On Creative Writing

Aaron Kreuter, author of the new novel Lake Burntshore, discusses his writing with Emma Woodhouse. He delves into the origins of his passion for storytelling and the path that led him to write his novel. Aaron opens up about the inspirations that shaped Lake Burntshore, a coming-of-age story set against the evocative backdrop of a Jewish summer camp. He discusses how his own experiences and observations of camp life informed the novel’s vivid setting and authentic characters, bringing to life the joys, challenges, and complexities of adolescence within a tight-knit community.Aaron writes about weighty themes such as identity, colonialism, and the political tensions surrounding Zionism and Indigenous land rights. He reflects on the responsibility and opportunities fiction offers to address real-world issues, sharing how he approached these sensitive topics with nuance and empathy. He talks about the delicate balance between weaving political and historical realities into a compelling narrative while ensuring that the story remains grounded in personal experience and emotional truth.Listeners gain insight into Aaron’s creative process, from the initial spark of an idea to the discipline required to bring a manuscript to completion. Aaron emphasizes the importance of community for writers, recounting how feedback from peers, mentors, and writing groups shaped his work and helped him navigate moments of self-doubt. He discusses the challenges of editing and revising, offering practical advice for writers facing the daunting task of refining their drafts. Aaron also shares his experiences with the publishing process, highlighting both the obstacles and the rewards of bringing a debut novel into the world.Emma and Aaron celebrate the power of fiction to foster empathy, spark conversation, and illuminate the complexities of our world. They discuss how storytelling can serve as a bridge between cultures and perspectives, inviting readers to question assumptions and engage with difficult questions. Aaron’s experiences are a testament to the resilience and creativity required to pursue a writing career, and his reflections offer encouragement and inspiration to aspiring authors.Whether you’re a writer, a reader, or simply curious about the intersection of literature and social issues, this episode offers an engaging look at the art and craft of contemporary fiction.Links:Aaron Kreuter.Aaron's interveiw with On Creative Writing.

Guest host Kim Mannix, author of the new poetry collection Confirm Humanity, is excited to tell you all that the On Creative Writing Poetry Contest is officially OPEN!The Poetry Contest is giving $300 Canadian for the first prize, and $100 Canadian for the runner-up!Here’s what you need to know:● Who can enter? Anyone, anywhere in the world.● What are we looking for? Original poems in English. Any subject, any style.● The fine print: Your poem must be unpublished and no longer than 50 lines.● Entry fee: Just $5 Canadian per poem, and you can enter as many times as you like.Now, a few words about the judges and the sponsors. Your poem will be judged by a stellar panel: poet and professor Rob Winger, Kim Mannix, a poet and author of a new collection called Confirm Humanity, and On Creative Writing’s Sheelagh Caygill.Not least, a big thank you to poetry contest sponsors, Wolsak and Wynn publishers and River Street Writing author and book publicity firm, for making this poetry contest possible.The entry deadline will be here soon! Mark your calendar, set a reminder, tattoo it on your arm—just don't miss it!The deadline is Friday, December 19, 2025, at 11 a.m. Mountain Time.Stop waiting for inspiration and start submitting! We can't wait to read your entry.If you’re a lover of poetry, we have another contest you’ll want to know about. This contest is for a hard copy of award-winning poet Kim Fahner’s new collection, The Pollination Field. This beautiful book has been provided by the publisher, Turnstone Press. The contest for Kim’s book closes on Friday, December 12, 2025 at 11 a.m Mountain time.Enter both contests at Oncreativewriting.com. Thanks, and good luck everyone!

By Sheelagh CaygillThe Writer's Spark Coaching Competition is designed for creative writers who need that extra push, that spark to reignite their passion and move forward with their work.Have you ever felt stuck in your writing? Maybe you're wrestling with your first draft, or you've lost momentum on a project that once excited you. Maybe self-doubt has crept in, or life has simply gotten in the way. If any of this sounds familiar, this competition might be exactly what you need.The competition offers one writer a prize including sessions with a writing coach, editing, a one-year free membership with Brain.fm, and a Q & A interview with On Creative Writing. This prize is about transformation. It's about getting the professional support and tools you need to move your writing forward.If you know you have a bit of talent within you—that unique combination of observation, imagination, and perspective that only you can bring to your work—but your spark is diminished, then I want you to enter. The prizeFirst, you'll receive two one-hour coaching sessions with Fiona Fenwick, a professional coach and mentor based in New Zealand who specializes in helping creative writers reconnect with their creative energy, focus, and clarity. In your first Zoom session with Fiona, you'll discuss and explore your goals, challenges, and any obstacles getting in your way. Are there habits preventing your progress? Fiona will help you find solutions and provide actionable recommendations. Then, three to four months later, you'll have a follow-up session for continued support. Plus, Fiona will be available for email support as needed throughout the process.Fiona specializes in helping writers overcome self-doubt and build sustainable writing habits. Her coaching is truly a lifeline for anyone navigating the ups and downs of the creative process. Listen to a simulated coaching session with Fiona in my interview with her in the episode titled How a writing coach helps creative writers become unstuck, released Sept. 23 2025.You'll receive a free full year subscription to Brain.fm. This isn't just background music. Brain.fm's music is scientifically engineered to work with your brainwaves to help you focus, relax, sleep, or meditate.The third component is two hours of professional editing and feedback from me. As an experienced journalist and creative writer, I'll tailor the editing to your specific needs. You might want to divide the time into two sessions—I can review your work first, then we'll discuss my feedback over Zoom. Or you can use me as an alpha or beta reader, and I'll send you a detailed report. Finally, you'll have the opportunity to be featured in a Writers Reveal Q&A interview here at On Creative Writing. You'll also be promoted through our newsletter and social media platforms. It's a wonderful opportunity to share your story and connect with our community of readers and writers.To enter you need to have reached the age of majority in your country or jurisdiction. You'll need to answer two questions. The first question asks why you deserve to win. This is the answer that Fiona and I will evaluate, based on how well it's written—we'll consider spelling and grammar, use of language, persuasiveness, and writing style.The second question asks you to describe your project in 300 to 700 characters. Tell us about the genre, the subject, whether you've started, and if you have a deadline. The entry fee is just $6 dollars Canadian to cover administrative costs. You can pay through our Ko-fi page when you submit your entry. Entries, coaching, and editing sessions will be in English.Deadline: Friday, December 19th, 2025 at eleven a.m. Mountain Standard Time.If you're in a creative rut, dealing with writer's block, or need motivation to push through, this prize will help!Enter here: https://www.oncreativewriting.com/writers-spark-coaching-contest

