waters, the opportunity to dress in Regency costume (which in Bath, as Gabrielle notes, causes nobody to bat an eyelid), and the chance to actually spend time with those speakers rather than simply hear them. Novelist Gill Hornby, whose Miss Austen has now been dramatized for television, has been among them. And if you want a shorter visit, the expert guided walk is the thing: an architectural historian or literary specialist who will take you to the nooks and crannies of Jane Austen's Bath — Sydney Place and Sydney Gardens, Gay Street, the Old Theatre Royal, Milsom Street — the places we know from her letters that she shopped, bought her walking boots, and bought the stationery she wrote them on. What they offer: Expert Guided Tours of Jane Austen's Bath — Private walking tours led by expert Janeite guides Period Dress Hire & Afternoon Tea in Bath — Regency costume delivered to your hotel, then promenade through Bath and take afternoon tea in a historic tearoom Bridgerton in Bath — The city's Bridgerton filming locations and Regency high society Jane Austen & Bath's Gothic History Twilight Tour — Northanger Abbey, Frankenstein, and the darker side of Regency Bath Discovering Jane — A Three-Night Travel Experience in Bath & Hampshire — The full immersive short break, including Jane's Hampshire home and burial place Escape to Bath by Rail from London — Paddington to Austen's Bath in style Bespoke Group Tours of Bath & Hampshire — For individuals, couples, book clubs and groups of any size Annual Jane Austen Celebrations — Dance, discussion and Regency merriment at the Gainsborough Bath Spa 🎁 Gift Vouchers — The perfect present for the Janeite in your life Book or learn more at strictlyjaneausten.com · Call +44 1225 333747 (Mon–Fri, 09:00–17:00 GMT) Follow them: Instagram · Facebook Winner, Bristol Bath & Somerset International Tourism Award 2025 (Bronze). Part of ECT Travel, a Bath-based tour operator running successful travel programs since 1993. Links Our Guest There's Something About Darcy: The Curious Appeal of Jane Austen's Bewitching Hero Fan Phenomena: Jane Austen — the collected essays that came out of the I-♥-Darcy tote bag Gabrielle Malcolm at Intellect Books Strictly Jane Austen — where she is creative director Austen Societies & Events The Jane Austen Society of North America (JASNA) — founded 1979 JASNA 2025 Annual General Meeting — "Austen at 250," Baltimore — Gabrielle's first, attended with Susannah Harker The Jane Austen Society (UK) — the more traditionally academic British society Gabrielle has begun working with The Jane Austen Centre, Bath Places of Pilgrimage Jane Austen's House, Chawton — the cottage, restored Chawton House — the Great House at the top of the village, barely changed Winchester Cathedral — where Austen is buried, in the north nave aisle The Roman Baths & Pump Room, Bath Theatre Royal Bath The Gainsborough Bath Spa — where the Strictly Jane Austen residencies are based Visit Bath — for Milsom Street, Gay Street, Sydney Place, Sydney Gardens, the Royal Crescent and the Circus St Swithin's, Walcot, Bath — where Austen's parents married and her father George is buried Previous Episodes in This Series Robert Morrison on The Regency Years Dr. Moira Rudolf on the darker side of Georgian Bath Dr. Gabrielle Malcolm on Austen's filming locations Theresa Roche on the people who made Jane Austen Anglotopia Friends of Anglotopia Club Anglotopia Store Takeaways Gabrielle's route into Austen fandom ran through a Victorian sensation novelist. For her PhD she deciphered the notebooks of Mary Elizabeth Braddon — a friend of Wilkie Collins — reading the crossings-out and false starts of a novelist at work. That changed how she read everything afterward, Austen included: she had never thought about the shaping of a novel as a reader. Then she moved to Bath and saw the tote bags. Students and tourists carrying "I ♥ Darcy." She realized no other character in English literature could sustain that object — not Mr. Rochester, not any of Dickens's heroes, because as she puts it, "they were really sketchy, shady people." The clearest sign of Austen's unique hold is that everybody calls her Jane. Brontë fans distinguish Charlotte, Emily and Anne out of necessity, but nobody calls Dickens Charles or Charlie. Austen readers talk about her as though they know her — which Gabrielle traces directly to the free indirect style that puts her in the room, mediating between character and reader. Her demonstration of that is the Netherfield scene with Elizabeth's muddy petticoat. We go round the room and hear what each character privately thinks: Bingley finds her a lovely sister, Miss Bingley is disgusted, Darcy notices the walk has brightened her cheeks — and Mr. Hurst is thinking about his breakfast. It's a tour of several minds in a few lines, capped with a deliberate bathos. Gabrielle's answer to the central paradox is that Austen's appeal to America is because of the revolutionary founding, not in spite of it. Austen was born in 1775 and grew up amid revolutionary politics — her cousin Eliza's husband was guillotined. Her heroines push back. Elizabeth telling Lady Catherine "he is a gentleman; I am a gentleman's daughter — so far we are equals" is the line Gabrielle reaches for, and it nearly makes Lady Catherine faint. That same quality is why Austen travels beyond the English-speaking world. She is popular in India, the Middle East, Brazil and Italy because, Gabrielle argues, she speaks to a universal compulsion to rebel against whoever is trying to tell you what your life should be. Jonathan