josephaleo on Huffduffer

00:00) 01. The Psychosphere (03:45) 02. Lonely Tomb (05:24) 03. Remember (06:19) 04. The Lowlands (07:36) 05. The Secret Truth (09:14) 06. True Detective (11:11) 07. The Flat Circle (15:59) 08. The Little Children Suffer (18:22) 09. The Tiara (20:56) 10. The Yellow King Interrogation (22:36) 11. The Munchausen Interrogation (24:46) 12. William Childress (26:17) 13. The Childress Family (28:05) 14. The Beat (30:17) 15. True Detective II (32:07) 16. Carcosa (34:17) 17. The Altar (38:59) 18. Hart And Cohle

Senator Wexley rises as a national symbol after the attacks, coached by Whitman to embody an ancient ideal of sacrifice and order. Yet a doppelgänger claims Wexley’s life was stolen. As conspiracies, violence, and surreal horrors unravel, Wexley embraces power through manipulation and blood. Meanwhile, Belle Flower evades sinister forces tied to a deeper, unseen war. Reality fractures; identities blur; the veil between worlds thins.

Belle Flower flees with Red, her past nipping at her heels. Red’s quiet help masks old wounds—he’s using. She doesn’t trust him, but needs shelter. As she washes the blood away, her fear sharpens. A man in a gray suit comes for her. Shots are fired. Belle’s grazed. Agent Grayson apprehends the attacker. Meanwhile, Senator Wexley spirals. Believing he’s been replaced, he begs shady allies for help. Broken and paranoid, he plans a comeback—ready to “flip the tables.”

Bryce Wexley, broken and hunted, watches a doppelgänger version of himself on live TV while the world burns. Homeless and unraveling, he’s offered kindness by Lucky, a diner owner. Haunted by conspiracies, paranoia, and visions, Wexley’s reality fractures as he glimpses something watching him. Meanwhile, Belle Flower flees a killer in a grey suit, and Agent Grayson arrives in San Diego to find her—both unaware how deeply they’re entangled in something monstrous and occult.

Agent Nicholas Grayson is assigned to investigate occult influences behind major domestic terror events. Sent to San Diego under Operation Watchtower, he must track extremist groups and enlist hacker Belle Flower. Belle flees a mysterious assailant tied to her traumatic past. Meanwhile, senator Bryce Wexley, haunted by his involvement in a government cover-up, experiences visions of alien forces and his own complicity. All three are caught in a dark, interconnected conspiracy.

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Dram – Litmas JD McPherson – Every Single Christmas Margo Guyen – I Don’t Intend to Spend Christmas Without You Josh Rouse – Sleigh Brother Bill Sufjan Stevens – Put the Lights on the Tree Bailen – Christmas is All Around Hoodoo Gurus – Tojo The Magnetic Fields – Everything is One Big Christmas Tree Sia – Santa’s Coming for Us New Order – Rocking Carol The Regrettes – Marshmallow World James Brown – Santa Claus go Straight to the Ghetto Justine Skye – Eyes for You Satan’s Pilgrims – Feliz Navidad Livingmore – Show me Light and Love Jagged Jaw – Pink Xmas Tree Beach Boys – Little Saint Nick (Alternate Version) Tralala – Holiday Hearts Cocteau Twins – Winter Wonderland Redtenbacher’s Funkestra – Deck the Halls The Duke Spirit – Melt by the Morning The Grip Weeds – God Rest Ye Merry Gentlemen The Silhouettes – Under the Mistletoe The Oh Hellos – Every Bell on Earth Will Ring