In this episode of On Creative Writing, guest host and poet Kim Mannix sits down with acclaimed Canadian author C.J. Levigne to explore her post-apolyptic novella, The Drowned Man’s Daughter. C.J. shares the origins of the book, which came out of her experiences with climate grief and a sense of isolation during the COVID-19 pandemic. She describes how these experiences, combined with her fascination for the rugged beauty of the Nova Scotia coastline, shaped the novella’s evocative setting—a small, weather-beaten fishing village teetering on the edge of environmental collapse.C.J. offers listeners a behind-the-scenes look at her writing process, revealing how she balances meticulous research with moments of creative spontaneity. She discusses the challenges of editing The Drowned Man’s Daughter, particularly when it came to maintaining narrative tension and emotional resonance in a shorter format. Kim and C.J. discuss the novella’s unique blend of speculative genres, including elements of magical realism, folklore, and eco-fiction. C.J. explains how she wove together these threads to create a story that feels both timeless and urgently contemporary, reflecting anxieties about climate change while also drawing on the mythic traditions of the Atlantic coast.The episode also highlights C.J.’s experience working with NeWest Press’s Barbour Books imprint, which is focused on acquiring speculative fiction. C.J. talks about collaborating with Barbour’s new editor, Jenna Butler, whose keen editorial eye and passion for innovative storytelling helped shape the final manuscript. She shares anecdotes from the editing process, including tough decisions about what to cut and what to expand, and how Jenna’s feedback pushed her to deepen the core of the story.C.J. works full-time and mentions the "bl**dy mindedness" she employed to finish The Drowned Man’s Daughter, working from initial drafts through rounds of revision and the uncertainties of submitting to publishers. She emphasizes the importance of research—not just into the environmental science that underpins the novella’s world, but also into the folklore and oral histories of coastal communities. Kim and C.J. touch on the role of community in the novella and on how isolation and connection are mirrored in both the story and the author’s own creative journey.Listeners will come away with a richer understanding of blending genres, including dystopian fiction, building immersive settings, and working with a supportive editorial team. It is a must-listen for anyone interested in the intersection of literature, place, and pressing contemporary themes.Host Kim Mannix is a poet who has just released her debut collection, Confirm Humanity. Read Kim's interview with On Creative Writing.

Author Saad Omar Khan, a Pakistani Canadian writer and the author of the acclaimed debut novel Drinking the Ocean, joins host Sheelagh Caygill for a thoughtful and wide-ranging conversation about his writing and his book.Saad was born in the United Arab Emirates to Pakistani parents and lived in the Philippines, Hong Kong, London, and South Korea before immigrating to Canada. He is a graduate of the University of Toronto and the London School of Economics and has completed a certificate in Creative Writing from the School of Continuing Studies (University of Toronto) where he was a finalist for the Random House Creative Writing Award (2010 and 2011) and for the Marina Nemat Award (2012).Saad shares insights into his multicultural upbringing and how his cosmopolitan upbringing has shaped both his view of the world and his writing. He reflects on the complexities and richness of navigating cultures, and how these experiences inform the characters, settings, and themes in his writing.Listeners will hear a reading from Drinking the Ocean, where Saad brings to life the emotional depth and lyrical prose that have won him praise for this debut. He reflects on the literary influences that have shaped his voice, and discusses how he sought a balance of perspective for the characters of Murad and Sofi in Drinking the Ocean.Saad strives to authentically portray the nuances of faith, mental health, and culture in his fiction. He discusses how he aims to represent these themes with honesty and sensitivity, avoiding stereotypes and instead offering multidimensional characters who grapple with real-life challenges. He shares his writing process, through to revisiions, and talks about the authors and books that have influenced him.We touch on balancing a full-time professional career with creative writing. Saad offers advice for writers who are juggling multiple responsibilities, emphasizing the importance of discipline, time management, and self-compassion. He also highlights the role of literary communities—both online and in-person—in providing support, feedback, and a sense of belonging for writers at all stages of their careers.The episode also explores the complexities of love, identity, and belonging, as Saad discusses how fiction can be a powerful tool for empathy and understanding. Saad offers a look at the challenges and rewards of writing about topics that are deeply personal yet universally relatable.Find Saad Omar Khan online.Drinking the Ocean is published by Wolsak and Wynn.Read Saad Omar Khan's interview at On Creative Writing.

Guest host and poet Marco Melfi (author of Routine Maintenance) joins poet and professor Chris Hutchinson to explore the intricacies of Chris’s latest poetry collection, Lost Signal. Marco and Chris have a thoughtful discussion about the intersections of creativity, technology, and culture in contemporary poetry. They reflect on the enduring power of poetry to connect people across differences, create moments of shared understanding, and inspire both joy and critical thought. The poets unpack the origins of Lost Signal, with Chris sharing the inspirations and experiences that shaped the collection. He discusses how the rapid evolution of technology and the omnipresence of digital culture have influenced not only the themes of his poems but also his approach to language and form. The conversation explores the role of place and personal experience in Chris’s poetry. He describes how his sense of identity is shaped by the landscapes he’s inhabited, from urban environments to more rural settings, and how these places inform the emotional and imagistic texture of his poems. Chris emphasizes the importance of observation and presence, explaining how paying close attention to the world around him fuels his creative process and helps him capture moments of beauty, uncertainty, and transformation.Chris reads several poems from Lost Signal, offering listeners a glimpse into his poetic voice and sensibility. Each reading is accompanied by a discussion of the poem’s origins, themes, and craft. Chris shares insights into his writing process, highlighting his use of intuition in writing first drafts and the necessity of revision in refining his work. He talks about the challenges of balancing spontaneity with careful editing, and how he strives to keep the energy of an initial idea while shaping it into a finished poem.Marco and Chris delve into broader questions about the function of poetry in society. Chris believes in poetry’s unique ability to critique cultural norms, question dominant narratives, and foster empathy among readers. He discusses the pleasure he finds in the musicality and playfulness of language, as well as his commitment to engaging with social and political issues through his art. The conversation touches on the responsibilities of the poet in an era of rapid change and uncertainty, and how poetry can serve as both a mirror and a catalyst for personal and collective reflection.Chris offers advice to aspiring poets and writers, encouraging them to trust their instincts, embrace revision, and remain open to the world’s complexities. He explains: "My process as very intuitive. I honestly haven't had an idea for a poem or a book. Other people have ideas and schemes, and I admire that . . . you know, you travel to museums or do interviews and compile all this information and you kind of know where you're going. I think that's a very mature and sophisticated kind of creative process that I envy. And unfortunately, or maybe for better or for worse, I just don't. I've never been able to. Or maybe I haven't even bothered to try to do anything quite like that. "I love sitting down and having no expectations and not really knowing what a poem is. If I have preconceived ideas or assumptions about what am I going to do, then I won't make any discoveries. It's no surprise for the writer, no surprise for the reader, as Robert Frost once said."I like the idea of clearing one's mind and turning off one's internal editor, self-criticism, and doubts, in order to just allow language to kind of gurgle up from your unconscious or wherever it comes from and spontaneously spill out onto the page."Thanks to Marco Melfi for hosting this episode, and to Chris for his time as a guest!Chris HutcinsonLost SignalsMarco MelfiRoutine Maintenance

