Angle on Producers with Carolina Groppa

Women directors are making some of horror's best films. So why do the franchises keep going to men? In Part 3 of our Unpacking Horror series, Fantastic Fest director Lisa Dreyer gives us her answer, and explains what it takes for a horror film to earn a spot at a festival that takes film and fun equally seriously. A former special education teacher, Lisa joined the festival in 2018 as a volunteer on the pre-screening team, worked her way up to features programmer, and took over in 2022. We talk about: Where she draws the line on what's too far to show, and why depiction doesn't equal endorsement  Why she's seeing fewer submissions from women filmmakers this year, even with a majority-women team picking the films  The story behind Fantastic Pitches, the $100K competition whose first winner, Play House, was just acquired by Focus Features. She also shares how teaching shaped the way she treats every film, what gets a submission passed on fast, why Smile's uncompromising vision paid off, and why half the lineup comes from outside the U.S. Catch up on the series: Part 1 with Jacob Chase, writer-director of Insidious: Out of the Further  Part 2 with behavioral scientist Coltan Scrivner.  AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/   WATCH/LISTEN YouTube: https://www.youtube.com/@angleonproducers Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC   JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok:   / https://www.tiktok.com/@carolina_groppa 👩🏻‍💻 LinkedIn:   / bit.ly/2BqHs8L   QUESTIONS ❔Answering your questions on our Subtasck! Submit here: [email protected]

Horror is the least liked genre, and also the most loved. Behavioral scientist and horror producer Coltan Scrivner explains why there's almost no one in the middle. Coltan Scrivner is a psychologist at Arizona State University, a researcher with the Recreational Fear Lab in Denmark, creator of the Morbid Curiosity Scale, and author of Morbidly Curious: A Scientist Explains Why We Can't Look Away. He also founded the Nightmare in the Ozarks Film Festival and runs the Eureka Springs Zombie Crawl. In Part 2 of our Unpacking Horror series, Coltan gives us his definition of horror (it comes down to one word), pushes back on the idea that horror struggles on streaming, and explains why horror booms when it reflects what a generation is anxious about.  He also reveals which group scores highest on his morbid curiosity test and what haunted house operators understand about fear that filmmakers miss,. Plus: his pick for the best horror movie ever made, and why he doesn't think Get Out or Obsession will stand the test of time. Take the Morbid Curiosity Scale: https://www.coltanscrivner.com/morbid... Missed Part 1? Watch our conversation with Jacob Chase, writer-director of Insidious: Out of the Further. AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/   WATCH/LISTEN YouTube: https://www.youtube.com/@angleonproducers Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC   JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok:   / https://www.tiktok.com/@carolina_groppa 👩🏻‍💻 LinkedIn:   / bit.ly/2BqHs8L   QUESTIONS ❔Answering your questions on our Subtasck! Submit here: [email protected]  

Jacob Chase made his first short film with friends and no money. Nine years later, he was handed the keys to one of horror's biggest franchises. Jacob also directed Come Play, four episodes of Peacock's The Girl in the Woods, and is now in prep for Sleepover with Universal and Blumhouse Atomic Monster. And while he's done a ton of great press for Insidious: Out of the Further, he hasn't talked about much the decade before it, which is the part you know I love. The TV pilot that collapsed days before shooting, the student loan debt that shaped every creative choice he made in his twenties, the Doritos Super Bowl commercial that won him just enough money to breathe again. In this conversation, Carolina and her pal Jacob go past the franchise talking points. We explore: Going from a four-minute short film called Larry to a phone call from Amblin  The fear of repeating his own parents' patterns while directing a film about generational trauma How becoming a father reshaped what scares him. Jacob also tells the story of pitching Insidious the way he first told it to Carolina over brunch, before any of it was real. Can't wait to hear what you take away!  xx CG

Today we're serving you a special episode in collaboration with Latina Squad, the community of Latina executives launched by Christine Davila reshaping Hollywood. Carolina sat down with three of her fellow squad members: Julia Balleza (VP of Development and Programming, Blumhouse Television) Greta Fuentes (MACRO, where she started as Charles King's assistant the day he left WME to build the company), and Adriana Martínez Barrón (former Netflix exec, now running Stacey Abrams's production company Sage Works). We're also honored to feature Chika Igwilo, SVP of Development at FX, as our guest of honor. Chika was awarded the Catalyst for Change award at the organization's second annual Creative Honors, recognizing her impact across two decades in the industry. Together, we discuss the career-defining gambles they didn't see coming, what it actually means to advocate for a project no one else believes in yet, and what they hope the next generation inherits. I hope this convo fills your sails with wind! MORE ON LATINA SQUAD www.latinasquad.com AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/

Adrien Rabago has spent 25 years dressing people in Los Angeles, from actresses on red carpets to brides finding "the dress" to two very famous soccer players who needed twelve jerseys instead of two, two days before the shoot. She founded Adrien's Closet in 2009 to make elevated dressing accessible beyond celebrity circles, and in this conversation she pulls back the curtain on what styling actually looks like behind the glamour: the steaming, the pinning, the returns, the paperwork, and the constant last-minute fires that come with production work. Carolina and Adrien actually go way back, one of those funny things that happens once you've been in LA for 20 years and your paths keep crossing. Carolina was thrilled to head into Adrien's Closet for her Tribeca looks, and Adrien even surprised her with an outfit for this very recording! Experience the flowy fabulousness on YouTube! Clothing can shape identity, confidence, and how we are perceived. It can absolutely change how you walk into a room. There's real research behind this, including the concept of "enclothed cognition," coined by Northwestern researchers in 2012, which explains how what we wear doesn't just signal something to the world, it actually changes how we think, perform, and feel about ourselves. We also dig into the real difference between a stylist, a designer, and a costume designer, how wardrobe communicates trust or authority or struggle before an actor says a word, and why quiet luxury might really be a response to overwhelm. Adrien also opens up about dressing women through body changes, including postpartum, and what it means to help someone feel confident in a body they're still getting to know.  AOP SUBSTACK 📫 https://angleonproducers.substack.com/ WATCH ON YOUTUBE https://www.youtube.com/@angleonproducers JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻‍💻 LinkedIn: / bit.ly/2BqHs8L CONNECT WITH ADRIEN https://www.adrienrabago.com/ QUESTIONS ❔Answering your questions on our Subtasck! Submit here: [email protected]