“Why, then, has mankind not long ago gone extinct during great epidemics of madness? Why do only a fairly minor number of individuals perish because they fail to endure the strain of living – because cognition gives them more than they can carry?” asks Peter Wessel Zapffe in his 1933 essay, “The Last Messiah.” For him, the cosmic panic he saw endemic to the capacity for meaning-making burdened his species with a perpetual psychic scramble to avoid absorption into the infinite regression which undergirds that capacity. For anarchists, the whole of the world as it is faces them with similarly unthinkable problems whose sheer magnitude, complexity, or both render them as in fact meaningless by dint of scopes in excess of the capacity for a given brain to cognize them, terminating thought into impermeably blank anagnorisis. Having achieved a state of no mind, only those with suitable religious inclinations bother remaining here for long. “Cultural history, as well as observation of ourselves and others, allow the following answer: Most people learn to save themselves by artificially limiting the content of consciousness,” continues Zapffe, marking the out of which anarchists avail themselves as often as any other simulacra raised in the image of Man the Wise. Posed with inhuman problems which are nonetheless problems both of humans and for humans, though many elect to turn away it is understandable that one would find themselves nonetheless compelled to act toward the embetterment of their world. Whichever way they turn, however, apostate and fidelitous alike find themselves already caged by the funhouse mirrors of their own failed gnosis. “The whole of living that we see before our eyes today is from inmost to outmost enmeshed in repressional mechanisms, social and individual; they can be traced right into the tritest formulas of everyday life,” he continues, laying down modes of defense by which his species avoids the hazard at the center of their own psychic ontologies. By these same methods, anarchists, and conceivably all confronted by truly larger than life matters, find ways to ignore their problems, bury themselves in dogmatic commitment to project-hobbies, and treat whatever matter is at hand as effectively reducible to an arena in which they, preferably, already hold mastery. Failed imaginations an oubliette for every revolution.

Critics have offered many readings of the influence of weird and horror fiction on True Detective's narrative, often examining the influence of Robert W. Chambers' short story collection The King in Yellow (1895) and Thomas Ligotti. Allusions to The King in Yellow can be observed in the show's dark philosophy, its recurring use of "Carcosa" and "The Yellow King" as motifs throughout the series, and its symbolic use of yellow as a thematic signature that signifies insanity and decadence. Pizzolatto was accused of plagiarizing Ligotti because of close similarities between lines in True Detective and text from Ligotti's nonfiction book The Conspiracy Against the Human Race (2010)—accusations Pizzolatto denied, while acknowledging Ligotti's influence. Other philosophers and writers identified as influences include Arthur Schopenhauer, Friedrich Nietzsche,[ Gilles Deleuze, Ray Brassier, Emil Cioran, and Eugene Thacker. Mathijs Peters, in a piece for Film International, argued that True Detective probes Schopenhauerian philosophy through its approach to individuality, self-denial, the battle between dark and light, and so forth. Ben Woodard noted the show's evolving philosophy, which examines a setting where culture, religion, and society are direct by-products of biological weakness. Woodward wrote, "Biological programming gets recuperated and socially redistributed visions, faiths, and acerbic personalities take the reins of uncertain ends creating a world where 'people go away'." Even the setting, Fintan Neylan argued, emphasizes a world "where the decrepitude of human ordering cannot be hidden." He stated, "This is not a place where hope fled; it is a place where hope could never take root. It is with these people and environs that the real horror is sourced." Yet Neylan observed that Cohle's actions are not motivated by misanthropy, rather a drive to challenge "those who try to either disguise or manipulate this frailty of humans for their own benefit." And in doing so, Cohle ultimately confronts "an entire philosophical history which has taken its task as that of sweeping frailty away." Christopher Orr at The Atlantic said True Detective was "Fincherian in the best sense", a fusion of Se7en (1995) and Zodiac (2007), because of its subject matter, sleek cinematography, and "vivid, unsettling" aura. Some commentators noted further influences from comic book literature. Adams likened Cohle to the protagonist of Alan Moore's The Courtyard and drew parallels with Grant Morrison's The Invisibles for the show's brief exploration of M-theory with one of Cohle's monologues. ComicsAlliance and New York columnist Abraham Riesman cited Top 10 as the inspiration for the season finale based on dialogue from the episode's closing scene.

A Story of the Traveller Universe Kindle Edition. Jonathan Bland is a Decider, empowered by the Emperor himself to deal with the inevitable crises of empire. In the service of the Empire, he has killed more people than anyone in the history of Humanity, to save a hundred times as many.

A Story of the Traveller Universe Kindle Edition. Jonathan Bland is a Decider, empowered by the Emperor himself to deal with the inevitable crises of empire. In the service of the Empire, he has killed more people than anyone in the history of Humanity, to save a hundred times as many.