Novelist Susan Wadds presents an audio essay for this episode of On Creative Writing. She discusses her debut novel, What the Living Do. The title is from a poem by Marie Howe, which addresses someone who has passed away, and tells what the living is doing with their day. Susan's novel centers on Brett Catlin, a woman navigating the complex terrain of grief, guilt, and a cancer diagnosis, all while coming to terms with a haunting childhood tragedy. The story looks at how the past continues to shape the present, and how healing can emerge from even the deepest wounds.Many years ago, Susan had cancer and felt that there was a psychological underpinning to the disease. She shares her experiences with illness and how it informed both the emotional landscape of her protagonist, Brett Catlin, and the broader themes of her novel. She describes the challenges of writing authentically about pain and vulnerability, and how drawing from her personal journey allowed her to create a character who feels both real and relatable. Susan also discusses the cathartic power of storytelling, and how writing became a means of processing her own grief and uncertainty.A significant part of Susan’s writing journey involved participating in supportive writing workshops. She shares how these creative communities provided not only technical guidance but also much-needed encouragement and camaraderie. She wrote What the Living Do after years of not writing, even though she had been writing since before her teenage years. But after spending a lot of time in India and raising a family, she had stepped away from writing seriously. She had lost her confidence in being able to write a story, but was introduced to a woman named Sue Reynolds, who uses the Amherst Writers and Artists method of writing and workshop facilitation to help writers write what they need to write. Susan went to Sue's workshops and with the support of other writers and celebrating one another's successes, she found her voice and the confidence to complete her novel.When it came to the creation of the novel's protagonist, Susan listened to Sherry Coalman, a writer and theatre person, who talks about a sacred image in writing. This can be can epicenter of what it is you're going to write about. For Susan, the sacred image was noticing women on roads, crews who actually weren't down in the ditches with the men, but just holding stop slow signs. And as most writers do, she asked the question, what if, what if what? What kind of person would she be if she was down there, scraping roadkill and filling potholes and taking down trees? Who would that be? Well, she'd be a little bit tough, able to hold her own in a misogynistic landscape or job. Susan flipped the script and gave Brett a younger lover. She has a work partner named Mel, who's indigenous, and Brett projects all of this wise Indigenous wisdom onto Mel.Susan reflects on the role of positive feedback in a writer’s development. She recounts moments when a kind word or thoughtful critique made all the difference, motivating her to keep going during periods of self-doubt. She encourages aspiring writers to seek out communities that foster growth and to be generous with their own encouragement.Listeners will come away with insights into the intersection of life experience and fiction, the value of creative support networks, and the transformative potential of writing through pain. Whether you’re a seasoned writer or just starting out, Susan’s story is about the resilience of the creative spirit and the healing power of narrative.Susan is based in Sebright, Ontario, Canada. Find on Substack and Instagram.

News! The Writer's Spark Coaching Competition is open! One creative writer has an opportunity to win one prize comprising: Coaching from coach and mentor Fiona Fenwick! A free full year of Brain.fm. Editing from Sheelagh Caygill. Q&A interview published with On Creative Writing.  Find The Writer's Spark Coaching Competition details here. Closing date: December 19, 2025.Show notes: Go to coach and mentor Fiona Fenwick's transcript.Fiona summarizes the wisdom from two popular books on writing: Dorothea Brande’s classic Becoming a Writer and Anne Lamott’s Bird by Bird. Drawing on her own experiences as a coach and writer, Fiona transforms the knowledge in these books into six essential lessons.Lesson one: Mindset over innate talent. Brande and Lamott emphasize that while talent is helpful, the writer’s mindset—openness, curiosity, and resilience—shapes a successful writing life. Fiona discusses ways to cultivate a grow a, growth-oriented mindset, including daily affirmations, self-compassion, and reframing setbacks as opportunities for learning. She shares anecdotes from her coaching practice, illustrating how writers who focus on mindset are better equipped to navigate the inevitable ups and downs of the creative process.Lesson two: The power of routine. Fiona highlights how Brande advocates for establishing a consistent writing schedule, treating writing as a daily practice rather than waiting for inspiration to strike.Lamott’s advice is to take things “bird by bird”—one small step at a time. Fiona offers tips for building sustainable routines, such as setting realistic goals, creating a dedicated writing space, and using rituals to signal the start of a writing session. She addresses common obstacles, like procrastination and perfectionism, and suggests gentle strategies for overcoming them.Lesson three: The fear of failure. This is a challenge that plagues writers of all levels. Drawing from Lamott’s candid discussions about “shi**y first drafts,” Fiona reassures listeners that imperfection is not only acceptable but necessary. She encourages writers to embrace the messy, uncertain early stages of writing, reminding them that every published work began as a rough draft. Fiona shares exercises for quieting the inner critic and building confidence, such as freewriting, journaling, and celebrating small wins.Lesson four: Honesty in writing. Both Brande and Lamott stress the importance of authenticity—writing truthfully about one’s experiences, emotions, and observations. Fiona discusses how vulnerability on the page can create powerful connections with readers and foster personal growth. She offers guidance on navigating the discomfort that often accompanies honest writing, including setting boundaries and practicing self-care.Lesson five: The emotional challenges writers face. Fiona acknowledges that writing can stir up difficult feelings—self-doubt, frustration, even grief. She draws on Brande’s advice to treat writing as both a craft and a form of self-discovery, and Lamott’s encouragement to keep writing even when it’s hard.Lesson six: Have a supportive writing community. Both Brande and Lamott highlight the importance of connecting with other writers for encouragement, feedback, and inspiration. Fiona shares her own experiences with writing groups and online communities, offering suggestions for finding or creating a circle of supportive peers. She discusses the benefits of sharing work, giving and receiving constructive feedback, and celebrating each other’s successes.Fiona weaves these six lessons together, and the central message is: nurture your unique creative voice, or, as Brande called it, your “writer’s magic.” She encourages you, as a writer, to trust yourself, embrace imperfection, and find joy in the writing process. By drawing on the wisdom of Brande and Lamott, Fiona offers a roadmap for writers seeking inspiration, guidance, and a sense of belonging.Find Fiona at Fionafenwick.com.