adds the complementary point: humans everywhere build stratification, and America has its own invisible class system. Her most provocative claim is that Americans recognized Austen's contribution before the English did. Her evidence is a wonderful piece of Victorian literary tourism: in Susan Coolidge's What Katy Did Next, an American girl travels to lay flowers on Austen's grave and the cathedral warden effectively asks "Jane who?" Readers never stopped loving Austen — her books have never been out of print — but critical reception ebbed and flowed, and she wasn't in the academic canon while Scott and Dickens were. It took post-war feminist scholarship to bring Austen, the Brontës and Eliot in as serious literature. Gabrielle was a student while male academics were still dismissing Austen as a romance writer. The same thing happened in translation, where she arrived in languages like Italian packaged as pure romance, hearts and flowers on the cover. What makes Darcy durable isn't the brooding — Goethe and Byron had already built that type — it's that he changes, and he does most of it offstage. Elizabeth doesn't change him; she shows him what he is, and he becomes a better man for knowing her. Gabrielle's comparison is brutal and funny: Rochester only improves after Charlotte Brontë half burns him to death and
This is Episode 4 of a special six-part Jane Austen series, sponsored throughout by Strictly Jane Austen. We tend to imagine great writers alone — a solitary genius at a small writing desk, which in Jane Austen's case is quite literally true; you can still see the little twelve-sided walnut table at Chawton. But nobody becomes Jane Austen alone, and behind those six perfect novels stands a whole crowded, noisy, loving and complicated world of people. Jonathan Thomas is joined by Theresa Roche, a Jane Austen speaker and one of Strictly Jane Austen's own Bath guides, who has mapped out the entire web of Jane's relationships: an orphaned clergyman father who gave his daughters a boys' education and 500 books to roam in; a sharp-witted mother who may well be the original of Mr. Woodhouse; an eldest brother whose Oxford magazine published Jane under an alliterative pseudonym before she was fifteen; a disabled brother she spoke to on her fingers; the brother who was handed three estates and without whom, Theresa argues, we would have no novels at all; a favorite brother who was a bit of a rogue and negotiated her publishing deals; two naval brothers who sailed into Mansfield Park; and the sister who was her whole heart and who burned most of her letters to protect her. Then the women beyond the family: a flamboyant French cousin presented at Marie Antoinette's court whose husband was guillotined, who hit it off with Jane instantly and died holding her hand; Martha Lloyd, who took on the housework so Jane could write and who ended up marrying Jane's brother and becoming Lady Austen; and Anne Sharp, a governess in financial limbo whom Jane befriended across a class line she was not supposed to cross. Plus the proposal Jane accepted one evening and fled the next morning, the Irishman she danced with and never forgot, and the clergyman at Sidmouth who may have been the love of her life and who died before anything could come of it. 🎀 OUR SPONSOR: STRICTLY JANE AUSTEN This entire six-part series is brought to you by Strictly Jane Austen — Bath's most Austentatious travel company. Today's guest, Theresa Roche, is one of their Bath guides, so book a tour and you may well get her. If this episode has put you in the mood to experience the Regency for yourself, there is no better way than stepping directly into Jane Austen's Bath with an expert guide. Strictly Jane Austen's award-winning tours bring Regency England to life through expertly guided walks, immersive storytelling, and carefully curated itineraries in Bath and beyond. Their guides are avid Janeites steeped in Regency knowledge — and, as Austen herself would have it, genuinely "clever, well-informed people." What they offer: Expert Guided Tours of Jane Austen's Bath — Private walking tours through the streets Jane walked, led by expert Janeite guides Period Dress Hire & Afternoon Tea in Bath — Exquisite Regency costume delivered to your hotel, then promenade through Bath and take a sumptuous afternoon tea in a historic tearoom Bridgerton in Bath — A private tour of the city's Bridgerton filming locations and Regency high society Jane Austen & Bath's Gothic History Twilight Tour — Northanger Abbey, Frankenstein, and the darker side of Regency Bath Discovering Jane — A Three-Night Travel Experience in Bath & Hampshire — The full immersive short break, including Jane's Hampshire home and burial place Escape to Bath by Rail from London — Travel from Paddington to Austen's Bath in style Bespoke Group Tours of Bath & Hampshire — Built for individuals, couples, book clubs, and groups of any size Annual Jane Austen Celebrations — Dance, discussion and Regency merriment at the Gainsborough Bath Spa 🎁 Gift Vouchers — The perfect present for the Janeite in your life Book or learn more at strictlyjaneausten.com · Call +44 1225 333747 (Mon–Fri, 09:00–17:00 GMT) Follow them: Instagram · Facebook Winner, Bristol Bath & Somerset International Tourism Award 2025 (Bronze). Part of ECT Travel, a Bath-based tour operator running successful travel programs since 1993. Links Places in This Episode Jane Austen's House, Chawton — the cottage where the novels were written and published Jane Austen's writing table — the twelve-sided walnut table itself, with a 3D model