Exile

This is part 2 of the remarkable story of Rabbi Leo Baeck. Trapped in the “model ghetto” of Theriesenstadt, Rabbi Baeck led philosophical discussions that gave a fleeting sense of normalcy to his fellow inmates. But life in the ghetto was harrowing – hygiene was poor, food was scarce, and, as a member of the Jewish Council, Baeck had to make decisions that strained his strong moral principles. Dedicated to protecting his community in whatever way he could, Baeck stayed on at Theriesenstadt until the very end, cementing his role as a powerful symbol of German-Jewish resilience and dignity. For discounted tickets to Still Talking:  Celebrating Lore Segal in Performance visit www.lbi.org/stilltalking and use the discount code "exile" when you check out.

Rabbi Leo Baeck looms large in German-Jewish history, but he began his career as a smalltown rabbi in present-day Poland. Baeck quickly earned a reputation for moral clarity and quiet resolve, even in the face of a powerful opposition. As World War I gave way to the rise of the Nazis, the pressures on German Jewry intensified, and Baeck was thrust into an impossible role: guiding a community through its most dangerous and devastating hour. This is the first chapter of a two-part story. For discounted tickets to Still Talking:  Celebrating Lore Segal in Performance visit www.lbi.org/stilltalking and use the discount code "exile" when you check out.

In 1933, German author Lion Feuchtwanger wrote the first ever novel about the experience of Jews under Hitler. The book became a global sensation. When he finally received an offer in 1938 to adapt his most popular book for the screen in Stalin’s Russia, he jumped at the chance. The film was a success, but the decision would come to haunt him when he lived in California during the Red Scare. The Lion Feuchtwanger Collection in the LBI Archives contains a small amount of original correspondence, manuscripts for a translation of Lysistrata, and an essay on the historical consciousness of the Jews. Lion Feuchtwanger also appears in the extensive papers of his brother Ludwig, which are held by the LBI Archives.  Learn more at lbi.org/feuchtwanger 

In the late 1930s, one of the few places in Berlin that still allowed Jewish visitors was the Zoological Garden, which was established with the support of many Jewish donors. As antisemitic laws took over elsewhere, the Zoo remained a space for community and childhood joy. Eventually, however, even the Zoo would betray the Jews. Sixty years later, one man with fond memories of the zoo realized that an injustice had occurred against his family, and did everything he could to right the wrongs of the past.  The James Cohn Collection in the LBI archives documents his father Dr. Werner Cohn’s battle for restitution of his family’s share in the Berlin Zoo, including correspondence with Zoo officials in 2000. The Papers of Gerald M. Friedman, a former Trustee of the LBI, also document his family’s efforts dating back to the 1960s to recover Zoo shares. They include copies of the entire family’s photographic Zoo membership cards.  Learn more at lbi.org/zoo

Hannah Arendt’s life was shaped by exile. The German-Jewish thinker was forced to flee Nazi Germany as a young woman, and her experience of statelessness impacted her academic and political pursuits for the rest of her life. Independent and single-minded from an early age, Hannah’s intense commitment to her own moral responsibility carried her through anti-Nazi activism, years of exile, and a controversy that shook up the German-Jewish intellectual world. Hannah Arendt was deeply involved in the early activities of LBI New York after it was founded in 1955. However, her papers are at the Library of Congress and her personal library is at Bard College. One significant collection in the LBI Archives that does bear her name is the “Hannah Arendt Eichmann in Jerusalem Collection”, which holds clippings documenting the furious response to her 1963 book in papers ranging from Aufbau to the Congregation Habonim Bulletin to the New Republic. Another collection of correspondence documents the response of the LBI and other German-Jewish organizations to Eichmann before the book’s publication in German.  Learn more at lbi.org/arendt

In 1930s New York, there was only one publication that fully covered the worsening situation for Jews in Europe: the Aufbau. With a daring approach to journalism, editor Manfred George transformed the tiny newsletter of a German-Jewish social club into a lifeline for a worldwide community of refugees. His paper also reported on the atrocities unfolding in Hitler’s Germany long before the mainstream press. The Aufbau held together a community strained past the breaking point, and helped its local readers integrate as Americans. It was a project so successful that it could not last. In addition to the complete run of Aufbau from 1934–2004, which the LBI has digitized and made freely accessible online, our collections include the papers of Norbert and Lilo Goldenberg, the publishers of Aufbau. Learn more at lbi.org/aufbau