In this episode of On Creative Writing, guest host and poet Kim Mannix converses with award-winning Chinese-Canadian poet Natalie Lim to discuss Natalie's highly anticipated debut poetry collection, Elegy for Opportunity. Natalie shares the origins of her collection’s title, which draws inspiration from the Mars rover Opportunity, a solar-powered explorer that operated on Mars from 2004 until 2018, and its poignant final transmission. Natalie explains how the rover’s journey and eventual silence became a powerful metaphor for exploring themes of grief, longing, and the search for meaning in times of crisis, both personal and collective.The two poets delve into the creative process behind Elegy for Opportunity, which reveals how Natalie crafted the book’s structure to mirror the emotional arc of loss and recovery. Natalie describes her decision to use an accessible style in her poetry, aiming to invite readers into intimate moments of vulnerability and reflection. She describes how she balances deeply personal narratives—such as her experiences with family, identity, and cultural heritage—with broader, cosmic questions about humanity’s place in the universe.Kim and Natalie explore the challenges and rewards of writing about vulnerability, especially as a young poet navigating questions of identity and belonging. Natalie shares insights into her writing routine, the importance of community and mentorship in her development as a poet, and the literary influences that have shaped her voice. She cites poets such as Ocean Vuong, Tracy K. Smith, and Ada Limón as inspirations, noting how their work encouraged her to embrace honesty and emotional risk in her own writing.The conversation also touches on the intersection of science and art, as Natalie reflects on how the story of the Mars rover allowed her to weave together motifs of technology, exploration, and human emotion. She looks at the process of researching Opportunity’s mission and how scientific language and imagery found their way into her poems, creating a unique blend of the personal and the cosmic.Listeners will hear Natalie's thoughts on the evolving landscape of contemporary poetry, including the importance of accessibility and representation. Natalie offers advice for emerging writers on finding their authentic voice and building resilience in the face of rejection and self-doubt. She also shares a glimpse into her future creative projects, expressing excitement about experimenting with new forms and themes in her next body of work.Natalie brings to life her collection's central motifs of loss, hope, and the enduring human desire to connect across distances—whether between people or between planets.Kim and Natalie's conversation closes with Natalie reading from Elegy for Opportunity. In her reading of the poem 'Elegy for Opportunity III', Natalie brings to life the collection’s central motifs of loss, hope, and the enduring human desire to connect across distances—whether between planets or between people. Her reading exemplifies the collection’s ability to hold space for both sorrow and possibility, leaving listeners with a sense of comfort and inspiration.Many thanks to Kim Mannix for interviewing Natalie!Read Natalie Lim's Q&A interview with On Creative Writing.Natalie Lim's website.Kim Mannix's website.

The Writer's Spark Coaching CompetitionToday's guest is Fiona Fenwick, a coach and mentor who coaches creative writers, too. Fiona is part of On Creative Writing's new competition: The Writer's Spark Coaching Competition, which delivers one prize including two-hours coaching from Fiona, and more! Check it out at the link above! Closing date: Nov. 4, 2025.----On Creative Writing's Sheelagh Caygill welcomes Fiona Fenwick, a New Zealand-based coach, who includes creative writers amongst her clients. Fiona is an author and mentor and in this episode gives insights into navigating and overcoming the most common challenges creative writers face.Whether you’re a seasoned author or just starting as a writer, this episode gives practical advice, real-world examples, and encouraging strategies to help you move forward with confidence.Listeners are treated to a simulated coaching session at the start of the episode, where Fiona demonstrates her approach to helping writers clarify their goals, identify obstacles, and develop personalized action plans. This segment offers a behind-the-scenes look at the coaching process and highlights the value of having a mentor or coach to provide guidance and encouragement.Sheelagh and Fiona dive into the universal struggles that writers encounter, such as writer’s block, perfectionism, and self-doubt. Fiona draws on her experience coaching writers from all backgrounds to explain why these obstacles arise and how they can be addressed. She emphasizes that these challenges are not signs of failure, but rather natural parts of the creative process. Fiona shares actionable techniques for breaking through writer’s block, including setting realistic goals, establishing a regular writing routine, and using prompts to spark creativity.They touch on perfectionism, a hurdle that often prevents writers from finishing their work or sharing it with others. Fiona discusses the importance of giving yourself permission to write imperfectly, especially in early drafts, and how embracing the messy parts of creative writing can lead to greater authenticity and growth. She offers tips on silencing the inner critic and reframing negative self-talk, so writers can focus on progress rather than perfection.Fiona provides reassurance that even the most successful writers experience moments of uncertainty. She shares strategies for building self-confidence, such as celebrating small wins, seeking constructive feedback, and connecting with a supportive writing community. For introverted writers, Fiona offers tailored advice on how to find motivation and accountability without feeling overwhelmed by social expectations.A key topic discussed is the importance of understanding one’s purpose in writing. Fiona explains how clarifying your “why” can serve as a powerful motivator and guide your creative decisions. She encourages writers to reflect on what they hope to achieve with their work, whether it’s to inform, entertain, inspire, or make a difference in the world.The episode also discusses Fiona’s book, Stand Out and Step Up, a reputation tool kit for life.This episode delivers plenty of actionable advice on how to be authentic, build a support network, and maintain accountability throughout the writing process. Fiona’s compassionate and practical approach empowers writers to embrace their unique voices, persist through challenges, and celebrate their progress along the way.Find Fiona's website: www.fionafenwick.com.Connect with Fiona on LinkedIn.Fiona's interview with Oncreativewriting.com.

This episode of On Creative Writing is for lovers of poetry everywhere! Beautifully talented poet Kim Fahner reads two poems from her new collection of poetry, The Pollination Field. The poems Kim has selected are "Man, Sleeping on the Living Room Floor" and "Attic Colony". Kim is a poet, novelist, playwright, and teacher based in Sudbury, Ontario, Canada. She is chair of the Writers Union of Canada, and was the poet laureate for the City of Greater Sudbury from 2016 to 2018. The Pollination Field was published this summer by Turnstone Press. This new collection is a poetic foray into the literal and metaphorical world of bees, but it also includes an exploration of other pollinators such as bats, beetles, birds, butterflies, dragonflies, and even humans.In these poems, Kim continues with her poetic observation and documentation of how the human world impacts the environment. Kim also incorporates myth and feminism in her consideration of how women evolve over time. Read more about Kim, her writing, and the pollination field in the show notes.Read Kim Fahner's Q&A interview with Oncreativewriting.com, and find Kim at Kimfahner.com.