you can spin Chawton House — Edward Austen Knight's "Great House," now home to early women's writing St Nicholas Church, Steventon — where the Reverend George Austen was rector Godmersham Park Heritage Centre, Kent — Edward's Kent estate Winchester Cathedral — Jane Austen — where she is buried, in the north nave aisle Tonbridge School, Kent — George Austen's school, paid for by his uncle Francis St Swithin's, Walcot, Bath — where George Austen and Cassandra Leigh married in 1764 (the present church is a later rebuild) Books & Further Reading Jane Austen's Letters, edited by Deirdre Le Faye — the surviving 161 letters, the primary source for almost everything in this episode Martha Lloyd's Household Book, edited by Julienne Gehrer — Martha's own recipe and household book, with a foreword by Deirdre Le Faye Miss Austen by Gill Hornby — the novel about Cassandra burning the letters Miss Austen on PBS Masterpiece — the television adaptation, with a second season announced Jane Austen's The History of England — British Library — inside "Volume the Second," Add MS 59874, with Cassandra's watercolor vignettes Lady Susan — the early novella Jane never published, possibly based on cousin Eliza Northanger Abbey · Sense and Sensibility · Pride and Prejudice · Mansfield Park · Emma · Persuasion Previous Episodes in This Series Robert Morrison on The Regency Years Dr. Moira Rudolf on the darker side of Georgian Bath Dr. Gabrielle Malcolm on Jane Austen's filming locations Anglotopia Friends of Anglotopia Club Anglotopia Store Takeaways The Reverend George Austen was unusual among Georgian fathers, and Theresa thinks his own childhood explains why. Orphaned before he was nine, he depended entirely on the goodwill of an uncle who paid for Tonbridge School and then St John's College, Oxford, which he entered at sixteen. Family patronage secured him the parishes of Deane and Steventon. A man who had been lifted up by other people's generosity turned out to be generous with his daughters. Jane's mother, Cassandra Leigh, was the daughter of an Oxford fellow and her husband's intellectual equal — she taught the children to read and write, and wrote poems herself. She was also, Theresa notes, a hypochondriac. Between Mr. Woodhouse in Emma, the "valetudinarian," and Mary Musgrove in Persuasion, who is always ill, Jane appears to have been writing from life. Jane was published far earlier than most people realize. Her eldest brother James ran an Oxford periodical called The Loiterer, which carried a letter from a female contributor named "Sophia Sentiment" — and the alliteration, Theresa says, should make you smell a rat. It was Jane, probably around fourteen. Edward Austen was formally made heir to three vast estates — Steventon, Godmersham and Chawton — and it is Edward, Theresa argues, without whom we would have no novels at all, because it was his Chawton cottage that eventually gave Jane a settled home to write in. Cassandra burned most of Jane's roughly 3,000 letters, leaving 161. Theresa's explanation is protective rather than sinister: Jane wrote devastating things to her sister, including, on hearing of an acquaintance's miscarriage, "she must have looked at her husband." Cassandra was shielding the nieces and nephews — and Jane's reputation as the sweet-tempered woman described on her tombstone. Cassandra, not Jane, was the one who sparkled. She was the beauty, the one with the engagement, a gifted watercolorist, "the man magnet." Jane was in the shadows — and Theresa suggests Jane Bennet in Pride and Prejudice is Cassandra. Jane's world was far less narrow than the "one or two families in a country village" criticism suggests. Her cousin Eliza de Feuillide was raised in India, presented at the French court, knew Marie Antoinette and the Princesse de Lamballe, and married a French nobleman who was guillotined. Jane heard about the run-up to the Revolution firsthand, in a Hampshire parsonage. In December 1802 the Bigg sisters invited Jane to Manydown, and on her first night their younger brother Harris Bigg-Wither proposed. She accepted — then changed her mind overnight and left the next morning. By her own later account to her nieces and nephews, she had accepted because the house was big enough to shelter her mother, Cassandra and Martha Lloyd if her father died. Theresa strongly suspects the sisters engineered the whole thing. Martha Lloyd and Cassandra made a conscious decision at Chawton to take on the housework so Jane could write. These were two women who believed in her talent and wanted her published. Martha later married Jane's brother Francis — Jane and Cassandra had tried to matchmake them thirty years earlier — and eventually became Lady Austen. Theresa's answer to why Jane never married has several strands: no dowry at twenty, the marriage of convenience she considered and then refused, the Sidmouth clergyman who died, the Anglican vow to obey a husband who might forbid her to write, and a suspicion that she wanted a man as liberal and forward-thinking as her father. Above all, her family's imagination and liberality let her make money by her own hand, which Theresa calls revolutionary for a lady of her class. Soundbites "It is quite a shocking fact that the Reverend George Austen was orphaned before his ninth birthday." — Theresa on the childhood that may explain why Jane's father was so unlike other Georgian fathers. "The atmosphere in which Jane would have grown up is fiercely intellectual — almost carelessly intellectual. She is steeped i
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