In 1937, a young Austrian-Jewish actor named Hedwig Kiesler left Europe to pursue her dream in America. Within months, she became one of the biggest stars of the Golden Age of Hollywood: Hedy Lamarr. Known as “the most beautiful woman in the world,” Hedy’s unforgettable face and mysterious allure would take her far in the film industry – but that wasn’t her only success story. In fact, her greatest achievement was an invention that transformed the technology that powers our world. LBI Collections include rich materials on German-speaking Jewish immigrants and refugees in the Hollywood film industry, from Universal Pictures founder Carl Laemmle to director Ernst Lubitsch to film composer Erich Wolfgang Korngold to actors like Peter Lorre and Hedy Lamarr.  Learn more at lbi.org/hollywood

This episode is dedicated to the memory of Winnie Meyer-Ricard, the eldest daughter of Vera Haymann and Herbert Meyer-Ricard. After nightfall in German-occupied Amsterdam, a small group of friends risked their lives to engage in a unique form of resistance: puppet theater. Behind the darkened windows of a safe-house, marionettes built by graphic designers Vera Haymann and Herbert Meyer-Ricard acted out biting satires of the bitter circumstances unfolding outside. This “fettered theater” gave the audience a glimmer of hope and solidarity in a time of darkness.  The Hermann Haymann Collection in the LBI Archives includes two vivid, hand-illustrated booklets which document Vera Haymann and Herbert Mayer-Ricard’s life in hiding in Amsterdam.  See them online at lbi.org/haymann

Join us for Exile Season 5 – another collection of compelling stories of Jewish lives under the shadow of fascism, drawn from the Leo Baeck Institute’s vast archive. Narrated by critically-acclaimed actor Joshua Malina. Starting February 24, episodes are released every Tuesday. The Leo Baeck Institute is a research library and archive focused on the history of German-speaking Jews. Antica Productions is an award-winning production company based in Toronto that believes in the power of purpose-driven storytelling to change the world.

For more information about the exhibit, please visit: https://www.lbi.org/exhibitions/schames-exhibit/

At the dawn of the 1930s, Germany is a physics powerhouse, where great minds like Albert Einstein and Max Planck have revolutionized the scientific landscape. But a talented young physicist named Trude Goldhaber struggles to make her voice heard in a male-dominated field. Trude perseveres, despite the pressures of antisemitism and misogyny all around her. Forced to work in the shadow of her scientist husband, she contributes to research and discoveries that help create the most dangerous weapon known to mankind. Later, when Trude finally makes a name for herself, she does everything in her power to lift up the young women following in her footsteps.  Thanks to a grant from the American Institute of Physics and funds from the German Foreign Office, LBI processed and digitized the approximately 19 linear feet of Trude’s papers, which consist of notes, graphs and diagrams, original data, and correspondence related to her research between 1930 and 2000. Maurice Goldhaber’s papers are awaiting processing. Learn more at lbi.org/goldhaber. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Clem Hitchcock and Rami Tzabar. Our executive producers are Laura Regehr, Rami Tzabar and Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the Physics World Weekly podcast, and to David Olson from the Oral History Archives at Columbia University. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

For Karl Adler, there is nothing more powerful than music. While recovering from an injury sustained as a soldier in World War I, Karl pursues his goal of changing the way music is taught in Germany. And for a while, he’s successful – until a former student (and member of Hitler’s Brownshirts) falsely reports him for sexual harassment. Forced to start over, Karl devotes himself to creating a new cultural association for German Jews. As antisemitic laws take hold and Jews begin to flee Germany en masse, Karl continues to connect people through music – even as the world falls apart around him.  The Karl Adler collection at LBI documents his entire career, including his engagement at the Royal Court Opera of Wurttemberg, his WWI service, and his work with the Conservatory and the Jewish Culture League in Stuttgart. Records of the Jüdische Mittelstelle show Adler intervening with the Gestapo on behalf of Jewish families seeking news of their husbands and fathers who had disappeared or been arrested. A folder of materials he collected about the Jewish history of Buttenhausen includes a photograph of Adler, his voice raised in song, at the dedication of his native town’s Holocaust memorial in 1961. Learn more at lbi.org/adler. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Nadia Mehdi. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Cyrus Lane and David Walpole. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

The Simson family business has been manufacturing everything from firearms to vehicles for decades. But when the Nazis take over, they’re not happy to learn that a Jewish family is supplying weapons to the German army. After a new law forces the Simsons to relinquish their company to the Nazis, the family flees to the United States. Fifty years later, a Simson descendent makes his way back to Germany – and finds out what became of the business empire his family once led.  The LBI Archives hold much of the extensive documentation Ulrike Schulz used to create her history of the Simson company, which was published in German in 2013. Among the records available digitally at LBI are Arthur Simson’s statement to the Zurich police after fleeing there in 1936 and a folder of clippings about the expropriation of the company. Learn more at lbi.org/simson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Hana Walker-Brown. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf and David Brown. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Jens Arndt for the use of the film The Simson Suhl Vehicle Works.  Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system.  In addition to photographs, school records, and correspondence spanning Hilde Mosse’s entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde’s papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