On Creative Writing host Sheelagh Caygill talks with writer and academic James Cairns to explore the themes in his new and compelling collection of essays, In Crisis on Crisis. This book blends deeply personal memoir—particularly his account of living with and recovering from addiction—with rigorous academic analysis. James talks about how writing this fusion of personal narrative and scholarly inquiry allowed him to experience deep emotional growth and rich intellectual engagement. The result is a nuanced examination of the crises that define our contemporary moment.James discusses his approach to unpacking the concept of “crisis,” reflecting on its historical evolution and the ideological battles that shape its meaning in public discourse. He explains how the term is often contested terrain, used by different groups to advance competing political agendas, and how this struggle over language can obscure the real, lived experiences of those most affected by crisis. The discussion moves between the personal and the political, as James draws connections between his own years of addiction and recovery and the broader societal crises we face today—ecological collapse, political polarization, and the erosion of trust in institutions.James examines the ways in which individual upheaval can mirror and illuminate collective struggles. He shares the challenges and rewards of writing vulnerably about his own life. The author reflects on the risks involved in exposing personal pain and the transformative potential of using one’s own story as a lens for understanding larger social dynamics. In effect, by writing In Crisis, On Crisis, James underscores the power and importance of storytelling in breaking down stigma and fostering empathy.Parts of In Crisis, On Crisis examining the limitations of liberal democracy in responding to ongoing crises. James writes about the tendency of mainstream politics to treat crises as isolated, temporary disruptions rather than symptoms of deeper systemic problems. He argues for the need to rethink our political and economic structures in order to address the root causes of crisis, rather than merely managing its symptoms. The episode also looks at the role of hope, resilience, and collective action in navigating uncertain times, and the importance of cultivating spaces for honest dialogue and critical reflection.The word crisis doesn't only apply to James' socio-political explorations in this book. Crisis is something deeply personal. In the book's last essay, titled "Blackout", James turns the spotlight on himself to explore his crises of addiction. Blackout reveals how James' study of Walter Benjamin’s “Theses on the Philosophy of History” led him to reinterpret his alcoholic blackouts and stop drinking. James and Sheelagh discuss his writing of this essay and James explains how Blackout, more than any other essay, really engages his personal history of alcoholism and through the lens of crisisListeners are invited to consider how personal and societal crises intersect and inform one another, and how storytelling—both personal and academic—can serve as a powerful tool for making sense of our world. James’s insights offer both intellectual depth and emotional resonance, encouraging listeners to engage thoughtfully with the crises shaping our lives and to find meaning and possibility even in the midst of upheaval.Whether you’re interested in memoir, political theory, or the art of essay writing, this episode provides a thought-provoking exploration of what it means to live—and write—through crisis.Find James online:James CairnsInstagramIn Crisis, On CrisisQ and A with author and academic James Cairns.

If you like the podcast and interviews with writers at OnCreativeWriting.com, perhaps consider making a tiny donation at Ko-fi. Even $3 can help us keep the website and podcast alive!Audio essay from poet and novelist Kim FahnerOn Creative Writing is extremely fortunate to publish an informative and engaging audio essay from acclaimed poet, playwright, novelist, and teacher Kim Fahner.Based in Sudbury, Ontario, Kim's first novel The Donoghue Girl was published in 2024 by Latidute 46 Publishing. In this episode, she gives listeners an close look at her evolution from a poet focused on the precision and lyricism of verse to a writer who now embraces hybrid literary forms. Kim explores how this transition has enriched her creative practice and expanded her understanding of storytelling.Studying the craft of writing and reading a lot are essential to her growth as a writer. Poet Laureate for the City of Greater Sudbury from 2016-18, Kim delves into her latest collection of poetry, The Pollination Field, published by Turnstone Press and available from Aug. 8, 2025. It is already in many good bookstores, and the ebook will be available Aug. 15, 2025.The Pollination Field has already received attention for its innovative use of bees—particularly the queen bee—as metaphors. Kim explains how bees serve as symbols of transformation, female leadership, and the intricate web of ecological interconnectedness that binds all living things. Through her poetry, Kim invites readers to consider the parallels between the structure of a beehive and the dynamics of human communities, highlighting the importance of co-operation, adaptability, and resilience.Eco-poetry and the urgent realities of the climate crisisKim considers the broader context of eco-poetry and the urgent realities of the climate crisis. She touches on the responsibility of writers and artists to engage with environmental themes, and how poetry can serve as both a form of activism and a means of fostering empathy for the natural world. She shares her views on the role of art in raising awareness about ecological issues, and how her work is informed by a deep connection to the environment.Visual art plays a role Kim’s creative process. She often schedules visits to art galleries while on holiday in different cities and countries, and viewing paintings, photographs, and sculptures are significant influences. For example, in her work with ekphrasis, when images from the Australian wildfires of January 2020 populated social media feeds, they led her to create a suite of poems about Australia's Burning Times.Kim encourages listeners to remain open to transformation, to trust in their own creative instincts, and to find inspiration in the cycles of growth and renewal that surround us.This episode is a rich exploration of creativity, environmental consciousness, and the unending growth of artistic self-discovery. Whether you are a writer, an artist, or simply someone who appreciates thoughtful reflection on the creative process, Kim's audio essay offers valuable insights and inspiration.Author Kim FahnerKim has published two chapbooks, You Must Imagine the Cold Here (Scrivener, 1997) and Fault Lines and Shatter Cones (Emergency Flash Mob Press, 2023), as well as five full books of poetry, including: braille on water (Penumbra Press, 2001), The Narcoleptic Madonna (Penumbra Press, 2012), Some Other Sky (Black Moss Press, 2017), These Wings (Pedlar Press, 2019), and Emptying the Ocean (Frontenac House, 2022). Kim is the First Vice-Chair of The Writers' Union of Canada (2023-25), a full member of the League of Canadian Poets, and a supporting member of the Playwrights Guild of Canada.

Hello! If you are enjoying the podcast and our interviews at OnCreativeWriting.com please consider making a tiny donation towards website hosting fees us at Ko-fi. On Creative Writing host Sheelagh Caygill speaks with author and AI expert Paul Dettmann to explore how much of a threat generative AI is to creative writers. Paul brings a wealth of experience, tracing his journey from early AI research to his current projects at the intersection of technology and storytelling. They unpack the complexities, opportunities, and challenges that gen AI presents to creative writers.Paul shares his personal background, detailing how his fascination with both literature and technology led him to investigate the potential of AI in creative fields. His early days saw him working on a neural network project with the BBC. Since then, there have been many advancements in generative AI.A central theme of the conversation is the concern many writers have about AI-generated content. Paul acknowledges these anxieties, noting that the rapid development of gen AI tools has sparked fears about originality, job security, and the dilution of authentic voices. However, he offers a reassuring perspective: rather than viewing AI as a threat, writers should consider harnessing it as a tool for research and ideation. Paul notes that AI can be good at generating ideas, suggesting plot twists, or providing background information, but it lacks the nuanced understanding, emotional depth, and lived experience that human writers bring to their work.Paul and Sheelagh dig into the role of media in shaping public perceptions of AI. They examine how sensational headlines and dystopian narratives can amplify a writers' fears, often overlooking the practical limitations of current AI systems. Paul points out that while AI can mimic certain aspects of human writing, it is still far from replicating the complexity and authenticity of genuine artistic expression.Paul underscores the enduring value of human creativity. He argues that authentic, human-created art will always hold a vital place in human cultures, even as digital tools become more sophisticated. The unique perspectives, emotions, and cultural contexts that writers infuse into their work cannot be replicated by algorithms. Instead, AI should be seen as an assistant—one that can enhance productivity and spark inspiration, but never fully replace the creative spark that defines great writing.Paul delivers a nuanced understanding of AI’s role in the creative process. He encourages writers to experiment with AI as a collaborative partner, while at the same time setting their own rules for how to use it. For example, Paul does not use AI to write any of his books, but instead he may use it to test out ideas, brainstorm, or research. Ultimately, Paul suggests that writers need to embrace adaptability, critical thinking, and a be open new tools, all while staying true to the core principles of authentic storytelling.Key Topics Discussed:Paul Dettmann’s journey from AI research to creative writingWriters’ concerns about AI-generated content and originalityAI as a tool for research, brainstorming, and overcoming creative blocksThe limitations of AI in replicating human creativity and emotionMedia narratives and public perceptions of AI in the artsThe enduring significance of human-created art in a digital ageTakeaways:AI is best used as a supportive tool, not a replacement for human creativity.Authentic storytelling and emotional depth remain the domain of human writers.Embracing AI can enhance the creative process, but the heart of art remains human.Links:PaulDettmann.ukBill Gates article: https://www.windowscentral.com/artificial-intelligence/bill-gates-coding-will-remain-a-human-profession-centuries-laterPaul's interview with fashion expert Nafisa Tosh on AI in fashion: https://www.smarttalk.show/p/ai-in-fashion.

British author Emma Marns shares how she came to write her novel The Walk in this audio essay. The Walk is about two girls who are sent to Bessborough, in Cork, Ireland. Bessborough is one of the many Irish Roman Catholic Mother and Baby homes which operated in Ireland from the mid-1900s until the 1990s.Emma recounts how while studying for an M.Phil at Trinity College, Dublin, she read an article titled The Girls of Bessborough, by Deirdre Finnerty, which featured interviews with women who had been in Bessbrough. The mother and baby homes are very much recent history and were a systemic approach to dealing with unmarried mothers in Catholic Ireland. Unmarried pregnant women became outcasts and were sent away to institutions run by the Roman Catholic church. They were usually kept there while pregnant and in some cases for years after giving birth. The children, meanwhile, would be forcibly taken from their mothers and adopted. Measures were put in place to ensure the mothers and children were kept apart for the rest of their lives. Emma describes the practice as brutal, abhorrent, and harrowing.After reading The Girls of Bessborough, Emma went to visit her elderly landlady to find out more about the Mother and Baby homes. The old lady told Emma a story of a friend who in her 40s discovered she'd been adopted; her birth mother had been young, unmarried, and had been taken care of in a domestic home as opposed to a mother and baby home. Says Emma, "The two stories just merged in my mind instantly at her kitchen table, and I felt compelled to sit down and write this book, The Walk. "Emma stresses that writers of historical fiction based on truth - especially when it's about a collective trauma - must determine their goal: to entertain readers, or inform about the past. She says she would never feel good about selling a book for money if it was not serving the people who went through the traumas. She made sure her research was thorough and accurate, and to that end spent months poring over archival documents, government reports, and personal memoirs. She listened carefully to survivors and consulted with historians so that every detail in The Walk was grounded in truth. Emma was careful to balance authenticity with protecting the dignity of those who shared their stories. She also faced ethical considerations around fictionalizing real events, and notes that writers must navigate a line between creative license and historical responsibility.Like all good works, The Walk took many, many edits. Emma finished it during the COVID-19 pandemic, a time when hundreds of people were writing books and the publishing industry was saturated with fresh manuscripts, so it took a while to find a publisher. Emma found innovative ways to connect with readers, such as virtual book clubs, online readings, and interactive Q&A sessions. She also got a slot on a local radio station, Phoenix 98 FM, and these days goes into schools, community events, and workshops to discuss writing and her book.Accessibility is an important theme in Emma’s approach to publicising and promoting her book. She produced an ebook and audiobook versions of The Walk, recognizing that not all readers have equal access to print materials. She helped getThe Walk in libraries and community centers, particularly in areas with limited resources - she views her novel as partly education and believes education should be free, always.It is almost impossible for writers to make a substantial living from writing novels (or other books). For Emma, the rewards of writing The Walk have been immense and greater than monetary value. She's received much positive feedback on the book.If you have questions about writing historical fiction or The Walk, Emma would love to hear from you! She's here: EmmaMarns.com, Instagram, LinkedIn, Goodreads, or Facebook.If you'd like to feel really good about yourself, consider supporting OnCreativeWriting.com at our Ko-fi page. Thanks!