Jacob Jacobson dedicates his life to archiving the history of Jews in Germany. For years, nobody pays much attention—until the Nazis take power. Suddenly, Jacobson’s meticulous research is being used to destroy the people whose history he wanted to preserve. Unwittingly, Jacobson has also become an invaluable asset to the Nazis. Can he protect himself without betraying his community?  One of the most extensive collections in the LBI Archives, the Jacob Jacobson collection includes former holdings of the Gesamtarchiv der Deutschen Juden – birth, death, and marriage records, mohel books, and administrative records from Jewish communities across Germany dating back to 1660. The remaining holdings of the Gesamtarchiv are now divided between the Central Archive of the Jewish People in Jerusalem and Centrum Judaicum in Berlin. Most of what we know about Jacobson’s experiences at the Gesamtarchiv under the Gestapo and in Theresienstadt come from a fragmentary memoir in German and survivor testimony published in London in 1946, both in the LBI Archives. Learn more at lbi.org/jacobson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Marijke Peters. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

Carola’s dream is to be a dancer. In 1935, she moves from Germany to Paris to pursue a career on stage. But as a young, Jewish performer, Carola struggles with a lack of fulfilling work, dwindling funds, and a rising tide of antisemitism. Carola’s strong will carries her through the perils of Nazi-occupied France, losing the love of her life, and the long journey to America – where she finds a new passion that becomes her greatest legacy. The Carola Trier Collection in the LBI Archives includes Carola’s extensive handwritten and typed notes for her unpublished memoir, publicity photographs for her contortionist on wheels act titled “Miss Carola” – and Pilates manuals. LBI also holds the archival collections of her father, the chemist Eduard Strauss, and her husband, Edgar Trier. Learn more at lbi.org/carola. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Emily Morantz. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hanna Kent. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.  

For years, Emma Haas and Helene Krämer have been the dedicated stewards of the Neu Isenburg Home, a sanctuary for orphaned Jewish children and vulnerable women. When the devastating events of Kristallnacht leave the home in ruins, Emma and Helene must find a way to protect the people in their care—and to escape the looming Nazi threat themselves. Learn more at www.lbi.org/isenburg. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was produced by Joanne O’Sullivan. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman and Hanna Kent. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Will Coley, Ellen Rolfes, Irit Reinheimer, Julie Langsdorf, and Jessica Van Tijn. Thanks also to Arije deHass from Leo Baeck Institute in Jerusalem for the use of their space and audio assistance. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

Robert Bachrach is a buttoned-up doctor and dedicated researcher. Leo Hochner is a bon-vivant and art connoisseur who breeds small dogs. Both bachelors, they are part of a close network of friends from Vienna who are scattered across the globe after the Nazis take power in Austria. When Robert takes his life in New York after a humiliating arrest under New York’s anti-gay laws, he directs his final words to Leo, who was still trapped in Nazi-occupied Budapest. We follow the traces they left in the LBI archives to uncover an incredible story of heartbreak and heroism. For Robert, escaping the Nazis didn’t mean an end to discrimination, persecution, or fear.   Learn more www.lbi.org/bachrach-hochner.    Exile is a production of the Leo Baeck Institute, New York and Antica Productions.   It’s narrated by Mandy Patinkin. This episode was produced by Nadia Medhi.   Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Isabella Kempf, Cyrus Lane, and Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham.   Special thanks to Anna Lvovsky, Brian Ferree, Hannes Sulzenbacher, Clarissa Hochner, and Diana Bulman. Thanks also to Victor Sattler, who wrote about Robert and LAY-oh as part of the LBI’s literary project, “Stolpertexte”, and whose essay lent our episode its title and opening scene. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

To Samson Schames, art is everything. When fleeing the Nazis lands him in an English internment camp for enemy aliens, he doesn’t let the squalid conditions curb his creativity—in fact, he thrives. Using the debris of destruction as material for his work, Samson cultivates an artistic vision that captures the horrors of war unlike any other.  Learn more at www.lbi.org/schames. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was produced by Ilan Goodman. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Ilan Goodman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the Jewish Museum of Frankfurt. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.

In 1943, 13-year-old Zuzana Justman and her family are sent to Theresienstadt, a transit camp and ghetto in occupied Czechoslovakia. While the Nazis claim Theresienstadt was a model ghetto with a thriving cultural life, Zuzana and her family face starvation, illness, and fear of the mysterious transports that take her loved ones away, never to return.  Learn more at www.lbi.org/justman. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was produced by Rami Tzabar. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the German Federal Archives, the Guardian, Will Coley, The International Festival of Slavic Music for the use of their 2018 performance of Hans Krasa’s Brundibar, as well as Zuzana Justman for the use of her film, Voices of the Children. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.