Hollay Ghadery, founder of River Street Writing, gives a lesson in book publicity for seasoned and new authors of all genres in this conversation with Sheelagh Caygill.River Street Writing is an Ontario-based brand, publicity, and author support services business with more than two decades of experience. Hollay, senior publicist with the team, says book publicity is essential and delivers plenty of actionable tips on how to build relationships and get your book noticed.Hollay clarifies the differences between publicity, promotion, and marketing—terms that are often used interchangeably but refer to different aspects of getting your book into readers’ hands. Publicity is about generating awareness and buzz through unpaid channels such as media coverage, interviews, and events. Promotion typically involves more direct efforts to drive sales, such as book signings, giveaways, and special events. Marketing encompasses the broader strategy of positioning your book in the marketplace, including everything from cover design and pricing to advertising campaigns and social media presence.A key theme in this episode is the importance of building and nurturing community—not just with readers, but also with fellow writers, booksellers, librarians, and local media outlets. Reach out to local newspapers, radio stations, and community blogs. These smaller, regional platforms are often more accessible and happy to spotlight local talent compared to national outlets.Attend literary events such as book launches, participate in open mics, and join writing groups, both online and in person. These help authors hone their craft and create opportunities for organic networking and mutual support.Hollay stresses that supporting other writers—by attending their events, sharing their work on social media, or simply offering words of encouragement—can lead to reciprocal relationships that benefit everyone involved.Authors should explore a variety of channels, from traditional media to podcasts, bookstagrammers, and literary influencers. Sometimes, unexpected opportunities can arise from even the smallest outreach efforts.The value of authenticity and genuine connection cannot be overstated. People see through transactional networking, so be real and build relationships based on shared interests and mutual respect. Book publicitity and promotion can be tough for introverted writers or those who feel uncomfortable taking the spotlight Hollay reassures listeners that self-advocacy is not about bragging, but about sharing your passion and inviting others to be part of your journey.Not every pitch will be successful, and not every event will draw a crowd, but resilience, persistence, and a willingness to learn are important for long-term success.Collaboration is vital for a thriving literary ecosystem. Hollay highlights examples of authors who have teamed up for joint events and cross-promotions, demonstrating how collective efforts can amplify individual voices and create a sense of belonging.Be supportive and and share resources. This way, authors can enhance their own visibility and contribute to a more inclusive and dynamic literary landscape.- Understand the distinctions between publicity, promotion, and marketing to develop a well-rounded outreach strategy. Key takeaways:- Build and nurture relationships within your local literary community, including media, booksellers, and fellow writers.- Diversify publicity efforts by exploring multiple channels and being open to new opportunities.- Be proactive in seeking out publicity, and don’t be afraid to advocate for yourself and your work.- Foster genuine connections and support others in the literary world, recognizing that collaboration benefits everyone.- Embrace resilience and persistence, learning from setbacks and celebrating small victories along the way.Find Hollay at RiverStreetWriting.com and HollayGhadery.ca.

In this engaging episode of the On Creative Writing podcast, author and editor Allister Thompson takes the mic in our Authors-Behind-The-Mic series.From North Bay, Ontario, Allister has edited for more than 30 years or so. Decades ago, his first attempt at writing a novel years ago was a negative experience. But when he pulled a dusty manuscript from a draw, he discovered it wasn't half bad, and decided it was time to try again. He asked himself what he'd learned from all those years of editing, and as it turned out, the answer was a lot! Allister is now the proud author of the debut YA sci fi novel Birch and Jay, published by Latitude 46 Publishing. This is a compelling story weaving together themes of friendship, adventure, and the urgent realities of climate change.Allister delves into the process of outlining and planning a novel, emphasizing how staying organized not only makes writing more efficient but also helps maintain the joy and creativity that drew him to storytelling in the first place. Allister shares practical strategies for managing large projects, from developing detailed outlines to setting realistic writing goals, and discusses how these methods helped him overcome common obstacles such as writer’s block and self-doubt.The discussion also explores the role of setting in speculative fiction, particularly when addressing environmental themes. Allister explains how he conducted research to create a believable world that reflects both the beauty and fragility of our natural environment. He talks about the importance of grounding speculative elements in real-world science and current events, making the story both accessible and thought-provoking for young readers. Allister examines how fiction can inspire awareness and action around climate issues, and why it’s vital for writers to engage with topics that matter to them personally.Allister offers encouragement and actionable advice for aspiring writers, whether you're just starting out or looking to get published. He discusses the value of persistence, the benefits of seeking feedback from trusted peers, and the importance of balancing creative freedom with disciplined work habits. The conversation touches on the emotional ups and downs of the writing process, with Allister candidly sharing his own experiences of doubt and breakthrough moments.Listeners will come away with a deeper understanding of the craft of writing, the significance of environmental storytelling, and the practical steps that can turn an idea into a finished manuscript. Whether you’re interested in the mechanics of novel-writing, the challenges of addressing big themes like climate change, or simply looking for inspiration to start your own creative project, this episode offers a wealth of insights and motivation.Connect with Allister:AllisterThompson.comInstagramBlueskyFacebookBirch and Jay at Latitude 46 PublishingOnCreativeWriting.com

Canadian author Anthony Bidulka delivers an engaging and info-packed audio essay in this episode of On Creative Writing. He delves into his writing career in mystery and suspense novels and the creative process behind his new novel, Home Fires Burn - the latest installment in the Merry Bell series. Anthony gives lots of actionable tips as he discusses the challenges and rewards of crafting a compelling series. He explores how he maintains suspense and continuity while allowing his characters to grow and surprise both himself and his readers.He talks about his thoughtful approach to character development, and touches on his groundbreaking transgender protagonist, Merry Bell. The creation of this character required research, empathy, and sensitivity to authentically portray a character whose experiences differ from his own. Anthony touches on the importance of consulting with members of the transgender community and highlights the responsibility authors have in representing diverse voices with respect and accuracy. This seagues into Anthony's views on diversity and inclusion in contemporary literature, and how writers can contribute to a richer, more representative literary world.In his 20-year writing career, Anthony has witnessed dramatic changes and shifts in the publishing industry, including:The widespread use of computers The decline of independent bookstores in favor of big box retailers The emergence of social mediaThe disappearance of book columns and columnists and newspapersThe ascendance of e-booksThe rise and fall of bloggingUS Canadian exchange rates The end of the bloody conference in CanadaThe widening gap between a handful of bestselling authors and other authorsFrom traditional publishing models to digital platforms, through to self-publishing. To succeed in an always changing environment, Anthony says: "Expect the unexpected. Expect changes."Anthony encourages aspiring authors to understand their 'Why' before writing. Do you write for creative fulfillment, commercial success, or to give voice to underrepresented stories? Let your answer guide your choices in an ever-changing industry.Perseverance and the value of a supportive writing community are essential, as is the need to balance creative passion with the business side of authorship. He shares anecdotes from his own experiences, including setbacks and successes.You will be inspired by Anthony’s dedication to his craft and his commitment to inclusivity in storytelling. Whether you’re an emerging creative writer seeking guidance or an established author looking for fresh perspective, Anthony's audio essay is packed with wisdom, encouragement, and real-world strategies for thriving in today’s literary landscape. Anthony’s Writing Journey and his 'Why' (00:00:28)  Anthony discusses his background, writing journey, and the importance of understanding why you write.The Evolving Publishing Industry (00:02:49) Anthony reflects on two decades of industry changes and the need for adaptability as a writer.Creating the Merry Bell Series (00:05:35) Anthony explains the inspiration behind Merry Bell, a transgender P.I., and themes in the series.Home Fires Burn: Dual Prologues (00:06:59) Description of the two prologues in "Home Fires Burn" and their significance to the story.Writing Process: Plotter vs. Pantser (00:08:17) Anthony details his organized approach to plotting and character development.Character Arcs & Genre Shift (00:09:24) Emphasis on character growth, and how he shifted from literary suspense to mystery writing.Final Advice & Farewell (00:10:34) Anthony encourages writers to stay open to unexpected paths and concludes the episode.Links:Anthonybidulka.comAnthony Bidulka's Q&A at On Creative WritingOn Creative Writing

Content trigger warning: This episode touches on topics including self-harm, alcoholism, drug use, and eating disorders. We understand that these topics may be distressing for some listeners. So please take care while listening, or you may decide not to listen.In this episode of the On Creative Writing podcast, Sheelagh Caygill talks with acclaimed Iranian-Canadian multigenre writer Hollay Ghadery about the themes and inspirations behind her powerful memoir, Fuse. Fuse was published in 2021 by Guernica Editions and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. The conversation opens with Hollay discussing being a mixed-race individual and navigating the complexities of identity, family, belonging, and cultural heritage. She reflects on her childhood experiences growing up between two worlds, and how these formative years shaped her understanding of self.Hollay discusses the challenges she faced living with Iranian and Canadian backgrounds, and how this duality impacted her sense of self, place within her family, and communities. The episode explores the nuances of family dynamics, touching on moments of connection, misunderstanding, distrust, and growth. The episode looks at mental health, with Hollay opening up about her struggles and the ways in which writing served as a tool for exploration, healing, and self-discovery. She emphasizes the importance of honesty and authenticity in memoir writing, noting that readers are drawn to stories that are raw, real, and unfiltered. The conversation also addresses the complexities and limitations of labels—whether cultural, racial, or psychological—and how these can both help and hinder our understanding of ourselves and others.Sheelagh asks Hollay about her writing process, from the idea to the discipline required to bring a memoir to completion. Hollay shares practical advice for aspiring writers, encouraging them to read widely and to embrace the messiness of drafting and to trust their unique voices. She highlights the significance of compassion, both in writing about oneself and telling the stories of others, and underscores the healing power of storytelling for individuals and communities alike.Throughout the episode, Hollay advocates for the inclusion of diverse narratives in literature, stressing that every story has value and the potential to foster empathy and connection. She encourages listeners—both readers and writers—to approach identity and creativity with openness, curiosity, and a willingness to challenge preconceived notions.Listeners will come away from this episode with a deeper appreciation for the courage it takes to write a memoir, the intricate interplay between personal and cultural identity, and the transformative impact of sharing one’s truth. Whether you are a writer, a lover of memoir, or someone interested in the intersections of culture, mental health, and family, this episode offers great insights and inspiration.Hollay Ghadery: Hollayghadery.caInstagram.com/hollayghadery/Facebook.com/hollayghaderywriterX.com/Hollay2Hollay’s editor, Margo Lapierre: Margolapierreeditor.com

On Creative Writing co-founders Emma Woodhouse and Sheelagh Caygill discuss Emma's experiences writing historical fiction, seeking an agent and acquiring a publisher in the UK. She also discusses her own imprint, Havisham and Webb. If you're a writer asking "How do you get a publishing contract?" this podcast provides a candid look at the dedication, commitment, and self-belief needed to bring books to life.Emma's debut novel, The Prendergast Watch, historical fiction set in Victorian London, emerged from an unexpected source: her struggle with the present-tense narration after being inspired by The Crimson Petal and the White, by Michael Faber. Initially uncomfortable with writing historial fiction in the present tense, Emma challenged herself to write a short piece in that tense, aiming for a "Dickensian" feel. This experiment grew into The Prendergast Watch.The COVID-19 lockdown gave time to revisit the manuscript. Emma describes the writing process as organic and unplanned. She let characters and plot unfold as she wrote, often discussing ideas with her partner. This free time was instrumental in completing the novel. Emma notes she sometimes "slipped back into the past tense," but edits solidified her signature present-tense voice.A key milestone was securing a literary agent for The Prendergast Watch. Emma used a strategic "game plan": for every rejection, she submitted to two more agents. She submitted to around 30 agents. Persistence paid off when an agent, from her subsequent submissions, requested the full manuscript. This led to an R and R (revise and resubmit), a common step in the agent-author process. After refining her manuscript, Emma secured representation and worked with this agent for three "fantastic" years.When Emma's agent went on maternity leave, Emma found herself without a publishing contract. She faced a critical decision: "give up or carry on." She chose to keep going.This period offered insights into the realities of publishing. Emma learned that large publishers have limited interest in multiple authors within niche genres, to avoid internal competition. She emphasizes that authors can be "naive about the world of publishing," noting publishers' significant investment in editing, cover design, and marketing, making each acquisition a gamble.Emma also realized a book is a "product," and authors themselves are viewed similarly. A strong online media presence is often crucial for securing a contract (explaining celebrity book deals). Emma's experience revealed that "a lot of success comes from being seen and being heard," especially in "the attention economy."Emma's persistence led to a publishing contract. After submitting The Prendergast Watch to smaller presses, one pointed her to Holand Press, who accepted her debut. In a "very cheeky" move, Emma then offered them a second manuscript, Simple Twists of Fate, which they also accepted. This book responded to feedback on The Prendergast Watch, suggesting a single female main character for historical fiction readers.While writing Simple Twists of Fate, Emma developed a deep interest in historical research, particularly the story of Mary Carr, a Victorian female gang leader of the Forty Elephants. This obsession led to her third book, Mary, Queen of the Forty, a novelized version of Mary Carr’s life. Emma's research involved extensive work with British newspaper archives and "Mary Carr tours" in London. She aims to uncover the lives of "forgotten women," especially from poorer backgrounds, often overlooked by history. Factual accuracy is paramount, with any poetic license noted in the book's back matter.Emma's experiences highlight that talent and passion are essential, but persistence, adaptability, and understanding the industry's business realities are equally crucial for navigating the path from manuscript to published work.